Відео

i perceive this guy is a Genesis fan. This song . . . is one of those songs where i really get the impression that Tony Banks really put his heart and soul into it. Like, he really loved playing this song. Maybe he has a few like that . . . but this solo just really stands out. One of the, if not the, best keyboard soloes of all time. Certainly the top extended instrumental. I'm thinking, up there with, Ray Manzarek's "Light my Fire", "Riders on the Storm, Wakeman's "6 wives Yessongs solo", Emerson's "Karn Evil 9", Greg Hawkes' "Moving in Stereo". Guitar-wise, I'd compare this piece to Howe's beginning solo in "Close to the Edge", "To Be Over" and "Sound Chaser". If you haven't heard any of those, seek them out. Thoughts? Oh, and I forgot arguably the best extended guitar solo: Frampton Comes Alive: Do you feel? So melodic. So captivating. The audience was mesmerized and blown away.

I think Rutherford sings the choruses like at 1:15 and 1:42.

Amazing! Thx for sharing ❤

All the hot chicks die! Boo!

👏👏👌

1:39 = That choir is epic! Mellotron is amazing!!! ❤❤

The drums is a solo apart ❤

Molto bella,

Really do not understand where Miranda went away. Like gone with the wind. Just disappeared.

These are all fantastic 🎶🙏🏻

Incredible

Some of you may be interested in the following.... I met Ian Benhamou (keyboard player with 'The Musical Box') a year or so ago when they performed 'The Lamb...' in Cambridge (and again more recently at the same venue during their 'Selling England... 50th Anniversary' tour and will be seeing them again, same place, next April). Ian told me that he actually used my 'Mad Man Moon' transcription when he auditioned for the 'Tony Banks' position with TMB!! To have one superb Genesis tribute band (Genetics; see a comment from them below) use my transcription was very thrilling, but to know that two such eminent bands have made use of this particular transcription... mind well-and-truly blown!! 😊

wow! freaking WOW! you just made my day..my week! wonderful!

oh my! i absolutely love this! and your notes above? WOW !! TOTALLY Fascinating!

amazing!!!

You are an amazing player! a genius!!!..it sounds wonderful!!! WOW!!!!

As a fellow keyboardist, there is NO WAY to write a score with the "feel" Tony Banks put into his music. That's why this rendition sounds "cold" and the score is off balance. Signed: NTU School of Music student circa 1970's in music theory, music performance, music literature, music history, chamber music, drum solo, drum set, percussion, flute, guitar, piano, organ, concert, orchestra, and of course marching band.

As a result of a recent conversation (which seems to have disappeared...!) that I've had with @claudiocardoneOK about this transcription, I've modified the Instrumental section slightly. Instead of it being in 4/4 (as in this video), I've changed it to 2/4 to better reflect the chord changes and the sense of a strong '1 & 2 &' pulse. I hope he reads this and accepts it as a good compromise (he was quite brusque in his manner unfortunately and I took it somewhat personally). He strongly suggested that I change all the 32nd notes in the arpeggios to 16th notes and change the tempo marking to crotchet (quarter note) = 150 rather than quaver (eighth note) = 150 as it is here. I've seen this sort of thing done in many classical scores, usually with (instead of an absolute tempo marking) something like 'quaver symbol = crotchet symbol' meaning 'the tempo that quavers were played at before the change is the same tempo that crotchets are now to be played at'. ie. everything is played at twice the previous speed. But I feel that, although perfectly correct, it doesn't make it as obvious that the Instrumental arpeggios are played at (slightly faster than) twice the speed of the Chorus arpeggios. Hence why I've gone with keeping the note values as they were but making the 2/4 alteration instead. The new PDF is in the usual online area.

Such a beautiful tune!

Thanks, exellent!!!

As a guy I love the atmosphere of this movie and the music. Bought it on Applemovies so watch fairly frequently. I also I’ve fairly near (50 kms) from Hanging Rock.

Thank you, you are great

As a long time Genesis fan, Duke is my favourite album. As a beginner piano player this has given me even greater respect for Tony Banks, trying to sight read the sheet music. What speed, genius 👍

Steve Hackett (verses) and Phil Collins (chorus), ladies and gentlemen. The two 'junior' members! A masterpiece, and a lovely transcription, as usual, by Elektrik Hob. Bravo!

Unbelievable how they could write "Invisible touch" just a few years later...

Love the music and movie!!!!

In my opinion still their best timeless song, Firth of Fifth close second best

Who else agrees that we thought this was a true story and this music is so beautiful and who else wanted to be Miranda , so beautiful, popular, ethereal , kind and mysterious?

Why add notes?

Is your “buymeacoffee” link still active to obtain transcriptions?

Thanks for posting. I've been trying to work out Steve's part for years so this will be really helpful. Just need to learn how to read music now. 😁

That is excellent. Just excellent thank you.

This is nice work but why wouldn't you write the organ solo in 2/4 (predominantly) with the 9/8 superimposed underneath? That's how you have to think about it when you play it, no matter if you're in Phil's place, Mike or Steve's place, or Tony's place.

I think something went wrong at 26, which cascades into 27. They insert a bar of 2/4, which should put the word "roof" on the downbeat, making that section of 13/8 break down as 9/8 + 2/4 (1 2 3 1 2 3 1 2 3 1 2 1 2). They reintroduce the 2/4 at the end of that passage, which is what makes it all add up, but otherwise it makes the downbeat fall in a most unnatural location in the vocal phrasing.

Bars 6-8 you're making Phil and Mike play across the bar line instead of Tony for some reason. 9+9+8=26 which is two bars of 13.

I'll be damned -- that's TONY singing lead at the end of the chorus!

Could not believe when Peter's voice came in. These are unbelievable! Thank you so much.

Great stuff - thanks for posting. The harmonic work Tony's doing is just incredible, shifting keys and chord lines over the top of a two chord guitar part and Phil's shifting rhythm. The fact Genesis could make such complex music sound so easy is what took them to the top. Yes other bands could do odd times etc. - but not with Genesis' subtlety or taste!

Peter Gabriel´s Genesis . The best Genesis . This is from the best album : Selling England By The Pound . I own it. Fantastic !!!!!

The whole section from 3:56-5:42 is just gorgeous w/ only Phil's vocal & the piano. I don't know if it's the memories it brought back to my mind of the times I used to listen to this tune as a kid, or the composition itself, or the simple arrangement here, or a combination of all of that, but that section gave me chills. Beautiful.....Cheers! 👍😎🎹

Terbaik...ore xknal genesis di Malaysia..

Excellent work!

Any pianist here that can tell me which fingers are you using on the 25 bar. that jump from Ab Bb to F G Ab G Bb. I use 1 1 2 3 4 3 5. Its the best I found but still weird, maybe theres another way. ty

magic musica

Agreed, one of the best Genesis tracks. Not playable, but nice try anyhow. Pity that they didn't continue with more complex songs but instead turned to Collins commercial crap. Ripples is another favorite.

I love the whole soundtrack.Its an Aussie classic.Just perfection ❤

Is there a version of this when I can see which tangents to press? 🤣 like synthesia? I suck at notereading

Excellent transcript, great for play along

This is AMAZING!!!! Any chances Silver Rainbow and Me and Sarah Jane get covered?

It's been 2 years since your release. Can I still buy you 3 coffees?