In a recent interview, Floor said that the opera part could not sound too thin, but also not too full, so that it would not sound "pretentious". So, it seems to me that what you are hearing in her high range is not lack of confidence, but rather the kind of sound that they agreed upon, so that it would not sound "pretentious". (Although one can hardly see Floor sounding pretentious at all, but that's another matter). Thanks, great reaction!
Yup, she did an excellent and very accurate job in that part. The intensity, the feeling the dramatic way the vibrato everything was perfect. She said that it was not the idea to put forced and heavy vibratos or just sing those notes. It was beyond that. She she proved she's an amazing artist.
I'm SO glad she decided to do that. Heavy, all-over-the-place-vibrato opera is the stuff of ridicule in most music circles that aren't already full of opera fanatics. It's a game of diminishing returns when trying to mix opera with other genres, and Floor knows right where the sweet spot is.
She said that she didn't want to sing the last part so powerfully, instead she wanted it to feel suitable for the lyrics. So a bit more fragile and melancholic.
@@leeana6394 yup but it's powerful and fragile at the same time that only Floor can do that.. I think it was inspired by this Aria "zbigniew preisner lacrimosa" listen to it and u will see what's about... The deep emotion behind those notes and Floor nailed it... I'm in love with this album
You could also translate it different. Praise be to you, to the stars. Meaning send off to the stars like a cryout and as a honor, what also really happened with his ashes and in an urn inscripted with the poem from Shakespear. Send to the moon where he can see every day the upcoming of our beautiful earth.
@@joop558 Knowing that the stars according to the Bible to be the angels and some of them the fallen ones, this is kind of a strange statement for me. All praise should be unto the creator, not the created. Heavenly singing from Floor though and on of the best songs on the album.
Elvann, you shouldn't apologize to comment technical issues because you are a qualified singer and know a lot about music! I enjoy very much your reactions and I learn a lot!. I´m looking forward for the next reaction videos of the album!
Take your hearing aids out the batteries are flat. What you need to understand id Nightwish songs range from folk, classical to metal and Floor sings to the music. One of the worse Nightwish reactors.
I have a tiny bit of vocal training in college chamber choir, and my first reaction when hearing this song's opening part is...Tuomas why do you have to trouble Floor like this? Not only the melody is made to instrument (notice it exactly same with the instrumental intro) and not for singing, but sang anyway, but the lyrics also are very hard to sing, so many consonant clusters, diphthongs, and weird placements of accents against the melody flow...For Floor being able to pull this off is an accomplishment in and of itself.
Yeah, it does, in fact, not sound written for a voice at all, you just put down in words what I've been thinking without being able to fully articulate it. Those types of melodies are definitely a recurring theme through the whole album!
@@maxmattt I don't think that very many others have figured this out either! Johanna has a really unique bright voice and recognizable vibrato so it was easy to hear her voice, especially when I've heard her singing for almost 15 years.
I can only find info online about Johanna doing the speaking and no mention of her singing anywhere on the album at all. Please tell me where I can verify this. I love her work and am super curious about this!
This album is molded around Floor's and Kai's palitra and it's very different. That shows the range of Tuomas as a musician and we can only give him credit for this! I hope they go even harder to use the full drummer genius that Kai is. Floor is everything Nightwish should have been and everything Nightwish is in a nutshell so she can probably play Kai's darker and explosive play too :)
The low note comment you made, is quite intresting, made me think a bit.. great reaction!! Its Tuomas wife speaking that verse.. Laudato Si Ad astra Means Prasise be to the stars Eugene Merle (Gene) Shoemaker (April 28, 1928 - July 18, 1997) was an American geologist and one of the founders of the field of planetary science. He co-discovered Comet Shoemaker-Levy 9 with his wife Carolyn S. Shoemaker and David H. Levy. This comet hit Jupiter in July 1994: the impact was televised around the world. Shoemaker also studied terrestrial craters, such as Barringer Meteor Crater in Arizona, and was the first scientist to conclude that these craters were caused by meteor impacts. He was also the first director of the United States Geological Survey's Astrogeology Research Program. He was killed in a car accident while visiting an impact crater site in Australia. After his death, some of his ashes were carried to the Moon with the Lunar Prospector mission. This song is a great listen, especially with headphones, but also without, among the top song on new album, and maybe the true masterpiece..
Great reaction, and one I was looking forward to. I think there are two reasons her operatic lows sound more comfortable than her highs. First is that she seems to have started working on operatic technique for the Decades tour and Beste Zangers in her mixed voice first and then later started working on her higher operatic singing the same way to try and create more backspacing and use more vibrato compared to the head voice operatic vocals she used to do. I think she still finds it easier in mixed voice or chest voice than head voice as of yet, but that with some more time and practice she'll get even more comfortable with these technique changes in head voice. Second is that Tuomas was apparently very particular about the balance between lightness and heaviness he wanted in this section and Floor mentioned in some interviews that she really had to work to strike the balance he wanted in this section. The tension may come from her trying to hold onto that particular balance. Finally, enjoyed your analysis of technically demanding this song is on a vocalist!
The last part is as awesome as it can get. In fact as I was listening the CD on the background for the first time, while I was working, at that part I just stopped whatever I was doing and I felt stunned for some seconds.
I heard (as a rumour) that they wanted to play the whole 'human' part of the album on the tour + some other classics. So they should play this live, too.
@@dromertv463 When they did Passion and The Opera live, Tarja never sang the last operatic part live, because the difficulty. if that's something to go by in this case....
Loved your expression, when the operatic part started... Have to admit that when I heard it the first time, my eyes got a bit wet, because of the beauty in Floors voice...
Another great reaction. This is undoubtedly my favorite song on the album. Your reaction when to "on the stellar sea, cut in little stars," your smile, that was my exact reaction, too. Such wonderful lyrics, and yes, the contrast between dreamy, harmonically poetic, to powerful fits so well, and is so typical Nightwish.
The ending vocals remind me a little bit of late renaissance choral music. The thin, silvery high notes almost feel madrigalian to me. Obviously there’s a lot of opera in there. But the mixture of the two styles renders a really unique and beautiful result.
Hi Elvann!.. Good reaction/analysis for this video.. Your comments regarding Floor's voice are very good... that shows you are a fan and not a cheerleader.. but also and most important, you are a singer with the knowledge to talk about it... have a great day and see you in the next one!!
The operatic part is like a memorial service. I don't think it was meant to be very powerful all the time. It's like crying at the funeral but still majestic, which is perfect for the song. I encourage you to read about Eugene Merle Shoemaker. The key information is what happened after he had passed away and what was inscribed on Shoemaker's memorial capsule. I might as well tell you this: He is the only person whose remains have been placed on any celestial body outside Earth. Thank you. I like that you keep doing these videos and I also like your music and covers versions.
Great job, Elvann! I look forward to more epic songs throughout history. I feel like the opera part is a mother soothing and calming you. It is not too much or too little. A very well-balanced part.
I didn't know Floor was the one singing the laudato si / ad astra part, I thought it was just a singer from the choir who made it, and... WOW. It's beyond extraordinary. Each time I hear this song it gets more and more incredible.
I'm always waiting for your reactions because you're one of the most insightful in the reactionsphere :) And I love Floor's lower register as well, it's so gorgeous! I noticed some tension on her higher parts but to me it sounded like a dramatic effect? I don't know if it makes any sense, but this tension translated to me as emotion. I'm not saying it was intentional, but knowing a bit about Tuomas and Floor the probability is high. They always seem to aim for a result that better conveys the feelings they want to transmit. And they succeeded because this last part really made me cry! Thanks for the video! Can't wait to see what you have to say about the other songs!
I'm not a singer don't know the first thing about it but the first part did sound impressive and difficult.. I can hear the quick note switches and it is not only technical, it sounds beautiful too. Great video!!
Please don’t take my comment the wrong way as I have not taken your comments the wrong way. What so many UA-cam reactors who claim to be professional singers or vocal coaches don’t understand is Floor is NOT an opera singer. She’s a metal singer, who because of some training and God-given talent, is able to sing in this style. She has said numerous times she does not prefer to sing this way as it does not really interest her. She’s a metal head who’s the lead singer of a band which requires from time-to-time to sing opera. With that said, I’m 100% certain if Floor ever decided to put in some serious effort into training her voice to sing opera, she’d nail it like she nails everything else she sings.
Yeah, I agree 100% with this! She is not an opera singer, and it's absolutely incredible she can pull off something like that, honestly. Hands down to her, I've heard a ton of classical singers who don't get it nearly as beautiful as she was able to do here. It's almost seamless and seriously, all my respects to her for accepting that challenge and clearly rocking it! I think Floor loves challenges, and she likes to perfect herself, and it's in that mindset that I'm pointing out those things. I hear where this could be going next, but it doesn't mean what she did is not good enough. On the contrary, I think she's good enough that she could push it even further. She did impress me a lot with this. I can hear that sort of thing because I've studied it for years and years, and I've heard a LOT of classical singers and have been working with them on productions. Opera is a very competitive field and the standards for soprano singers are extremely high. What I'm thinking here is that Floor is not yet sounding comfortable enough to me that I feel she could pull off a full opera performance as the soprano lead and not completely tire herself out in the process, but within the context of this music, it really only matters if you're interested in knowing that. If she decided to fully go in that direction though, she would be absolutely unstoppable, I'm 100% convinced she would quickly become just as good as the big opera stars. ❤️😎
tell that to all the Floor fans who claim she's as amazing in "opera" as she is in metal. She's just adequate, with one year of training. They seem to think she's ready for The Met, but she can't even outdo Tarja in the genre. She's an amazing , AMAZING contemporary singer, who can do multiple sounds, tones, and tricks with her voice. She can multiple contemporary genres, and is decent at classical singer. I LOVE Floor's voice, but her fans putting down others in her favor and pretending she's even more than she is, has managed to turn me off her and Nightwish recently. I didn't think that was possible. I only came here to see what Elvann would say about the new music, as I hold her up highly as a vocal coach. The only reason I'm saying all this is cause Floor fans want to have their cake and eat it too. On one hand, its "she's better than your fave , cause she can sing this AND classical, just as well as your well trained classical singer! Nyah nyah nyah!", then on the other hand, it becomes "give her a break! She only did one year of training! She's NOT a classical singer! Wah!". Which is it? Is she a classical expert or not? It seems her fans keep changing their stance in order to win an argument. Its obnoxious.
@@Rosannasfriend I think people make the mistake in confusing the terms "Opera" and "Classical" singing. They are not the same thing. She possesses excellent classical techniques when we talk about control and breath support and has the insane ease of moving from head to mix to chest voice in a split second. That is what she uses for all styles that she sings. Opera is another matter and to be frank you cannot do this on a professional level in a 90 minute concert either (eh, no not even Tarja is on that level).
Elvann, you're definitley knows what are you talking about... it's so annoyng see comments and videos of haters and people saying things like the álbum it's so boring, that the voice of Floor is wasted, and more stupid things of ignorant people... It's so sad that they could'nt to appreciatte this beautiful music, and all the soul that Tuomas and the band they put in Human:ll Nature... Thanks for this review and for your honesty...
According to 'the Charismatic Voice ' there was nothing wrong with the last notes sung by Floor. She did it with control, power and purity of voice. The Goddess spent 13 years of her life perfecting her voice. Uncertain of her high notes... I think not Ps Elizabeth is a renowned opera singer...
A little bit annoyed by her reaction, I suppose. If you are a qualified opera singer you probably have to say something... Floor is floorless. I heared a professional opera singer respond and said that he wished that opera singers just like Floor does, because of her more organic approach of singing. Let it be...😉
Floor did say it took several takes to get that end part right with the right feel for the song, so it probably is true that she had to really challenge herself to get there and wouldn't be surprising if its not quite as strong. I agree, she sounds so comfortable and powerful when it comes down on that "si" note.
@Elvann - the instrument you're hearing in the beginning is actually Dulcimer - it's even mentioned in the song. It's a very old instrument with a very interesting sound. It sounds very similar to mandolin.
I watch these reaction videos to get a genuine reaction. Critique, analysis, all that stuff. I want exactly that. Especially from someone like you who knows what they're talking about.
If you knew the history of Eugine Shoemaker (The Godfather of modern Geoastronomy (geology of space)), this song would be so much more emotional. Though his specialty were space rocks found on Earth, his true obsession was the moon, but NASA found his health unfit to go on any missions. He said that never being able to hit the rocks on the moon with his own hammer was his biggest tragedy. But, He and his wife had a huge love of space rocks and specialized in comets and astroids, discovering THOUSANDS and studying the ones on Earth for almost 5 decades!... Years after his tragic death in a car crash, his wife and one of his students convinced NASA to send his ashes (along with that verse from Romeo and Juliet) to the moon... The song speaks as though he is an entity of the moon and his love of space. After finding all this out, the operatic part and the finale of the song always makes me cry!!!
Great reaction and good observations. I heard Floor say in an interview that she doesn't think of operatic style as her specialty; it's just something she can do, so Tuomas takes advantage of it. Based on that, she may well feel less comfortable singing in that range. In that same interview, she also said that this music was incredibly difficult and required a LOT of rehearsal to get it right. It's hard to see how they will pull this off live, but, hey, it's Nightwish!
Elvann makes pertinent, technical points about Floor's upper register....we sit sobbing at the new and beautiful sounds emitting from Floor's magical throat. 😭👍
For some reason I feel like she sang that last part that way on purpose, hearing back "lacrimosa" I can feel in both songs the pain and melancholy, so I love how Floor sang it, perfect or not cause is full of emotion😃💕
Staccato singing is a pain in the ass. I sang in choir for about 8 years. Let along the volume and note changes. I heard this and immediately thought this would be damn hard to sing. Then the background track makes being in perfect time with the music an absolute must.
The first notes of "Music" by Floor made me grin in disbelief. And then the same theme kinda continues in "Shoemaker" (and actually in "Noise" too to lesser extent). I'm not a professional singer, but currently in a band where the main composer has a tendency to put a lot of progressive vibes into his songs and also the same kind of melody "jumps" that we hear here. But nothing even close to this extreme. I would have had a really hard time to get anything done with these songs.
Thank you for your honesty and your analysis ! I think what you say about the operatic part of the song is really relevant ! And as you said, it's not because you notice a difficulty, a lake of comfort that it’s a negative criticism. It's just a very good and fresh analysis ! I'm super happy to hear that ! And even though, like you, I think this part is gorgious !
Je tenais absolument à découvrir l'album avant de regarder tes vidéos dessus, et ça fait un moment que je les vois dans mes abonnements. Je l'ai écouté ce matin, et je me suis dit que la seconde écoute, je la ferai avec tes observations. Et c'est toujours aussi intéressant d'avoir ton analyse ! J'étais sûr que cette chanson t'avait fait réagir en bien, bingo. Quelle surprise ! 😁 On comprend pourquoi Floor disait que cet album l'avait poussée dans ses retranchements et faite travailler. Allez, la suivante, ça sera pour demain.
This is such a beautiful song it really shows Floor's Skill as singer very well my favorite part is the Operatic ending. I really appreciate your detailed musical analysis I may not understand everything you are talking about as a laymen but I still find it interesting great reaction.
What a wonderful song :-) I had to listehn three times to it, after your thorough explanation, to fully aprreciate the beauty and complexity of this sonfg. What a nice contrast between the parts of the song! And the nice video with the lyrics surely does help. Wow, this is great.
With this one, Shoemaker was about as opera as Nightwish has gotten in a long time! This one was a trip from beginning to end. It still got some heavy riffs but melodic parts. Troy's singing in this one was great too and followed a similar step to Floor's almost. But when that ending hit me... I wanted to cry so bad. I have not heard singing like that since Tarja left!
The instrument you're hearing at the start was a hammered dulcimer I think. I just love string instruments that are played by little hammers or similar things hitting the strings to produce a sound. They're fantastic :D
Yes, thank you Elvann for pointing out the difficulty of the technical singing Floor is doing. A lot of reactions I have seen think this is no big deal and want some big belting notes or "singing high" for it to be challenging for Floor.
@@ceithern i know several semi pro musicians that say what's sounds hard to an untrained listener, is often easy and that it looks great but not a big deal. there are some passages where the fan is under whelmed but the musician jaw drops to the floor.
Lovely reaction ... I hope they will play it live one day .... But yes it is a beautiful and never apologize for a reaction.. It is your opinion and some agree some don't, so what .. Your reaction is pure and honest .. keep it that way
She is doing a stylistic choice not to go over the top and full, pure opera as to keep it somewhat connected to the rest...but you'll get this the more you'll listen to her.
Floor commented on singing that last operatic bit of this song and she she mentioned that she still tried to balance the full operatic non-mixed sort of singing with lighter tone. The only time I heard her do full operatic the whole way through is the Puccini aria. She doesn't really love the classical (bel canto) sort of style that much (as much as you at least Elvann! ;-)
I loooooved ‘editing-elvann’ 🤣 Nice touch 😬. That said, I love how you go into the technique of her singing, making pretty unbiased observations while explaining what you here. Please keep doing that 😎 👌🏻
You need to get to know floor more.she picks what she wants to suit the moment…and how many singers do you know who have sang live in front of 60 000 plus with near perfect pitch and the power ❤
Never let anybody tell you that it is wrong what you do, you do the best you can and thats the best there is. I know that you can just believe in yourself and ignore the haters, love the way that you are in any case
The instrument in the beginning is a harpsichord, I think -- it's an instrument that was used heavily in Europe and the American colonies in the 1700s and early 1800s. Edit: I'm not a "professional" musician by any means -- but I _did_ play a tuba in high school. And I know that some bass lines are actually difficult -- for example, Aretha Franklin's song "R-E-S-P-E-C-T." Hearing this rhythm by Floor? Gives me goosebumps -- because not only can I hum the rhythm, I was able to do so after only hearing it the first time. And Elvann, you are correct: Its not an easy rhythm to get down. I'm guessing, vocally, it would take some work to not only get the rhythm down, but also the pitches for all the notes, _while in rhythm._ That being said, it would also probably be just as hard playing it on keys or even guitar. It's why I love Nightwish so much: Because Tuomas feeds that inherent analytical component of music that is like a drug for me -- it not only is something I crave, but it keeps my mind active. Keeps my mind focused.
Great reaction, as always! Have you listened to any of her After Forever songs? There Floor did quite a bit operatic-style singing, especially on the earlier Decipher album. It was Floor at her greenest, but still as gorgeous as anything she's done since. Later AF turned more progressive, but this style was still part of the arsenal - for instance Come from Remagine.
Great reaction to this great song. Floor did a great job here. Although she is not an opera singer ( and she had no ambition to become one she stated in the past) she did quite well that last part.
Second reaction on new album seen. Very accurate on both. She is more comfortable in a lower range, and a lot of this album has her in her upper ranges. The way it is written, and she has done well given that. "Pretentious"? Interesting. Maybe. Obviously this wasn't written to be the Floor show this time around for whatever reasons.
Lovely video! Just a little critique about the audio. I don't know how your microphone is set up, but I can hear it picking up some frequent deep thumping sounds when you're talking. It might be from your hands hitting your desk? Anyways, thank you for making these reaction videos! It's been helpful in giving me an even deeper appreciation for their new music! Looking forward to hearing your thoughts on the rest of the album! Cheers!
i'm here for your honest opinion of your reactions so dont change to try to please to everyone. You are imo the most intresting reactor to watch and when your done with marvelous album please do some more jinjer :)
Am I the only one that is reminded of Maiden’s ‘Hallowed Be Thy Name’ vocally? Lots of lyrics delivered in a staccato manner that requires outstanding breath control.
Opera is a music form wherein it’s a play that is sung. Think of them as precursors to musicals. There is nothing inherently “better” about a person trained to sing in the operatic style. The singing style evolved in an age without microphones. The first task of the performer is to be heard in a medium sized theatre with no mic. They accomplish this with projection. They are the only two I know of with the training to do so. It takes years of practice and training. Floor and others in the genre sing in a classical style but very rarely in an operatic style. Nor do they need to, they have microphones. Most are not trained to do so. Tarja and Lori Lewis are the only ones I know that have ever sang in an opera production
I always look forward to your Nightwish reactions. I watch a lot of different reactions for Nightwish songs and I’m seeing a lot of people saying how disappointing this album is with Floor’s vocals. They say that it doesn’t stand out or have the goosebumps moments that all the live videos of past. At first listen I had a brief moment of thinking the same but that view changed quickly. With most of the vocals on this album Tuomas paying a lot of attention to the phrasing of the lyrics and it is definitely very difficult and can see/hear what he was trying to accomplish on this album. Although some tracks (musically) kept in line with the typical Nightwish people expect: Most of it was different and epically creative. The more. I listen to them the more I like and appreciate what Tuomas’s vision was for this album. I very much look forward to seeing more reactions from you. Stay safe and healthy during this time. ❤️
From comment section of some of the videos. Apparently, Tuomos has said this in an interview...which I have not seen. And I thought I’ve seen most of his interviews.
I myself love the operatic part. Talking about operatic, what do you think of Tarja's operatic vocals? I still prefer Floor's operatic vocals than Tarja's.
Mhhmm the topic of Tarja is in fact one I haven't fully tackled because I've never made a reaction of her vocals. I think in her latest records she's taken on a more pop approach and I'm not sure I like it in her voice as much, but I think it's fine. As an opera singer, she can clearly sing it and she sounds more comfortable, but she's also kind of doing it in her own style in a way that makes it really hard to judge. On operatic standards, what I've heard from her is not really in the style, she uses some of her own stylistic habits which makes it not sound very comparable to a professional opera singer. I think Floor sounds closer to it than Tarja. As for my own opinion, I think I like the kind of tone Floor is going for better, she sounds warmer, more expressive and dynamic to me. Tarja has sometimes a more metallic texture maybe. But, I love them both equally for each their own reasons. I can't really make a decision if you ask me to choose which of them I prefer. 🤔
@@ElvannReacts I agree with you. I love Tarja's vocals during her Nightwish era, but I don't really like her current style. And now with Floor, I prefer Floor's warmth and flexibility. After listening to Floor, now I feel Tarja's voice kinda ... cold hehehe
Ha ha! You just can't help yourself for being so wonderful. This wasn't my biggest favorite at first. It has unusual and a little too difficult structure for a simple man like me, but even I can say that it must be very hard to sing. The operatic ending is phenomenal, of course. And luckily I'm liking it much more now after some listening. Great analysis and thank you!
Amazing reaction Elvann, I really apreciate your expertise and your honesty! Floor considers the final operatic part at the end of this song as one of the greatest vocal achievments of her career and she also said that it took several takes on that later part to get it right, so I think she didn't record the song all at once, but in different sessions... ua-cam.com/video/Vd2EYheiurU/v-deo.html The result is really beautiful as a whole, but I do agree that she sounds more at ease in the lower notes compared to the higher registers. Anyways, Floor is really great singer! All the best to you! Cheers \m/
I understand Floor went 'how am I going to sing this?' several times when Tuomas shared his compositions for this album with her 😀. And of course then figured it out and nailed it.
For one of the songs everyone else was pleased for what she recorded in the studio but she was not but on the way home she figured out how it should be done and re-sung it at home studio. Which then ended up to the track.
Great analysis. Floor did have a hard time singing the Laudato in a way that she found acceptable - she had to work on it at home, after studio sessions didn't produce the results she and Tuomas wanted. She got it right (obviously) using passagio, but it's interesting that you picked up on the effort required. I don't know of any singer, other than perhaps a professional operatic soprano, who could pull it off in a relaxed manner.
Hello Elvann, I really love your reaction to this gorgeous song! In my opinion the whole album is an amazing masterpiece, but when I had to pick out one piece, it would be Shoemaker! I agree with you, Floor's vocals here are absolutly gorgeous, and not only in the operatic part! Toumas really challenged her, and she accepted the challenge, as well as everyone in the band! It's always a pleasure to hear your precise analysis, I learn everytime something new from your videos! Can't wait for the next reaction, I bet you will have a lot of joy also with all the other songs:-)
The phrasing (and cutting up the syllables) is indeed insanely technical because it goes against the natural flow of speaking or singing a sentence. From what I understood is that Tuomas said that this song won't be performed live, which makes total sense that would be insane to be able to reproduce that consistently in a live performance.
I really hope the fans begging for Shoemaker to be played live convinces them to try. Considering the ease with which Floor crushed How's the Heart live for the Planet Rock live acoustic performance already, I believe she'd be able to pull Shoemaker off live.
It does make total sense actually!!! I wish they actually do it tho!!! But I could completely understand. If it's really straining and hard for Floor, then it might be better she takes care of herself and don't tire her voice for no reason!
You should listen to Sleep Token - Calcutta. Soulful vocals like you've never heard in metal(ish) before. You'll never forget it. (No screaming either)
Keep doing what you do! 🖤 Your reactions and analysis of the songs are always great. Don’t pay attention to heaters. I bet any one that posts bad comments because of your opinion (which you give having studied music and being a singer yourself) possibly has no knowledge of music. Its nice to know from a singer what possibly Floor herself thinks when approaching a song.🤘
Loved the reaction! You shouldn't apologise for speaking your honest opinion about the technicalities in singing. You know what you're saying, because you're a talented musician, singer. It's your opinion and that's why we (viewers) watch your reactions. Also, I'd really like for you to check out How's the Heart acoustic version (Planet Rock) with Troy and Floor. I really enjoy the studio version of the song, but I personally like the acoustic more. Maybe you could do a reaction when you've heard the album version, idk :D
@@ElvannReacts I didn't think it was good enough. The two singing together was not good. You will make the correct criticism and people will say that you are jealous, as I read in some comments. But you will be right LOL
![LM. 08.1 [REACTION] Nightwish - Shoemaker (English subtitles)](/img/n.gif)
In a recent interview, Floor said that the opera part could not sound too thin, but also not too full, so that it would not sound "pretentious". So, it seems to me that what you are hearing in her high range is not lack of confidence, but rather the kind of sound that they agreed upon, so that it would not sound "pretentious". (Although one can hardly see Floor sounding pretentious at all, but that's another matter). Thanks, great reaction!
Here is Floor commenting on it: ua-cam.com/video/Vd2EYheiurU/v-deo.html
Yup
Yup, she did an excellent and very accurate job in that part. The intensity, the feeling the dramatic way the vibrato everything was perfect. She said that it was not the idea to put forced and heavy vibratos or just sing those notes. It was beyond that. She she proved she's an amazing artist.
Yep. She is a music teacher herself. She has no lack of confidence in any way.
I'm SO glad she decided to do that. Heavy, all-over-the-place-vibrato opera is the stuff of ridicule in most music circles that aren't already full of opera fanatics. It's a game of diminishing returns when trying to mix opera with other genres, and Floor knows right where the sweet spot is.
She said that she didn't want to sing the last part so powerfully, instead she wanted it to feel suitable for the lyrics. So a bit more fragile and melancholic.
It doesn't need to be powerful indeed! ^.^ Either way she did render that fragile and melancholic feel very well!
@@ElvannReacts ua-cam.com/video/Vd2EYheiurU/v-deo.html
:)
This was powerful enough, I never heard her like this before. It’s simply perfect.
@@leeana6394 yup but it's powerful and fragile at the same time that only Floor can do that.. I think it was inspired by this Aria "zbigniew preisner lacrimosa" listen to it and u will see what's about... The deep emotion behind those notes and Floor nailed it... I'm in love with this album
For those who don't know Latin, laudato si ad astra means "Praise be to the stars"
You could also translate it different. Praise be to you, to the stars. Meaning send off to the stars like a cryout and as a honor, what also really happened with his ashes and in an urn inscripted with the poem from Shakespear. Send to the moon where he can see every day the upcoming of our beautiful earth.
Praise be to you, to the stars
@@MacZussie yes right. You can hear it also in the singing. Split up in the two parts laudato si and ad astra
@@joop558 Knowing that the stars according to the Bible to be the angels and some of them the fallen ones, this is kind of a strange statement for me. All praise should be unto the creator, not the created. Heavenly singing from Floor though and on of the best songs on the album.
@@Dipper737 this song was in honor of shoemaker.
The song is about a geologist/astronomer who studied the effects of meteor impacts on the Moon and Earth.
Elvann, you shouldn't apologize to comment technical issues because you are a qualified singer and know a lot about music! I enjoy very much your reactions and I learn a lot!. I´m looking forward for the next reaction videos of the album!
Thank you Diego!! 🥰 Likely it will be out tomorrow!!!
highly agree
@@ElvannReacts
You can never please everyone. Best just to do your thing and ignore the haters.
Take your hearing aids out the batteries are flat. What you need to understand id Nightwish songs range from folk, classical to metal and Floor sings to the music.
One of the worse Nightwish reactors.
I have a tiny bit of vocal training in college chamber choir, and my first reaction when hearing this song's opening part is...Tuomas why do you have to trouble Floor like this? Not only the melody is made to instrument (notice it exactly same with the instrumental intro) and not for singing, but sang anyway, but the lyrics also are very hard to sing, so many consonant clusters, diphthongs, and weird placements of accents against the melody flow...For Floor being able to pull this off is an accomplishment in and of itself.
Also I believe in "Pan" she has a little bit of operatic voices in lower register, you might wanna check it out!
He challenged them all - including himself.
@@tuskinekinase yes, i can hear this lower register in Pan, though the choir muffles it a bit - i want to hear it live
Yeah, it does, in fact, not sound written for a voice at all, you just put down in words what I've been thinking without being able to fully articulate it. Those types of melodies are definitely a recurring theme through the whole album!
@@ElvannReacts it's a complex album, and such a grower
That was Tuomas's wife Johanna kurkela reading the Shakespeare quote.
Aaand Johanna is also singing harmonies with Marco in the chorus and Floor sings only verses and the ending opera part
Really, I didn’t know that, I thought she only read the Shakespeare quote.
@@maxmattt I don't think that very many others have figured this out either! Johanna has a really unique bright voice and recognizable vibrato so it was easy to hear her voice, especially when I've heard her singing for almost 15 years.
@@justuss_ yeah, that's what I am hearing, too. No-one believed me :-D
I can only find info online about Johanna doing the speaking and no mention of her singing anywhere on the album at all. Please tell me where I can verify this. I love her work and am super curious about this!
This album is molded around Floor's and Kai's palitra
and it's very different. That shows the range of Tuomas as a musician and we can only give him credit for this! I hope they go even harder to use the full drummer genius that Kai is. Floor is everything Nightwish should have been and everything Nightwish is in a nutshell so she can probably play Kai's darker and explosive play too :)
I need to see you react to "Nightwish - How's The Heart Acoustic (Planet Rock acoustic session)" its stunning
I'm pretty sure the instrument in the opening is a hammered dulcimer. The word "dulcimer" even shows up in the lyrics to this song.
oohhh that does make sense 😆👍
I was thinking a harpsichord. Probably an effect on tuomas' keyboard.
The low note comment you made, is quite intresting, made me think a bit.. great reaction!!
Its Tuomas wife speaking that verse..
Laudato Si Ad astra
Means
Prasise be to the stars
Eugene Merle (Gene) Shoemaker (April 28, 1928 - July
18, 1997) was an American geologist
and one of the founders of the field of planetary
science. He co-discovered Comet
Shoemaker-Levy 9 with his wife Carolyn
S. Shoemaker and David
H. Levy. This comet hit Jupiter
in July 1994: the impact was televised around the world. Shoemaker
also studied terrestrial craters, such as Barringer
Meteor Crater in Arizona, and was the first scientist to conclude
that these craters were caused by meteor impacts. He was also the
first director of the United States Geological Survey's Astrogeology
Research Program.
He was killed in a car accident while visiting an impact crater
site in Australia. After his death, some of his ashes were carried to
the Moon with the Lunar Prospector mission.
This song is a great listen, especially
with headphones, but also without, among the top song on new album, and maybe the true masterpiece..
The ending is to represent the "earth set" Eugene Shoemaker sees from his final resting place on the pole on the moon.
Also remember Eugene Shoemaker is the only person to have their ashes sent to the moon.
How metal is that.
Great reaction, and one I was looking forward to. I think there are two reasons her operatic lows sound more comfortable than her highs. First is that she seems to have started working on operatic technique for the Decades tour and Beste Zangers in her mixed voice first and then later started working on her higher operatic singing the same way to try and create more backspacing and use more vibrato compared to the head voice operatic vocals she used to do. I think she still finds it easier in mixed voice or chest voice than head voice as of yet, but that with some more time and practice she'll get even more comfortable with these technique changes in head voice.
Second is that Tuomas was apparently very particular about the balance between lightness and heaviness he wanted in this section and Floor mentioned in some interviews that she really had to work to strike the balance he wanted in this section. The tension may come from her trying to hold onto that particular balance.
Finally, enjoyed your analysis of technically demanding this song is on a vocalist!
love Kai's work in this song too :D
And Troy's silky soft vocals. He has a great voice.
@@forkless yess
The last part is as awesome as it can get. In fact as I was listening the CD on the background for the first time, while I was working, at that part I just stopped whatever I was doing and I felt stunned for some seconds.
The rumor is they won't do it live because of the difficulty. I hope they will though.
Where did you get those rumors from?
Mac Zussie Tuomas said in a Finnish Radio Rock interview that they wont do it live
Does anyone have a link to the interview? I can't find anything stating any song(s) from this album won't be played live.
I heard (as a rumour) that they wanted to play the whole 'human' part of the album on the tour + some other classics. So they should play this live, too.
@@dromertv463 When they did Passion and The Opera live, Tarja never sang the last operatic part live, because the difficulty. if that's something to go by in this case....
Loved your expression, when the operatic part started... Have to admit that when I heard it the first time, my eyes got a bit wet, because of the beauty in Floors voice...
My eyes too, but not only the first time...
@@cancelled_user Yep That last part gets me every time. The sheer beauty and fragility is too much to keep it dry.
Another great reaction. This is undoubtedly my favorite song on the album. Your reaction when to "on the stellar sea, cut in little stars," your smile, that was my exact reaction, too. Such wonderful lyrics, and yes, the contrast between dreamy, harmonically poetic, to powerful fits so well, and is so typical Nightwish.
The ending vocals remind me a little bit of late renaissance choral music. The thin, silvery high notes almost feel madrigalian to me. Obviously there’s a lot of opera in there. But the mixture of the two styles renders a really unique and beautiful result.
Hi Elvann!.. Good reaction/analysis for this video.. Your comments regarding Floor's voice are very good... that shows you are a fan and not a cheerleader.. but also and most important, you are a singer with the knowledge to talk about it... have a great day and see you in the next one!!
The operatic part is like a memorial service. I don't think it was meant to be very powerful all the time. It's like crying at the funeral but still majestic, which is perfect for the song. I encourage you to read about Eugene Merle Shoemaker. The key information is what happened after he had passed away and what was inscribed on Shoemaker's memorial capsule. I might as well tell you this: He is the only person whose remains have been placed on any celestial body outside Earth.
Thank you. I like that you keep doing these videos and I also like your music and covers versions.
Great job, Elvann! I look forward to more epic songs throughout history. I feel like the opera part is a mother soothing and calming you. It is not too much or too little. A very well-balanced part.
The opera part always give me chills 😍😍
I didn't know Floor was the one singing the laudato si / ad astra part, I thought it was just a singer from the choir who made it, and... WOW. It's beyond extraordinary. Each time I hear this song it gets more and more incredible.
I'm always waiting for your reactions because you're one of the most insightful in the reactionsphere :) And I love Floor's lower register as well, it's so gorgeous! I noticed some tension on her higher parts but to me it sounded like a dramatic effect? I don't know if it makes any sense, but this tension translated to me as emotion. I'm not saying it was intentional, but knowing a bit about Tuomas and Floor the probability is high. They always seem to aim for a result that better conveys the feelings they want to transmit. And they succeeded because this last part really made me cry!
Thanks for the video! Can't wait to see what you have to say about the other songs!
I'm not a singer don't know the first thing about it but the first part did sound impressive and difficult.. I can hear the quick note switches and it is not only technical, it sounds beautiful too.
Great video!!
Please don’t take my comment the wrong way as I have not taken your comments the wrong way. What so many UA-cam reactors who claim to be professional singers or vocal coaches don’t understand is Floor is NOT an opera singer. She’s a metal singer, who because of some training and God-given talent, is able to sing in this style. She has said numerous times she does not prefer to sing this way as it does not really interest her. She’s a metal head who’s the lead singer of a band which requires from time-to-time to sing opera. With that said, I’m 100% certain if Floor ever decided to put in some serious effort into training her voice to sing opera, she’d nail it like she nails everything else she sings.
Yeah, I agree 100% with this! She is not an opera singer, and it's absolutely incredible she can pull off something like that, honestly. Hands down to her, I've heard a ton of classical singers who don't get it nearly as beautiful as she was able to do here. It's almost seamless and seriously, all my respects to her for accepting that challenge and clearly rocking it!
I think Floor loves challenges, and she likes to perfect herself, and it's in that mindset that I'm pointing out those things. I hear where this could be going next, but it doesn't mean what she did is not good enough. On the contrary, I think she's good enough that she could push it even further.
She did impress me a lot with this. I can hear that sort of thing because I've studied it for years and years, and I've heard a LOT of classical singers and have been working with them on productions. Opera is a very competitive field and the standards for soprano singers are extremely high. What I'm thinking here is that Floor is not yet sounding comfortable enough to me that I feel she could pull off a full opera performance as the soprano lead and not completely tire herself out in the process, but within the context of this music, it really only matters if you're interested in knowing that.
If she decided to fully go in that direction though, she would be absolutely unstoppable, I'm 100% convinced she would quickly become just as good as the big opera stars. ❤️😎
tell that to all the Floor fans who claim she's as amazing in "opera" as she is in metal. She's just adequate, with one year of training. They seem to think she's ready for The Met, but she can't even outdo Tarja in the genre. She's an amazing , AMAZING contemporary singer, who can do multiple sounds, tones, and tricks with her voice. She can multiple contemporary genres, and is decent at classical singer. I LOVE Floor's voice, but her fans putting down others in her favor and pretending she's even more than she is, has managed to turn me off her and Nightwish recently. I didn't think that was possible. I only came here to see what Elvann would say about the new music, as I hold her up highly as a vocal coach.
The only reason I'm saying all this is cause Floor fans want to have their cake and eat it too. On one hand, its "she's better than your fave , cause she can sing this AND classical, just as well as your well trained classical singer! Nyah nyah nyah!", then on the other hand, it becomes "give her a break! She only did one year of training! She's NOT a classical singer! Wah!". Which is it? Is she a classical expert or not? It seems her fans keep changing their stance in order to win an argument. Its obnoxious.
Rosannasfriend Some fans can comment objectively, making points based on fact not emotion.
@@Rosannasfriend I think people make the mistake in confusing the terms "Opera" and "Classical" singing. They are not the same thing. She possesses excellent classical techniques when we talk about control and breath support and has the insane ease of moving from head to mix to chest voice in a split second. That is what she uses for all styles that she sings. Opera is another matter and to be frank you cannot do this on a professional level in a 90 minute concert either (eh, no not even Tarja is on that level).
Floor rockss...and stay at rock genre pleaseee...thats what makes her incredible when she pulled something like this Shoemaker song..🤘
Floor in an interview said she didnt want that part to heavy opera or to thin,she had to work to get it where she wanted it.
Elvann, you're definitley knows what are you talking about... it's so annoyng see comments and videos of haters and people saying things like the álbum it's so boring, that the voice of Floor is wasted, and more stupid things of ignorant people... It's so sad that they could'nt to appreciatte this beautiful music, and all the soul that Tuomas and the band they put in Human:ll Nature... Thanks for this review and for your honesty...
According to 'the Charismatic Voice ' there was nothing wrong with the last notes sung by Floor. She did it with control, power and purity of voice. The Goddess spent 13 years of her life perfecting her voice. Uncertain of her high notes... I think not
Ps Elizabeth is a renowned opera singer...
A little bit annoyed by her reaction, I suppose. If you are a qualified opera singer you probably have to say something... Floor is floorless. I heared a professional opera singer respond and said that he wished that opera singers just like Floor does, because of her more organic approach of singing. Let it be...😉
Floor did say it took several takes to get that end part right with the right feel for the song, so it probably is true that she had to really challenge herself to get there and wouldn't be surprising if its not quite as strong. I agree, she sounds so comfortable and powerful when it comes down on that "si" note.
@Elvann - the instrument you're hearing in the beginning is actually Dulcimer - it's even mentioned in the song. It's a very old instrument with a very interesting sound. It sounds very similar to mandolin.
Well spotted. And an instrument increasingly used by bands at the cutting edge.
Blessed to be alive in the time of Floor Jansen exploring her voice with us all.
I watch these reaction videos to get a genuine reaction. Critique, analysis, all that stuff. I want exactly that. Especially from someone like you who knows what they're talking about.
Thank you Jari! ❤️❤️
If you knew the history of Eugine Shoemaker (The Godfather of modern Geoastronomy (geology of space)), this song would be so much more emotional.
Though his specialty were space rocks found on Earth, his true obsession was the moon, but NASA found his health unfit to go on any missions. He said that never being able to hit the rocks on the moon with his own hammer was his biggest tragedy. But, He and his wife had a huge love of space rocks and specialized in comets and astroids, discovering THOUSANDS and studying the ones on Earth for almost 5 decades!...
Years after his tragic death in a car crash, his wife and one of his students convinced NASA to send his ashes (along with that verse from Romeo and Juliet) to the moon...
The song speaks as though he is an entity of the moon and his love of space.
After finding all this out, the operatic part and the finale of the song always makes me cry!!!
I was waiting for this since I've heard it. You always make interesting observations, thanks for your vids.
Thanks!
Looks like that the instrument from the intro is hammered dulcimer (or tsymbaly)
Great reaction and good observations. I heard Floor say in an interview that she doesn't think of operatic style as her specialty; it's just something she can do, so Tuomas takes advantage of it. Based on that, she may well feel less comfortable singing in that range. In that same interview, she also said that this music was incredibly difficult and required a LOT of rehearsal to get it right. It's hard to see how they will pull this off live, but, hey, it's Nightwish!
I couldn't get over it the 2nd, 3rd, 4th etc time. Just too much to comprehend. Thanks for expressing this!
Elvann makes pertinent, technical points about Floor's upper register....we sit sobbing at the new and beautiful sounds emitting from Floor's magical throat. 😭👍
For some reason I feel like she sang that last part that way on purpose, hearing back "lacrimosa" I can feel in both songs the pain and melancholy, so I love how Floor sang it, perfect or not cause is full of emotion😃💕
It absolutely is full of emotions! ❤️
Nice reaction, thank you, always nice to hear your opinion, specially singing parts. I like this song very much, one of my favorites from this album.
Just as I hoped, I understand what is happening with the vocals in this song better after your reaction. Thank you Elvann for breaking it down for us!
Staccato singing is a pain in the ass. I sang in choir for about 8 years.
Let along the volume and note changes.
I heard this and immediately thought this would be damn hard to sing.
Then the background track makes being in perfect time with the music an absolute must.
Last part always got me
Yesss! ❤️
The first notes of "Music" by Floor made me grin in disbelief. And then the same theme kinda continues in "Shoemaker" (and actually in "Noise" too to lesser extent). I'm not a professional singer, but currently in a band where the main composer has a tendency to put a lot of progressive vibes into his songs and also the same kind of melody "jumps" that we hear here. But nothing even close to this extreme. I would have had a really hard time to get anything done with these songs.
You have to listen to the whole album from beginning to end all at once to really appreciate it.
That's what I did ;) And I'm releasing the reaction one by one at a 1-2 days interval
In the instrumental part at midle Troy plays "echo"-guitar. Thats like space crying to me. Thank you your comments, we dont get you wrong😊. Nice work!
I am loving Troy's guitar with the e-bow...really nice layer to contrast to Emppu's chuggy guitar riffs.
I really love everytime they used this
Thank you for your honesty and your analysis ! I think what you say about the operatic part of the song is really relevant ! And as you said, it's not because you notice a difficulty, a lake of comfort that it’s a negative criticism. It's just a very good and fresh analysis ! I'm super happy to hear that ! And even though, like you, I think this part is gorgious !
Je tenais absolument à découvrir l'album avant de regarder tes vidéos dessus, et ça fait un moment que je les vois dans mes abonnements. Je l'ai écouté ce matin, et je me suis dit que la seconde écoute, je la ferai avec tes observations. Et c'est toujours aussi intéressant d'avoir ton analyse ! J'étais sûr que cette chanson t'avait fait réagir en bien, bingo. Quelle surprise ! 😁 On comprend pourquoi Floor disait que cet album l'avait poussée dans ses retranchements et faite travailler.
Allez, la suivante, ça sera pour demain.
This is such a beautiful song it really shows Floor's Skill as singer very well my favorite part is the Operatic ending. I really appreciate your detailed musical analysis I may not understand everything you are talking about as a laymen but I still find it interesting great reaction.
My favorite song of the album... Thank you!
What a wonderful song :-) I had to listehn three times to it, after your thorough explanation, to fully aprreciate the beauty and complexity of this sonfg. What a nice contrast between the parts of the song! And the nice video with the lyrics surely does help. Wow, this is great.
With this one, Shoemaker was about as opera as Nightwish has gotten in a long time!
This one was a trip from beginning to end. It still got some heavy riffs but melodic parts. Troy's singing in this one was great too and followed a similar step to Floor's almost. But when that ending hit me... I wanted to cry so bad. I have not heard singing like that since Tarja left!
The instrument you're hearing at the start was a hammered dulcimer I think. I just love string instruments that are played by little hammers or similar things hitting the strings to produce a sound. They're fantastic :D
You are not crying, I AM!
You will like a little snippet of Pan then if you want some lower operatic style notes!
pan and shoemaker are extremely hard. those who wanted tuomas to write a floor album, he did, just not in the way that many expected.
Yes, thank you Elvann for pointing out the difficulty of the technical singing Floor is doing. A lot of reactions I have seen think this is no big deal and want some big belting notes or "singing high" for it to be challenging for Floor.
@@ceithern i know several semi pro musicians that say what's sounds hard to an untrained listener, is often easy and that it looks great but not a big deal. there are some passages where the fan is under whelmed but the musician jaw drops to the floor.
Thats really sick Mononoke Hime poster 🤘
Lovely reaction ... I hope they will play it live one day .... But yes it is a beautiful and never apologize for a reaction.. It is your opinion and some agree some don't, so what .. Your reaction is pure and honest .. keep it that way
That instrument you wondered about I am 98% sure is a hammered dulcimer.
She is doing a stylistic choice not to go over the top and full, pure opera as to keep it somewhat connected to the rest...but you'll get this the more you'll listen to her.
Now they have done this live!
Also using Ad Astra as the closing part.
Floor commented on singing that last operatic bit of this song and she she mentioned that she still tried to balance the full operatic non-mixed sort of singing with lighter tone. The only time I heard her do full operatic the whole way through is the Puccini aria. She doesn't really love the classical (bel canto) sort of style that much (as much as you at least Elvann! ;-)
I loooooved ‘editing-elvann’ 🤣 Nice touch 😬. That said, I love how you go into the technique of her singing, making pretty unbiased observations while explaining what you here. Please keep doing that 😎 👌🏻
I love those low notes too :) That's why I like Shudder before the beautiful from wembley haha.. Thanks for this great reaction!
You need to get to know floor more.she picks what she wants to suit the moment…and how many singers do you know who have sang live in front of 60 000 plus with near perfect pitch and the power ❤
Last Part always makes me cry, always
I love this song too.. I was very happy when I heard Floor operatic voice
Great reaction Elvann!!!
Beatiful song as usually nightwish sounds
Floor is amazing!!!
Never let anybody tell you that it is wrong what you do, you do the best you can and thats the best there is. I know that you can just believe in yourself and ignore the haters, love the way that you are in any case
Waited for you to react to this one. Thank you! Just imagine this song performed in a concert..
The instrument in the beginning is a harpsichord, I think -- it's an instrument that was used heavily in Europe and the American colonies in the 1700s and early 1800s.
Edit: I'm not a "professional" musician by any means -- but I _did_ play a tuba in high school. And I know that some bass lines are actually difficult -- for example, Aretha Franklin's song "R-E-S-P-E-C-T." Hearing this rhythm by Floor? Gives me goosebumps -- because not only can I hum the rhythm, I was able to do so after only hearing it the first time. And Elvann, you are correct: Its not an easy rhythm to get down. I'm guessing, vocally, it would take some work to not only get the rhythm down, but also the pitches for all the notes, _while in rhythm._
That being said, it would also probably be just as hard playing it on keys or even guitar. It's why I love Nightwish so much: Because Tuomas feeds that inherent analytical component of music that is like a drug for me -- it not only is something I crave, but it keeps my mind active. Keeps my mind focused.
I love the Laudato SI... Elvann you make Covers.. and now do Shomaker,,,hihi
Great reaction, as always! Have you listened to any of her After Forever songs? There Floor did quite a bit operatic-style singing, especially on the earlier Decipher album. It was Floor at her greenest, but still as gorgeous as anything she's done since. Later AF turned more progressive, but this style was still part of the arsenal - for instance Come from Remagine.
Great reaction to this great song. Floor did a great job here. Although she is not an opera singer ( and she had no ambition to become one she stated in the past) she did quite well that last part.
Absolutely!!!
Second reaction on new album seen. Very accurate on both. She is more comfortable in a lower range, and a lot of this album has her in her upper ranges. The way it is written, and she has done well given that. "Pretentious"? Interesting. Maybe. Obviously this wasn't written to be the Floor show this time around for whatever reasons.
The spoken part quoting Shakespeare always sounds to me like the voiceover for the opening cinematic of a Dark Souls game.
Lovely video! Just a little critique about the audio. I don't know how your microphone is set up, but I can hear it picking up some frequent deep thumping sounds when you're talking. It might be from your hands hitting your desk?
Anyways, thank you for making these reaction videos! It's been helpful in giving me an even deeper appreciation for their new music! Looking forward to hearing your thoughts on the rest of the album! Cheers!
Sorry about that 🤣🤣🤣 I didn'T realize, my mic was probably too close from the desk frame!!! I realized when editing!
i'm here for your honest opinion of your reactions so dont change to try to please to everyone. You are imo the most intresting reactor to watch and when your done with marvelous album please do some more jinjer :)
Am I the only one that is reminded of Maiden’s ‘Hallowed Be Thy Name’ vocally? Lots of lyrics delivered in a staccato manner that requires outstanding breath control.
Opera is a music form wherein it’s a play that is sung. Think of them as precursors to musicals. There is nothing inherently “better” about a person trained to sing in the operatic style. The singing style evolved in an age without microphones. The first task of the performer is to be heard in a medium sized theatre with no mic. They accomplish this with projection. They are the only two I know of with the training to do so. It takes years of practice and training. Floor and others in the genre sing in a classical style but very rarely in an operatic style. Nor do they need to, they have microphones. Most are not trained to do so. Tarja and Lori Lewis are the only ones I know that have ever sang in an opera production
Floor is spitting those 5th and 6th high notes like a fiddler on the green.
I always look forward to your Nightwish reactions. I watch a lot of different reactions for Nightwish songs
and I’m seeing a lot of people saying how disappointing this album is with Floor’s vocals. They say that it doesn’t stand out or have the goosebumps moments that all the live videos of past. At first listen I had a brief moment of thinking the same but that view changed quickly. With most of the vocals on this album Tuomas paying a lot of attention to the phrasing of the lyrics and it is definitely very difficult and can see/hear what he was trying to accomplish on this album. Although some tracks (musically) kept in line with the typical Nightwish people expect: Most of it was different and epically creative. The more. I listen to them the more I like and appreciate what Tuomas’s vision was for this album. I very much look forward to seeing more reactions from you. Stay safe and healthy during this time. ❤️
From comment section of some of the videos. Apparently, Tuomos has said this in an interview...which I have not seen. And I thought I’ve seen most of his interviews.
I myself love the operatic part. Talking about operatic, what do you think of Tarja's operatic vocals?
I still prefer Floor's operatic vocals than Tarja's.
Mhhmm the topic of Tarja is in fact one I haven't fully tackled because I've never made a reaction of her vocals. I think in her latest records she's taken on a more pop approach and I'm not sure I like it in her voice as much, but I think it's fine. As an opera singer, she can clearly sing it and she sounds more comfortable, but she's also kind of doing it in her own style in a way that makes it really hard to judge. On operatic standards, what I've heard from her is not really in the style, she uses some of her own stylistic habits which makes it not sound very comparable to a professional opera singer.
I think Floor sounds closer to it than Tarja. As for my own opinion, I think I like the kind of tone Floor is going for better, she sounds warmer, more expressive and dynamic to me. Tarja has sometimes a more metallic texture maybe. But, I love them both equally for each their own reasons. I can't really make a decision if you ask me to choose which of them I prefer. 🤔
@@ElvannReacts I agree with you. I love Tarja's vocals during her Nightwish era, but I don't really like her current style.
And now with Floor, I prefer Floor's warmth and flexibility. After listening to Floor, now I feel Tarja's voice kinda ... cold hehehe
Ha ha! You just can't help yourself for being so wonderful. This wasn't my biggest favorite at first. It has unusual and a little too difficult structure for a simple man like me, but even I can say that it must be very hard to sing. The operatic ending is phenomenal, of course. And luckily I'm liking it much more now after some listening. Great analysis and thank you!
Amazing reaction Elvann, I really apreciate your expertise and your honesty!
Floor considers the final operatic part at the end of this song as one of the greatest vocal achievments of her career and she also said that it took several takes on that later part to get it right, so I think she didn't record the song all at once, but in different sessions... ua-cam.com/video/Vd2EYheiurU/v-deo.html
The result is really beautiful as a whole, but I do agree that she sounds more at ease in the lower notes compared to the higher registers. Anyways, Floor is really great singer!
All the best to you! Cheers \m/
Ghost Love Score Tampere: Low Notes, Slow Love Slow : Low Notes. Vilja Lied: Strong high notes. Stabet Mater Dolarosa lower notes.
I understand Floor went 'how am I going to sing this?' several times when Tuomas shared his compositions for this album with her 😀.
And of course then figured it out and nailed it.
Basically 😂👍
For one of the songs everyone else was pleased for what she recorded in the studio but she was not but on the way home she figured out how it should be done and re-sung it at home studio. Which then ended up to the track.
Great analysis. Floor did have a hard time singing the Laudato in a way that she found acceptable - she had to work on it at home, after studio sessions didn't produce the results she and Tuomas wanted. She got it right (obviously) using passagio, but it's interesting that you picked up on the effort required. I don't know of any singer, other than perhaps a professional operatic soprano, who could pull it off in a relaxed manner.
Nice review! And I like your choise of headset I have the same model :) they are really comfy to wear and great sound.
Yes they are! I actually LOVE them, I got them about 2 months ago and I'm in absolute love with them!
Hello Elvann, I really love your reaction to this gorgeous song! In my opinion the whole album is an amazing masterpiece, but when I had to pick out one piece, it would be Shoemaker! I agree with you, Floor's vocals here are absolutly gorgeous, and not only in the operatic part! Toumas really challenged her, and she accepted the challenge, as well as everyone in the band!
It's always a pleasure to hear your precise analysis, I learn everytime something new from your videos! Can't wait for the next reaction, I bet you will have a lot of joy also with all the other songs:-)
I cant t wait for the live rendition!
The phrasing (and cutting up the syllables) is indeed insanely technical because it goes against the natural flow of speaking or singing a sentence. From what I understood is that Tuomas said that this song won't be performed live, which makes total sense that would be insane to be able to reproduce that consistently in a live performance.
I really hope the fans begging for Shoemaker to be played live convinces them to try. Considering the ease with which Floor crushed How's the Heart live for the Planet Rock live acoustic performance already, I believe she'd be able to pull Shoemaker off live.
It does make total sense actually!!! I wish they actually do it tho!!! But I could completely understand. If it's really straining and hard for Floor, then it might be better she takes care of herself and don't tire her voice for no reason!
"Laudato Si Ad Astra" , it means "Praise Be to You To The Stars". Hes ashes where put on the Moon
You should listen to Sleep Token - Calcutta. Soulful vocals like you've never heard in metal(ish) before. You'll never forget it. (No screaming either)
Keep doing what you do! 🖤 Your reactions and analysis of the songs are always great. Don’t pay attention to heaters. I bet any one that posts bad comments because of your opinion (which you give having studied music and being a singer yourself) possibly has no knowledge of music. Its nice to know from a singer what possibly Floor herself thinks when approaching a song.🤘
Loved the reaction! You shouldn't apologise for speaking your honest opinion about the technicalities in singing. You know what you're saying, because you're a talented musician, singer. It's your opinion and that's why we (viewers) watch your reactions. Also, I'd really like for you to check out How's the Heart acoustic version (Planet Rock) with Troy and Floor. I really enjoy the studio version of the song, but I personally like the acoustic more. Maybe you could do a reaction when you've heard the album version, idk :D
yeah, the acoustic version is outstanding
Can't wait to hear it too!!!
@@ElvannReacts I didn't think it was good enough. The two singing together was not good.
You will make the correct criticism and people will say that you are jealous, as I read in some comments. But you will be right LOL
Wow deep and trippy I like it!!