This is absolute masterpiece. Great video and thanks for mentioning me in the video. :D Thank so much for making this video. I am currently working on multiple laptop templates creation and this just came in time. Best
Thank you very much for the tutorial! At minute 36:12 it is not that the screen has moved a pixel back, but that having made the split, a copy of the geometry was generated, so there are 2 overlapping "screens". I always delete the original polygons immediately after making the split, as they are still selected. Cheers!
As always Elizabeth, mind blown. I love the colors you use and simplistic yet striking set design. It is not that I haven't seen a lot of what you have done in other tutorials, but the way you bring all the elements together into something practical and useful is inspiring. My mind is now thinking about what else one can do with a gobo. Maybe I am the only one that did not think of it, but instead of the caustics (which is so cool) one can do the same process to create the caustics but use plants moving in the wind. Just add to the story that we are trying to create here. Lastly I have to say my favorite quote was: "you can never have enough rainbows", cracked me up.
@@Антон-ф1ы2щ thanks- I love getting suggestions, are there something specific you would like to see? I sometimes feel there are so many amazing AE gurus out there on UA-cam but perhaps I can make something that is not on UA-cam yet
@@TheFriendsOfMotion i would like to see a studio standart pipeline (c4d-AE) based on your experience,it would be amazing! When I find such a topic, I will write with pleasure! :)
I am so grateful you have made this video. This takes so many things I've been struggling to learn/find/understand and focuses them into a very very helpful video. 🙏🙏🙏
Wow! You have a really unique POV and approach to C4D that is SO helpful. I love that you stay true to a more intuitive Art Direction driven approach, but still get through all of the technical details needed to make the shot work. Super cool and refreshing!
This was FANTASTIC Elizabeth! This was very informative and helpful. Thanks so much for sharing! I also love the design tips of color temps and storytelling very, very important.
Cool tut, thx, btw you need to switch off a Screen Space Adaptive at the Tesselation section of Redshift Tag, that dramatically slows down a Redshift IPR because you do not use a Freez Tesselation Function and when you use a camera movement, that does not work well
This is really helpful and I must say I've learnt a lot from you compared to all the other videos on UA-cam! Please making these amazing content! I'd support you guys if you guys have a patreon or something!
Thanks for all the tips. How would you add on any reflections over the screen? My guess would be through more AOV reflection passes and a reflective material. Or do you think there’s a better way?
To be honest, sometimes I just put fake ‘cheap’ reflection as a layer, use the same mask but put a picture of a window or trees or what ever you want to reflect (in After effects 3D space slightly closer to camera in z space ) and on ‘screen’ 20% opacity and blur it out. The expensive reflection would be to have an actual reflection pass rendered out, but then you have to place whatever you want to reflect very strategically in the right place in c4d.
@@TheFriendsOfMotion Thank you so much for the response. That makes sense. I guess sometimes it makes sense to just stick with a less expensive method. I didn’t think about having to potentially model a detailed background. Again, thanks so much for posting all of this helpful information. I’ve only watched two tutorials but they’re very helpful in the way I think about approaching certain scenes.
9:10 Hello Elizabeth! Thank you for sharing your knowledge so kindly and efficiently! I have a question while watching the video Isn't the shift + click keyframe erased? When I do it, no keyframes are created
Oh my goodness you are right, I made a mistake. Should be control + click. Yes, Shift click is erase! Good catch, hope people see this comment - thanks 🤓✌️
It's so cool, I really really like you, I will always pay attention to you, although I am in China, it does not affect my love for you！i like it ，i like you idea
You can add a reflection as a second render pass (just drag underneath puzzle map) in the aov manager - but then your material on the screen needs to be shiny (or have some reflection on it).
Really amazing Tutorial. I tried Corona, Octane but never tried Redshift in Corona, Octane you can set Sample value to increase render speed is there any similar option in Redshift? 44:03 wow that caustic effect look impressive
Yes you can also change sample rate in redshift , try 0.1-0.3 , the lower it is the longer the render (kinda like the opposite of octane) - if you are out of advance setting just put it on ‘low’
you know what was most crucial for me? ctrl+shift pickwhip. That just changed my world
I know, right?! It’s a Game changer 😁
Please keep making these tuts more often. Really really love your work and your way of teaching
Thanks Adrish 🙂
@@TheFriendsOfMotion exactly what @wss121 said! loved it
pretty pleaaase?!
Just hot here and this is fantastic
We are having internet issues in East Africa at the moment but it has somehow helped me find this channel and it's my new favorite C4D channel.
Glad to hear😊u feel your pain with internet problems 😔❤️
Felt Illegal to just watch this video for free. Had to purchase the project file to show my support. Thank you for sharing this
Ah very kind, thank you! 😁
Yep absolutely, can't wait to see more.
This is absolute masterpiece. Great video and thanks for mentioning me in the video. :D Thank so much for making this video. I am currently working on multiple laptop templates creation and this just came in time. Best
Thank you very much for the tutorial! At minute 36:12 it is not that the screen has moved a pixel back, but that having made the split, a copy of the geometry was generated, so there are 2 overlapping "screens". I always delete the original polygons immediately after making the split, as they are still selected. Cheers!
Aah! Great to know , thanks. Learning something new everyday 😁👍
love the tutorial, super easy to follow and a billion times better than most of the paid tutorials out there
Thanks so much, a very kind compliment ☺
As always Elizabeth, mind blown. I love the colors you use and simplistic yet striking set design. It is not that I haven't seen a lot of what you have done in other tutorials, but the way you bring all the elements together into something practical and useful is inspiring. My mind is now thinking about what else one can do with a gobo. Maybe I am the only one that did not think of it, but instead of the caustics (which is so cool) one can do the same process to create the caustics but use plants moving in the wind. Just add to the story that we are trying to create here.
Lastly I have to say my favorite quote was: "you can never have enough rainbows", cracked me up.
What a nice compliment, thanks for all the kind words. Yes plants are great, grayscale gorilla has a few cool ones and I believe they even animate 🙂
you are a gift sent from heaven, thank you very much!! Elizabeth, please dont stop to teaching! :)
Aw thanks for the kind words Anton 🌼
@@TheFriendsOfMotion i would like to see
sometime in the future tutorial "AE for motion designer"
this is a difficult topic for many beginners
@@Антон-ф1ы2щ thanks- I love getting suggestions, are there something specific you would like to see? I sometimes feel there are so many amazing AE gurus out there on UA-cam but perhaps I can make something that is not on UA-cam yet
@@TheFriendsOfMotion
i would like to see a studio standart pipeline (c4d-AE) based on your experience,it would be amazing!
When I find such a topic, I will write with pleasure! :)
I don't know why but I can't stop laughing at the short pauses when the dog barks in the background.
Thank you so much for explaining this very simply :))
Thanks Cyril ❤️
I am so grateful you have made this video. This takes so many things I've been struggling to learn/find/understand and focuses them into a very very helpful video. 🙏🙏🙏
Thanks for the kind words jack
I bought what you made, thank you for doing this!
@TheFriendsOfMotion so can you also give your .aep file please?
Thanks for your support ❤️😊 - I didn’t plan to add the AE file but maybe that’s a good idea - thanks for the suggestion 😊
you are very good at this.
Very simple very effective.
thanks for the kind words Nelís
Wow! You have a really unique POV and approach to C4D that is SO helpful. I love that you stay true to a more intuitive Art Direction driven approach, but still get through all of the technical details needed to make the shot work. Super cool and refreshing!
Such a Emmy®Award winning tut lol
😁❤️🙏
This UI puzzle matte tip is super helpful, never used it but will give it a try!
I love your tutorials. Always useful topics and clear explanation. Thank you so much!
Thank you 🙏 🌸
This was FANTASTIC Elizabeth! This was very informative and helpful. Thanks so much for sharing! I also love the design tips of color temps and storytelling very, very important.
thanks, great you liked it 😌
your tutorials are so amazing, and definitely stand out. I so appreciate the expertise you bring! Thank you for making this content!
Thanks for the kind words Jess ❤️
@@TheFriendsOfMotion of course!
thank you, Elizabeth, for another great tutorial. great to see you art direct the scene and set the mood....so helpful.
Cool tut, thx, btw you need to switch off a Screen Space Adaptive at the Tesselation section of Redshift Tag, that dramatically slows down a Redshift IPR because you do not use a Freez Tesselation Function and when you use a camera movement, that does not work well
Ah, great tip! Thanks 🙏
so amazing! Thanks a lot for this! Your way of teaching is so pleasent and easy to understand
I love how you make these tutorials 🥰
Hello from Brazil❤️❤️🇧🇷
obrigado! ❤
amazing tutorial! well done and thank you
Thanks Behrad! ☺
Amazing tutorial, Really helpful! Way of teaching is Awesome.
Thanks you 😊😊
Awesome video! Also thanks a lot for the gobos textures 😊
Thanks and glad you grabbed them 😊
Great Tutorial
Thank you 😊
GOLD !!!!
@@yohannesJas thanks hope it helps
Thank you Elizabeth for another awesome tutorial :)
thank you so much for this video! I have finally understood red shift
Awesome!
great work!
Thank you, happy new year!
Not a beginner, but super help tips inside this video. TY
Awesome!
Thank you, great tutorials and special thanks to the chipmunk at 10:20 😅
😁 🐿️
Really really love your work and your way of teaching
This is really helpful and I must say I've learnt a lot from you compared to all the other videos on UA-cam! Please making these amazing content! I'd support you guys if you guys have a patreon or something!
You are doing super cool project, thank you for the tutorial!
Thanks a bunch for your tutorials, cant wait to get stuck in!
Thanks very much. I've been looking for a video like this for a long time
29:20 love it! thx for the tips
Thank you ☺
Really nicely done! More of this, please.
Thanks a lot !
My pleasure Maksim ☺
Thanks for the video!
Thanks Zach , stay tune for more coming soon 😊
Thank you very much. Learnt a lot from this tutorial.
Thanks pavel!
Really thank you for share your teaching way... I love that
Thanks Angel, appreciate the comment ❤️
Love the tutorial! Can't wait to see other tutorial like this.
Loved it. Thank you so much.
Awesome, tutorials like this are really useful, thank you.
Great thanks
Awesome tuts. Keep 'em coming. 👍
Another amazing one
Thank you for making this! ❤
quality content 🤯
another amazing tut
wowww
Elegant and Beautiful...ha
Great tutorial !!! Very informative 👍🏻
super good! thank you!!!
great lesson, thanks!!!
Thanks for all the tips. How would you add on any reflections over the screen? My guess would be through more AOV reflection passes and a reflective material. Or do you think there’s a better way?
To be honest, sometimes I just put fake ‘cheap’ reflection as a layer, use the same mask but put a picture of a window or trees or what ever you want to reflect (in After effects 3D space slightly closer to camera in z space ) and on ‘screen’ 20% opacity and blur it out. The expensive reflection would be to have an actual reflection pass rendered out, but then you have to place whatever you want to reflect very strategically in the right place in c4d.
@@TheFriendsOfMotion Thank you so much for the response. That makes sense. I guess sometimes it makes sense to just stick with a less expensive method. I didn’t think about having to potentially model a detailed background. Again, thanks so much for posting all of this helpful information. I’ve only watched two tutorials but they’re very helpful in the way I think about approaching certain scenes.
@@ricardojaimes6604 thanks and let me know if there’s a specific tutorial you are looking for , I’ll put it on the list 😊
Awesome stuff ! Thanks alot !
Thank you!
Thank you for this lesson. Tell me why you don't use the ACES color space in your work as it is more flexible for color correction.
amazing tutorial, ty!
Thanks for share it! :)
looks good
Thank you for sharing
Love it !
WOW!
Этот урок намного полезнее чем все уроки Grayscalegorila вместе взятые😄
Oh wow that’s a big compliment since I live GSG, I feel I learnt everything from them 😊
u the best
i have some problem in ae compostiong. my ui design comp not moving with my c4d rendered screen
9:10
Hello Elizabeth!
Thank you for sharing your knowledge so kindly and efficiently! I have a question while watching the video
Isn't the shift + click keyframe erased? When I do it, no keyframes are created
Oh my goodness you are right, I made a mistake. Should be control + click. Yes, Shift click is erase! Good catch, hope people see this comment - thanks 🤓✌️
It's so cool, I really really like you, I will always pay attention to you, although I am in China, it does not affect my love for you！i like it ，i like you idea
Thanks for the kind words, love how motion graphics can bring the world together 🌸
Like
How to make a caustics texter?
Hi there, have a look at Stefan HKA’s tutorial that I have mentioned in my description ☝️
Is there a way to make screen reflection using puzzle matte?
You can add a reflection as a second render pass (just drag underneath puzzle map) in the aov manager - but then your material on the screen needs to be shiny (or have some reflection on it).
what's characteristics of your PC?
Hi there, if you click on my About section on the channel and scroll down , the specs are there
我没有海外信用卡 怎么才能买购买文件？
Wich country, I assume China right? How about PayPal?
@@TheFriendsOfMotion 解决了
@@zhibin7708 cool
Promo-SM 😈
Really amazing Tutorial.
I tried Corona, Octane but never tried Redshift
in Corona, Octane you can set Sample value to increase render speed
is there any similar option in Redshift?
44:03 wow that caustic effect look impressive
Yes you can also change sample rate in redshift , try 0.1-0.3 , the lower it is the longer the render (kinda like the opposite of octane) - if you are out of advance setting just put it on ‘low’
@@TheFriendsOfMotion Ok i will try... thanks ☺