These are great. When I first started as a filmmaker I for some reason was thinking that if I don't personally color each project myself that I was not a real filmmaker. Now I know that that was the dumbest thing I could ever conjure up in my tiny brain. Building off what others have perfected is the best way to go, because let's face it, if you're watching this you will most likely never become an expert at colorgrading.
Just bought them via your discount code. I've shot Fuji forever and recently switched to Sony. Could not get rid of these ugly yellow/green cast in my video footage. Phantom LUTs to the rescue!! And they even have my favorite Fuji profile of all time - Eterna. Thx!!
Bit late to the party here, but these are great thanks for the recommendation! I just downloaded and Added to some footage wow.. and I love these LUTS!
I got lucky and found fx3 this week so been playing with these Luts on some slog3 footage I found online while waiting for it to come. Definitely best luts by far
I also recently downloaded the latest version and have been highly impressed, however it only works well with those two cameras and SLG - whereas (e.g.) Leeming is pretty good with a range of Sony cameras and other profiles such as HLG and Cine2 for similar price.
Thank you for the video. Quick question. When using SLOG3 and Phantom Luts do I need to convert the footage to Rec 709 first and then drop a phantom LUT on or can I just slap one directly onto the SLOG3 footage? Thank you
Wow it looks amazing! Thanks for giving us some insights into your workflow. May I ask why you shoot with iso 1600 in a controlled lighthing situation like this in your studio?
Hello, great, Sorry, I'm a beginner, I don't speak English, I will use a translator, I would like to know in DaVinci resolve how we would use these Luts, if there would be a need to use a CST to convert to Rec 709 or if those Luts are used directly on slog 3 in the case from Sony?, thank you!!! 👍👍👍
Awesome video! I might just have to check these out because I suck at color grading as well and typically just shoot in S-Cinetone.......But I guess I still need to get good white balance
Hello thanks for the Video I have a canon M50 8 bit camera I managed to download CLOG on the camera from EOSHD instead of the cenistyle will the luts work on it.
I’m not sure if I’m being a total idiot but I need help!!!! I have a canon r5, shooting in clog3 and so I purchased the canon pack of luts. On some correctly exposed footage the lut just looks whack, nothing like a one click fix or anything that can be used. I then thought maybe I need to put the ftg into rec709 first, but that wasn’t helping. I’m not sure what I’m doing wrong but someone help!!!!😅
When you put on these LUTs, do you do any adjustments prior? For example, highlights, shadows, etc? Or these good to go without needing to adjust. If you do make those changes, do you put the LUT on before or after the basic corrections?
Would anyone know if these LUTs work well applied to a Cinema DNG file, converted from ProResRaw on to my Ninja V from Sony A7s3 S-log footage? Could I apply same workflow, but using the camera raw sliders to make adjustments?
I just bought Phantom Luts after watching this. Phantom Lut requires PP8 but PP8 is gone. I can find slog3 and SGamut3Cine but cant find other settings equivent of PP8, knee, gamma, details, sharpness etc. In Readme, sharpness is -7 but I cant do that since PP8 is gone now. And I dont know what to do. Please help.
Do you have a video explaining how you typically set your zebras when using these LUTs on monitor? Some people are telling me that the typical % values you’d use for skin tones, highlights, etc. will differ based off of if you’re exposing using the Phantom Luts or not. How do you typically set your zebras for skin tones / highlights in run and gun situations?
Help me out here. I'd like to shoot in Slog3. But I find myself doing long one takes with widely varied lighting conditions. Kinda have to leave the camera in auto aside from shutter speed. How trustworthy is SLOG3 and by extension these luts in handling exposure outcomes that change pretty drastically within a single say, hour long clip?
Never used it that long, but I have used it in auto settings pretty extensively. Auto shutter speed is definitely the best option because it’s more gradual. Going to suck for motion blur though
Chris, love your channel, just grabbed my first sony camera. Can I ask how high you are willing to push the ISO in the A7iv when you are shooting SLOG3? Obviously i know its ideal to stay close to the native ISO, but I'm just curious how far you go in a pinch? Thanks for your video.
🙏🏼 .. In terms of ISO I’m personally of the mindset that I’d rather get the shot with some noise than underexpose it. Go as high as you need to go, I have no issue hitting 8-10k
@@chrisbrockhurst pushing iso is not problem only for Noise. its also problem that it will reduce your DR . so pushing in camera or overexposing in nle won't matter
These are great. When I first started as a filmmaker I for some reason was thinking that if I don't personally color each project myself that I was not a real filmmaker. Now I know that that was the dumbest thing I could ever conjure up in my tiny brain. Building off what others have perfected is the best way to go, because let's face it, if you're watching this you will most likely never become an expert at colorgrading.
Dude, these are so good looking! Thanks Chris, I appreciate the video man. Stoked to start playing around with footage and getting these dialed in!
They are amazing, enjoy using them!
cosign! these kits have improved my life even on the a73
Absolutely incredible LUTs he’s made
Just bought them via your discount code. I've shot Fuji forever and recently switched to Sony. Could not get rid of these ugly yellow/green cast in my video footage. Phantom LUTs to the rescue!! And they even have my favorite Fuji profile of all time - Eterna. Thx!!
You should always shoot at native ISO bro. You get the most dynamic range and least amount of noise. Was surprised to see you weren't.
I use these Luts and they make shooting in Slog 3 a no-brainer. Great video Chris, you got my sub :)
Forgot to add a great product from a fellow Aussie..... Lockdown time well spent!
Hahah right!!?
Bit late to the party here, but these are great thanks for the recommendation! I just downloaded and Added to some footage wow.. and I love these LUTS!
These luts are now part of me haha. The rendering is just INCREDIBLE!
Personally Utopia is my favorite
I’ve been liking that one recently too, with the snow comes new colours and it works nicely!
We’re can you get the luts
I got lucky and found fx3 this week so been playing with these Luts on some slog3 footage I found online while waiting for it to come. Definitely best luts by far
Thank you so much for this video. As a beginner I need these tips and tricks
I've been using these with SLog 2 on my Sony A7C. Love them! Not quite the same results as an A7Siii but still really really good!
Does anyone know what the difference is between the “legacy cube” and the regular ones are?
Enjoy your videos… really helpful. Thanks!
🙏🏼
Definitely going to check this out! Maybe I can finally look less like a vampire in my footage...
I actually dont know what sony colors look like because Ive been using these from day 1 lol. The updated ones he just released are a big upgrade!
I also recently downloaded the latest version and have been highly impressed, however it only works well with those two cameras and SLG - whereas (e.g.) Leeming is pretty good with a range of Sony cameras and other profiles such as HLG and Cine2 for similar price.
Thank you for the video. Quick question. When using SLOG3 and Phantom Luts do I need to convert the footage to Rec 709 first and then drop a phantom LUT on or can I just slap one directly onto the SLOG3 footage? Thank you
You don’t need to convert it to rec but it come with phantom rec just incase.
@@Worldfactnewslife thank you
I love Phantom Luts also. Can't wait for the Film Lut Updates that should be releaed soon :-)
Oh man what a bargain! Great video. You’re an inspiration 🥲. Thank you 🙏
can i use it for my sony a6700? or is this luts just for limited cameras? please guide
Wow it looks amazing! Thanks for giving us some insights into your workflow. May I ask why you shoot with iso 1600 in a controlled lighthing situation like this in your studio?
fine, I'll try them
That’s right you will
Hello, great, Sorry, I'm a beginner, I don't speak English, I will use a translator, I would like to know in DaVinci resolve how we would use these Luts, if there would be a need to use a CST to convert to Rec 709 or if those Luts are used directly on slog 3 in the case from Sony?, thank you!!! 👍👍👍
Nice! I do like these LUTs a lot. I sometimes shoot SLOG3 on my A7C but its not ideal for 8 bit footage (from what I hear and see)
I've shot many short films and tv shows in 8bit. Nothing wrong with it at all! :). A7C is a fantastic camera.
That’s amazing! Could they work on slightly older cameras like the legendary A7iii?
Will those LUTs also work for Slog footage from sony a6500?
Another great vid. Thank you. Any idea if / how these might work matching up A7iii & A7iv footage?
Awesome video! I might just have to check these out because I suck at color grading as well and typically just shoot in S-Cinetone.......But I guess I still need to get good white balance
Promo code Chris doesn't work anymore
Hello thanks for the Video I have a canon M50 8 bit camera I managed to download CLOG on the camera from EOSHD instead of the cenistyle will the luts work on it.
Yeah these looks so good!
Thanks. Just ordered!
I’m not sure if I’m being a total idiot but I need help!!!! I have a canon r5, shooting in clog3 and so I purchased the canon pack of luts. On some correctly exposed footage the lut just looks whack, nothing like a one click fix or anything that can be used. I then thought maybe I need to put the ftg into rec709 first, but that wasn’t helping. I’m not sure what I’m doing wrong but someone help!!!!😅
Great video. Thanks…
When overexposed, is it better to correct the exposure before or after the LUT (in DaVinci)?
Thanks again…
When you put on these LUTs, do you do any adjustments prior? For example, highlights, shadows, etc? Or these good to go without needing to adjust. If you do make those changes, do you put the LUT on before or after the basic corrections?
None. If you expose how you want it to look it is as easy as I showed. 1 click.
@@chrisbrockhurst I found that if you have the S log assist turned on and it looks good with that on, you are good to go.
I use the phantom luts from Joel with my FX6 👍🏻 I am still testing to find the best exposure settings for the luts 😉
I just downloaded these and Premiere doesn't recognize any of the files?
love phantom luts
Hey Chris, I see in your camera monitor that you are shooting in the "F" mode. What mode is that? Cheers!
Yes, 1 million times over. Yes
What picture profile do you use?
always wanted to try it .. but buying luts seems a bit out if budget for me
Can phantom lutbbe used for the zve10 footage? Thanks!
Would anyone know if these LUTs work well applied to a Cinema DNG file, converted from ProResRaw on to my Ninja V from Sony A7s3 S-log footage? Could I apply same workflow, but using the camera raw sliders to make adjustments?
I do not get the same color using the easton lut. I wish
I just bought Phantom Luts after watching this. Phantom Lut requires PP8 but PP8 is gone. I can find slog3 and SGamut3Cine but cant find other settings equivent of PP8, knee, gamma, details, sharpness etc. In Readme, sharpness is -7 but I cant do that since PP8 is gone now.
And I dont know what to do. Please help.
Use SGamut3Cine. That’s PP8
@@chrisbrockhurst Thanks Chris, how about setting the sharpness -7 to apply to PP8 mentioned in the Readme?
Can I use these Luts on footage from a7cii?
Does this work with the sony a74?
Do you have a video explaining how you typically set your zebras when using these LUTs on monitor? Some people are telling me that the typical % values you’d use for skin tones, highlights, etc. will differ based off of if you’re exposing using the Phantom Luts or not. How do you typically set your zebras for skin tones / highlights in run and gun situations?
52 +-2
it will be helpful showing phantom luts workflow in davinci.. its big confusing on which color science and input space settings.
Which LUT pack should I get for my Sony a6600? The legacy one's or the normal ones? Because it's an 8 bit camera I assume I have to shoot in Slog2...
Great Video
I assume they will work with a7-4 too as it has 10ibit and slog3..
Different sensor, so yes they will work but not identically
What are your picture profile settings
You don’t use zebras to expose your skin?
Help me out here. I'd like to shoot in Slog3. But I find myself doing long one takes with widely varied lighting conditions. Kinda have to leave the camera in auto aside from shutter speed. How trustworthy is SLOG3 and by extension these luts in handling exposure outcomes that change pretty drastically within a single say, hour long clip?
Never used it that long, but I have used it in auto settings pretty extensively. Auto shutter speed is definitely the best option because it’s more gradual. Going to suck for motion blur though
Ciao volevo sapere se queste lut vanno bene per una Sony a 7 iii
hi are the Phantom LUTS for use with Slog3 or Slog3cine?
Slog3cine
Great video. Is the S Log 3 good to record on the ZV1 for youtube videos?
Don’t use log on the ZV1, stick with the default picture profile
@@chrisbrockhurst Thank you Chris
Can these luts not work for a7riii?
I just need an fx3 or a7siii in order to shoot in log properly :( hahaha
Is it possible to almost match the color with a7iii shooting slog2? 🤔
Did you find out? want to know the same thing…
This loots works on sonya7iii??? I have that camera AND i dont know if i Buy this!! Someone knows??
Did you find out?? I want to know the same thing…
Chris, love your channel, just grabbed my first sony camera. Can I ask how high you are willing to push the ISO in the A7iv when you are shooting SLOG3? Obviously i know its ideal to stay close to the native ISO, but I'm just curious how far you go in a pinch? Thanks for your video.
🙏🏼 .. In terms of ISO I’m personally of the mindset that I’d rather get the shot with some noise than underexpose it. Go as high as you need to go, I have no issue hitting 8-10k
@@chrisbrockhurst pushing iso is not problem only for Noise. its also problem that it will reduce your DR . so pushing in camera or overexposing in nle won't matter
Thanks bro
wich lut package should i go with from him if i am buying the sony a7iv?
Hard to say right now because it’s a different sensor to these. My guess is they would work though
@@chrisbrockhurst any chance you’ve tried it yet?
Ba ba ba ba ba ba backorder.
any for slog2
yes
Bro keep it down. You're ruining our secret!
😂