You are the only thing keeping these Sony sensors relevant. These LUTs are insanely good and a huge time saver. Sony should be paying you millions for adding such value to their cameras! Thank you again for doing this.
Sorry but stop disrespecting Sony. Do not forget Sony is the godfather of filmaking. Also Sony is the reason indie filmmakers without money can still put together a film. Any filmaker with common sense would know better than disrespecting Sony! And for your information Sony sensor's are fantastic!
Absolutely amazing! I have been a Director / D.P. for 25 years and I would have to say that these LUTS are one of the largest game changers Ive seen in my career. I have literally shot millions of feet of film, and used every process imaginable like bleach bypass, etc... and these LUTS are a MUST if you want a filmic and cinematic look. I used to test film stocks for Kodak and Fuji before they would be released to the public, and these LUTS make me feel like I am back in those days!
@@phantomluts of course! I just let the Exec. Director of a new series I’m Directing know that I’ve chosen these LUTS for our show! Amazing work! Thank you so much!
Great art is like porn, hard to define, but you know it when you see it. And these LUTS are a work of art. I am looking forward to the Panasonic versions.
The FS7 ARRI LUT single-handedly made me fall in love with this camera as I've never been before. Will pick up the BMPCC4K LUT as soon as I'll have the opportunity.
Still my favourite luts years late. No other luts even come close. Just spend the money and get these. If you’re using a Sony, just overexpose .75 of a stop, lift the highlights, drop the shadows and don’t touch the mid tones. Leave saturation alone. End of story.
Hello Joel , I'm in the FB group A7SIII , and I bought the 2 packs LUTS. It looks really awesome. I'm waiting on my A7SIII to be delivered and Let's go ! First I would like to thank you for your amazing work. I Read the "Read me" in the mail to better use the LUTS but If you have the time , it will be great if you could maybe make a video on how to properly expose SLOG3 (with the differents settings) with or without the external monitor for a beginner to be able to use your awesome LUTS the best way with the A7SIII. Cheers from france
Hello, as owner of Sony a7iii I would like to ask you, if there are any recommended settings for this camera in order to make the most out of the luts (settings for color mode, saturation, detail etc.)? Thank you in advance!
i did some tests and i cannot use the format prores raw...too noise and burned lights. Otherwise, prores 422 and hq seems that works perfectly. Can you confirm that? edit. After followed some tips from Joel via dm, i solved the "issue": it's necessary to switch (i'm talking for Premiere Pro) from Bt2020 to Slog3. I don't know why Premiere does import in this settings but it's quite easy to switch in log. Thank's again Joel. Does never stop to learning.
Any chance for a LUT package for Nikon Z6 raw footage (either Blackmagic Raw or Pro Res Raw)? Or maybe even Pro Res 444 (Da Vinci Resolve on Windows only accepts Pro Res 444, not RAW or Blackmagic). I'm new to all this, but can I simply just purchase a LUT of yours intended for Sony for example, and use it for Z6 RAW video?
I have both sets of these and am loving them. You mention that you add a little film grain to these. Do you have any advice on how best to add grain in conjunction with these LUTs please?
Im looking at getting the lots but had a question. I currently use the sony a7iii with slog 2 and plan on upgrading to a newer sony camera in the near future. I noticed that you have a different category for the older and newer cameras. If I got the guts for the newer cameras would they still work fine on my a7iii? Thank you
The Phantom LUTS are the only reason why i still stick to the Sony Fs7...They make all my stuff look So Much Better. And now these Film Stock Emulation. As said below: Sony should give you an award. Thank you, but really-for these great luts!!
Love how the results look and bought myself a pack, just a quick question for Rec.709 profiles like Cine 4 etc. are these luts gonna work well on them or better not and just go Slog? Cheers!
Hey man thanks so much - no actually - just one stop is usually fine but sometimes its 0 stops - depends on the scene obviously. The LUTs themselves are intended to be monitored with on set for the easiest exposure workflow - you just load them up on a monitor and expose to the LUT and then in grading you don't have to spend ages fixing exposure as the LUT guided you to a nice exposure on set.
Hi Joel, thank you so much for offering these Luts. I'm about to buy them for the A7S 2 but I might get a A7S 3 oder EV-Z1 soon. Is there any possibility to upgrade to the package after buying it? Since I don't want to buy them just for different cameras.
The only Luts out there that make the Sony sensor and its color science usable again. I don't touch these cameras without Joel's LUTs. And on a BMPCC 4k/6k, the color is now really fantastic, very gradeable!
Hey man, just bought these Luts but i’m confused. But the film look 5 lut bundle for sony As7iii (I own an FX3) it came with 2 folders, one for FX6 and A7Siii, but two other folders, legacy…what am I suppose to use? I shot everything in Slog 3, 1.7 overexposed and when I apply the lut (inside of premiere pro) the colors turn out way too intense, either with Cube 1 or Cube 2….am I doing something wrong? Thank you
ITs not grain or Highlight. those help. Whats special about film is the tangible organic image it produces. The colors film makes from the chemical emulsion process have a real world tangibility to them in ways Digital just cant do. Even less so with Cmos sensors compared to CCD sensors.
So I've recently bought a Sony alpha 7 iv. Been away from photography or making videos for a while. For personal reasons. I'm coming from a Canon 5d mkiii which is a lovely camera and totally capable of creating some beautiful images, and a Canon g7x mkii, but I've been considering getting back into video/ cinematography and wanted to buy a camera that would give me a fighting chance of creating some good looking footage. I'm completely blown away with the camera and I'm learning it's functions slowly. So that's how I ended up here. Your luts look amazing so once I'm upto speed I'll definitely look to buying them. Thank you for your efforts in this regard. All the best.
Thank you for your effort! Do you have any input on how to expose correctly for these luts using an FS7 and wheather S-log2 or S-log3 offer the best results. Thank you for your help!
Hey now that the new Panasonic s5ii is out, are you going to make a new luts for it? The color science is different than the s5. Less magenta/red. I don’t think the current Panasonic lut you have will look the same. Care to drop some info on that?
This is extremely amazing! I have never been this impressed by a LUT. Question: when I buy your LUT and you make continuous updates on those LUTs. Do I also get the updated LUTs for free? Thank you!
Just bough these for my bmpcc4k. Installed them on my SD so i can preview luts while out filming im stoked to learn his new camera! LOVE how these luts look, might ge the arri look pack next
I'm getting a serious orange color cast on my Ninja V when using these LUTs on it. I can't figure out if it is the Ninja's problem or if I am using the LUTs wrong. How are you to use the LUTs that say "atomos pre-lut"? is this the only one that will work on the monitor?
Cannot recommend these highly enough. I've been using Joel's LUTs since the G9 edition and right from the beginning I was blown away by how closely he's been able to replicate that beautiful Arri look...and with every update it gets even better. The time and effort he's put into these is immediately obvious on screen and I'm never disappointed by their performance under any lighting conditions. Just amazing!
Just bought the luts but im totally new to filmmaking. How does it work do i just pass the log 3 footage from my sony fs7 to davinci and simply apply the lut? Is that all or do i still need to adjust light exposure or anything else?
Joel, thank you for your time and effort put into these looks. I've been using these LUTs since G9 on particular quick turnaround projects, and the looks are immensely useful. There is a comment below by Simon Olsen, with which I immensely agree. Your LUT work is what keeps me even more confident to work with images that come out of the Sony sensors. Please, keep up the great work! To anyone considering getting these LUTs and reading this comment, trust me...they're worth it.
Just discovered your channel! Quality stuff brother, I am definitely going to pruchase some of your luts. Would you say they will work on any camera with log profile or are there some that you would not recommend using them with?
Thankyou! I've developed LUT Packs for specific camera profiles EG Sony, Canon, RED etc. Some are more multi-camera than others. Feel free to shoot me an email with your specific camera info and I can recommend a pack
Hi Joel, I am a fuji xt3/4 user. I wanna purchase your luts, which one would more fit my cameras? Or does it even makes sense to get it for the fuji system? Thanks!
I’m not sure if I’m being a total idiot but I need help!!!! I have a canon r5, shooting in clog3 and so I purchased the canon pack of luts. On some correctly exposed footage the lut just looks whack, nothing like a one click fix or anything that can be used. I then thought maybe I need to put the ftg into rec709 first, but that wasn’t helping. I’m not sure what I’m doing wrong but someone help!!!!😅
@@phantomluts really appreciate the reply! So I set premier to 709. Im shooting on canon clog3 and colourspace to cinema gamut. Should I shoot to 709 gamut on cam as well?
That's really helping me get great results with my FS5/atomos recorder. Shooting in slog2sgamut2 in prores422. the arri luts help with getting great, deep, vibrant natural colors, and the film look luts help a lot getting a more artsy look, but very highend. well done man.
This has been asked probably a thousand times before, but is there a chance, that you will ever make LUTs for clog 2? 🖤You've done an amazing job for my Sony a7s III but i switched to canon and i really, REALLY can´t live without your Luts anymore tbh. :-)
hello friend, thank you very much this is really going to help me a lot, I'm new to this, maybe my question is obvious, but I use sony cameras, should I buy the pack for sony, or can I buy the arri pack so that my sony emulates the colors from above, please be patient with me, I am very interested in buying your luts, if you can help me I would really appreciate it, once again thank you very much for your patience, good luck to you
Great video! These LUTS are beautiful. Will they work equally as well with Sony NEX cameras? Is there any additional, or specific, tweaking necessary for the LUTS to produce a great image like yours?🎬
Im kind of confused. On your site you only have Panasonic s5, s5ii and s1h Phantom luts. Do these luts not work the same with the Panasonic s1? Why isn't it listed when the s5 and the s1 supposedly use the same exact color science as well as the sensor?
Yes these also work with the S1 - I just assumed that would be understood given the sensor is the same as the S1h and S5 as you mentioned. I don't want to clutter the page but I just added S1 then so it's clear :)
Hi Joel, I have some questions - what is the difference between the lut with a 'legacy' at the back vs the one without it? and also for the eastman lut, there are two versions, one with the RM and one without. What does it mean? Thank you very much
Very interesting Luts, if I understood correctly these luts must be applied straight to the log footage, no log-rec.709 conversion needed first, right?
Hey Joel, sorry I’m late to the party lol, but I have a quick question. I currently shoot in S Log 3 on the A6600 and I’m very interested in purchasing your Lut pack, but I’m not sure which version to get for my camera. Will the newer version work with 8 bit cameras? Thanks I’m advance!
You are the only thing keeping these Sony sensors relevant. These LUTs are insanely good and a huge time saver. Sony should be paying you millions for adding such value to their cameras!
Thank you again for doing this.
Too kind! Glad you're enjoying them dude - worked hard on them so its nice to see messages like this!
couldn't agree more! Thank you Joel!!!
So true!
so true, sorry is crap without his luts
Sorry but stop disrespecting Sony. Do not forget Sony is the godfather of filmaking. Also Sony is the reason indie filmmakers without money can still put together a film. Any filmaker with common sense would know better than disrespecting Sony! And for your information Sony sensor's are fantastic!
Absolutely amazing! I have been a Director / D.P. for 25 years and I would have to say that these LUTS are one of the largest game changers Ive seen in my career. I have literally shot millions of feet of film, and used every process imaginable like bleach bypass, etc... and these LUTS are a MUST if you want a filmic and cinematic look. I used to test film stocks for Kodak and Fuji before they would be released to the public, and these LUTS make me feel like I am back in those days!
Thanks for the comment Matthew!
@@phantomluts of course! I just let the Exec. Director of a new series I’m Directing know that I’ve chosen these LUTS for our show! Amazing work! Thank you so much!
Great art is like porn, hard to define, but you know it when you see it. And these LUTS are a work of art. I am looking forward to the Panasonic versions.
@@matthewarkins5374 which show is that? I would love to watch
Panasonic version released.
I just started using these LUTs and man they make it easy for a person like me who isn't super video-techy to make a good looking image!
That’s great man! Thanks for the comment :) I like the idea of these being beautiful AND easy to use
I've never been as sold on a LUT package. Bookmarked.
Me 2.. Unfortunately, I am a Canon shooter.... "No LUTs for YOU!" :)
@@oldtreefarm we have it now 🎉
beautiful video. What is the music?
The FS7 ARRI LUT single-handedly made me fall in love with this camera as I've never been before. Will pick up the BMPCC4K LUT as soon as I'll have the opportunity.
Glad to hear it dude and appreciate your support!
Still my favourite luts years late. No other luts even come close. Just spend the money and get these. If you’re using a Sony, just overexpose .75 of a stop, lift the highlights, drop the shadows and don’t touch the mid tones. Leave saturation alone. End of story.
👌
Hello Joel , I'm in the FB group A7SIII , and I bought the 2 packs LUTS. It looks really awesome.
I'm waiting on my A7SIII to be delivered and Let's go !
First I would like to thank you for your amazing work.
I Read the "Read me" in the mail to better use the LUTS but If you have the time , it will be great if you could maybe make a video on how to properly expose SLOG3 (with the differents settings) with or without the external monitor for a beginner to be able to use your awesome LUTS the best way with the A7SIII.
Cheers from france
Hello,
as owner of Sony a7iii I would like to ask you, if there are any recommended settings for this camera in order to make the most out of the luts (settings for color mode, saturation, detail etc.)?
Thank you in advance!
Sorry I missed this somehow! Best in camera settings are default slog2 or slog 2 Sgamut3cine for the 8 bit cameras
@@phantomluts what about for a7s3?
@@hello81642 SLOG3
i did some tests and i cannot use the format prores raw...too noise and burned lights. Otherwise, prores 422 and hq seems that works perfectly. Can you confirm that?
edit. After followed some tips from Joel via dm, i solved the "issue": it's necessary to switch (i'm talking for Premiere Pro) from Bt2020 to Slog3. I don't know why Premiere does import in this settings but it's quite easy to switch in log. Thank's again Joel. Does never stop to learning.
Any chance for a LUT package for Nikon Z6 raw footage (either Blackmagic Raw or Pro Res Raw)? Or maybe even Pro Res 444 (Da Vinci Resolve on Windows only accepts Pro Res 444, not RAW or Blackmagic). I'm new to all this, but can I simply just purchase a LUT of yours intended for Sony for example, and use it for Z6 RAW video?
I'm curious if the luts would fit for Canon cameras?
These LUTS work. Hands down. Pay for them now. Buy them. Right now. Right. Now. Don't ask questions.
Purchased! I love your passion behind them too. You can really tell with the images. Amazing work mate!
i have a sony a7iii. What package do you recommend me to buy? | SONY F55, FS7 / 5 & ALPHA SERIES (PRE-A7S-3) |or SONY A7S-3]?
Hey man the fs7 LUTs for the a73
Can these luts work on footage captured with GH5s?
Danny Gevirtz fixed his mistake by giving you credit. I'm glad I found your channel!
I want to know the same thing
@@arf8314 I hope he clarify and reply!
Joe thank you for doing the Eterna Lut.
самое тупое это показывать переход от LOG фаилов в LUT! Покажите переход с reg709 в LUT чтобы было понятно какие цвета меняются и как !!!
God bless you, you mad genius. We will buy and inculcate this in our work. Thank you so much!!
I have both sets of these and am loving them. You mention that you add a little film grain to these. Do you have any advice on how best to add grain in conjunction with these LUTs please?
Add grain after colouring and after the LUT, and I always try to use it sparingly
Loving this lut presets! I would highly reccomend it
You rock Denilson!
Im looking at getting the lots but had a question. I currently use the sony a7iii with slog 2 and plan on upgrading to a newer sony camera in the near future. I noticed that you have a different category for the older and newer cameras. If I got the guts for the newer cameras would they still work fine on my a7iii? Thank you
Any chance you could share the grain effect you used on these shots? Love your work!
Amazing luts man. Are these applicable to the gen5 color science of the pocket 4k and 6k as well?
Thanks dude!
Not at the moment but there’s a Gen 5 update coming soon and it’ll be free for existing users.
bleach looks great :D
The Phantom LUTS are the only reason why i still stick to the Sony Fs7...They make all my stuff look So Much Better. And now these Film Stock Emulation. As said below: Sony should give you an award. Thank you, but really-for these great luts!!
Haha thanks Bas!!
Which colour management in resolve to match using these luts I have bought the full packages.
Colour Science set to DaVinci YRGB, Timeline colour space set to Rec.709-A for Mac users, or Rec.709 Gamma 2.4 for Windows users
Love how the results look and bought myself a pack, just a quick question for Rec.709 profiles like Cine 4 etc. are these luts gonna work well on them or better not and just go Slog? Cheers!
Just SLog
Joel I'm blown away by these LUTs, amazing job. I wondering for these film stocks to you suggest overexposing 2 stops for slog3?
Hey man thanks so much - no actually - just one stop is usually fine but sometimes its 0 stops - depends on the scene obviously. The LUTs themselves are intended to be monitored with on set for the easiest exposure workflow - you just load them up on a monitor and expose to the LUT and then in grading you don't have to spend ages fixing exposure as the LUT guided you to a nice exposure on set.
I purchased the LUTS and it doesn't let me load them into my Sony FX30. I used the 65x version. Can someone pleas tell me what to do?
Thank you!
Cameras can only load 33x versions of LUT files, these are included in your pack!
thank you thank you thank you!!! THIs worked well with my Sony A7C! so crisp, natural and organic. almost made a wigga melt from contentment
I have an A7C as well. Are you using Slog2 with Cine3 gamma? Do you over expose? Thanks.
@@nevrozel slog2 was my technique..no cine3 or exposure ..I sold mine though and got a bmpcc6k. I'll never go back to anything else..
The RED Helium 8k ad by Mark Toia and this Phantom LUTs ad are the best cinematography themed ads.
Thanks for the kind words!
Hi Joel, thank you so much for offering these Luts. I'm about to buy them for the A7S 2 but I might get a A7S 3 oder EV-Z1 soon. Is there any possibility to upgrade to the package after buying it? Since I don't want to buy them just for different cameras.
I bow down to you!! This is gonna save me so much time. Just the look I wanted. Perfect for quick turn arounds.
Glad I could help!
Hi Joel. Great addition to ur awesome collection of luts. Can these work with HLG3 footage?
Thanks Hilary! These are designed for s log specifically but I have seen some users make them work for HLG3.
The only Luts out there that make the Sony sensor and its color science usable again. I don't touch these cameras without Joel's LUTs. And on a BMPCC 4k/6k, the color is now really fantastic, very gradeable!
That's awesome to hear Eugenia :)
This is absolutely incredible. I plan on investing in a Sony camera very soon and will be purchasing these LUTs right after, thank you.
would the footage need to be converted to rec709 before applying this film stock LUT?
No - the LUTs all convert to 709 for their specific camera.
Your work on these LUTS is incredible. Respect.
Can I grade slog 3 footage from my sony a6400?
Yea but I wouldnt recommend it. Use slog2 as it plays nicer with 8 bit cameras thin codec.
Incredible dedication, absolute game-changer for baked-in looks
Thank-you kindly!
The first and only luts I have ever paid for
🥰 aww shucks!
Hey man, just bought these Luts but i’m confused. But the film look 5 lut bundle for sony As7iii (I own an FX3) it came with 2 folders, one for FX6 and A7Siii, but two other folders, legacy…what am I suppose to use? I shot everything in Slog 3, 1.7 overexposed and when I apply the lut (inside of premiere pro) the colors turn out way too intense, either with Cube 1 or Cube 2….am I doing something wrong? Thank you
I bought ZVE1 and this LUT, but what if ZVE1 doesn’t have PP8?
PP8 is simply Slog3+Sgamut3cine.
ITs not grain or Highlight. those help. Whats special about film is the tangible organic image it produces. The colors film makes from the chemical emulsion process have a real world tangibility to them in ways Digital just cant do. Even less so with Cmos sensors compared to CCD sensors.
Beat luts I’ve ever used. I’ve deleted every other luts I ever bought. These are all I use. End of story.
Wow, thanks Mike :)
Amazing LUTs, looking forward to using it on more projects!
So I've recently bought a Sony alpha 7 iv. Been away from photography or making videos for a while. For personal reasons. I'm coming from a Canon 5d mkiii which is a lovely camera and totally capable of creating some beautiful images, and a Canon g7x mkii, but I've been considering getting back into video/ cinematography and wanted to buy a camera that would give me a fighting chance of creating some good looking footage. I'm completely blown away with the camera and I'm learning it's functions slowly. So that's how I ended up here. Your luts look amazing so once I'm upto speed I'll definitely look to buying them. Thank you for your efforts in this regard. All the best.
I intend to purchase these Luts to use on , Sony A74, Nikon Z5, Nikon D780, Canon 90D, Panasonic Gh5s, Panasonic S1 and Panasonic S5.
I own them and love them but these are strictly film stock and I can still use Kodak 2383print stock on top of that right?
Im interested in buying your luts. Which ones you recommend for a74?
Great - the A7s3 LUTs are best suited to the A7iv.
Is the graing effect applied to the film look by default? It doesn't look like that in this video.
No, this is usually the camera itself that adds the grain look
@joel Famularo
Hi Joel, can I use these luts on normal Rec709 Footages?
the LUTs are designed to be applied to LOG footage
Thank you for your effort! Do you have any input on how to expose correctly for these luts using an FS7 and wheather S-log2 or S-log3 offer the best results. Thank you for your help!
Hey now that the new Panasonic s5ii is out, are you going to make a new luts for it? The color science is different than the s5. Less magenta/red. I don’t think the current Panasonic lut you have will look the same. Care to drop some info on that?
This is extremely amazing! I have never been this impressed by a LUT. Question: when I buy your LUT and you make continuous updates on those LUTs. Do I also get the updated LUTs for free? Thank you!
Thanks! Yes you do get updates for free
@@phantomluts thanks a lot Joel
Just bough these for my bmpcc4k. Installed them on my SD so i can preview luts while out filming im stoked to learn his new camera! LOVE how these luts look, might ge the arri look pack next
I'm getting a serious orange color cast on my Ninja V when using these LUTs on it. I can't figure out if it is the Ninja's problem or if I am using the LUTs wrong. How are you to use the LUTs that say "atomos pre-lut"? is this the only one that will work on the monitor?
Trying to get an image that pops has been making my head hurt. Bought your LUTs today and early tests look wicked! Cheers 👊🏿
Cannot recommend these highly enough. I've been using Joel's LUTs since the G9 edition and right from the beginning I was blown away by how closely he's been able to replicate that beautiful Arri look...and with every update it gets even better. The time and effort he's put into these is immediately obvious on screen and I'm never disappointed by their performance under any lighting conditions. Just amazing!
Thanks Mark!
Just bought the luts but im totally new to filmmaking. How does it work do i just pass the log 3 footage from my sony fs7 to davinci and simply apply the lut? Is that all or do i still need to adjust light exposure or anything else?
Joel, thank you for your time and effort put into these looks. I've been using these LUTs since G9 on particular quick turnaround projects, and the looks are immensely useful. There is a comment below by Simon Olsen, with which I immensely agree. Your LUT work is what keeps me even more confident to work with images that come out of the Sony sensors. Please, keep up the great work! To anyone considering getting these LUTs and reading this comment, trust me...they're worth it.
Great! Can i install the luts inside my BMPCC4k to check while shooting and are they recommend to burn in for prores quick turnaround? :) Thanks
Hi, what is the song during the intro ? It is beautiful.
Thanks a lot for your video.
Just discovered your channel!
Quality stuff brother, I am definitely going to pruchase some of your luts.
Would you say they will work on any camera with log profile or are there some that you would not recommend using them with?
Thankyou! I've developed LUT Packs for specific camera profiles EG Sony, Canon, RED etc. Some are more multi-camera than others. Feel free to shoot me an email with your specific camera info and I can recommend a pack
@@phantomluts Thanks for your reply!, I thought all these luts were for the 4D, simulating the looks of other cameras?
Hi Joel, I am a fuji xt3/4 user. I wanna purchase your luts, which one would more fit my cameras? Or does it even makes sense to get it for the fuji system? Thanks!
Joel, i have to be overxposed in slog3 by 1.7-2.0 stops or stay in the middle of histogram and try to expose to the right?
Incredible, purchased. Would love to know the two tracks in this video!
I purchased the pack but ran out of download attempts due to bad internet, hope this can be fixed soon.
Sorry I missed this, hopefully this got sorted. Email me if not.
Are they coming to the Blackmagic Ursa Pro 12k?
No plans - though the P6K LUTs apparently work very well on the 12k.
how should camera be set for this luts? Slog2-Sgamut, Slog3-Sgamut3 ?
Hello Joel,
before i purchase this luts..can i ask if these gonna work on my a7r iii slog 2 and slog 3? thanks man! hoping for your response
How to setting on sony S log 2 ?
Are the film emulator luts able to be used in camera for the black magic pocket 4k?
Yes
phaton luts are compatible with davincci resolve?
Yes
I’m not sure if I’m being a total idiot but I need help!!!! I have a canon r5, shooting in clog3 and so I purchased the canon pack of luts. On some correctly exposed footage the lut just looks whack, nothing like a one click fix or anything that can be used. I then thought maybe I need to put the ftg into rec709 first, but that wasn’t helping. I’m not sure what I’m doing wrong but someone help!!!!😅
Depending on your NLE it can sometimes use automatic colour conform so make sure that's off!
@@phantomluts really appreciate the reply! So I set premier to 709. Im shooting on canon clog3 and colourspace to cinema gamut. Should I shoot to 709 gamut on cam as well?
That's really helping me get great results with my FS5/atomos recorder. Shooting in slog2sgamut2 in prores422. the arri luts help with getting great, deep, vibrant natural colors, and the film look luts help a lot getting a more artsy look, but very highend. well done man.
Guillaume Juin thanks man!
This has been asked probably a thousand times before, but is there a chance, that you will ever make LUTs for clog 2? 🖤You've done an amazing job for my Sony a7s III but i switched to canon and i really, REALLY can´t live without your Luts anymore tbh. :-)
Hi Joel, can these LUTS apply to my Blackmagic OG camera with the cinedmg raw codec?
Is the A7SIII Lut also works for A7III?
Will, it gives the same look?
hello friend, thank you very much this is really going to help me a lot, I'm new to this, maybe my question is obvious, but I use sony cameras, should I buy the pack for sony, or can I buy the arri pack so that my sony emulates the colors from above, please be patient with me, I am very interested in buying your luts, if you can help me I would really appreciate it, once again thank you very much for your patience, good luck to you
I have a sony a6500 by the way :)
Is this the one I should buy for the a6500? I want to be sure, thanks Fs7 Phntm LUTs - 11 Pack
Great video! These LUTS are beautiful. Will they work equally as well with Sony NEX cameras? Is there any additional, or specific, tweaking necessary for the LUTS to produce a great image like yours?🎬
Im kind of confused. On your site you only have Panasonic s5, s5ii and s1h Phantom luts. Do these luts not work the same with the Panasonic s1? Why isn't it listed when the s5 and the s1 supposedly use the same exact color science as well as the sensor?
Yes these also work with the S1 - I just assumed that would be understood given the sensor is the same as the S1h and S5 as you mentioned.
I don't want to clutter the page but I just added S1 then so it's clear :)
@@phantomluts thank you
amazing - iv'e got the fx3. does it work in PP? or davinci only? :) Thanks!
Just buy it for my future A7S3, can't wait to try them !!
And good job for these quality Luts
So glad I stumbled across this. Are you shooting your SLog footage overexposed by 1 stop on the meter to get these results?
blackmagic stays over all in this demo for me
i have the sony a7r5 and don't know which package will work? please help ... trying to buy.
Your A7RV is supported by the FX6 LUT in the A7SIII/FX6 LUT Pack!
@@phantomluts Great! Thank you.
Hello, Joel! Are those Luts compatible with zve10?
Yes! The FS7 LUTs are compatible with your ZVE10
should I choose alpha series (legacy ...) that row ? @@phantomluts
How do I get your sony / arri LUT package
joelfamularo.com/colour
Hi Joel, I have some questions - what is the difference between the lut with a 'legacy' at the back vs the one without it? and also for the eastman lut, there are two versions, one with the RM and one without. What does it mean? Thank you very much
Hi Joel, just upgraded to the FX3 and bought the newer version of the LUTS. Do I use the A7s3 folder or the FX6 folder?
Hey Marion - The A7s3 LUTs as the Fx3 and A7s3 have the same sensor.
This luts works fine on a Sony a7iii?
Someone??
Yes - the Fs7 Legacy LUTs
Currently saving for a Sony, looks like I’m saving a little more for this LUT package, colors look amazing!!
Very interesting Luts, if I understood correctly these luts must be applied straight to the log footage, no log-rec.709 conversion needed first, right?
Correct
can you apply these luts in davinci resolve?
yeah absolutely!
The Vision Lut on the Sony A74 would be great
Hi.
Will these LUTs will work with Sony ZV-1F ?
Thank you.
Hi yeah they will. I'd recommend shooting in S-log2 because the ZV-1F only has an 8-bit sensor.
@@phantomluts Thank you! Purchased PhamtomLuts the other day!
I purchased Your Phantom luts
🫡
Hey Joel, sorry I’m late to the party lol, but I have a quick question. I currently shoot in S Log 3 on the A6600 and I’m very interested in purchasing your Lut pack, but I’m not sure which version to get for my camera. Will the newer version work with 8 bit cameras? Thanks I’m advance!
Use the Fs7 LUTs and I advise you against Slog3 as it's only 8 bit. Slog2 + Sgamut3cine is better for 8 bit.
Please consider creating these luts for the Panasonic S line. Thank looks fantastic!