nawww ngl ive been searching how to use slog 3 tutorials videos and this one was the best one so far. the way you explained was nice and simple and also straight to the point. your a life saver !
Thanks man. Been out of the game for a year now but picking things back up and this video is exactly the refresher I needed for shooting slog and a bit of Davince Resolve. Appreciate you 👌🏻
This is a great video, some really good info here especially for us slog rooks haha. If I may give a bit of feedback - it seems this video jumps into the steps with some assumptions for the viewer, such as the viewer knowing which editor you’re using, knowing what zebras indicate, knowing what “peak” is, knowing how MM/exposure compensation plays a role, knowing why we’re converting the footage from log to rec709 using gamma display assist even tho it was shot in slog3 (if those 2 differ, how so or in what way), etc. I know this video is meant as a quick & not necessarily an in depth review, but providing a bit of detail in some or most areas related to the process will be extremely helpful for beginners in actually understanding the process, which is (I hope) the goal of all of us who watch this video rather than memorization. I’ll check out some more of your videos.
Thank you for your feedback. Honestly, my workflow and experience has changed quite a bit this year and I’d love to do a follow up video. I’ll definitely consider what you’ve said ☺️🙏🏻
Thank you, thank you. I have been wrestling with my color grading in da Vinci. My shots are very dynamic (moving from exterior blue light to interior yellow low light) and so I've been trying to find a way to still run and gun without having to 1 trust AWB and 2 modify a manual wb real time. The real solution was having the correct color space applied. This has fixed so many problems for me and I don't know why it's not talked about more. Thanks a bunch!
Today was my first experience with video editing, and I really liked how you created the node to manage the work. Your explanation was excellent. Could you please create a video for complete beginners?
was so thankful I found this...I've always been afraid to even try using and log profiles for fear I'd mess something up, and so I've just been sticking to a wysiwyg style of shooting with the safe picture profiles on the Sony FS5. These tips (including the LUT) should just carry over, even though it's an older camera correct? Thanks for the nice clear, short and to the point video!
Generally it should carry over. Working with Log footage is quite consistent other than some tinkering. Older SLOG3 profiles might need some different work, especially on the cinema cameras. I’d look up specific guides to that camera 🙏🏻
Byran, great video! this is what i was looking for. When your doing CST, what do you recommend for output if you Monitor is an LG but your computer is an apple? Should you got with Rec709?
I would still do Rec 709-A because I edit on an ASUS monitor! But maybe give it a try and experiment a bit. Try exporting the same video in 709 or 709-A and transfer it to your phone to see
Good info. Thanks 😊 how do you find h.264 workflow in DR when having a big project vs H.265 or converting to ProRes LT/Proxy and grading that instead… on a Mac M2Max?
Great video! Currently I'm using HLG3 - I've been told that, because my ZV-E10 is an 8-bit camera, working with HLG3 is more advisable than SLog-3. What do you think? But all the videos I've seen by people who shoot Slog-3 look so nice, including yours! so it makes me wonder if I might be able to achieve better results with Slog-3
Can I ask a question to some awesome knowledgeable commenter here? I’m super confused about something…. I have an FX30. To shoot in log, I understand I how to change it in “log settings,” yada yada yada. But what’s the deal with Picture Profile via Exposure menu? Can’t I also shoot in log going this route? When I change to log shooting in log settings, picture profile is greyed out. Is picture profile just so you can plug in an additional monitor? Can someone explain this to me? Sorry for being a dingbat. 🙏🙏
What do you think of people who choose Gamma 2.4 or 2.2 for output gamma? Do we have to pick 709 or Gamma 2.4 option for output gamma section? I am confused.
Rec 709 and Gamma 2.4 are just the standard in the TV and Movie industry. I just stick to it because when you play it on a TV you’ll get the most accurate contrast to what you were seeing when editing. I hope that makes sense!
I shot on slog3 for my first event and not sure I did it correctly. I made sure to keep my M.M between (+0.7- +1.3ish ) some shots came out super bright. Maybe I’m not coloring it right but it’s still super bright😢😅
brother can I ask something.. So you do your color edits in one clip, so after that you have to do the same process all over again or you just copy paste all the process to the rest clips? Except some special occasions like the sun you mentioned? Thanks a lot !!
Hi, i have question, if I record a clip in s-log-3, the size of the clip is bigger and more difficult to edit in post-production than a normal clip? thank u
I usually do yes. I use to expose to almost 2.0 but lately I've been sticking to around 1.3 because I like the way the highlights look more. Although I think as long as your subject is exposed to around 1-1.3 you'll get a pretty decent look with plenty of colour
Great video and explanation brother. What is the best way to contact you by the way? I messaged you on Instagram because I had a question about the lut, not sure if you’re active on there.
One of the best creators in this space. While being informative, your content is also an inspiration to a new videographer like myself.
Damn THANK YOU 😭😭
nawww ngl ive been searching how to use slog 3 tutorials videos and this one was the best one so far. the way you explained was nice and simple and also straight to the point. your a life saver !
😭😭 thank you!!
@BryceKoebel I came here to say the same thing! Thank you so much for this lol ❤
I don't often comment... but this was a great tutorial. All of the general tips as to how to expose AND color grade Slog3 are right here. gj.
Thanks man. Been out of the game for a year now but picking things back up and this video is exactly the refresher I needed for shooting slog and a bit of Davince Resolve. Appreciate you 👌🏻
This video, out of a lot of good ones I've seen, is probably the best one 💯
10 seconds in and knew I must subscribe - Thanks to youtube for finding this page
😭😭😭 thank you
You welcome, I just bought your Nutty Lut, waiting to see what it would do 🫶🏾
As someone who’s starting from 0, this is really helpful and easy to understand! Will surely get your luts soon! 💗
I’m glad it was helpful! I really appreciate the support 🙏🏻 best of luck to you on your journey 😊
This is a great video, some really good info here especially for us slog rooks haha. If I may give a bit of feedback - it seems this video jumps into the steps with some assumptions for the viewer, such as the viewer knowing which editor you’re using, knowing what zebras indicate, knowing what “peak” is, knowing how MM/exposure compensation plays a role, knowing why we’re converting the footage from log to rec709 using gamma display assist even tho it was shot in slog3 (if those 2 differ, how so or in what way), etc. I know this video is meant as a quick & not necessarily an in depth review, but providing a bit of detail in some or most areas related to the process will be extremely helpful for beginners in actually understanding the process, which is (I hope) the goal of all of us who watch this video rather than memorization. I’ll check out some more of your videos.
Thank you for your feedback. Honestly, my workflow and experience has changed quite a bit this year and I’d love to do a follow up video. I’ll definitely consider what you’ve said ☺️🙏🏻
Literally the best tutorial for slog 3 by far 🙌🏼thank you so much
Appreciate the love!! 🙏🏻🙏🏻
I didn't understand much, but this only tells me that I need to start digging into it and your channel is a good start!
Thank you, thank you. I have been wrestling with my color grading in da Vinci. My shots are very dynamic (moving from exterior blue light to interior yellow low light) and so I've been trying to find a way to still run and gun without having to 1 trust AWB and 2 modify a manual wb real time. The real solution was having the correct color space applied. This has fixed so many problems for me and I don't know why it's not talked about more. Thanks a bunch!
Amazing Video Man! Helped so much!
🖤🙏🏻😌
Nah wtf this video packs a ton in 12 minuets, I appreciate this Bryce. Just got an a7iv, gotta start cooking in the lab.
Thank you!! 🙏🏻
great tutorial thanks!
Today was my first experience with video editing, and I really liked how you created the node to manage the work. Your explanation was excellent. Could you please create a video for complete beginners?
dude thank you for this amazing vid!
This is the best video so far for me! You deserve a sub!!
I appreciate that!! 🙏🏻🙏🏻
was so thankful I found this...I've always been afraid to even try using and log profiles for fear I'd mess something up, and so I've just been sticking to a wysiwyg style of shooting with the safe picture profiles on the Sony FS5. These tips (including the LUT) should just carry over, even though it's an older camera correct? Thanks for the nice clear, short and to the point video!
Generally it should carry over. Working with Log footage is quite consistent other than some tinkering. Older SLOG3 profiles might need some different work, especially on the cinema cameras. I’d look up specific guides to that camera 🙏🏻
This video is so helpful thank you!
thanks Bryce! Love your workflowwww
I appreciate you!!
what is the name of the second song? it starts at around 2:00 :)
Bro your videos are awesome. Keep on putting in the work!
Thank you!!
heyy,do set your timeline as slo3 insteadd of rec 709...as the tools will be working aaccording to the log profile
Good content. I use A7iv and I find this very useful. Thank you
Byran, great video! this is what i was looking for. When your doing CST, what do you recommend for output if you Monitor is an LG but your computer is an apple? Should you got with Rec709?
I would still do Rec 709-A because I edit on an ASUS monitor! But maybe give it a try and experiment a bit. Try exporting the same video in 709 or 709-A and transfer it to your phone to see
I keep coming back to this video , your videos in general are real , awesome to watch and very informative. Thanks for sharing your secret sauce. ✌🏻
Dang thank you so much!! I really appreciate that 🥲🥲
Well said! I wish I used Adobe so I could follow along with your walkthrough. It would be awesome if you did a walkthrough on colorgrading using FCPX!
I’ve never used FINAL CUT! I’d check out a guy named Eric Lenz 💪 he’s a colourist that uses FCX
@@BryceKoebel gotcha! thanks for the plug 🤝
thnaks for explanation
No problem! 🙏🏻
Great video... This helped me so much...
Would this not look good with the a6400?
Keep the videos coming!
Great info
Ask, can i use slog3 in my a7c?
Good info. Thanks 😊 how do you find h.264 workflow in DR when having a big project vs H.265 or converting to ProRes LT/Proxy and grading that instead… on a Mac M2Max?
you are really good bro
this should help a ton, thanks
Great video! Currently I'm using HLG3 - I've been told that, because my ZV-E10 is an 8-bit camera, working with HLG3 is more advisable than SLog-3. What do you think? But all the videos I've seen by people who shoot Slog-3 look so nice, including yours! so it makes me wonder if I might be able to achieve better results with Slog-3
HLG3 is for sure the best for 8 bit cameras 🙏🏻
awesome video ! tons of great tips in here. Seen you were useing the sigma primes. How was the auto focus with them?
Purchase option is not available for India. Great video, keep it up.
Can I ask a question to some awesome knowledgeable commenter here? I’m super confused about something….
I have an FX30. To shoot in log, I understand I how to change it in “log settings,” yada yada yada.
But what’s the deal with Picture Profile via Exposure menu? Can’t I also shoot in log going this route? When I change to log shooting in log settings, picture profile is greyed out. Is picture profile just so you can plug in an additional monitor? Can someone explain this to me? Sorry for being a dingbat. 🙏🙏
What do you think of people who choose Gamma 2.4 or 2.2 for output gamma? Do we have to pick 709 or Gamma 2.4 option for output gamma section? I am confused.
Rec 709 and Gamma 2.4 are just the standard in the TV and Movie industry. I just stick to it because when you play it on a TV you’ll get the most accurate contrast to what you were seeing when editing. I hope that makes sense!
Fire vid 🔥 great info
Im still having issues when I shoot in slog3 my footage looks so grainy, despite having the right settings as followed in the video
Will natty work on canon r5 slog3?
I shot on slog3 for my first event and not sure I did it correctly. I made sure to keep my M.M between
(+0.7- +1.3ish ) some shots came out super bright. Maybe I’m not coloring it right but it’s still super bright😢😅
brother can I ask something.. So you do your color edits in one clip, so after that you have to do the same process all over again or you just copy paste all the process to the rest clips? Except some special occasions like the sun you mentioned? Thanks a lot !!
So I’ll colour one clip yes, then copy and paste the grade over others. But then I’ll go into each individual clip and do touch ups from there.
Hi, i have question, if I record a clip in s-log-3, the size of the clip is bigger and more difficult to edit in post-production than a normal clip? thank u
With video it’s clear. However do you use something like slog3 for photos ? Because in phot mode I didn’t find something like pp8, pp8 and etc
what camera did you use in Japan clips
All a7s3
Hey Bryce, do you always over-expose by at least 1.0 stop?
I usually do yes. I use to expose to almost 2.0 but lately I've been sticking to around 1.3 because I like the way the highlights look more. Although I think as long as your subject is exposed to around 1-1.3 you'll get a pretty decent look with plenty of colour
Will this Natty lut work on my Sony a7III's slog3? will it look different on 8bit slog? I kinda want to try this lut cuz it looks great.
It will still work, but it won’t look the same as your cameras 8 bit sensor is different
I like the NATTY look, on your page instructions, you don’t have Final Cut process ?
What is best way to use with Final Cut ?
I’ve never used Final Cut 😭 however there should be a way to change the colour space and then also had a LUT. Sorry!
Great video
hi, can i use same camera settings in my a6400 ? 4 slog3
Hello I film with a sony Fx3 in Slog 3 what luts is good, I am going to Japan in October I want to make beautiful videos and a good colors
You can grab my SLOG3 LUT 😉
Why do my scopes go above 640? How do I keep it around 100
isn't base ISO on that camera 800 ? or even 800 and 3200?
That’s what’s confusing me, mine is greyed out till 800
are you still using the a7iii?
I am! Still a great stills camera and b-cam
What about exp node ?
Doesn't matter tbh. People make separate nodes just for organization, It doesn't affect the grade
My camera's gamma was on i thought S-log3 is not working. So i just turn off.
The footage looks wkd
Wicked*??
@@JesusChristSaves. yeah I used wkd an abbreviation. It’s really clean footage. Is it because of s log?
Thanks ☺️
Yeah - And then color corrected after@@DimmyV
bruh u have noise in your video
Great video and explanation brother. What is the best way to contact you by the way? I messaged you on Instagram because I had a question about the lut, not sure if you’re active on there.