Same to me bro... I found it after the video in corrider crew about instagram ads theft wrens video And i found ya i was watching is his video before i found corridor!!!!!!!!!!🤯
BTW, Instead of using "Corner pin" for align you can parent your 3D plane to the 3D Camera and make layer's orientation to [0,0,0]. And then just scale it to perfectly fit composition (for maximum presise you can use formula: ("Layer Z position" / "Camera Zoom value" * 100). Don't forget to unparent your layer after this.
Wren, I'm reminded of an old saying. "Those who cant do, teach". That saying is completely disproven thanks to you. You've proven that not only can you walk the walk, but you still spend the time and effort to teach everyone else. They have a word for people like you. It's Master.
Not quite the first to say this: You are very good at making a tutorial. You are polished, interesting, and clear. Thank you for joining the VFX teachers of the internet.
I cannot believe you have just uploaded this! I am working on a shot as we speak inspired by your breakdown omen video to see if I can achieve the same effects as you did and I was running into some problems with creating the projection maps. Luckily I was still able to do it without the parallax effect because I didn't move forward as much as you did but it was still bothering me all day because I still wanted to get the concept down to use on future projects. Then you uploaded this beauty! :) Thank you Wren!
Now that I finished the video I realized it is pretty similar to another projection mapping tutorial I watched so I am still having trouble trying to get the different stills to have a parallax look. But I learned about making a difference matte so thank you again :) Hope you don't mind if I show you what I made when I am done.
I want to thank you for this tutorial. Using the methods of this tutorial I was able to remove a light panel and stand from a shot. It's such a necessary skill in modern film making, and yet was never taught in my college courses. Thanks so much for this.
in the composite settings change 3d render from Cinema 4d to Classic 3d I know 7 months is very very long time to reply, but hope this will help another one who watching these replies and have the same issue
I'm loving the comments about how complicated this is. This is actually AMAZING because of the simplicity involved! Guys, It's mostly just a bunch of copy/pasta pre-comp layers with tiny tweaks in between, it's not the typical layer Hell you might run into for a single shot with After Effects. This is an incredibly easy way to do something I've always seen done in stupidly complicated ways! Thanks for sharing this No more frame by frame masking nonsense.
Dude, you saved my life with this on an object removal job I was doing. Appreciate all the work you do for Corridor now, I'd love to see more of this direct tutorial stuff on your channel.
i kind of worked around that for a long time i think this tutorial was neat it has a few points its like connecting a few dots. can only recommend it even if you already know how to acomplish it this way was an old way ive never used because i didnt used all tricks .. this video uses a few tricks ive never thought about making the old way the actual cleaner way of doing it. will take some time of getting it into the work flow of thought process but im confidant this method will turn out to be one of the major tools for this in the future
Hi Wren, how do you workout the number of Plan/Grid you need and where to put them when the backgroud is not a flat wall...For example, at 1:16 (background is a corner) or at 3:03 (background is a path in the forest) of you video OMEn Chronicles:The Effects... Thanks
omg Wren, so awesome! this is the exact effect i wanted to learn, a long side fumeFx effects too, but this one first. U rock! thank you for doing this.
This is great info even tho I don't have any of the equipment to do it and have no interest in doing this it was still great to see how you work on the footage behind the scenes style but also very informative. Keep up the great work!!!
Wow, you're so patient and very talented; wish I could do all that! I procrastinate so much, when it comes to video editing, it really does take a love for the process and incredible patience! Kudos to you! ^_^
If anyone else is having trouble, go take a look at Andrew Kramer's camera mapping tutorial. He uses the same technique, but you may pick up a few extra things. Great tutorial Wren, look forward to more!!! :D
What's really crazy to think about is that at the big studios they actually accomplish effects like this (more advanced ones) by having a camera attached to a machine and a computer and having the camera move through the same motion over and over while adding new live footage each pass.
Yeah that's motion control. Technically that's a very different process than what this is. This tutorial cannot replace what motion control could bring you. I'd love to use those rigs!
When I was viewing with top camera, my light, camera, and footage were all in the middle. I am trying to have it look how you have it at 8:53. Is there any way you could tell me what I did wrong? Is it just because of where you chose to freeze frame it?
I am assuming that when you are doing this technique at multiple depths, you are just using the same projection slide for all of the depths. Or are you Using More then one projection slide? For example at the 00:30 second mark
Yeah it's the same frame, but the in scene "geometry" that's being projected on is more complex. I basically lined up those "slides" at various depths from the camera, and projected the one clean frame onto those. Because they're tracked into the scene, it all still works.
there is so much stuff i want to learn before i get too old. like glass blowing, gymnastics, parkour, and make my cat love me (irrelevant). now i got something else to add. THANKS WREN
Wow! This is awesome! You make it look so easy. If the footage was 360° panoramic footage, would you still be able to do this? To start with just masking out the camera man as they walk with a camera. Using the ground shots a few seconds before or after each frame. Then do it all in 3D. :)
This is the best AE tutorial on you tube. Could you do a more complex version showing how you used this technique on less polygonal surfaces like the bushes on your Omen Chronicles short? We would all be eternally grateful for this.
I meant a panning sort of motion. Because CMOS sensors (in pretty much all modern cameras these days) record over a few milliseconds from the top of the sensor to the bottom, if you pan left or right too quickly you'll get that "rolling shutter" artifacting. That's because when you're turning, at the beginning of recording a frame as it records the top of the sensor, your camera will be in one places, but by the time it's recording the bottom of the sensor, your camera's in a new place, but it's still recording one individual frame. That's why if you ever hear the term "Global Shutter" it means the entire frame is recorded at the exact same time instead of a scanning sort of method.
I'm confused about the difference transfer mode (15:00). In the vuideo it says that the transfer mode cancles out the pixles that are the same from the top layer and the layer below it, but the Girl Raw footage layer includes the girl in it so technicaly the girl should have been removed. Anyone know what's going on?
Actually the transfer mode is being set to the clean plate, which is on top of the girl raw footage. The clean plate doesn't have the girl in it. So most of the clean plate is the same as the footage underneath. But because the girl is not in the plate, she shows through.
Hey man cool tut. really helpful, and I love the Omen Chronicles really awesome video. I'm working on a series and was wondering if you could do a tut on how you did the smoke effects I'm trying to do an effect something similar to that and that would be a great help.
So is this an overall better method than using the roto brush tool? To select people out when not having a green screen or is this method only good for when the camera is moving?
Don't know if anyone is still looking at this but I had to make sure the Shadow Diffusion on my light was set to 0 pixels. Thanks Wren from 7 years ago :)
Still a relevant video, but dumb question. I have a shot that pulls out instead of pushing in and I can't seem to wrap my head around how to do this process but reverse it
Absolutely fantastic Wren! My method was to use 3ds max which is little more time-consuming and sometimes can't guarantee great results like this. Definitely adding this one to my tool belt! I also I learned a thing or two about making a well paced tutorial :) Thanks dude!
When doing all that fancy light projection and stuff, couldn’t you have just created null objects and tracked masks of the background to those points in 3d?
@@justdancetm2731 Yeah, the projection mapping works *so* much better. At least for the clip that I've tried this with. I first tried it by creating null objects and whatnot. It just wasn't very convincing.
Your videos are sick dude honestly I love your tutorials, are you thinking of making a tutorial on the visual effects as in smoke particles and the sparks?
CAN YOU PLEASE HELP ME. I was working on a project and when i went into after effects 4 black screens show in the composition area. I only want there to be one! How do i switch it back? I can give you my email if you want, and i can send a pic of what im talking about
Please do more of these tutorials! I like the way you present your tutorials and they are really helpful! What i really would like to see is, how you import your 3D Tracking shots from After effects into 3Dsmax and build up your scenes etc. When I import my 3D Tracking data into 3Dsmax i get the issue that my camera gets a wrong focal lenght which. Can you tell me how to solve this problem? Just correct the focal lenght or is this just wrong?
Hey Wren, I also want to do a similar shot like this one, could you give me any tips on picking a location to shoot the scene? What should I look out for?
Can I ask? Why would the corner pin thing be necessary if the footage 2 will become invisible afterwards? And is this 3d projection something like placing a projector in a video to mask out or replace certain content?
Hey its too cool but I am waiting for the fume fx breakdown the way which you did in Omen chronicles. And I m very glad to thank you for this amazing video you are awesome bro......
just one question... after imask out the lady,, if i would like to make the ladydissapear in whole footage , how could i do that, because when i enlarge the grid the projection map texture is limited to some point. and the whilte solid appears then, i hopeu know what i'm talking here,, thx forthe tutorial too , support
This was a great tutorial! One point though. You need to have that light setting set to point. I had it set to spot and it didn't work. Thank you so much for teaching us! (and the smoke tutorial would be soo nice) :)
Dude! Till now, mind mind was sooo totally blown by the how u hid them in the video till now! Well that's not try, it's sill sweet. But my friend and I are pretty good with after effects and animation programs, but with this we had no clue. We literally spent like a week trying to recreate a shot like yours where the people were in it, and without using a second camera. Thx so much and we were just wondering if you could make a tutorial for how you made the smoke and stuff. We have a way by using a shockwave effect and just rescaling it with overlays and stuff but we're not sure that it's the most efficient way of doing it. Anyways, thanks so much for the tutorial and congrats on 150k subs, u really earned them :D c ya
This was exactly what i was looking for, and i thought... hm, mayve wren from corridor has sth like this on his own channel, and here it is... Thanks a lot!
It's not "required" but it helps. You can see the individual "planes" or "solids" I have projected onto in the breakdown footage I showed at the beginning. Those are semi-complex shapes that I was able to make work with 2D projection plates. It just takes more time to set up and get right. For the sake of this tutorial I wanted to make it as quick and simple as I possibly could while still demonstrating all the processes you'd need.
You are my hero.
Didn't know there would be anything YOU could learn about video effects :D
yes he is my hearo to :p hhh :)
Andrew How could you not know this
i did not think you have anything else you did not learn.
***** Oh hey internet !
Wow, I found this in my "Watch Later" playlist and I had no idea that this was Wren from Corridor Digital!
Same to me bro...
I found it after the video in corrider crew about instagram ads theft wrens video
And i found ya i was watching is his video before i found corridor!!!!!!!!!!🤯
BTW, Instead of using "Corner pin" for align you can parent your 3D plane to the 3D Camera and make layer's orientation to [0,0,0]. And then just scale it to perfectly fit composition (for maximum presise you can use formula: ("Layer Z position" / "Camera Zoom value" * 100). Don't forget to unparent your layer after this.
Wren, I'm reminded of an old saying. "Those who cant do, teach". That saying is completely disproven thanks to you. You've proven that not only can you walk the walk, but you still spend the time and effort to teach everyone else. They have a word for people like you. It's Master.
Good news! You are a UA-cam OG
Just completed. Still relevant in mid 2019! I hope Jenna is okay after falling from the sky so many times...
Not quite the first to say this: You are very good at making a tutorial. You are polished, interesting, and clear. Thank you for joining the VFX teachers of the internet.
I cannot believe you have just uploaded this! I am working on a shot as we speak inspired by your breakdown omen video to see if I can achieve the same effects as you did and I was running into some problems with creating the projection maps. Luckily I was still able to do it without the parallax effect because I didn't move forward as much as you did but it was still bothering me all day because I still wanted to get the concept down to use on future projects. Then you uploaded this beauty! :) Thank you Wren!
Now that I finished the video I realized it is pretty similar to another projection mapping tutorial I watched so I am still having trouble trying to get the different stills to have a parallax look. But I learned about making a difference matte so thank you again :) Hope you don't mind if I show you what I made when I am done.
4 years later, I can say this video is pure gold. Thanks for taking the time and make the tutorial.
I haven't seen ALL the tutorials on this, that are available... but seriously, dude... this is the best of all the tutorials on this.
I want to thank you for this tutorial. Using the methods of this tutorial I was able to remove a light panel and stand from a shot. It's such a necessary skill in modern film making, and yet was never taught in my college courses. Thanks so much for this.
Love your videos man! And this tutorial was super helpful!
hey I love your tuts too.
Great Work man, in a long time I didnt got to see a tuturial where I actually get to learn something new . Well done and thnak so much ;)
#10:52 NOW THERE IS NO "Light Transmission" Option in After effects cc 2019 please help me.....!!!!!!!!!!!!!
in the composite settings change 3d render from Cinema 4d to Classic 3d
I know 7 months is very very long time to reply, but hope this will help another one who watching these replies and have the same issue
@@bhmn84 Thank you so much
I'm loving the comments about how complicated this is. This is actually AMAZING because of the simplicity involved! Guys, It's mostly just a bunch of copy/pasta pre-comp layers with tiny tweaks in between, it's not the typical layer Hell you might run into for a single shot with After Effects. This is an incredibly easy way to do something I've always seen done in stupidly complicated ways! Thanks for sharing this No more frame by frame masking nonsense.
Dude, you saved my life with this on an object removal job I was doing. Appreciate all the work you do for Corridor now, I'd love to see more of this direct tutorial stuff on your channel.
i kind of worked around that for a long time i think this tutorial was neat it has a few points its like connecting a few dots. can only recommend it even if you already know how to acomplish it this way was an old way ive never used because i didnt used all tricks .. this video uses a few tricks ive never thought about making the old way the actual cleaner way of doing it. will take some time of getting it into the work flow of thought process but im confidant this method will turn out to be one of the major tools for this in the future
this is one of my favorite tutorials on the internet
Hi Wren, how do you workout the number of Plan/Grid you need and where to put them when the backgroud is not a flat wall...For example, at 1:16 (background is a corner) or at 3:03 (background is a path in the forest) of you video OMEn Chronicles:The Effects...
Thanks
omg Wren, so awesome! this is the exact effect i wanted to learn, a long side fumeFx effects too, but this one first. U rock! thank you for doing this.
My brain hurts from exploding. Thanks Wren!
"Oh hey internet" made me laugh :D
It reminds me the phrase "Hello World!" when u study C or C++
Do the smoke tutorial! PLEASE?!
YES PLZ
+Venom Cuber YES!! Please!! That would be soo cool!
This is amazing! I'm a novice at VFX but I've been doing projection mapping as a live VJ and I would have never thought of this. Excellent tutorial :D
This is great info even tho I don't have any of the equipment to do it and have no interest in doing this it was still great to see how you work on the footage behind the scenes style but also very informative. Keep up the great work!!!
Probably my favorite VFX Artist to date simply because of his character and really simple teaching style :D
Wow, you're so patient and very talented; wish I could do all that!
I procrastinate so much, when it comes to video editing, it really does take a love for the process and incredible patience! Kudos to you!
^_^
8 years later, I love you man
If anyone else is having trouble, go take a look at Andrew Kramer's camera mapping tutorial. He uses the same technique, but you may pick up a few extra things. Great tutorial Wren, look forward to more!!! :D
Well, not exactly the same, but very similar! :P
Great vid Wren. Always wanted to learn projection mapping so thank you so much for this.
What's really crazy to think about is that at the big studios they actually accomplish effects like this (more advanced ones) by having a camera attached to a machine and a computer and having the camera move through the same motion over and over while adding new live footage each pass.
Yeah that's motion control. Technically that's a very different process than what this is. This tutorial cannot replace what motion control could bring you. I'd love to use those rigs!
Great Tut! Hope to see more Wren. Honestly was on the level of videocopilot, from the effect to the walk through commentary!
@ 11:23 when i "accept lights to off" my solid just become blurry or translucent. The image on the solid is not sharp enough.
+Tejas Mahadev Same thing here. I fixed it by setting the resolution to full. Hope it helps :)
+Gianluca Reich That worked. thanks! ;)
@@Luca-gs6tu how to do that?
When I was viewing with top camera, my light, camera, and footage were all in the middle. I am trying to have it look how you have it at 8:53. Is there any way you could tell me what I did wrong? Is it just because of where you chose to freeze frame it?
I just found out you had a channel, I'm so stoked to learn some new stuff
I am assuming that when you are doing this technique at multiple depths, you are just using the same projection slide for all of the depths. Or are you Using More then one projection slide? For example at the 00:30 second mark
Yeah it's the same frame, but the in scene "geometry" that's being projected on is more complex. I basically lined up those "slides" at various depths from the camera, and projected the one clean frame onto those. Because they're tracked into the scene, it all still works.
there is so much stuff i want to learn before i get too old. like glass blowing, gymnastics, parkour, and make my cat love me (irrelevant). now i got something else to add. THANKS WREN
Good luck my friend :D
THHAAANK YOOOU XD
Wow! This is awesome! You make it look so easy.
If the footage was 360° panoramic footage, would you still be able to do this? To start with just masking out the camera man as they walk with a camera. Using the ground shots a few seconds before or after each frame. Then do it all in 3D. :)
This is the best AE tutorial on you tube. Could you do a more complex version showing how you used this technique on less polygonal surfaces like the bushes on your Omen Chronicles short? We would all be eternally grateful for this.
Great tutorial, Wren! My mind was kind of blown with the whole difference matte technique.
1:31 By "twisting and turning" do you mean when the handheld camera shakes left and right in a panning type motion or did you mean rotation?
I meant a panning sort of motion. Because CMOS sensors (in pretty much all modern cameras these days) record over a few milliseconds from the top of the sensor to the bottom, if you pan left or right too quickly you'll get that "rolling shutter" artifacting. That's because when you're turning, at the beginning of recording a frame as it records the top of the sensor, your camera will be in one places, but by the time it's recording the bottom of the sensor, your camera's in a new place, but it's still recording one individual frame.
That's why if you ever hear the term "Global Shutter" it means the entire frame is recorded at the exact same time instead of a scanning sort of method.
***** Ahh, I see. Thanks for the info my friend.
I'm confused about the difference transfer mode (15:00). In the vuideo it says that the transfer mode cancles out the pixles that are the same from the top layer and the layer below it, but the Girl Raw footage layer includes the girl in it so technicaly the girl should have been removed. Anyone know what's going on?
Actually the transfer mode is being set to the clean plate, which is on top of the girl raw footage. The clean plate doesn't have the girl in it. So most of the clean plate is the same as the footage underneath. But because the girl is not in the plate, she shows through.
Hey man cool tut. really helpful, and I love the Omen Chronicles really awesome video. I'm working on a series and was wondering if you could do a tut on how you did the smoke effects I'm trying to do an effect something similar to that and that would be a great help.
What was the program shown from 0:23 to 0:34?! That looks like exactly what I need for a stop-motion series I'm working on!
recommending me after 6 years
This is great!! You should continue doing tutorials. Very well explained and fun to follow. Looking forward to trying out this effect!
OMG! *_* Wren is solving two of the most common problems of VFX of ALL TIME! Camera Mapping and Rotoscoping.
THANKS A BILLION!
Great tutorial!! I have searched for such a tut for months now! So, thank you soo much!
Aren't you a freakin hero?! This is INCREDIBLE!!!!
Everything goes to shit for me at 8:30... re did it a couple of times and it stops working there every time..
+DeepSpace VR What exactly stops working for you there? Does the layer not show up?
YES YES YES Finaly someone show how to do this effect!!! Thank you Wren!
So is this an overall better method than using the roto brush tool? To select people out when not having a green screen or is this method only good for when the camera is moving?
This was entertaining/educational and I have no real desire to use this tutorial. Just cool to see how stuff works.
Wren, please also show us how to do the smoke, sparks and flashy stuff too?
My god wren…did not expect to watch such an old video of yours for a tutorial that saves my life 🥹 thank you so much ♥️🙏🏻
wow this is seems super complicated. just gained a whole lot of respect for VFX artists
At first I thought the same, but when I tried it it wasn't so complicated :)
I am Groot
I Am Groot stfu
fuck you
Don't know if anyone is still looking at this but I had to make sure the Shadow Diffusion on my light was set to 0 pixels. Thanks Wren from 7 years ago :)
Still a relevant video, but dumb question. I have a shot that pulls out instead of pushing in and I can't seem to wrap my head around how to do this process but reverse it
Why don't you reverse the footage, do the effect like you would normally, pre-compose everything and reverse it back?
This is fantastic. Awesome tutorial!
If you hold down shift and press any of the numbers along the top row, you can have markers labeled 0 - 9 instead of only the one from the asterisk
Absolutely fantastic Wren! My method was to use 3ds max which is little more time-consuming and sometimes can't guarantee great results like this.
Definitely adding this one to my tool belt! I also I learned a thing or two about making a well paced tutorial :) Thanks dude!
Very interesting to see 'behind the scenes'. Thanks for showing us some of your magic!
When doing all that fancy light projection and stuff, couldn’t you have just created null objects and tracked masks of the background to those points in 3d?
that may not work on all cases.. I tried it but it gives weird parallax when u get close to the BG
@@justdancetm2731 Yeah, the projection mapping works *so* much better. At least for the clip that I've tried this with. I first tried it by creating null objects and whatnot. It just wasn't very convincing.
Thanks so much for this Wren. I'm just starting to learn vfx and post work and this looks to be an incredibly useful tool.
Please make a smoke tutorial too
I intend to!!! Just some distribution decisions I still need to work out.
***** You ar ballin outta control my man
Your videos are sick dude honestly I love your tutorials, are you thinking of making a tutorial on the visual effects as in smoke particles and the sparks?
honest i must confess u are great n talented, pls do more tutorial for a beginner like me. Godwin
thanks for the tutorial! this comes in handy especially when trying to paint out tracking markers for compositing or camera mapping.
in the details. when you get stuck, roll back to the beginning and start over. The other weay is to focus entirely on one set of commands
This is a fantastic trick for easy projection mapping. Thanks, Wren!
Nice tut man, you are actually entertaining
Fantastic Tutorial. Sent here by film riot, and very glad i was. Subscribed
Great Video!! I was wondering what version of soft soft you recomnd for a beginner because I know there is a $99 bundle and a
Awesome tutorial! I remember watching your Fireball tutorial on AE Tuts+ a couple years ago when I was just getting into AE :D
Dude you're old school haha! Thanks for watching!
Haha hell yeah man. Been following your work ever since. Looking forward to see more tuts!
Great Tutorial. More like this would be awesome. Good Job Wren!
I really hope one day you make a tutorial this good something really really advanced like all the smoke effects ya did
Please Wren can you make a smoke tutorial ?
Haha that's amazing, this is the greatest thing I've learnt in AE, thanks Wren.
CAN YOU PLEASE HELP ME. I was working on a project and when i went into after effects 4 black screens show in the composition area. I only want there to be one! How do i switch it back? I can give you my email if you want, and i can send a pic of what im talking about
what if u don’t have that clean plate in ur footage?
You could export the frame you want to use and manually paint your own clean plate in Photoshop
Please do more of these tutorials! I like the way you present your tutorials and they are really helpful!
What i really would like to see is, how you import your 3D Tracking shots from After effects into 3Dsmax and build up your scenes etc.
When I import my 3D Tracking data into 3Dsmax i get the issue that my camera gets a wrong focal lenght which.
Can you tell me how to solve this problem? Just correct the focal lenght or is this just wrong?
Congratulations +wrenthereaper and Jenna on your wedding!
Hey Wren, I also want to do a similar shot like this one, could you give me any tips on picking a location to shoot the scene? What should I look out for?
this is pretty advanced stuff.....please do more tutorials very helpful for people like is who learn everything from UA-cam.
Can I ask? Why would the corner pin thing be necessary if the footage 2 will become invisible afterwards?
And is this 3d projection something like placing a projector in a video to mask out or replace certain content?
Hey its too cool but I am waiting for the fume fx breakdown the way which you did in Omen chronicles. And I m very glad to thank you for this amazing video you are awesome bro......
AYE WREN! Remember Meh? We Chatted on a Corridordigital LIVE STREAM! We would LOVE to see you make some more videos!
just one question... after imask out the lady,, if i would like to make the ladydissapear in whole footage , how could i do that, because when i enlarge the grid the projection map texture is limited to some point. and the whilte solid appears then, i hopeu know what i'm talking here,, thx forthe tutorial too , support
This was a great tutorial! One point though. You need to have that light setting set to point. I had it set to spot and it didn't work. Thank you so much for teaching us! (and the smoke tutorial would be soo nice) :)
Oh yeah that's true! I can't remember but I suppose I didn't mention that in this
Dude! Till now, mind mind was sooo totally blown by the how u hid them in the video till now! Well that's not try, it's sill sweet. But my friend and I are pretty good with after effects and animation programs, but with this we had no clue. We literally spent like a week trying to recreate a shot like yours where the people were in it, and without using a second camera. Thx so much and we were just wondering if you could make a tutorial for how you made the smoke and stuff. We have a way by using a shockwave effect and just rescaling it with overlays and stuff but we're not sure that it's the most efficient way of doing it. Anyways, thanks so much for the tutorial and congrats on 150k subs, u really earned them :D c ya
This was exactly what i was looking for, and i thought... hm, mayve wren from corridor has sth like this on his own channel, and here it is... Thanks a lot!
keep up your good tutorials. you will big on youtube, one day.
Did you use After Effects CS6 or CC for particular? If you used CC, how did you get particular to work with it?
Great tutorial! does it require that the video should have a clearly defined wall or plane in order for this projection to work?
It's not "required" but it helps. You can see the individual "planes" or "solids" I have projected onto in the breakdown footage I showed at the beginning. Those are semi-complex shapes that I was able to make work with 2D projection plates. It just takes more time to set up and get right. For the sake of this tutorial I wanted to make it as quick and simple as I possibly could while still demonstrating all the processes you'd need.
Ummm... fricken awesome!!!! Would love a tutorial on your smoke and spark effects to, if you would be so inclined! :D
Awesome! Thanks for this. There's so many ways this technique can be utilized. Subscribing and binge watching haha
Oh my gosh yes!! Great tutorial Wren!
Wren you legend, this saves so much time!
wren your awesome. you have taught me 99% of what i know
haha really? nice!
Do a tutorial of the smoke please
The very last thing you said solved my problem. Such a good tutorial.