Yes, I agree. She plays in the Baroque style with a light touch and still with such honesty and strenght. The start of the phrase at 05:40 sent shivers up my spine! Bravo Vilde Frang!
This is exactly what I've been waiting for. All I see on youtube of this piece is mostly Hilary's recording. I ain't saying Hilary's one bad, but listening to different interpretations of a piece of music is always inspiring.
There is such a radiance in this recording and joy that's so pure. It's always impressive for a violinist to create vibrance in Bach's concertos. I also love the fact that this performance is not flashy but, simply a beautiful and honest interpretation by Ms. Frang. Bravo to the Frankfurt Radio Symphony for continually performing at an amazing high level despite these difficult times.
We haven’t heard such well thought out Bach like this in a long time. How she uses rubato, the ornamentation, the intonation all impeccable. Putting this one on repeat 🔁!
Wow, I would’ve thought this is a Baroque orchestra playing with Baroque instruments if I didn’t look at the screen. Beautifully done. I like her new hair style as well!
Philippe Herreweghe and hr-Sinfonieorchester is a great part of this, and together with Vilde Frang they make this to be an unforgetteble moment. So thank you!
Yes.One of the best as a violinist and I have been following her for a decade. How lovely she looks with her hair cut short. She is a star by any measure. First saw her years ago playing in a chamber piece with Janice Jansen. A perfect pair. Well done, Vilde.
This interpretation is the most well-wrought up of all: such control over one’s bow, making it sound akin to a baroque bow only a mite agreeable to the modern listener’s ear - the volume control making it easy for the listener to appreciate the orchestra unlike other performances - even the unity of the orchestra members in itself! To form this type of perfection is really not an easy matter - I’m sure this is nearest to what Bach had had in mind when composing this masterpiece!
Beautifully played by both orchestra and soloist. Do not miss the A-minor by Vilde Frang with the same orchestra and great conductor. Just the look on the Harpsichord players face says it all: ”Yes, that is the way to go!” She really got the dance out in both concerts with brisk tempos, without rushing and still saying so much in every musical line. Bravo!
It’s so difficult to achieve the delicateness that the baroque violin compositions of Bach require, especially with a modern violin, bow, and strings, yet she executed it so well.
@@uswhitecloud2789 As per Wikipedia, Vilde is a shortened form of "Alvilde", which comes from the old norse "Alfhildr", with "alf" meaning elf and "hildr" meaning fight or struggle. Also, the e in "Vilde" is pronounced, so it doesn't really sound like "wild".
Wunderschöne und lebhafte Aufführung dieses kompakten doch perfekt komponierten Konzerts mit seidigem doch gut phrasiertem Ton der technisch perfekten Solovioline sowie gut vereinigten und perfekt entsprechenden Tönen der anderen Instrumente. Der zweite Satz klingt besonders schön und echt lyrisch. Der intelligente und erfahrene Dirigent leitet das ausgzeichnete Streichorchester im veränderlichen Tempo und mit künstlerisch kontrollierter Dynamik. Echt tiefempfunden!
During the Cöthen period, from 1717 to 1723, Bach had to satisfy the requirements of his boss, Prince Leopold, by turning out large numbers of secular works. The composer was well prepared by spending countless hours at his writing table copying out the music of the Italian masters. With his genius working, he was able to put to marvelous practical use this hard-gained knowledge of Italian string writing, which was so far in advance of any other kind. The Cöthen works are striking evidence of Bach’s ability to assimilate and create. The E-major Violin Concerto is a creation of purest Bachian splendor. Opening with three aggressive chords, built on an E-major triad, that form the beginning of the main subject, the first movement unfolds in a fashion characteristic of the composer, but with some surprises. Two serious episodes in minor provide sharp contrast with the ebullience of the main material. And before the return to the main subject, the violin has a tiny solo followed by an unexpected pause before those three opening chords announce the final full exposition of the movement’s main substance. The slow movement in a minor key is poignantly poetic and deliciously controlled, creating an inimitable version of Bach's baroque romanticism. *Lucien*
Absolutely beautiful!!! She low key reminds me of ida Haendel Also the blending of the orchestra, considering the placement of the sections, is AMAZINNGG!!!
She has fun playing this thing but even more fun when she improvises. I find the performance a trifle over dramatic and the fast tempos too brisk but Frang is Frang, an impressive artist. Bravo!!
I like Vildes interpretations of BWV 1041 and 1042, with its relatively high speed. Because if you play this Bach too slow, it sounds as if you are stuck in a ditch, more or less. Even it is heavenly music.
I absolutely love this interpretation, her sound is really fitting for bach. I also love how she opts for a more senza vib approach which enhances the purity of the sound and her swells like it was as if to imitate the baroque bow sound
C'est divin. Et j'aaadore la façon dont Vilde Frang communique pendant le jeu avec l'ensemble des autres éléments de l'orchestre. Tout cela nous transporte au plus haut point.
If you compare this with Hilary Hahns recordings, it has a faster rythm and a much more defined focus on the issue. And yes, this is my personal opinion, so dont attack me for beeing personal. I am just saying that I think Vilde Frang is better than Hilary Hahn in this BWV 1042.
Qui a dit que Bach c'est mathématique, que ça déroule... ? là, il y a surtout de l'élégance et de la légereté et de la profondeur quand il le faut, comme dans le second mouvement par exemple. Orchestre et soliste sont mieux qu'ensemble dans cette interprétation, ils sont en osmose ! et le chef y est aussi pour quelque chose, sous sa direction ferme et souple à la fois. Bravo à tous 👍
HR, please get Frang-Herreweghe with hr-SO to play all of Bach violin concertos! J. S. appeared in my dream and told me that he is extremely pleased and he wishes to hear the rest.
I love this concerto and Bach generally. I did not know that Vilde Frang also sometimes plays on a historical (or after-historical-made) instrument. Well played! Thank you very much!
Muy buena interpretación del concierto para violín y orquesta del maravilloso compositor Bach. Por qué no traducen los comentarios públicos al idioma Español.Somos muchos los que lo agradeceríamos.Atte.
Learning this for my Diploma Abrsm and I’m really learning a lot from her.Articulation bow control.Love her performance ❤.Hope to meet her for a lesson one day ❤️🙏 Buskaid
Spectacular playing, and impressive articulation. For me, there's a certain carefree joy to this piece that is diminished at this breakneck speed. So far, my favorite is Oscar Shumsky's recording.
Vilde es otra de las grandes violinistas. Excelente y con el magnífico acompañamiento de la HR Frankfurt Sinfonie una presentación perfecta con la dirección de Herr Herrewege. Gracias, Danke viel!
What a marvellous version! The Adagio: The violin is so perfect that it seems to be a wind instrument. That melodic line!!! Perfection. Thank you so much!!! P.S: Vilde Frang the violinist who can play beyond imagination.
I think Bach in his heaven ought to be glad about all our enthusiasm about his work. But I doubt it. He is probably sitting and composing a new oratorium or consert or cantata, and don´t want to be disturbed. But if we send him this Vilde Frang violinconsert he probably will remember it. "Yes, I wrote this long ago, it didn´t turn out so bad". Not so bad at all, we will reply. And probably Bach will like Vilde Frangs playing. If he was not so occupied with this new cantata that shall be played next sunday.
Olá rádio feliz ano novo estava sentindo já sua falta obrigado por estar conosco mais um ano estremos aqui sempre ouvindo e apoiando esse belíssimo trabalho também sou musico aqui no Brasil e essa rádio Frankfurt e minha inspiração !!!!
Vilde Frang amazing. 💐But, this violin concerto belongs to Vivaldi. Allegro-Largo-Allegro. Arranged by Bach. Hereafter must be called/named, BWV 1042 mi Major violin concerto, after Vivaldi.. ❤
Curieusement le commentaire négatif que j'avais écrit à disparu ....à la personne qui m'a écrit que mon jugement été sévère je tiens à dire que je respecte son opinion même si je persiste et signe , je continue à ne pas aimer cette interprétation même si je penses que Vilde Frang est une exellente violoniste ......
Vilde Frang's playing with very high musicality is stunning again. The only thing that bothers me is this cresc. - decrescendo. That's annoying. But I'm sure these instructions come from Herreweghe.
Video is an excellent lesson for musicians. Soloist and orchestra are in tune and in sync. Conductor has no real role. He’s embarrassing himself. He may have contributed ideas to the performance in rehearsal but on video it appears he’s dancing despite what the musicians are doing. As a HIP leader he full well knows this music was not conducted.
No, I don't dislike Bach, just this performance. It made me uneasy and put me "on edge", and I don't know why. Was it over-inflected? Romanticized? Was Frang's tone too rough? Was the tempi too fast? Was it some or all of the above? Or am I just having a bad day? Apparently I have the minority opinion here!
I admire Vilde Frangs violin playing so much. There is a lightness in it with also a perfect handling of sonority, rythm and strenght.
Absolutely! Her playing is wonderful - and a sense of urgency comes through as well.
The way she just digs in to the phrase starting at 1:23 sounds so energetic and new.
@@mwhite6522 p
Yes, I agree. She plays in the Baroque style with a light touch and still with such honesty and strenght. The start of the phrase at 05:40 sent shivers up my spine! Bravo Vilde Frang!
@@Trava56 Yes, shivers!
It’s this work that made me like Vilde Frang’s way of playing. Superb interpretation.
This is exactly what I've been waiting for. All I see on youtube of this piece is mostly Hilary's recording. I ain't saying Hilary's one bad, but listening to different interpretations of a piece of music is always inspiring.
Certainly great to get some variety on the platform!
I think it also depends on the direction of the orchestra. To me, it plays a little too much on dynamics. I prefer Hilary's one (bad just no 🙂)
There is such a radiance in this recording and joy that's so pure. It's always impressive for a violinist to create vibrance in Bach's concertos. I also love the fact that this performance is not flashy but, simply a beautiful and honest interpretation by Ms. Frang. Bravo to the Frankfurt Radio Symphony for continually performing at an amazing high level despite these difficult times.
Thank you, I like your comment, "Not flashy but simply a beautiful and honest interpretation". Still one of the best I ever heard.
Agreed
She plays like if she were praying or something. Technically pure, crystalline and very spiritual.
Es macht grosse Freude Frau Frang zuzusehen, zuzuhören. Supergeigerin. Sehr schön musiziert mit dem Ensemble von Herrn Herreweghe.
We haven’t heard such well thought out Bach like this in a long time. How she uses rubato, the ornamentation, the intonation all impeccable. Putting this one on repeat 🔁!
The flow is there, and yes, I think we all can feel it. We all go with this flow.
Wow, I would’ve thought this is a Baroque orchestra playing with Baroque instruments if I didn’t look at the screen. Beautifully done. I like her new hair style as well!
Philippe Herreweghe and hr-Sinfonieorchester is a great part of this, and together with Vilde Frang they make this to be an unforgetteble moment. So thank you!
Yes.One of the best as a violinist and I have been following her for a decade. How lovely she looks with her hair cut short.
She is a star by any measure. First saw her years ago playing in a chamber piece with Janice Jansen. A perfect pair. Well done, Vilde.
This interpretation is the most well-wrought up of all: such control over one’s bow, making it sound akin to a baroque bow only a mite agreeable to the modern listener’s ear - the volume control making it easy for the listener to appreciate the orchestra unlike other performances - even the unity of the orchestra members in itself! To form this type of perfection is really not an easy matter - I’m sure this is nearest to what Bach had had in mind when composing this masterpiece!
Beautifully played by both orchestra and soloist. Do not miss the A-minor by Vilde Frang with the same orchestra and great conductor. Just the look on the Harpsichord players face says it all: ”Yes, that is the way to go!” She really got the dance out in both concerts with brisk tempos, without rushing and still saying so much in every musical line. Bravo!
Incredible playing from Vilde.
I am rarely so wowed by a Bach violin interpretation. Tasteful, incredibly elegant and a very, very great style.
It’s so difficult to achieve the delicateness that the baroque violin compositions of Bach require, especially with a modern violin, bow, and strings, yet she executed it so well.
There is nothing “wild” (vilde) in your art. Only purity and light.
Vilde is wild in Norwegian? Interesting!
@@uswhitecloud2789 As per Wikipedia, Vilde is a shortened form of "Alvilde", which comes from the old norse "Alfhildr", with "alf" meaning elf and "hildr" meaning fight or struggle. Also, the e in "Vilde" is pronounced, so it doesn't really sound like "wild".
Wunderschöne und lebhafte Aufführung dieses kompakten doch perfekt komponierten Konzerts mit seidigem doch gut phrasiertem Ton der technisch perfekten Solovioline sowie gut vereinigten und perfekt entsprechenden Tönen der anderen Instrumente. Der zweite Satz klingt besonders schön und echt lyrisch. Der intelligente und erfahrene Dirigent leitet das ausgzeichnete Streichorchester im veränderlichen Tempo und mit künstlerisch kontrollierter Dynamik. Echt tiefempfunden!
During the Cöthen period, from 1717 to 1723, Bach had to satisfy the requirements of his boss, Prince Leopold, by turning out large numbers of secular works. The composer was well prepared by spending countless hours at his writing table copying out the music of the Italian masters. With his genius working, he was able to put to marvelous practical use this hard-gained knowledge of Italian string writing, which was so far in advance of any other kind. The Cöthen works are striking evidence of Bach’s ability to assimilate and create. The E-major Violin Concerto is a creation of purest Bachian splendor. Opening with three aggressive chords, built on an E-major triad, that form the beginning of the main subject, the first movement unfolds in a fashion characteristic of the composer, but with some surprises. Two serious episodes in minor provide sharp contrast with the ebullience of the main material. And before the return to the main subject, the violin has a tiny solo followed by an unexpected pause before those three opening chords announce the final full exposition of the movement’s main substance. The slow movement in a minor key is poignantly poetic and deliciously controlled, creating an inimitable version of Bach's baroque romanticism. *Lucien*
Absolutely beautiful!!! She low key reminds me of ida Haendel
Also the blending of the orchestra, considering the placement of the sections, is AMAZINNGG!!!
She has fun playing this thing but even more fun when she improvises. I find the performance a trifle over dramatic and the fast tempos too brisk but Frang is Frang, an impressive artist. Bravo!!
Ein Erlebnis, einfach großartig.
I like Vildes interpretations of BWV 1041 and 1042, with its relatively high speed. Because if you play this Bach too slow, it sounds as if you are stuck in a ditch, more or less. Even it is heavenly music.
A tip of the hat to the recordist. As good as it gets.
I absolutely love this interpretation, her sound is really fitting for bach. I also love how she opts for a more senza vib approach which enhances the purity of the sound and her swells like it was as if to imitate the baroque bow sound
Greetings from England... lovely performance
C'est divin. Et j'aaadore la façon dont Vilde Frang communique pendant le jeu avec l'ensemble des autres éléments de l'orchestre. Tout cela nous transporte au plus haut point.
Merci infiniment pour ce merveilleux cadeau que vous me donnez Ô combien je me sens comblée !
Thanks this beautifull orchestra for all videos on you tube!!!😀
If you compare this with Hilary Hahns recordings, it has a faster rythm and a much more defined focus on the issue. And yes, this is my personal opinion, so dont attack me for beeing personal. I am just saying that I think Vilde Frang is better than Hilary Hahn in this BWV 1042.
👏👏👏👏👏👏👏👏👏👏👏👏👏
Simplesmente maravilhoso.
Bravíssimo 👏👏👏👏👏👏👏👏
Qui a dit que Bach c'est mathématique, que ça déroule... ? là, il y a surtout de l'élégance et de la légereté
et de la profondeur quand il le faut, comme dans le second mouvement par exemple.
Orchestre et soliste sont mieux qu'ensemble dans cette interprétation, ils sont en osmose ! et le chef y est aussi pour quelque chose, sous sa direction ferme et souple à la fois.
Bravo à tous 👍
HR, please get Frang-Herreweghe with hr-SO to play all of Bach violin concertos! J. S. appeared in my dream and told me that he is extremely pleased and he wishes to hear the rest.
Nice ornaments
I love this concerto and Bach generally. I did not know that Vilde Frang also sometimes plays on a historical (or after-historical-made) instrument. Well played! Thank you very much!
absolutely perfect
Amazing
Mis aplausos y gratitud. Bach por siempre. Hermosas interpretaciones.
하이든은 1732년생으로 지녀를 12명이나 낳았으나 6명은 사망하고 6명중 3명이 음악가 가 됬다니 특수한 고전 음악가이고 아이들도 많았으니 역시 특수한 고전 음악가이십니다 이바이오린소리좋지요
Bravo
Wunderbare Musik grandios interpretiert😊
Muy buena interpretación del concierto para violín y orquesta del maravilloso compositor Bach.
Por qué no traducen los comentarios públicos al idioma Español.Somos muchos los que lo agradeceríamos.Atte.
Grand merci !
Great Great Vilde
Wonderful orchestra and great soloist! Thank you for all the great videos!
Magnifique
Learning this for my Diploma Abrsm and I’m really learning a lot from her.Articulation bow control.Love her performance ❤.Hope to meet her for a lesson one day ❤️🙏 Buskaid
BRAVO!!!
Magistrale interprétation bravo !
...stunning interpretation and joy and energy and silent in certain parts where needed. Thank you so much
Spectacular playing, and impressive articulation. For me, there's a certain carefree joy to this piece that is diminished at this breakneck speed. So far, my favorite is Oscar Shumsky's recording.
Beautiful ❤
Thanks
너무나!
아름다운 빌데 프랑
멋진 연주에
사랑 💕
가득 담아 보냅니다 🌷
Maravilloso concierto, una belleza de interpretación!
Հոյակապ է, կեցցեք Վիլդե Ֆռանգ! Շնորհակալություն! With admiration, Aleksandr from Armenia
Vilde es otra de las grandes violinistas. Excelente y con el magnífico acompañamiento de la HR Frankfurt Sinfonie una presentación perfecta con la dirección de Herr Herrewege.
Gracias, Danke viel!
Mantab 👍 ,, Anda pemain biola 🎻 hebat. Indah dan manis.
Eblouissante interprétation !! Stunning interpretation !! For me, the best version.
Que d'émotions nous fait vivre cette artiste admirable dans ses interprétations brillantes!
Bravissima Vilde Frang!
Fabulous!
Absolut klasse!!
She's the best!
I love it
Superbe. 1er mouvement jubilatoire !
I never heard the third movemet Allegro assai at 13:09 sparkle like this, like fire works!
What a marvellous version! The Adagio: The violin is so perfect that it seems to be a wind instrument. That melodic line!!! Perfection. Thank you so much!!! P.S: Vilde Frang the violinist who can play beyond imagination.
She is very easy on the eyes, too.
"La petite bande" with Sigiswald Kuijken, recorded in 1984 is the reference ...
Sehr schön, lieber Chris!
ビルデフランクの成長ぶりに驚いております！安定感と曲の組み立てが確り、自分の音にしています！その音の透明感は無限の広がりを感じます！素晴らしい！！
Ausgezeichnet gespielt von Vilde Frang und dem Sinfonieorchester des Hessischen Rundfunks.
Thanks from Ukraine 💛💙!
Bravo 👏!!!
Love!!!
I think Bach in his heaven ought to be glad about all our enthusiasm about his work. But I doubt it. He is probably sitting and composing a new oratorium or consert or cantata, and don´t want to be disturbed. But if we send him this Vilde Frang violinconsert he probably will remember it. "Yes, I wrote this long ago, it didn´t turn out so bad". Not so bad at all, we will reply. And probably Bach will like Vilde Frangs playing. If he was not so occupied with this new cantata that shall be played next sunday.
Olá rádio feliz ano novo estava sentindo já sua falta obrigado por estar conosco mais um ano estremos aqui sempre ouvindo e apoiando esse belíssimo trabalho também sou musico aqui no Brasil e essa rádio Frankfurt e minha inspiração !!!!
Wow!
Magnificent. Thank you.
Sublime
Vielen Dank!
Wunderschön, vielen Dank!
Vilde Frang amazing. 💐But, this violin concerto belongs to Vivaldi. Allegro-Largo-Allegro. Arranged by Bach.
Hereafter must be called/named, BWV 1042 mi Major violin concerto, after Vivaldi.. ❤
Bravo! 👏👏😍😍❤️
thanks
Great rendition of a great piece.
That new hair style 😻
vielen Dank... ;;~} wonderschön
Played with ease, and engaging forward motion. Nice.
👏👏👏
👍
💕❤💛💚💙💜💞
05:39
What can you say about the Adagio that is befitting to its magnificence. Nothing really!
Ôm!
Curieusement le commentaire négatif que j'avais écrit à disparu ....à la personne qui m'a écrit que mon jugement été sévère je tiens à dire que je respecte son opinion même si je persiste et signe , je continue à ne pas aimer cette interprétation même si je penses que Vilde Frang est une exellente violoniste ......
Vilde Frang's playing with very high musicality is stunning again. The only thing that bothers me is this cresc. - decrescendo. That's annoying. But I'm sure these instructions come from Herreweghe.
내가 아마 100번은 들은거 같다...
다른 Player보다 휠 낫고, 오케스트라 연주도 제일 낫다.~*
this is so new , im old ,I like Julia Fischer better 🥺
Video is an excellent lesson for musicians. Soloist and orchestra are in tune and in sync. Conductor has no real role. He’s embarrassing himself. He may have contributed ideas to the performance in rehearsal but on video it appears he’s dancing despite what the musicians are doing. As a HIP leader he full well knows this music was not conducted.
No, I don't dislike Bach, just this performance. It made me uneasy and put me "on edge", and I don't know why. Was it over-inflected? Romanticized? Was Frang's tone too rough? Was the tempi too fast? Was it some or all of the above? Or am I just having a bad day? Apparently I have the minority opinion here!