Even simple chords are gold trough your vibrato and your dynamic...The first time I listened to Tim's playing, it reminded me a pianist with the sound of A Holdsworth...Whatever I'm still impressed,great musical vocabulary and personality
I like this idea so much. It's a simple yet effective way to play chord tones without playing the same old arpeggios over and over. It sounds very fresh and interesting! Thanks!
Thank you sooooooooo much for your work Mr. Miller. As an intermediate who is barely getting ok at improvising over changes this material is really eye opening and your examples concise and stunningly beautiful.
The guitar is (no mather the reasons that cause this) an instrument condemned to have it's basic and most popular forms replicated. That's why Tim is incredible, it seems like the guitar's fretboard is infinite every time he shows us a different approach. Personally, I am considerably enriching my language with the 2-1-2 and 3-1-3 systems since a few months, and I plan to systematize it from now on for all scales. It is important not to understand this material as instant formulas, but to mix all the juxtapositions found in each area, dedicating 1 week to a 4-fret sector if necessary. The results are incredible
Hi Tim ! What kind of amp or gear do you use to get this acoustic sound from your guitar ? Just ordered the same Kiesel model with the piezzo and I’m curious to know how do you get this tone. Would you be ok to share your secret ? 🙏
One of the most evolved players in the world today.
This. Is. GOLD! Thank you so much sincerely for sharing!
Even simple chords are gold trough your vibrato and your dynamic...The first time I listened to Tim's playing, it reminded me a pianist with the sound of A Holdsworth...Whatever I'm still impressed,great musical vocabulary and personality
This lessons are pure gold for me.
Wish I would have had access to a lesson like this back in 1979 😍
Everything is available now right?!?!?!? Man, me too!!
Such a good tone, he always finds ways to bring forward the natural qualities of his insruments.
I like this idea so much. It's a simple yet effective way to play chord tones without playing the same old arpeggios over and over. It sounds very fresh and interesting! Thanks!
Thank you sooooooooo much for your work Mr. Miller. As an intermediate who is barely getting ok at improvising over changes this material is really eye opening and your examples concise and stunningly beautiful.
Wow. So much potential in 5 min.
Great lesson...thanks for keeping it simple, without compromising essence.
This is gold. Thank you.
The guitar is (no mather the reasons that cause this) an instrument condemned to have it's basic and most popular forms replicated.
That's why Tim is incredible, it seems like the guitar's fretboard is infinite every time he shows us a different approach.
Personally, I am considerably enriching my language with the 2-1-2 and 3-1-3 systems since a few months, and I plan to systematize it from now on for all scales.
It is important not to understand this material as instant formulas, but to mix all the juxtapositions found in each area, dedicating 1 week to a 4-fret sector if necessary. The results are incredible
Great... 🙏
Hi Tim ! What kind of amp or gear do you use to get this acoustic sound from your guitar ? Just ordered the same Kiesel model with the piezzo and I’m curious to know how do you get this tone. Would you be ok to share your secret ? 🙏
so, lemme know if I learned: on a d7 chord, play a d7 arpeggio, right?
but seems Tim plays addittional notes over arpeggios, could be?
каждое касание становится музыкой