I see and hear the attention to detail you apply to your ideas & concepts. It brings to mind the thoroughness of permutations and possibilities that Mick Goodrick used in his educational publications. I've been chipping away at Creative Chordal Harmony GMC, which every (inquisitive) guitarist should have on their shelf. Thanks for sharing the ideas and concepts for using your Creative Fretboard Visualization Handbook. It's all truly a lifetime study playing an instrument. Thanks again, with much appreciation.
Not a guitarist, but I have been a big fan of your patterns and tone for years. TY! Edit: it’s also worthy to mention that pianist Brad Mehldau has taken a keen interest in mimicking guitar voicings in his work over the last five years.
I bought the book yesterday and proceeded to spend 3-4 hours working through it. Phenomenal. Can't wait to practice again. See, there's finding good material, and then there's finding the right thing at the right time. Basically, Tim's work is both of those things for me right now. It's not a stretch to say it's the best guitar instruction on the internet. The thing with guitar is that, yes, you have to do all the work yourself(!), but it sure helps when you have a smart friend show you the path.
I remember generating and printing off scale diagrams with black circles on my dot matrix printer back in the 80s. I was able to see lots of great 3 note per string scale patterns for shredding but I didn't take it to this level with the unique arpeggio and scale shapes that weren't the usual scales and modes.
I'll buy it soon as I have the other twos and I want to buy all your phisical cds... Can't wait for (eventually I hope not!) dvd as gold good stuffs!!! God bless you Maestro!
A typically lyrical & beautifully spacious melodic patterns from you, tim! Ill go grab a copy of the book....thnx great ideas to springboard from. Ive made things like this myself in the past: this will be very useful thnx
Hello tim, i found out about your art just some days ago. Beside your technical abblities i was really able to connect with your music which don't happen that often to me. I may buy one of your books because you have a very good way of explaining things. Furthermore, you seem to have a modern approach to jazz/fusion. Maybe you told somewhere else but, how do you amplify your guitar? Do you use physical devices or rely on digital gear? Wish you all the best for your future endevours
This is great, a valid key to invent completely new musical forms. Is there an effective way to practice the new material so it comes out in improvisational performance relatively earlier and more frequently?
I think it is much better and easy and gain more knowledge of the guitar to learn the INTERVALS on the fretboard than all these kinds of fretboard diagrams or drawings... IMHO
There are many ways to learn an instrument. This is one of them. When you read the first chapter you will note that it suggests to learn and visualize intervals on single strings, adjacent strings and skipped strings.
Just curous if u have the 212 books what does this new one have? Does Tim make suggestions in the new book? Just wondering i like how hes talking about approaches here, ty
I see and hear the attention to detail you apply to your ideas & concepts. It brings to mind the thoroughness of permutations and possibilities that Mick Goodrick used in his educational publications. I've been chipping away at Creative Chordal Harmony GMC, which every (inquisitive) guitarist should have on their shelf. Thanks for sharing the ideas and concepts for using your Creative Fretboard Visualization Handbook. It's all truly a lifetime study playing an instrument. Thanks again, with much appreciation.
Not a guitarist, but I have been a big fan of your patterns and tone for years. TY!
Edit: it’s also worthy to mention that pianist Brad Mehldau has taken a keen interest in mimicking guitar voicings in his work over the last five years.
This is Gold. I have been looking for exactly this for so long on youtube. Wonderfully described fretboard visualization and arpeggios.
I bought the book yesterday and proceeded to spend 3-4 hours working through it. Phenomenal. Can't wait to practice again. See, there's finding good material, and then there's finding the right thing at the right time. Basically, Tim's work is both of those things for me right now. It's not a stretch to say it's the best guitar instruction on the internet. The thing with guitar is that, yes, you have to do all the work yourself(!), but it sure helps when you have a smart friend show you the path.
Hey Tim I think you're a genius, and a generous one at that for sharing all this stuff with us mere mortals
Thank s for your generosity to share your wisdom
Beyond the extraordinary knowledge and fantastic Goodrick's legacy...That sound..
.thank you Tim.
Mick is always a huge inspiration!
I remember generating and printing off scale diagrams with black circles on my dot matrix printer back in the 80s. I was able to see lots of great 3 note per string scale patterns for shredding but I didn't take it to this level with the unique arpeggio and scale shapes that weren't the usual scales and modes.
New book release? Can't wait! Always excited every time Tim Miller announces his creative stuff. ❤
Awesome - Looking forward on getting the physical book -
Physical copies are now available now on Amazon. Thanks!
this is pure gold
Thank you!
this is indicative of a shift in how modern guitar players are learning to do more interesting stuff, more by the look and sound connection-instinct!
Good demonstration/explanation of the first 25 pages, on how to use the book, thank you Tim.
That somehow explains Mr Miller's endless stream of creativity, thanks, see you in 15 years or something. 🙏
Thanks for checking it out!
Ordered it from Amazon, thanks for the heads up.
I'll buy it soon as I have the other twos and I want to buy all your phisical cds... Can't wait for (eventually I hope not!) dvd as gold good stuffs!!! God bless you Maestro!
Thank you!
Brilliant :)! had much fun with it
Very inspiring. Thank you !
A typically lyrical & beautifully spacious melodic patterns from you, tim! Ill go grab a copy of the book....thnx great ideas to springboard from. Ive made things like this myself in the past: this will be very useful thnx
Thanks!
Thank you Tim!!!
Thanks for watching!
At this moment I am working on the Goodrick/Miller Book of yours…..really beautiful!
That's great!
@@TimMillerGuitar if you care, check my band Sheer Cerebral Power s record “Sucker Punch’d”….all solos dedicated to Allan Holdsworth….
This is awesome Tim. thanks for sharing & putting this out there look forward to digging deeper with these ideas 🙂
Thanks for checking it out!
Thanks Tim 🙏🏼✊🏼
Great !!!
Hello tim,
i found out about your art just some days ago. Beside your technical abblities i was really able to connect with your music which don't happen that often to me.
I may buy one of your books because you have a very good way of explaining things.
Furthermore, you seem to have a modern approach to jazz/fusion. Maybe you told somewhere else but, how do you amplify your guitar? Do you use physical devices or rely on digital gear?
Wish you all the best for your future endevours
Thank you Maestro
Tim thank you, so impactful and groundbreaking. Question, are you using flatwounds, gauge? I go back and forth between flats and Elixir polyweb…
Thanks! I use D'addario round wound 10-46
🎉🎉 I have the 2-1-2 Arpeggio Technique Vol. 1. I think Tim has published Vol. 2. Is this Handbook a new release? I'm in!!!
Yes, this is a new book! This video is an overview of the User Guide chapter in the book. Thanks for listening!
@@TimMillerGuitarTim, I have my 2-1-2 vol. 1, physical book. Is there a chance to have this one and vol. 2 physical as well?
@@MuñozFerreyro Yes, physical copies will be available in 1-2 weeks. Thanks!
@@TimMillerGuitar I'll stay tuned, if possible, do please let us know. Blessings, Tim!
Will definitely be buying in print form as soon as it's available
This is great, a valid key to invent completely new musical forms. Is there an effective way to practice the new material so it comes out in improvisational performance relatively earlier and more frequently?
Yes, try using your new creations in tempo over standard or original chord progressions.
@@TimMillerGuitar Thank you, Tim. I appreciate your help. ~ Roland
I think it is much better and easy and gain more knowledge of the guitar to learn the INTERVALS on the fretboard than all these kinds of fretboard diagrams or drawings... IMHO
There are many ways to learn an instrument. This is one of them.
When you read the first chapter you will note that it suggests to learn and visualize intervals on single strings, adjacent strings and skipped strings.
yeah @danidcr, it's almost like you didn't actually pay attention to the video very well, because it was mostly about intervals
Great stuff!
Thanks!
Just curous if u have the 212 books what does this new one have? Does Tim make suggestions in the new book? Just wondering i like how hes talking about approaches here, ty
Please i wanna buy your book. How can i do? Im from Italy . Thank you Maestro
Thank you! The E-book is available at timmillermusic.com. Physical copies are available at Amazon.com.
@@TimMillerGuitar Tim i bought now on Amazon
AMAZING pedagogue !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Blessings!!!!
Thanks for checking it out!
I always thought there should be an application like this book...choose the scale and visualize it all fingerboard
Thanks for watching!
Thank you Maestro