i´m a simple man. When Robbie uploads a video i press the like button, watch it till the end, feel depressed, procede to burn the guitar and find another career.
Hi everyone, thanks for watching! You can grab the PDF material and backing track for this video on my Patreon page. I've also created a transcription (with analysis) of my performance. I've outlined the scale choices as well as highlighted any triadic ideas based on the concept shown in the lesson: www.patreon.com/robbiebarnby
Recognisable fragments is the key to all this. The triad is so fundamental to our mental models that it sounds structured and confident while can be completely out-there.
Awesome lesson! I actually tend to find with using outside triads for my own musical taste and ear that using one of these outside triads at a time or maybe two sounds the most musically pleasing as it gives the impression of going outside just for a few moments but then casually slipping back into Cm again. It sounds more intentional and more effective musically at least for me as it adds suspense or surprise for a few moments without outstaying its welcome before going back to a melody and tonality you expect to be again.
This is a great lesson, clear, concise, to the point. Exactly what the title says. I will go practice with the other types of chords now. Thanks so much!
@@vertyisprobablydeadbro it’s not even expensive to buy the tabs, they’re easily worth it, If you value something pay for it, especially when it’s not even THAT expensive,
This is very well done. Introducing typical bebop enclosures but weaving in less “likely” tonalities in an organized way. This is always the challenge, given outside playing needs to sound spontaneous but nevertheless your fingers need to know where to go.
You make this stuff look so easy. This is really opening my eyes to stuff I can apply in some small way, and something to learn about on a longer timeline. Thanks for putting this out there for everyone!
amazing solo Robbie. ive learned 1/3 of it so far at 0.75% speed lol i've been working on it for an hour. Thank you for this amazing video my friend, you've gained a new subscriber
Found your channel very recently and absolutely love the content! Haven’t even watched this lesson yet but I bet it’s awesome as the rest of your videos! :)
It's true that it's fast but this way of playing in triads requires it. I think that's what gives the groove ! So thanks for this demo and ...the style !
Very interesting concepts ! Slick playing, will need some slowing down to fully be able to hear the complexity of the lines though! Oh and mind your pick hitting the pickup!
Just discovered your channel. Fantastic lesson! Just the enclosure info is helpful to me. Much less all the rest you covered here. Thanks. Liked and subscribed.
Finally another great video of one of my favorite guitar teachers and players. Showing us how to play outside like the master himself Mr. John Scofield. Thanks a lot for sharing Robbie. Excellent stuff as always. Love it! Cheers DimiZ. BTW, I would love to see you jammin together with Ben Eunson, who is another favorite Jazz guitarist teacher here on youtube. I am pretty sure, the both of you would make a great session together. Why not collaberating with each other!? As other youtube greats are already doing. E.g. Charles Berthoud and Bernth.
Thanks for checking out the video and for your question! The chords I play (just before 0:45) are ‘Quartal Voicings’. These are chord voicings that are constructed by harmonising/stacking the notes of the diatonic scale in 4ths. I apply this to the first three degrees of a ‘C Dorian’ scale just to give sonic context to the harmony being used. I then go on to talk about scale options that can be appropriate to use over a ‘Cm’ vamp. I hope that helps for now!
Here at my site I have ranked you Worlds best Guitar instructor, and for me personalty I feel your one of the top 7 best guitarist on earth, I know I know there is no best just different flavors however You Sir are an Unreal great Grand Master, I am interested in Interviewing you for my site can that be arranged ? I am in Florida USA.
@@Marunius Thank you so very much for that Support, I will certainly try to get that to happen, that's one busy guy I'm sure, I am also in talks with an Interview with THE WARNING Girl band but anyway thanks for letting me know your game to see the Interview done with Class. Thank you for visiting The Guitar Temple.
Love your playing! I started on the full fretboard workout using maj7 arpeggios. Wish I could find more of your music - do you have bands you’ve played or recorded for?
Robbie, are you able to use this approach to create lines just as intricate as this one in real time while you solo, or are most of the lines you play at this speed something you’ve worked out in advance?
Thanks for watching! I'm using a Tube Screamer and also a compressor (my compressor pedal of choice is a Boss CS-2 but I was using one from the Line 6 Helix for this).
This level of playing just seems beyond reachable. I do not understand how people become capable of visualising Chord voicings, Highlighting the Juice out of a particular mode that comes from Major, Melodic Minor, Harmonic minor or harmonic major scale along with groupings and subdivisions and rests and adding chromaticism in real time. I cannot do one of those things properly let alone expressively with dynamics. I just cannot fathom how musicians such as yourself do this magic. Music is madness.
Scotland yard agreed to a new identity for robbie and family, plus full immunity from previous misdemeanors- if he agreed to tell us all he had on The Triads. Brave man
Thanks for the question! The D and B triads are used because the selected outside note ('Gb’ - the b5th of Cm) can be treated as a chord tone: Gb = 3rd of a D triad and the 5th of a B triad. These two triads are found within the 'C Whole-Half Diminished' which is the scale we are using as our 'outside' tension sound. The Eb triad is used because that belongs to C Minor (our key). An Eb triad is the upper structure of Cm (Eb/C = Cm7). Hence why it works well to toggle between these triads to create a tension to resolution effect. Hope that helps for now!
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i´m a simple man. When Robbie uploads a video i press the like button, watch it till the end, feel depressed, procede to burn the guitar and find another career.
I'm the same, I think you nailed it.
"Hope you've all been practicing hard".
...Nope. We've given up after watching this. 😂
Enjoy the journey brother brother.
Jaaa por favor. Después de ver tu canal pienso "y este caballero de qué se queja?". Tocas mucho!!!!
Same))
I just smack my guitar
What a great lesson!!! Thank you for sharing this !
Thanks for watching!
Hi everyone, thanks for watching! You can grab the PDF material and backing track for this video on my Patreon page. I've also created a transcription (with analysis) of my performance. I've outlined the scale choices as well as highlighted any triadic ideas based on the concept shown in the lesson: www.patreon.com/robbiebarnby
For mere mortals: play video at 50% speed, or if you feel optimistic try 75%. I feel humbled.
+1
indeed!!!
Recognisable fragments is the key to all this. The triad is so fundamental to our mental models that it sounds structured and confident while can be completely out-there.
This is pure gold as always Robbie. Thank you.
Thanks! Glad you enjoyed it
Awesome lesson! I actually tend to find with using outside triads for my own musical taste and ear that using one of these outside triads at a time or maybe two sounds the most musically pleasing as it gives the impression of going outside just for a few moments but then casually slipping back into Cm again. It sounds more intentional and more effective musically at least for me as it adds suspense or surprise for a few moments without outstaying its welcome before going back to a melody and tonality you expect to be again.
This is a great lesson, clear, concise, to the point. Exactly what the title says. I will go practice with the other types of chords now. Thanks so much!
You're back! Looking forward to diving in.
This is the greatest guitar teacher on UA-cam. I’ve seen them all.
No he's not. I have to figure out all the chords he's playing. Unless I buy his pdf. You are an insider shill.
@@vertyisprobablydead get a job loser
Yes he is
He certainly is
@@vertyisprobablydeadbro it’s not even expensive to buy the tabs, they’re easily worth it,
If you value something pay for it, especially when it’s not even THAT expensive,
Pure fire from one of the greatest techar on YT. Cheers!
This is very well done. Introducing typical bebop enclosures but weaving in less “likely” tonalities in an organized way. This is always the challenge, given outside playing needs to sound spontaneous but nevertheless your fingers need to know where to go.
Woooo! Those opening lines. Slick!
Awesome idea. I was always wondering how to use triads for this purpose.😊
You make this stuff look so easy. This is really opening my eyes to stuff I can apply in some small way, and something to learn about on a longer timeline. Thanks for putting this out there for everyone!
Even when I don't always understand it I think it's awesome as are you and thank you so much
I'm impressed. These videos give me energy to practice.
Thank you mate - well done and very inspiring!
Glad you enjoyed it! Thanks for watching
Very good seeing you again Robbie. Glad to see that your well. Always look forward to getting one of your lessons.
Awsome, as usual. Thx
Thanks for watching!
You are the greatest guitar player. Ever. Would really appreciate it if you made a video about your journey which would inspire us all.
amazing solo Robbie. ive learned 1/3 of it so far at 0.75% speed lol i've been working on it for an hour. Thank you for this amazing video my friend, you've gained a new subscriber
Another fantastic lesson, Robbie! Thank you so much...and thank you for the totally inspiring solo at the end!
Thanks for the lovely comment, glad you enjoyed it!
One day i'll get it and will be using in my playing!
Found your channel very recently and absolutely love the content! Haven’t even watched this lesson yet but I bet it’s awesome as the rest of your videos! :)
Thanks for following! Glad you enjoy the vids!
Your tone is on point, like John McLaughlin.
Great lesson, thank you! Now to the woodshed!
It's true that it's fast but this way of playing in triads requires it. I think that's what gives the groove ! So thanks for this demo and ...the style !
The best "outside"lesson on youtube!!!
Always amazed by your talent!
Thanks Dom!
Great line and very succinct explanation of some deep harmonic concepts!
This is going to get tons of views! If you're the type to read comments prior to watching; watch this several times!
Great lesson Robbie! Keep it up!
Thanks!
So helpful video.. beautiful ❤
Loved your playing in the performance - complex but very musical - not easy to achieve.
Awesome tutorial!!!!!!!!!!!!!!
Great lesson and great playing. Powerful stuff. Thank you!
My first time seeing you. Fantastic player! Great lesson.
Thanks a lot!
Always great playing and great teaching from Robbie! If you read these, Robbie, thanks a lot! ❤
Thanks so much for the nice comment! Glad you enjoyed the vid!
This is so cool!!! You're the BEST Guitar Master!!
Amazing guitarist beautiful ❤️❤️
Great Stuff!!
Thank you ❤❤❤
Very interesting concepts ! Slick playing, will need some slowing down to fully be able to hear the complexity of the lines though! Oh and mind your pick hitting the pickup!
This sounds so good but it's way next level for me to understand :/ I'm gonna do some digging and watch a lot of your videos. Thanks for making them 🙏
Excellent 👍🏻🙏
Total inspiration, can't wait.
Just discovered your channel. Fantastic lesson! Just the enclosure info is helpful to me. Much less all the rest you covered here. Thanks. Liked and subscribed.
Brilliant!
Very clearly presented. Thanks
Thanks for watching!
Finally another great video of one of my favorite guitar teachers and players. Showing us how to play outside like the master himself Mr. John Scofield. Thanks a lot for sharing Robbie. Excellent stuff as always. Love it! Cheers DimiZ.
BTW, I would love to see you jammin together with Ben Eunson, who is another favorite Jazz guitarist teacher here on youtube. I am pretty sure, the both of you would make a great session together. Why not collaberating with each other!? As other youtube greats are already doing. E.g. Charles Berthoud and Bernth.
Thank you Maestro ❤
Great lesson as always
And like all good tutors he told us all the scales to play - then shredded magnificently on something completely indecipherable 😅
Great stuff! Many thanks!
Excellent lesson as always 🤘🏻
Thanks for watching!
Cool and thanks. I liked all of your vids and really got a lot out of your Hybrid Appegio Patterns on Patreon.
Great video!Could you explain what you 're doint at 0:45s?
I don't understandt what's these positions before the C minor..Thanks
Thanks for checking out the video and for your question! The chords I play (just before 0:45) are ‘Quartal Voicings’. These are chord voicings that are constructed by harmonising/stacking the notes of the diatonic scale in 4ths. I apply this to the first three degrees of a ‘C Dorian’ scale just to give sonic context to the harmony being used. I then go on to talk about scale options that can be appropriate to use over a ‘Cm’ vamp. I hope that helps for now!
@@RobbieBarnby thanks a lot!!👍👍👍
always pushin the envelope!
You earned a new subscriber.
Thanks for following!
Great video, thanks a lot !! Would you share about your guitar model (Gibson ES 335?) and the effects you are using in this video? It sound amazing.
Cracking lesson, thank you
Here at my site I have ranked you Worlds best Guitar instructor, and for me personalty I feel your one of the top 7 best guitarist on earth, I know I know there is no best just different flavors however You Sir are an Unreal great Grand Master, I am interested in Interviewing you for my site can that be arranged ? I am in Florida USA.
Would love to read that interview:)
@@Marunius Thank you so very much for that Support, I will certainly try to get that to happen, that's one busy guy I'm sure, I am also in talks with an Interview with THE WARNING Girl band but anyway thanks for letting me know your game to see the Interview done with Class. Thank you for visiting The Guitar Temple.
Very helpful, thank you!
My pleasure! Thanks for checking out the vid
Great lesson
Nice, genius !! speed insane...
This dude is so good it makes me wanna quit playing.
Nice
Playing outside is easy just don’t forget to bring your guitar back inside once you are done
❤❤❤❤❤
good lesson. tnx.
Wow man, how hours days or years you have to practice to play that way?
Love your playing! I started on the full fretboard workout using maj7 arpeggios.
Wish I could find more of your music - do you have bands you’ve played or recorded for?
Lovely.
Very Scott Hendersonish.
cool. thank u
Robbie, are you able to use this approach to create lines just as intricate as this one in real time while you solo, or are most of the lines you play at this speed something you’ve worked out in advance?
Ambrosia! 😊
What guitar is this? It looks amazing.
What a great lesson! What overdrive do you use to maintain the clarity while creating such nice sustain?
Thanks for watching! I'm using a Tube Screamer and also a compressor (my compressor pedal of choice is a Boss CS-2 but I was using one from the Line 6 Helix for this).
@@RobbieBarnby Thanks for reply! Love your tone and playing.
For enclosures what is a rule for acceptable out-of-key notes? In terms of note choice and in terms of down-beat vs up-beat acceptability
Cool question!
Very Nice:)
This level of playing just seems beyond reachable.
I do not understand how people become capable of visualising Chord voicings, Highlighting the Juice out of a particular mode that comes from Major, Melodic Minor, Harmonic minor or harmonic major scale along with groupings and subdivisions and rests and adding chromaticism in real time.
I cannot do one of those things properly let alone expressively with dynamics.
I just cannot fathom how musicians such as yourself do this magic.
Music is madness.
❤
You have a great sound. Do you use flatwound strings?
Thanks! I use roundwound strings (11-49)
Scotland yard agreed to a new identity for robbie and family, plus full immunity from previous misdemeanors- if he agreed to tell us all he had on The Triads. Brave man
🔥🔥🔥🔥🔥🔥👌
Sir Robbie- What pickups do you have installed Sir?
Just the original Gibson ‘T-Top’ pickups. Thanks for watching!
@@RobbieBarnby Thanks much for your videos kind Sir
😇😇😇
How do you get that tone?
Thanks for watching! I’m recording through a Line 6 Helix
4:12 i dont get it, why choosing D, Eb and B triad?
Thanks for the question! The D and B triads are used because the selected outside note ('Gb’ - the b5th of Cm) can be treated as a chord tone:
Gb = 3rd of a D triad and the 5th of a B triad.
These two triads are found within the 'C Whole-Half Diminished' which is the scale we are using as our 'outside' tension sound.
The Eb triad is used because that belongs to C Minor (our key). An Eb triad is the upper structure of Cm (Eb/C = Cm7). Hence why it works well to toggle between these triads to create a tension to resolution effect.
Hope that helps for now!
First i wanna play inside 😢😫😭
Боже,насколько все красиво и какой я тупой
dnt kno what your talkin bout bro but i can follow ur fingering patterns. thx for sharing👌
What kid of guitar is that my friend?
It’s a Gibson ES345, thanks for watching!
trap god robbie
I just realized that my IQ is Adagio 75bpm.
I hope this time the "I'll see you soon" is true. 😑
Yikes,,,, this is gonna take years ,,, 😂
Sigh. I cant concentrate on what hes saying cuz every time he plays something my brain gets fried. Lol
Same
@@adambozentko5877 dudes an absolute monster.