@@ThisIsLeeBird yeah, which is compatible ONLY with rode usb mics, of course.. the whole point of this is to have both video and audio? 4 camera inputs, 4 xlrs would make sense. For me it’s a dealbreaker
YoloBox Ultra is my champion on the battlefield with 4K, NDI, Instant Replay, Scoreboard, Inviting Guests, Featuring comments, MultiStreaming, and actually many more!
I'm literally about to get a client onto the Yolobox Ultra for their podcasting, then this drops. I would have switched to this in a hot second if it did 4K ISO recordings, but I guess I will continue with the Yolobox Ultra.
YoloBox Ultra is my champion on the battlefield with 4K, NDI, Instant Replay, Scoreboard, Inviting Guests, Featuring comments, MultiStreaming, and actually many more!
What I like about it is it has XLR inputs for audio. That has always been a bone of contention with me and Blackmagic ATEM switchers (at least the Mini and Mini Extreme models). The price point is good, comparable with the Mini Extreme Pro and less expensive than the Mini Extreme SDI ISO - however, it only has four video inputs. Granted, if it can play back short media files from within the device that frees up an input (which I typically use for a Hyperdeck or Hyperdeck Shuttle). No downstream or upstream keying capability that I can see, but this short demo obviously doesn't cover all the bases. I can see this being valuable for small podcast efforts or smaller live events, but for larger events like the ones we do (multi-camera, PPT slide deck, lower thirds, stings, etc.) I think I'll stick with the ATEM line.
This looks pretty awesome. I have basically mostly rode stuff, but is currently relying on an atem mini for switching/livestreaming and RCP2 for audio. The RCV might be able to simplify my desk setup.
@@ChipDizard yes I do like the ATEM but it doesn't have a way to monitor audio that I know of so I just plug into my field monitor which sucks. No XLR so I have to adapt things or just record separate audio and sync. It's just a little ugly of an interface I think too.
Would love to see a way to combine this with the Rodecaster via USBC and trigger all iso audio recordings that can be synced up or share the same drive.
@@BandH bummer, another product which is already undersized at launch with its only 1080P input. Had it been input 4K, it would have been the best. But limiting it to 1080P makes it have no interest
Great Video! Thank you so much. A lot to look forward to with this device! One thing I don’t think was asked during the Live Panel: is the Rodecaster Video ADAT supportive? I ask because I currently use a Universal Audio Apollo Twin Duo interface with only two mic inputs, but I occasionally need four mics for a podcast. Do you think it would be possible to essentially daisy-chain the two mic inputs on the Rodecaster Video, or would you suggest another solution?
The RODE RODECaster Video All-in-One Production Console does not support ADAT. The Universal Audio Twin X DUO cannot be daisy-chained with the RODEcaster Video Console. >Mark,
All good, great, but I wonder when they'll make a tutorial so they can learn how to position the lapel microphone properly. Who taught them not to be careful with their visuals? Cheers, guys!
Oh great, the game changer I was looking for. Just did not find if there is a way to make a split screen with A and B signals next to each other ? I see there is a possibility in the software but I wish there was a way to make supersource like on the BM Extreme. But BM charges a lot to just get this button on hardware. It should be a must have in all small switchers. Thanks for presenting this new product !
You are able to configure the Multi-source Layouts button to have split screen between camera A & B. According to the RODE website using the Multi-source Layouts button, you can configure multiple video sources into arrangements such as picture-in-picture, split screen and more.
You can connect the RODE RODECaster Pro II to this! You can use the RODECaster Pro II, RODECaster Duo or any RODE USB microphones by connecting them to USB 4 or 5 on the RODECaster Video.
I have the atem pro and was very excited when I saw this but once I saw 1080p (which is more than enough/acceptable for most cases) but at that price point…. I’ll just stick with black magic. The point of joining the market is to work on the flaws and successes at a reasonable price point for the masses. But this isn’t enough to charge $1,200+ after taxes. But if you don’t own their audio gear and black magics equipment and want to get into the podcast space. I do recommend going with this. Maybe I’ll review it and send it back but this is more of a $400-750 product to me
8:55 You mentioned that you can have custom delays per channel, but one problem I have with the ATEM Mini Pro ISO is that the delay only goes to the live stream. It doesn't go to the HDMI out for previewing, which becomes a problem when the audio is auto sync locally in my room.
According to RODE's website: The audio output delay only applies to your live stream and recording - for the sake of monitoring your own voice live, the delay is not applied to your headphones or monitor speakers.
@@BandH That's a bummer not to have the option. If we want to send a feed to another room via HDMI out, our audio and picture can be vastly out of sync (up to 2000ms).
to the guys slamming this for a lack of 4K - you've got to be kidding me?! This is a streaming device... 4K streaming is an absolute waste of bandwidth and processing drag... $1200 bucks is NOT getting you plebs a 4K capable device like this - not right now... as Keyshawn said: Come On Man! For $1200 bucks, my ROI is ONE event - seriously... wake up.... I just ordered one btw... I'll give you a review - 100% real.... let's see how this delivers....
Oh! Nice, Thanks for the video. This Switcher definitely took care of most of my Audio issues. Does it Stream to multiple Platforms like OseeGo stream, that stream to 3 platform simultaneously?
From what I am seeing you are only able to live stream to one platform at a time. Unless you have a streaming software that will allow you to stream to multiple platforms (like Telestream Wirecast Pro).
You can use the RODECaster Video with OBS, you don't have to use their software. But using their streaming software, you'll have better control over the switcher and stream.
Does it capture video? If so, what is the quality of the video capture like? The FX3 footage feels a bit blown out when you're in the podcast studio? Is it compressing the video much, would I be able to capture a full 10bit video with this? Is it even down to the device, maybe its more an OBS thing or whatever software is used to grab the video? I like the look of the device, and it seems nice and simple compared to the Blackmagic offerings. Thanks in advance, great video :D
You can record directly to an external USB storage device, including isolated (ISO) recording. It'll save as an as a 4:2:2 8-bit H.264/AVC MP4 file with embedded AAC stereo mix.
@@BandHthanks for this answer. I've been unable to get any youtube reviewers to confirm what bit depth the Yolobox Ultra records it's 4k ISOs in. Any chance you can also answer that?
@@BandH Thanks! I been asking around other UA-camrs and have been pointed in the direction of porting through an USB-C to HDMI adapter and clen feed Apps or streaming via AppleTV etc.. Hopefully. I sold my Sony camcorders years ago for iphones to be simple and compact. Whats is a low cost camera you would suggest for camera input?
The USB-C video input will only accept cameras that supports uncompressed USB UVC video stream. All three of the cameras you mentioned will work with the USB-C video input.
@@BandH I got the Sony cameras to work, turned out to be very sensitive to the quality of the cable .. but no luck with the insta360 link2 using the same cable that worked with the Sony cameras. Any tips?
You can connect the RODE RODECaster Pro II to this! You can use the RODECaster Pro II, RODECaster Duo or any RODE USB microphones by connecting them to USB 4 or 5 on the RODECaster Video.
He was way too close to the green screen and lit improperly, as they lit both subject and background with ~4500K light. That is always going to create a green cast and fringe around the subject.
Limited multi-camera control when compared to competitor products. Lack of physical video faders, making live switching more challenging. The preview screen often doesn’t display the full resolution, causing discrepancies between what’s previewed and what goes live. The menu system is difficult to navigate, particularly when switching between video and audio functions. Overheating during extended use, especially with multiple video inputs. No 4K support, limiting its use for high-end productions. Inconsistent wireless microphone connectivity, causing audio disruptions. Latency when switching between video sources. Limited customization of graphic overlays. USB-C functionality struggles when managing both audio and video inputs at the same time. No multistreaming feature without external help. A steep learning curve, especially for new users. Lack of a battery-powered option, which reduces portability. Limited onboard storage, necessitating external drives for larger projects. Audio sync issues with video during longer recordings. No HDMI output scaling, making resolution matching across devices challenging. Lack of a built-in streaming platform for simplified streaming. Limited post-production flexibility. The bulky design makes it less suitable for compact setups. The price point doesn’t fully justify the feature set compared to other products in the market.
@@thenewwatchersonthewall Yeah......the more you think about it all, the less it makes any sense. Especially with the auto-swapping feature that will cut for you
@@PawFromTheBroons yes you are right, basically you just map 2 cameras to the auto switch feature then you manually click to the 3rd camera I suppose. I have unpredicable podcast schedule, most of the time its 2ppl but sometimes 3 and 4ppl. So prob not the best solution for me.
Join us at 12PM EST for a livestream with Zephan Moses, Tom Buck, Cat Milvihill and RØDE: ua-cam.com/users/liveyv2istbaGWs
Interesting product… Oh and her name is @CatMulvihill
Almost perfect just held back by 1080P
I'm in love...Rode does it again!
Major swing and miss with just 1080.
They'll probably release a 4K version called the "Pro" at a higher price.
yeah and just 2xlr..
@@ShortStoryInspiration yeah but being able to hook the RCP duo or Pro ii to it makes up for that. Heck I’m glad it has XLR’s at all.
@@ThisIsLeeBird yeah, which is compatible ONLY with rode usb mics, of course.. the whole point of this is to have both video and audio? 4 camera inputs, 4 xlrs would make sense. For me it’s a dealbreaker
I thought the same but it seems to that they wanted to keep the price down and to be honest when stream are you streaming 4K typically?
I like it but I hope they release a version with SDI ports. HDMI is not reliable at long distances.
Nice audio features which the ATEM mini's have been lacking!
There’s full audio control via the software control
@@lacreatesp_ce the xlr inputs are mostly what I am excited about, eliminating the need for a hardware mixer for certain applications
@@didgeprojectI just wish they put in 4 XLR inputs. Then this device would have been perfect.
@@daanothoff agreed
YoloBox Ultra is my champion on the battlefield with 4K, NDI, Instant Replay, Scoreboard, Inviting Guests, Featuring comments, MultiStreaming, and actually many more!
I'm literally about to get a client onto the Yolobox Ultra for their podcasting, then this drops. I would have switched to this in a hot second if it did 4K ISO recordings, but I guess I will continue with the Yolobox Ultra.
same for me... I like the fact that with the yolox youb don't need an external monotor also to be ready to broadcast
YoloBox Ultra is my champion on the battlefield with 4K, NDI, Instant Replay, Scoreboard, Inviting Guests, Featuring comments, MultiStreaming, and actually many more!
What I like about it is it has XLR inputs for audio. That has always been a bone of contention with me and Blackmagic ATEM switchers (at least the Mini and Mini Extreme models). The price point is good, comparable with the Mini Extreme Pro and less expensive than the Mini Extreme SDI ISO - however, it only has four video inputs. Granted, if it can play back short media files from within the device that frees up an input (which I typically use for a Hyperdeck or Hyperdeck Shuttle). No downstream or upstream keying capability that I can see, but this short demo obviously doesn't cover all the bases. I can see this being valuable for small podcast efforts or smaller live events, but for larger events like the ones we do (multi-camera, PPT slide deck, lower thirds, stings, etc.) I think I'll stick with the ATEM line.
Highly interested but wish it was 4k compatible
For that price al stick to my ATEM sdi iso pro
$1200 and it doesn’t do 4K? No from me, dog.
Is it 4K?
The RODECaster Video supports up to 1080p60.
Go back to drawing board.
This looks pretty awesome. I have basically mostly rode stuff, but is currently relying on an atem mini for switching/livestreaming and RCP2 for audio. The RCV might be able to simplify my desk setup.
Awesome & Thanks :)
This would have been perfect before I got the Black Magic version. This seems way better.
No so quick , the only thing I see is the XLR inputs which are better. I have the ATEM and it works very well in the field.
@@ChipDizard yes I do like the ATEM but it doesn't have a way to monitor audio that I know of so I just plug into my field monitor which sucks. No XLR so I have to adapt things or just record separate audio and sync. It's just a little ugly of an interface I think too.
Do the usb C inputs also provide power so my iPad or Sony camera won’t charge down?
Would love to see a way to combine this with the Rodecaster via USBC and trigger all iso audio recordings that can be synced up or share the same drive.
This is great. I wonder if they will make an SDI version though.
is the input only 1080P and not 4K ?
The RODE RODECaster Video supports up to 1080p60
@@BandH bummer, another product which is already undersized at launch with its only 1080P input. Had it been input 4K, it would have been the best. But limiting it to 1080P makes it have no interest
Great Video! Thank you so much. A lot to look forward to with this device!
One thing I don’t think was asked during the Live Panel: is the Rodecaster Video ADAT supportive?
I ask because I currently use a Universal Audio Apollo Twin Duo interface with only two mic inputs, but I occasionally need four mics for a podcast. Do you think it would be possible to essentially daisy-chain the two mic inputs on the Rodecaster Video, or would you suggest another solution?
The RODE RODECaster Video All-in-One Production Console does not support ADAT. The Universal Audio Twin X DUO cannot be daisy-chained with the RODEcaster Video Console. >Mark,
All good, great, but I wonder when they'll make a tutorial so they can learn how to position the lapel microphone properly. Who taught them not to be careful with their visuals? Cheers, guys!
Oh great, the game changer I was looking for. Just did not find if there is a way to make a split screen with A and B signals next to each other ? I see there is a possibility in the software but I wish there was a way to make supersource like on the BM Extreme. But BM charges a lot to just get this button on hardware. It should be a must have in all small switchers. Thanks for presenting this new product !
You are able to configure the Multi-source Layouts button to have split screen between camera A & B. According to the RODE website using the Multi-source Layouts button, you can configure multiple video sources into arrangements such as picture-in-picture, split screen and more.
@@BandH it sounds great, I hope I can buy it from work.
Can you put in and RTMP info for streaming? BM is so limited when it comes to custom RTMPs.
How would you incorporate this with the Rodecaster Pro II? Specifically the routing of the audio?
Exactly
You can connect the RODE RODECaster Pro II to this! You can use the RODECaster Pro II, RODECaster Duo or any RODE USB microphones by connecting them to USB 4 or 5 on the RODECaster Video.
@@BandHthat’s very interesting. Does it record multitrack audio from a Rodecaster Pro 2 via USB-C?
I have the atem pro and was very excited when I saw this but once I saw 1080p (which is more than enough/acceptable for most cases) but at that price point…. I’ll just stick with black magic. The point of joining the market is to work on the flaws and successes at a reasonable price point for the masses. But this isn’t enough to charge $1,200+ after taxes. But if you don’t own their audio gear and black magics equipment and want to get into the podcast space. I do recommend going with this. Maybe I’ll review it and send it back but this is more of a $400-750 product to me
NDI???? would be nice if those 4 HDMI can be configured for either HDMI or NDI switching...
Tienen este mismo canal en español. Si es así enviarme el link para verlo. Gracias
What about 4k?
The RODECaster Video supports up to 1080p60.
Can you record your computer screen/desktop?
8:55 You mentioned that you can have custom delays per channel, but one problem I have with the ATEM Mini Pro ISO is that the delay only goes to the live stream. It doesn't go to the HDMI out for previewing, which becomes a problem when the audio is auto sync locally in my room.
According to RODE's website: The audio output delay only applies to your live stream and recording - for the sake of monitoring your own voice live, the delay is not applied to your headphones or monitor speakers.
@@BandH That's a bummer not to have the option. If we want to send a feed to another room via HDMI out, our audio and picture can be vastly out of sync (up to 2000ms).
to the guys slamming this for a lack of 4K - you've got to be kidding me?! This is a streaming device... 4K streaming is an absolute waste of bandwidth and processing drag... $1200 bucks is NOT getting you plebs a 4K capable device like this - not right now... as Keyshawn said: Come On Man! For $1200 bucks, my ROI is ONE event - seriously... wake up....
I just ordered one btw... I'll give you a review - 100% real.... let's see how this delivers....
Oh! Nice, Thanks for the video.
This Switcher definitely took care of most of my Audio issues.
Does it Stream to multiple Platforms like OseeGo stream, that stream to 3 platform simultaneously?
From what I am seeing you are only able to live stream to one platform at a time. Unless you have a streaming software that will allow you to stream to multiple platforms (like Telestream Wirecast Pro).
Can one load media onto the RODECaster via a laptop/desktop instead of using a USB card?
Yes you can. You can load in media from your computer with the RØDE Central software.
Needs to have 8 camera inputs, that is the big down for me. I always use more then 4 cameras. But they are going the right way.
Does it make sense to use something like this with OBS? Or is this more for a hardware only stream?
You can use the RODECaster Video with OBS, you don't have to use their software. But using their streaming software, you'll have better control over the switcher and stream.
@@BandH thanks
Does it capture video? If so, what is the quality of the video capture like? The FX3 footage feels a bit blown out when you're in the podcast studio? Is it compressing the video much, would I be able to capture a full 10bit video with this? Is it even down to the device, maybe its more an OBS thing or whatever software is used to grab the video? I like the look of the device, and it seems nice and simple compared to the Blackmagic offerings. Thanks in advance, great video :D
You can record directly to an external USB storage device, including isolated (ISO) recording. It'll save as an as a 4:2:2 8-bit H.264/AVC MP4 file with embedded AAC stereo mix.
@@BandH Ah ok, that's good to know - Plenty for most, not enough juice for the more high end stuff!
@@BandHthanks for this answer. I've been unable to get any youtube reviewers to confirm what bit depth the Yolobox Ultra records it's 4k ISOs in. Any chance you can also answer that?
I'm sure they'll release a PRO version with 4k once this proves successful.
No 4k? 🤦♂️
The RODECaster Video supports up to 1080p60.
Can an iphone be used for a camera on the RODECaster Video, especially multi phones?
At this time, I can not find information about using iPhones as a camera input with the RODECaster Video.
@@BandH Thanks! I been asking around other UA-camrs and have been pointed in the direction of porting through an USB-C to HDMI adapter and clen feed Apps or streaming via AppleTV etc.. Hopefully. I sold my Sony camcorders years ago for iphones to be simple and compact. Whats is a low cost camera you would suggest for camera input?
What USBC camera work with it? I tried Sony ZV-E1, Sony a6700 and Insta360 Link 2; all cannot see anything
The USB-C video input will only accept cameras that supports uncompressed USB UVC video stream. All three of the cameras you mentioned will work with the USB-C video input.
@@BandH I got the Sony cameras to work, turned out to be very sensitive to the quality of the cable .. but no luck with the insta360 link2 using the same cable that worked with the Sony cameras. Any tips?
can you plug the rode mixer into this to get more than 2 mic inputs?
You can connect the RODE RODECaster Pro II to this! You can use the RODECaster Pro II, RODECaster Duo or any RODE USB microphones by connecting them to USB 4 or 5 on the RODECaster Video.
Hi. How is the latency? Can it be used for IMAG and live events?
There's always going to be some latency when it comes to streaming. But the RODECaster Video is still a great switcher for any live event.
@@BandH That's not an answer. What's the latency from input to hardware output?
Too bad it only has 2 XLR inputs. Other than that this device would be the perfect all in one video podcast production station.
can it take higher res inputs and do internal scaling?
From what I can fine, I don't see any scaling feature on the RODECaster Video. You will need to have your camera inputs to be 1080p60 or lower.
YOLOBOX still much more capable
That greenscreen with the Premiere Pro screne, looked off. The color was really weird.
He was way too close to the green screen and lit improperly, as they lit both subject and background with ~4500K light. That is always going to create a green cast and fringe around the subject.
Limited multi-camera control when compared to competitor products.
Lack of physical video faders, making live switching more challenging.
The preview screen often doesn’t display the full resolution, causing discrepancies between what’s previewed and what goes live.
The menu system is difficult to navigate, particularly when switching between video and audio functions.
Overheating during extended use, especially with multiple video inputs.
No 4K support, limiting its use for high-end productions.
Inconsistent wireless microphone connectivity, causing audio disruptions.
Latency when switching between video sources.
Limited customization of graphic overlays.
USB-C functionality struggles when managing both audio and video inputs at the same time.
No multistreaming feature without external help.
A steep learning curve, especially for new users.
Lack of a battery-powered option, which reduces portability.
Limited onboard storage, necessitating external drives for larger projects.
Audio sync issues with video during longer recordings.
No HDMI output scaling, making resolution matching across devices challenging.
Lack of a built-in streaming platform for simplified streaming.
Limited post-production flexibility.
The bulky design makes it less suitable for compact setups.
The price point doesn’t fully justify the feature set compared to other products in the market.
No 4K?🧐
what a piece of krap... 1080p... are they trying to sell us tech from 2010 for prices from 2024. nobody needs 1080p these days
Right … like. 1080p is great for streaming, but like…. Yo. ISO recording, what are we doing?
ummmmm, 2 xlr audio inputs but 4 cameras - thats weird.
Most podcast have multiple camera angles with maybe only two guest.
@@thenewwatchersonthewall Yeah......the more you think about it all, the less it makes any sense. Especially with the auto-swapping feature that will cut for you
A 2 person podcast is already 3 cams.
2 close ups and a wide.
So XLR and HDMI don't scale 1 for 1.
@@PawFromTheBroons yes you are right, basically you just map 2 cameras to the auto switch feature then you manually click to the 3rd camera I suppose. I have unpredicable podcast schedule, most of the time its 2ppl but sometimes 3 and 4ppl. So prob not the best solution for me.
Lost me at 1080p