Multiphonics For Altissimo Part. 2
Вставка
- Опубліковано 14 жов 2024
- I've made another video exploring the wonderful world of multiphonics to assist with embouchure control for playing altissimo.
If you want to support the channel you can Buy me a Piece of Cake: www.buymeacoff...
Saxophone Sound Development Book
Alto and Tenor Altissimo Book
Diminished Scales Book
payhip.com/Sir...
Linktree:
linktr.ee/sirv...
Sirvalor sax I love your videos
Very informative. Very entertaining! Thanks
YOU ARE VERY IMPORTANT WITH YOUR KNOLIGE FOR ME! THANKS! KNOLIGE IS LIKE OUTION! NEWER ENED, AND NOBODY CANT DRINK THE OUTION!LIKE KNOWLIGE!
I’d wanna see a vid where you try and make the cheapest tenor sax, the cheapest Mouthpiece and ligature and cheapest reed you can get sound good
Good Sir, Thank You. Intro was killer...LOL. Excellent demo of controlled ugliness And only a cat that sleeps with his ax discovers the E flat key add to a low B. Certainly develop a beautiful pure centered tone up and own the horn, then abandon for nasty gritty screaming growling multis.... tastefully offered..
If you can explain more of this its always interesting to hear. Any of the stuff that Moon Hooch--or Leo Pelligrino--do would be amazing to learn about. Ditto Albert Ayler lol.
I’m having a tough time playing above high F# (octave above “normal” highest note on the sax”) what do you have a particular video or videos that you recommend to develop the strength to play up into the stratosphere? If you can I promise to buy a T-shirt 😄😁. You make the best sax videos btw
So I’ve been practicing altissimo for over a year and can play up to a high D# on tenor. It takes lots of control with embouchure. Also I’ve heard that High G is the hardest note to play for altissimo although I tend to not have trouble with it. Don’t think of it as having strength, but rather blowing air through a bubble wand. (A tiny stream of air pushing through the mouthpiece) also this is late otherwise I would’ve answered sooner
My question to you today is where did you learn all of this? Who did you study under/with?
I wonder as well, LOVE this cat.
I think and I'm guessing: Bowling Green undergrad. New York gigs. Cruise ship will make a man outta you. Lots of self tought .
I try not to hit multiphonice when playing altissamo.
I think what he is showing is if you just isolate the notes within a multiphonic its useful for figuring out the embouchure for altissimo (without splitting the altissimo note itself). Like you can play a high G and it splits pretty easy, but you can also isolate the high D from that pretty easily and then lock that embouchure/throat position into memory--but he's showing it with all kinds of fingerings.
I’ve played sax for 30 years, still an amateur. Played in swing bands, community concert bands, small jazz ensembles blues bands. I appreciate the technical aspect of this.
BUT, when would a player use multi phonics?
If I pop off with those sounds on a blues gig at The Torch Club, they’re
going to show me the door.
Are there times when a sax player would use them that I’m not aware of?
David Wood Ask them if they like Coltrane, if they say yes, you’re safe.
This is about tone building, not necessarily about playing multiphonics in a performance setting.
@@Osnosis but you could