What's Up, Doc? (1972) - Let's Say Goodbye Scene (4/10) | Movieclips
Вставка
- Опубліковано 4 кві 2017
- What's Up, Doc? movie clips: j.mp/1zhofeu
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CLIP DESCRIPTION:
After a messy incident regarding Howard's (Ryan O'Neal) hotel room and his relationship with Eunice, Howard decides that he wants nothing more to do with Judy (Barbra Streisand).
FILM DESCRIPTION:
With Howard Hawks's Bringing Up Baby (1938) as his blueprint, Peter Bogdanovich resurrected and payed homage to 1930s screwball comedy in What's Up, Doc? (1972). When wacky co-ed Judy Maxwell (Barbra Streisand, in the Katharine Hepburn part) spies nebbishy musicologist Howard Bannister (Ryan O'Neal in bespectacled Cary Grant mode) in a San Francisco hotel lobby, she decides that Howard and his precious igneous rocks are right up her alley. Too bad Howard already has a fiance, the propriety-fixated Eunice (Madeline Kahn in her film debut). Using all her arcane knowledge from brief stays at numerous colleges, Judy tries to charm her way to a $20,000 grant for Howard, and Howard himself, at a banquet with grantor Frederick Larrabee (Austin Pendleton). Things get even more complicated the next day when Judy's underwear-filled overnight bag gets mixed up with Howard's rock bag, which gets mixed up with Mrs. Van Hoskins' bag of jewels, which gets mixed up with Mr. Smith's bag of top secret government papers. All sides converge at Larrabee's mod townhouse and the chase begins. Retaining Hawks' machine-gun pace (as well as the sly pop culture referentiality of Billy Wilder), Bogdanovich and writers Buck Henry, David Newman, and Robert Benton updated the opposites-attract screwball convention for contemporary times. O'Neal gently parodied not only Grant but also his own Love Story (1970) preppy, while Kahn represents stiff-wigged 1950s manners as opposed to Streisand's long-haired, pants-wearing free spirit. The happy ending, in which Cole Porter-belting youth wins out over old manners, found favor with audiences, as What's Up, Doc? became one of the most popular films of 1972, and the second hit in a row for Bogdanovich after 1971's The Last Picture Show.
CREDITS:
TM & © Warner Bros. (1972)
Cast: Ryan O'Neal, Barbra Streisand
Director: Peter Bogdanovich
Producers: Peter Bogdanovich, Paul Lewis
Screenwriters: Buck Henry, David Newman, Robert Benton, Peter Bogdanovich
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Their chemistry is fantastic. Ryan O’Neal’s subtle acting conveys that he is drawn to her, but is in denial. And even though Barbra Streisand’s character is very forward in her pursuit of him, she conveys such warmth, devotion, and genuine love in all their scenes that it’s never uncomfortable to watch. She proves that she genuinely wants to help him the whole time, and he becomes less stiff and more relaxed throughout the film as she breaks down his walls and captures his heart. This movie isn’t just the funniest of all time, it’s also one of the most romantic.
You are right
Yes, he is. O Neal is outstanding here. Very subtle.@@brianlusk2557
There's something about Streisand. She had a magnetism about her. Irresistible.
I think it's the time for me to watch this gem again!! I love it, so many funny lines, actors!!!
We'll miss you, Ryan... :-(
"Must you stand quite so close?" Howard must've had some kind of love magnet that was making him so attractive to Judy.
Actor Ryan O'Neal was really lucky for kissing this gorgeous and beautiful woman and getting paid for it
I think it’s the fact that he’s both like her and not like her. His life is stable, he’s quiet and collected, whereas her life is wild and uncontrolled. I think part of her desires the kind of stability that he offers. But they also are both very smart and she understands his interest in geology far better than most people would, to the point where she can speak the language and keep up with him. Eunice couldn’t do that. Judy saw that, between their similarities and differences, she and Howard made a perfect match. And eventually Howard sees this too, because she brings some excitement and adventure into his life which he was previously lacking, whereas he tames her fire at the right moments. They balance each other out.
@@12classics39 Apart from the fact that he was already engaged to Eunice, Howard was trying to avoid Judy because she was different, like he told her on her way out the door.
@@waynemacfarland1546 yes, her being “different” is what actually makes her appealing to him, but he’s in denial about it at this point.
You can still see the marks left on the floor from Eunice's heels when she was dragged away.
NICE CATCH.
Wide squiggly scuff marks.
If you look closely, you can still see the marks on the floor from where Eunice was dragged away.
Wide squiggly scuff marks.
🤣🤣🤣🤣🤣
They remind me of Tony and Jeannie from I Dream of Jeannie.
One of the funniest slapstick movies ever made.
Just the voice of Barbara, sound music to my ear. O'Neal voice is not bad too. It's a very lively and interesting movie.
Sometimes i played the movie and sleeping by listening to it.
Well usually when you say you sleep to a movie it means it's boring, but I get your point here
I think that I fell in love with Ryan O'Neal the first time I saw this movie. I couldn't believe the news of his passing yesterday 😞
Ryan was a.really good actor
Greatest comedy ever!
So damn good. Glad the NYT picked this
they cut off the last joke of the scene, Howard shuts the door in her face then turns around and realizes he's still in the dining area
As they say on Twitch 'I Lost'
😅😅😂
She looks so smashing!! Her eyes, her hair, her weight (not too fat and not too skinny either), she's is just perfect!!
She is just perfect!
Love her.