Part 4 - RED SENSORS - Things you only thought you knew about RED Digital Cinema
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- Опубліковано 19 вер 2019
- This video is the outcome of extensive research demystifying RED's sensor tech, especially the RED MYSTERIUM sensor- purely based on facts. The information every camera manufacturer, every RED user, and every cinematographer MUST HAVE.
RED claims they made their own sensor, and that their compression method REDCODE CODEC is not a prior art, among several other false claims.
You'll witness never-seen-before clips, and will be surprised by the level of unearthed information.
- Can you support me? I need to be able to pick up some old RED gear. I am particularly interested to inspect RED Epic-M or Epic-X. Please see here for more information.
www.gofundme.com/f/jinni-reve...
- Do you need help with this information? Or have you got some information you'd like to share with me? Or maybe you have fallen victim to Red’s false representation and/or their failure to disclose correct information?
Let’s talk! Email your details to redvictim@jinnitech.com
Together, we’re stronger! - Наука та технологія
This one is longer, but keep watching, there are never-seen-before clips and some shocking information. You will be surprised...
Jinni.Tech extremely interesting. Exceptional detective work! 👍
Almost like a movie 😉
Jinni.Tech Your videos are incredible. Thank you for taking the time to do all of this.
100%
To quote the Good Book... For nothing is hidden that will not be made manifest, nor is anything secret that will not be known and come to light.
So you revealed all RED secrets
what's next for you?
Jinni Camera in collaboration with FORZA Silicon?
It won't be cheap but definitely cheaper than RED
This is my new detective crime series I swear. Deeply appreciate all the pain Staking effort it took Jinni Tech to make these revelation....
deadass
if you like it and want a part V, please donate to the gofundme www.gofundme.com/f/jinni-reveals-red, so Bruce can get a used red one mx and open it up and see what secrets come. www.gofundme.com/f/jinni-reveals-red
Here's a background story for you. My ex-roommate owns one of those original Epic M bodies. When we were supposed to take delivery of the camera, we were told "oh, sorry, we sold your camera to Peter Jackson." The next time we were supposed to take delivery, we were told "oh, Spike Lee walked in today and bought your camera body." We ended up taking delivery of the camera body far, far later because a bunch of hollywood-types managed to cut in line, and RED jumped at the chance to allow them to name-drop themselves using their brand. So, technically, the camera my ex-roommate paid for was one of the 48 used to shoot the hobbit. Alternatively, one of the few used to shoot The Newest Hottest Spike Lee Joint. Jannard only managed to "change the world" so quickly because of californian money and handshake deals. Nobody should trust that guy, he's a used car salesman slimeball in every sense of the word.
Edit: Proof of ownership from 2011: ua-cam.com/video/r9TdnTaDBBs/v-deo.html
Including my ex-roommate talking about how the redmote was on backorder and the way red jerks people around. They never did offer us the infrared filter modification, one of their reps just lied to him over the phone, pretty much. At the time that video was shot, we couldn't even get footage off the red mags, because the USB reader was on backorder too.
One of the other things I want to point out is, my ex-roommate remarks in the video "So this box has 27 computers in it, huh?" and my response is "I thought that was a 27 layer ASIC." At the time, RED may have had the sensor available, but actually getting a small enough computer fast enough back then was rough. To my understanding, the Red One used a very expensive ~$3000 Xilinx FPGA to interface with the first "mysterium" sensor, and the Epic-M had taken the verilog/VHDL design from the FPGA to a real hard-logic ASIC die and package, dropping the price per die to somewhere in the $400 range. That was the major jump that RED took -- there was no off the shelf System on Chip design at the time that could handle polling the large sensor that quickly (most SoCs around that time were not even reaching a gigahertz yet) and saving the data at the same time. As an engineer myself that's dabbled in understanding silicon die production, I'm pretty sure I know exactly how RED pulled it off: Their fancy ASIC was very busy DMAing between the parallel sensor bus and the SATA controller driving the REDMAG. During those early firmwares, if you disrupted the camera's power supply while it was writing (or the battery got too low), you could get the camera's ASIC stuck DMAing the same corrupted 4 lines over and over into a .r3d file. Today, someone could just buy a xilinx virtex-7 or something and put together a similar logic design and DMA controller in about three months.
Great story.
@@alecmartin4779 fascinating!
Even the big ARRI is humble enough to give credit to their sensor maker.. Respect!
This is more of example of how real media should work and must look like, instead of wide opened mouths and hundry eyes.
Did anyone else see this thumbnail pop up in Recommended List and immediately go grab some popcorn?
The best saturday entertainment by far.
if you like it, please donate to the gofundme www.gofundme.com/f/jinni-reveals-red, so Bruce can get a used red one mx and open it up and see what secrets come. www.gofundme.com/f/jinni-reveals-red
Yep
Where to see the whole testifying video with Mr. Jannard?
OMFG, Red just fucked with the wrong guy! The quality of the video just draws you right into the story amazing! Also. I don't even mind RED putting together different technologies and selling that to the customers, but blatantly lying about it is so infuriating OMG.
if you like it and want a part V, please donate to the gofundme www.gofundme.com/f/jinni-reveals-red, so Bruce can get a used red one mx and open it up and see what secrets come. www.gofundme.com/f/jinni-reveals-red
I used to be interested in purchasing a Red. That all changed a couple of months ago.
I started to realize RED (and similar) wasn’t for me when I met a RED team packing up after making a commercial. They were too afraid of damage to their equipment because expensive and no replacements locally. Cheaper and nimbler things seems to make a lot more sense. But regardless, even before these revelations I don’t understand REDs price points. To any new comers, e.g. BMD or Panasonic seem to make more sense. But perhaps second hand market prices on RED will go down as their fairytale breaks apart publicly, enabling those interested to grab a historic camera cheap.
To make a product based on the work of contractors is something normal, but the amount of lies that these guys have said are amazing. Is only when confronted with an oath that he seems to kind of say the truth...
PD: what a masterpiece of research Jinni. The hour just felt like a minute ;)
Keep up the good work!!
ARRI tell without ON Semi doesn't have a product at all.
but RED just tell shit about "own design"
if you like it and want a part V, please donate to the gofundme www.gofundme.com/f/jinni-reveals-red, so Bruce can get a used red one mx and open it up and see what secrets come. www.gofundme.com/f/jinni-reveals-red
This is what happens when someone with an ego and too much money starts a company. Try as they might they just can’t remain honest because they have to serve their ego.
I think one thing is for certain, someone needs to give jinnimag a series on netflix. He is very Adam Curtis-like. So looking forward to part 5 and glad I donated to him.
It could be called "Murdering a Maker"
Man the effort you put into your work is like that of a journalist/documentary film maker. Basically from what I got, RED took the credit from the real geniuses behind the technology that made them the mega brand they are today and pretended that it was all done by their internal team. Like a group project in school where one kid does all the work and everyone else stands in front of the class to do the presentation and gets the a even though they didn't really do much behind the scenes.
if you like it and want a part V, please donate to the gofundme www.gofundme.com/f/jinni-reveals-red, so Bruce can get a used red one mx and open it up and see what secrets come. www.gofundme.com/f/jinni-reveals-red
Elon Musk did the exact same thing to Tesla 😂
I would like the link to the videos that you have used. I want to hear what else Walter White has to say.
I think I"ll cancel my netflix subscription :-! This is high end journalistic work. Apple owes you money I guess. And Sony & co should patreon you. They must be giggling at every episode you release.
It would be really funny to find out later that Apple is helping this guy to take down redcode so that we can all have in camera raw compression patent taken away from RED
if you like it and want a part V, please donate to the gofundme www.gofundme.com/f/jinni-reveals-red, so Bruce can get a used red one mx and open it up and see what secrets come. www.gofundme.com/f/jinni-reveals-red
@@edingacic546 I do not think that's what is happening here. Still, reading the legal papers of the litigation is insightful and this Jinnitech guy is indeed doing his research. Reading them you get why they/RED needed peter Jackson "use/approve" Boris and Natasha cameras since Redcode was not finalised. The whole patent line of defence seems based on that. If litigation recognize the cameras were not what the patent and Mr Jannard say at some given point in time, then Apple has a point. They have requested to see/examine the cameras... and it seems one of them has disappeared ...
FILMTOOLS Filmproduction & Filmservices 😂
Presented like a crime scene investigation!
I can't believe Ted was lying. Talking about redcode when it didn't exist, and with such confidence. Watching them talk, now knowing this, you can really feel them lying as they talked. My goodness, this makes me feel sick. And on a side note, kind of cool that Arri and Red have the same sensor manufacturer!! Now I can put "same sensor design company as Arri" on my red.
ARRI use ON Semi, RED uses Forza.
@@mateuszzimon8216 On Semi is a rather big company after 20 years of aqcusitions. Includingsensor manufacturers like Aptina and Cypruss.
Most of us knew and if you dug a little bit they would even say they used Jpeg 2000 of what REDCODE came from. Some people even cracked the 1st versions and put it out for display to the world.
So RED seems to make a brand name, and then when they find the tech that they like they tag the name onto the solution. The original RED logo said Est. 1999, that was when the domain was registered and then waited until there was a concept worthy of the name.
It isn't a usual way of working things out, but if you know that it makes sense sort of.
I think Jim was the one who was lying.
So, they were just some dudes with lots of money trying to make even more money founded with lies and lots and lots of hype.
Once again, incredible detective work. Thank you!
Are you making more videos? I found these videos fascinating. When I first learned of Red cameras I thought they were amazing. Only years later to find out they are smoke and mirrors.
Remember when Arri, Sony, Canon or Panasonic said: "We had no idea what we were doing!".
Right.
The one thing RED told the truth about!
This may be my favorite piece of tech journalism ever created. The research goes deeper than pretty much anything I've ever seen. On top of that, the storytelling is superb. As much as I love the anti-RED videos, I would love to see what you're capable of on other topics!
Amazing work! You made an hour youtube video completely captivating - look forward to the next one!
Part 5, part 5, part 5!
It's generally a standard in the imaging industry to list out the sensor used, part number, and manufacturer. This however doesn't seem to apply to consumer stuff such as cameras. Sony and Canon obviously use their own sensors most of the time, Fujifilm mentions the type of sensor they use (X-trans or Sony), whereas Nikon uses sensors made by Sony, Panosonic, Toshiba, Samsung, Towerjazz... being rather promiscuous. Although most aren't explicitly listed, it's pretty simple to figure out the sensor when teardown photos are shown. It is indeed very odd for "Red" to claim they made their own sensor while clearly they don't have the capacity to do so. Ordering sensors made to one's spec isn't making it, Nikon does exactly that with Sony and other sensor provides but they never pass the sensor as "we made it", they prefer to not talk about it and most wouldn't care.
Very odd indeed, there's nothing wrong with saying "we collaborated with _____ to make sensors suitable for our needs".
Macro Cosmos Microscopy well, I think they painted themself into a corner in a rather early stage... and then they just had to go With it...
@@patrik.clifford They could have easily conceded conjuring stuff like "made possible, whoops we forgot a word" or just claim by loose definitions, they made it.
Instead they pull this, and everyone with the most basic understandings of the industry sees through their lies and everyone else is just one google search away from doing so... Stupid
As in the video, sensor maker Forza Silicon receieved a heavy investment back in the RED start up days. What the RED team had was a shitload of cash. So everythings was (out)sourced: sensor, electronics design and software design.
After seeing that they acquired their SSDs from another company and branded them to be like their own, I can say it's not a HUGE surprise. The surprise was seeing the inventor of CMOS sensor calling our RED, something you would expect them to respond to. But only if they were truly original.
The war of marketing vs engineering..
Something old that was taken away is coming back. Some thing new is coming, too
just came back from area 51... gotta say... this video exposed more lies and conspiracy theories than my run at area 51!!!
Dude, you are gifted. Make more documentaries. Like the GE fraud, Theranos fraud etc.
Simply amazing yet again. The research you do is incredible. My jaw hit the floor when Jim revealed where the Mysterium sensor came from. As always, I look forward to the next entry in this fascinating series.
@@kemalettinsrt do you even watch the video lmao
Here we go again.
Another great video, looking forward to the next one.
if you like it and want a part V, please donate to the gofundme www.gofundme.com/f/jinni-reveals-red, so Bruce can get a used red one mx and open it up and see what secrets come. www.gofundme.com/f/jinni-reveals-red
I knew Red was a bag of lies, but it’s so much worse than I thought. Wow
if you like it and want a part V, please donate to the gofundme www.gofundme.com/f/jinni-reveals-red, so Bruce can get a used red one mx and open it up and see what secrets come. www.gofundme.com/f/jinni-reveals-red
The longest videos I’ve watched on UA-cam, Great work + great work on the editing side, thumbs up!
if you like it and want a part V, please donate to the gofundme www.gofundme.com/f/jinni-reveals-red, so Bruce can get a used red one mx and open it up and see what secrets come. www.gofundme.com/f/jinni-reveals-red
Red is a packaging company. Their tech is getting OLD.. The are using Xillinx FPGA they will never make the jump to ASIC. RED is a kludge camera....
My honest thoughts. The first 20 mins or so was very slow BUT it picked up pace and when the interview footage from January this year appeared BOOM I was hooked. Also your audio levels were up and down throughout. Just minor niggles, amazing content and keep up the great work ... just capture the attention a little earlier on buddy
Yeah, you can tell he's not a professional documentary maker. A lot of hard work has gone into this video, no doubt, but its pacing is way off, and sometimes it feels like you're being beaten over the head with the information. Less is more in these cases. While I understand the desire to get every detail you discovered out there, sometimes you have to trust your viewers to get the point without, say, listing every single professional organization Eric Fossum is a member of too prove he's an unimpeachable source. That whole section about RED not crediting the sensor makers was probably worth a couple of sentence, at most.
There are a lot of professional documentary makers out there, and the RED story (this version here) is very interesting. I wouldn't be at all surprised if there wasn't someone out there who would be interested in taking all the material in this series of videos and turning it into a professionally produced 60 or 90 minute film.
I'm sooo grateful he didn't "dumb it down for TV"
if you like it and want a part V, please donate to the gofundme www.gofundme.com/f/jinni-reveals-red, so Bruce can get a used red one mx and open it up and see what secrets come. www.gofundme.com/f/jinni-reveals-red
@@EnglishMike To each their own. This could have been 8 hours and I would have been glued to the screen for every minute.
MMMMM! My favourite slo-mo train crash is back, keep it up dude.
if you like it and want a part V, please donate to the gofundme www.gofundme.com/f/jinni-reveals-red, so Bruce can get a used red one mx and open it up and see what secrets come. www.gofundme.com/f/jinni-reveals-red
Another example of formally stolen technology is REDLogFilm gamma curve. RED just take Cineon gamma curve and brand it as REDLogFilm gamma. And they keep using use same Cineon gamma curve (but with slightly extended dynamic range modification) in IPP2 color science under brand RED Log3G10. Cineon gamma curve was developed by Kodak in early 90's and was based on real film stock gamma resonse for film scan purposes. It was probably not patented and so widely used by many other softwares and workflows. But only RED rename Cineon to REDLogFilm so people may think that it something specially related for RED.
Its a real documentary film... $)) do the book and keep the rights for story )))
It should win an Emmy.
if you like it and want a part V, please donate to the gofundme www.gofundme.com/f/jinni-reveals-red, so Bruce can get a used red one mx and open it up and see what secrets come. www.gofundme.com/f/jinni-reveals-red
This is passion! You made a superb work! Thank you :)
Wow I never knew any of this! Thanks for sharing 👍
Amazing stuff. Thanks for sharing
if you like it and want a part V, please donate to the gofundme www.gofundme.com/f/jinni-reveals-red, so Bruce can get a used red one mx and open it up and see what secrets come. www.gofundme.com/f/jinni-reveals-red
Need more of these videos!
if you like it and want a part V, please donate to the gofundme www.gofundme.com/f/jinni-reveals-red, so Bruce can get a used red one mx and open it up and see what secrets come. www.gofundme.com/f/jinni-reveals-red
Jarred from RED: piss off with your third party mag
Jinni.Tech before uploading: I'm about to end this man's whole career
mindphuck again and i cannot wait for another episode, thank you for the research
super solid work on this one, thanks for putting this together.
I feel like the life of so many of my favorite cameras all come down to who made the sensor. My fave sensors in the world right now go to Fairchild (OG black magic pocket cam) and the dragon sensor, which seems to be Forza. I honestly wish it was easier to find the sensor creators on all the cameras out there, its a very important part of the image character.
at 21:25 - see Jim Jannard say multiple times that they built their own sensor in house. Do not listen to the comments in reduser that it was an open secret Red got their sensor from Forza.
also if you haven't, take a trip down memory's lane and read about Jim Jannard's knowledge of Lance Armstrong doping and telling his employee to lie about it under oath: www.abc.net.au/news/2014-07-02/sponsor-turned-blind-eye-to-lance-armstrongs-doping/5564074
Ed David open secrets don’t mean anything when your marketing is literally fraudulent
RED should have not fucked with this guy. Could have let him selling his own product in peace, now they are fully exposed. lol this whole drama should be made into a movie. RED 4k the unconvenient truths
Great video, a little depressing. I still have a RED one MX, it is still an amazing camera, even if all the parts are not RED made it is still quite an achievement.
I agree. I still have my red epic and it has worked flawlessly for years day in day out. People forget what Red achieved back then making cameras of this quality available at to independent filmmakers.
The amount of work that went into this is mind boggling! Amazing! It’s like Making a Muderer.
Awesome! Thanks. Some crazy stuff!
Good job!
my favorite crime series
There's a bit in here where it seems like REDF were saying they wanted to make the first digital cinema camera with a Super35 CMOS sensor... but the ARRI D-20 had that two years before.
Must be painful to feel so superior with your 4k camera system to years later still get beat out by the Alexa classic and the older Sony's even today in commercials.
This is incredible work, I don't know where it leads to though...I mean, I'm not sure that RED will bow down to this information pressure anyhow. They're overpricing cameras for years, and I'm still surprised why the Canadian camera didn't work out on the same market with RED One. But I'm grateful you're doing this revealing clip for the actual owners of RED cameras/equipment, and show them literally how they've been robbed with interesting marketing.
"I'm still surprised why the Canadian camera didn't work out on the same market with RED One."
Marketing
From the beginning RED tried to gather as much fanboys as they can
These forum posts look pretty insane, as if it's a message board of a cult. Reminded me of Scientology actually.
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Keep up the good work.
Damn putting all the Red drama aside these videos are actually very insightful. I learned so much new stuff about the industry and its history from these videos. Great work!
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Fascinating detective work, thank you! I’ve always felt that Jim was a great salesman - but that’s all. After all, at his previous company (Oakley) he convinced people to pay $300 for sunglasses that cost (at the most) $30 to make!
if you like it and want a part V, please donate to the gofundme www.gofundme.com/f/jinni-reveals-red, so Bruce can get a used red one mx and open it up and see what secrets come. www.gofundme.com/f/jinni-reveals-red
I was suspecting something wrong with their marketing.
it won't change a lot
RED will continue to be RED but it's good to know the truth
where is the part 5????????
I know that there was some personal gain for Jinni Tech in uncovering the truth around RED Media, but this has gone to a whole other level. I'm glad that this kind of stuff is being revealed. I've never been a fan of companies lying about what their products actually are. It doesn't bother me if a piece of the camera comes from another country or company just be honest about it. Also the overblown marketing jargon just gets annoying. I feel like RED wanted to carry this massive prestige like Apple did with the Apple 2 ( not saying that Apple is much better in terms of Marketing Jargon) and now it's all catching up to them that they really aren't that different than any other camera manufacturer.
if you like it and want a part V, please donate to the gofundme www.gofundme.com/f/jinni-reveals-red, so Bruce can get a used red one mx and open it up and see what secrets come. www.gofundme.com/f/jinni-reveals-red
Red fanboy: red makes makes the best sensors what do you know
Eric: literally everything
I almost went to sleep, but decided to check what was new on youtube.
Seems like sleep will have to wait :D
God dammit, this is some real investigative journalism.
Jinni, you're amazing.
if you like it and want a part V, please donate to the gofundme www.gofundme.com/f/jinni-reveals-red, so Bruce can get a used red one mx and open it up and see what secrets come. www.gofundme.com/f/jinni-reveals-red
Bunch of shameful liars and bullies.
OMG This is a masterpiece of a documentary
Thanks awesome video.(wow) It does not surprise me.
Great work man.
Wow the insight was awesome 💯
Man I feel like I can make my own cinema camera now
I think it could also be said that people that defend RED still must feel betrayed that all the tech was cheap, yet they paid the premium RED price thinking this somehow makes them an elite cinematographer and gets you in some sort of club, a sort of financially unattainable resolution/codec club . The lines between expensive and affordable tech are blurring quickly, companies like Blackmagic Design are producing the same or better images out of sensors for fractions of the cost RED has set. RED is gonna keep being RED and ignoring these facts, it is still up to you if you want to continue to buy into the bullshit.
I disagree that BM puts out a similar image and have their own issues but I personally don't feel betrayed at all.
While the RedOne was hot garbage, it was still an industry breaker like BM is now.
4k at such a price was unheard of.
I feel like the only people who might felt screwed were the actual buyers, not so much the renters.
The thing is that RED gets away with it because of their design. Even if the sensors were off the market, the sensor was good and the small size meant a lot for the change in the industry where everything was still dominated by fully "prebuild" camera systems vs REDs modular design.
I guess what I am trying to say is that it's easy to (well deserved) dirt on RED.
But people forget that the brand did a lot for modernizing cameras.
As a professional user I really don't care how cheap it is or what they market it as.
If its right for the job I will rent it regardless.
Hell, want to look into shading marketing?
Look into the postproduction hardware and software or even worse, TV gear.
@@annekedebruyn7797 Whats funny is URSA footage can be made to look like alexa or red footage fairly easily, most of the differences now are down to codec and color space. For example you can take an image from a bmpcc 4k and process it with red ipp2 and while the accuracy is off by a mile(there are real differences in sensor design here, half as many green pixels for one), you get fantastic highlight roll off and a very pleasing "cinematic" image compared to the BM profile.
But I agree, back when the one came out everyone was renting them and dreaming about owning one for the simple fact that they were the most affordable and accessible option at the time for half the cost of an alexa in most cases. And you really did get a great image.
At this point in time it's more important to look at what other functionality a camera provides rather than resolution wars, as the difference between a 4k and 8k, is starting to push the point where it just doesn't matter anymore.
I dont feel betrayed at all. Just purchased a RED and the jump image quality is astonishing. Skipped BM after testing their cameras and have never looked back. I plan on purchasing the RED Komodo next :)
@@thetooth BM cameras fall apart on the big screens next to the big boys.
@@annekedebruyn7797 can you find me an example?
This would make one hell of a documentary!
👍🏻 good work sir, also appreciated that you highlight the text making it easier to read
No update or part 5? :(
Loves Your's Work Sir
if you like it and want a part V, please donate to the gofundme www.gofundme.com/f/jinni-reveals-red, so Bruce can get a used red one mx and open it up and see what secrets come. www.gofundme.com/f/jinni-reveals-red
The tech behind the 4k image from 4x1080 images is called now days "super resolution". What they did was a lot of 1080 pictures at the same time with the 4 sensors glue one to another, then with software they suck it up using that technology. Like that they end up with a sequence images they transform in a video using After Effects.
Holy shit, this is big.
Is this getting into Netflix? show coming soon?
MAC! if you like it, please donate to the gofundme www.gofundme.com/f/jinni-reveals-red, so Bruce can get a used red one mx and open it up and see what secrets come. www.gofundme.com/f/jinni-reveals-red
Yeah and most likely will be shot in a Red
For those interested in the patent part, here is the link to RED's 1st provisional patent application filed on 11th April 2007. www.dropbox.com/s/im8a2iaeob44exi/RED%20Provisional%20Application%20%27196%20filed%2011%20April%202007%20.pdf?dl=0
You'll notice there was no mention of wavelet, resolution, and compression ratio.
Also note that Maths alone is not a patentable subject matter.
Link to the drawings of the provisional application: www.dropbox.com/s/atimvcjsbuhokts/Provisional%20%27196%20Drawings.pdf?dl=0
Thanks for sharing fella'
Dr. Fossum et al comments on "Image Sensors World" blog:
image-sensors-world.blogspot.com/2019/09/red-camera-sensor-conspiracy-theories.html
I fkin love these videos. I audibly squealed when I saw it was an hour long.
if you like it and want a part V, please donate to the gofundme www.gofundme.com/f/jinni-reveals-red, so Bruce can get a used red one mx and open it up and see what secrets come. www.gofundme.com/f/jinni-reveals-red
This isn't making a murderer this is making a red 😂
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The overlayed text "Probably", but the person speaking sounds more to have said "Proudly" - those two would be easy to mix up with differences in Accents.
Redcode is Wavelet compressed, and far from the first example - I recall a product called a Quadrant Q-motion 250, a PCI (not PCIe) based analog capture card in the 1990's, for capture of Std Def video, back when a Pentium 2 was a fast PC.
I believe the Avid (made by Bravado as the Targa TrueVison 2000) capture cards later used wavelet compression as well.
Well, that "proudly" makes it even a bigger lie!
As far as I know Blackmagic Design make their cameras in Singapore, which surprised me, but after watching this, it seems like Singapore is the place to have your camera hardware made 🤭😂
Red is like GoPro. Foremost a marketing company.
Don't know where the manufacturing takes place, but afaik they mostly use off-the-shelf sensors and fpga's and add the "blackmagic" with software. That's the only way they can hit those very budget friendly price points and honestly I couldn't care less as long as the image I get looks good. For their flagship ursa sensor they apparently funded the R&D (to spec) and now have exclusive rights on it. But they never claimed to R&D their own sensors.
Same thing with red: I don't care if they bought the sensor elsewhere. I just don't get why they have to (allegedly) lie about it. Just be honest and say
"we were a little startup, had a visionary idea, saw that all the parts we needed to make it a reality were available and so we connected all the dots. Have fun with this great camera we put together for you"
attention: red-cameras can be used in the future only in gangster films.
What happened with the russian connection you mentioned in the last video?
Investigate 9/11 next
YES!!!
Or Jeffrey Epstein. if you like it and want a part V, please donate to the gofundme www.gofundme.com/f/jinni-reveals-red, so Bruce can get a used red one mx and open it up and see what secrets come. www.gofundme.com/f/jinni-reveals-red
This is sooo good! Keep up the good work Bruce!
Also.. 4x 1K images can be achived by laying them all beside each other. So 4096x1024 image ;-) its still “4K” - but ultra wide :-P
4K is 4096 × 2160 by DCI
4K UHD is 3840 × 2160
4K DCI is 4096 × 1716 via CinemaScope....
Hallucinogenichusky the way Jinnitech said he meant that is because 4x 1K is only 2x2K. So not 4K. Thats why he says its it must be a parallel world. As it wont give 4K in this world. But what I am saying is that technically. 4K is only the horizontal resolution. So it can be 4096x1024 and still be called 4K. Obvously this is a joke as its not real 4K DCI as we know 4K. But technically it is 4K as its the horizontal resolution.
Mateusz Zimon no one said anything about DCI standards.
Obviously its just a joke I am saying as I wont defend RED/Jannard.. but technically 4K is only measured horizontal. And thus it can be super wide 4K.
@@gamingkingX 4x1K = 1x2K.....
4K = 16x1K
4K = 4*2K
It's quadruplication....
Also u can make 1K to 4K but u get a potato quality, like a most cheap dash cam.... They interpolate VGA to 720p
At 22:26 I felt like someone died....this was an amazing Episode!
Going absolutely in.
I'm enjoying this, but please work on balancing your audio levels. It is incredibly hard to understand you at times (especially when you brought the clapping in at the beginning) and then when cranking up volume to hear you, suddenly playing the other UA-cam videos is DEAFENINGLY LOUD.
Sure thing! Thanks for the feedback :)
!!!!!!! Holy Cow!!!
where i can repair my processor red one mx ?
Well, it's not clear to me what do you mean by "processor" but there are 2x Virtex4 FPGA (XC4VFX100) on RED ONE
@@JinniTech my video processor card turns on red LED when I turn on my camera and it does not work. (The other cards in the camera the LEDs are green)
I guess it's the video processor that needs to be changed.
I do not know how to fix this problem. (sorry i'm french)
@@hansleyfr It would be great if you can email a picture or a video of the issue.
Sanmina delivering end to end solution to all the innovative companies in the world...and then copying them to make knock offs!
Very interesting video! Red are sketchy company
This series is an actually entertaining funeral!
I love it!!
if you like it, please donate to the gofundme www.gofundme.com/f/jinni-reveals-red, so Bruce can get a used red one mx and open it up and see what secrets come. www.gofundme.com/f/jinni-reveals-red
I am fascinated by your research. One thing that has never been clear to me from working in SD to 4K, why is the DPI always 72? Are they really just image stitching like the “bread box?”
DPI is arbitrary until you go to print. DPI shouldn't be used to discuss anything in the digital world since pixels is all that matters at a high level for resolution. 72 came about because dot matrix printers were usually 144 DPI, so it was easy to remember that the image on your 72 dpi monitor would be around 1/2 the resolution of the print. If your entire workflow is digital, as in you shoot on a digital camera, you edit on a digital system, you render out to a digital file, and present the final product on a digital system such as a flat screen TV or a digital projector you don't need to worry about DPI.
@@GouthamRavee So rare to read such a wonderfully useful response on UA-cam! Thank you :)
@@GouthamRavee I appreciate your response, but DPI crosses paths with my video workflow. If I make graphics in Photoshop - any preset for video/film is set to 72DPI. Even up to DCI48K. If you change to 300, the graphic position is different. I just don't understand...
Hmm, if you plot the lengths of the videos from this series, it grows exponentially. If this trend continues, the next video would be over 1h 52m long and the one after that just over 3 hours. The tenth video would be around 13 hours long. Well, we have something to look for :)
also to those on reduser who think posting a video deposition is illegal: it is not. Search google before you post on a public forum, folks! www.neufeldmarks.com/my-video-deposition-is-on-youtube/
Two things: One, it's obvious redcode was not WORKING as per Jim's recollection. They pasted the tiffs and showed it as a redcode preview at the red night. Watching the interviewer stumble over that and Jim try to understand how what THE INTERVIEWER and blogger/audience member THINK is working redcode, was shown, when it was manual process not the code itself working. So he is right on that one, Jim is.
TWO. I get the impression that Fossum posting on the forums about who gets credit for red sensor awards what he's actually doing is fishing to see if his old student got A BIG PAYCHECK and is keeping quiet, which is precisely what happened per their " not looking for anymore clients or funding" post.
Can your theory justify this? www.dvxuser.com/V6/showthread.php?77032-RAW-vs-REDCODE-RAW and the mentioned celebration afterwards?
Note for patenting the reduction to practice of a concept matters, not the the product in its final or commercial form. Manual or on a chip.