Matt Garstka's Polyrhythmic Groove Concept | Prog Metal Drum Tutorials |
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- Опубліковано 10 вер 2024
- This is one of my favourite Matt Garstka Groove concepts as it makes polyrhthmic grooves sound smoother through backbeat over-riding
Prog Metal Drum Tutorials
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Love how you teach concepts rather than specific grooves. Much more useful! Great content as always man
You're damn righ!
Instablaster.
You and Adam Neely are doing us musicians justice. I came across your content today and was amazed on the techniques you show us, not to mention the fact that you describe what the guitars are doing while you focus on the kit, practically.
subscribed.
Adam Neely's on a whole other level though, his stuff is way more in depth and open whilst mine is really just the big picture about the progressive drumming art. And so thank you for your kind compliments!
Awesome video, really informative!! Editing is top notch too
Great video lesson, mate! Rob
Great lesson as always, is a pleasure learn and understand the Music from you. Thanks!!!
So happy to see you bringing the quality of your videos up on every release. You're doing great dude, congrats! :)
Found you while searching The Contortionist videos! Thank you so much for all of this! Really surprised there arent more channels diving into prog like this, explaining concepts and giving us visual teachings along with the sheet music. I am grateful, Thank you!
And I'm grateful that you found my channel and enjoy my content!
polyrythms are so fun
they really really are :)
Not to mention polymeters, as in this case:)
awesome video!! never realized he was doing this. very cool
Great lesson, I get to better understand what I'm hearing so I can listen for more like playing!
Thank you J L :)
This channel is Great! Great job man with all of your videos
Hi Wei, Brother, I love you !!! love all your video, please make more.....well done
Great video. Very informative. Great format. Thank you
You're welcome!
So sick. I'm gonna start practicing this
All the best in learning this song Alden!
Great lesson, very well presented!
Great breakdown!
I would really love to see you do some full AAL covers! Great video as always, thanks very much.
I'm not that good, still working on some sections of the brain dance after the guitar rubato solo that I am struggling with but when I master them I will, thanks Joshua!
very informative very well done video thank you :)
Thank you for your compliments :)
Dude amazing video
This is a great video
useful info for progrock, noice. :)
Good stuff!
Gavin Harrison wasn't the first to coin the overriding concept. Vinnie Colaiuta was doing it and mentioned it years ago in the Sting song St Augustine in Hell.
Good catch, Gavin got the concept from Vinnie. I phrased my words wrongly, I meant to say that Gavin coined the term overriding and not the concept. I'm aware that drummers before him were using it already, like Vinnie Colaiuta and Virgil Donati but Gavin popularized and expanded upon it as well as came up with the term "overriding" when he had to come up with a way to teach it in his set of Rhythmic DVDs. And now Matt's expanded it and the whole world follows suit.
I play for a worship band and just realized I was doing this not knowing what it was.
I think I miss a step bro to construct those grooves, so, for example. I take the 7/8 groove than I write on it a 4/4 snare drum (2 and 4)? that means that the first is correct and then the snare slips of 1 eight note each bar? And so the cycle is complete after 4 bars. Am I correct?
Sorry for my explanation I hope you understand! :) good skills anyway!
Hey there Bernardo! And yes you are correct that the constant 2 and 4 snare backbeat will slip every bar completing after a cycle of 4 bars, nothing wrong with your explanation. Thanks for checking out my video :)
Thank you for the reply! I also really like the 2nd paradiddle 7/8 groove! Love your style I'm following! :-)
Thanks Bernardo! It's a really fun groove to play :)
Hey man, great video! But I think you missed a point here: this part you're mentioning *is* actually in 4/4, not in 7 (that's why when you played everything in 7 you needed that extra 2/4 bar to resolve)
If you want a clearer example of this Backbeat Overriding concept you're talking about I think the beginning of Mind-Spun or Lippincott are way better and clearer examples of playing a 4/4 beat on top of a groove in 7 (or 11, in the case of Lippincott) while still accenting the odd grouping pattern.
Keep it up, cheers!
Hey you're right about that, when I was doing this video I didn't think much about that. I just wanted to show the concept although there are better fuller examples than this one. I made a tiny mistake here haha thanks for pointing that out, glad you like the video though :)
super informative and you are really fucking good my dude. Did you study percussion in school? You have really clean technique! The mic sounds for your vox are a little odd sounding, though, which makes it a little difficult to hear what you're saying over the videos audio.
Oh yes this one's a really old video and my microphone and production techniques were sub par. I did study jazz drumset in school. Never any other forms of percussion though. Thanks for the compliment!
Great video! Very helpful. I've been in the market for an electric kit. What kind are you using in this video?
Alex Skirbst 2box drummit 5 is a really good one
Hey I use the TD30K here. Been super happy with it :)
I may try that w my kit to get a flatter lie on my Ride.
Nice video, well explained, are you playing a roland's v-drum set?
Hey yes it's a TD-30K and thanks!
Wasn't there a Tesseract lesson before?
Can you please tell where did you get these tracks of the guitars from?
Yo I made the guitar tracks myself. By recording an electric guitar into my DAW and using a lot of editing because I suck at playing the guitar :)
Say's sucks at playing the guitar while thumping like a MOFO. What a genious you are sir.
it REALLY is heavily edited. I played the thumping pattern at 70% tempo, and only 4-6 notes at a time and just stitched everything together and sped it up. Therefore i don't show myself playing it because I can't really :)
Even though... you broke down the part perfectly. You clearly are very aware and talented musically. Keep up the great work!
Love the way you explain and analyse everything, but I dont understand why you dont use a decent mic so I can hear your voice.
I apologize about the mic situation Hector, I was still fiddling around with different settings and stuff beginning of 2017, but I assure you if you check out my more recent videos, I've sorted out that problem. Thanks for your input and for watching my video Hector!
Wei Lung Wong nice!
is this polyrhythm or polymeter? im confused
Yes it is. But the concept here is not creating a polyrhythm or polymeter. It's basically taking an odd time signature groove and overriding a regular 4/4 snare backbeat over it.
isnt this really just changing where snare accents are? unless I'm totally missing the whole concept
it is, and hence now there is a different rhythm going on top of 7/8 (which is 4/4). You can think of it as a new way to headbang to that section of the song
Hahaha that's a totally fun way to describe this.
Wouldn't you call that "superimposing" a full time groove over an odd measure
That's totally another way to call it, haha I guess we have to decide what we want to call certain things.
At this point everyone is calling it Override hahaha.
You could call it that, yes.
What happened to your mic man D:
HAHA I need to replace it :D
so... gridding?
So overriding is poly-rhythms?
Yeap overriding essentially creates poly-rhythms
Sad you didnt mention meshuggah :(
I wasn't familiar with Meshuggah's music at this time :(
Its ok I forgive you
Not mentioning meshuggah is blasphemy. They where the first to utilize this
Isak Rousk maybe he doesn't listen to Meshuggah? :O
Have you ever heard of king Crimson?
Yeah lol i bet you think so
I wouldn't call it Matt's concept.
You need a whole band of pros like AAL to execute this shit.