Відео

Lovely video, Michael! From the Neapolitan repertoire I'd like to add (if I may) that there are lovely partimento fugues by Nicola Sala. He made 60 of them and they are among the best pieces in the repertoire. They are available in a complete edition with critical commentary. Here are some comments: “First as a student and later as a teacher, Sala spent most of his life associated with the conservatory in Naples known as La Pietà dei Turchini. That school’s tradition of teaching young musicians how to create beautiful, fluid counterpoint found its most complete expression in Sala’s many lessons. His partimenti are intended to represent rich tapestries of flowing voices, but the student performer is rarely given more than one voice at a time in notation. The other voices have to come from the performer’s memory and imagination. In the centuries after Sala, the art of such partimenti almost died away. But this new edition will play an important role in its revival.” - Robert O. Gjerdingen, Author of Music in the Galant Style (Oxford, 2007) “For the first time Sala’s highly revered partimenti are published in a scholarly impeccable edition. A turning point in partimento research.” - Giorgio Sanguinetti, Author of The Art of Partimento (Oxford, 2012) Don't hesitate to contact me for more info on prices and shipping: vantour@telia.com See also: vantour.se/index.php#books

Pina says hi to Kia :D

❤❤❤

Interesting on Langloz. I’ve worked through a few now that are indeed very strange birds 😂. Weird figures in places, weird leaps in others, but some of the other subjects seem fine at a glance. My plan has been to proceed with none of the commentary, and try to look at them as hard problems to solve, maybe even correct in places. Curious if you saw the same.

Just found this channel via the fugue improv video, gonna be binging these

Loved the video, loved the carpet, and loved the dog.

Worth the wait. I’ll eat, drink and $#!7 this over the next few weeks. Fantastic as always.

Are you accepting new students at this time??

8:57 Natural (♮) on e is missing in the score (bar 3). Great video anyway!

Great Video, love the manual sound in Leo's realization and your F major realization

Just when I thought this channel couldn't get any better

Please accept me as your student 😢😢😢

Nice video! Where can I find the Lessons of princes Ane's manuscript? I've been searching for the intire internet hehe

Bravissimo!!

Thanks

Amazing!! 👏👏👏

Great video! I wonder if Händel changed the subject's head on purpose or accidentally in the later entries of the partimento.

Sooo good and very instructive! Thank you 🙏

Muchas gracias!

This was awesome! The material is so well presented and I’m grateful also to have the PDFs and your opinions and advice via Patreon. Thank you also to Leonard Schick for the realizations on Organ. The Pleno sound was glorious! I’m just finishing writing my first fugue so this couldn’t be more well timed. What a huge leap it is to be able to improvise one!

Faszinierend

Amazing video as always ❤

Hey Max Reger wasn't wrong, allegedly he wrote the whole Orchestral Fugue for his Hiller Variations op.100 in a single Day during a Trainride. For sure he was one of the greatest Workaholics in Music History.

NEVER CLICKED FASTER

Excellent breakdown of an improvised fugue, and a pretty catchy subject... well done!

I was already missing your videos!

Chapters 00:00 Intro 02:32 On Händel's Fugue Subject 02:57 Essential 2-Voice c.p. 03:50 Three part c.p. Essentials 05:10 Modulating Exercises / Subject Combos 06:27 Flamboyant / Chromatic Harmonisations 08:03 Exposition Scenarios 09:14 „Choreography of Tricks“ 09:53 Off-sheet Fugue in A Minor 11:15 Off-sheet Fugue in F Major 12:25 Händel's Partimento and Leonard Schick's Realizations 13:09 Organ-Realization No. 1 (Manual) 14:41 Organ-Realization No. 2 (Pleno / Pedal)

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Yep, B major prelude. Nice job.

5:58 the right hand score on bar 3 should be EFD right?

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Great video, you have a deep understanding of Brahms' writing style. Only suggestion is that you could have written one from early Brahms; it seems like all 6 were textures reminiscent of his later works.

Amazing! Thank you!

Amazing. I know these are Romantic but I like how number 3 reminds me of Scarlatti K. 25

Fantastic !

So much of this sounds like his Concerto No. 2 that it's freaky... well done!

6:19 is this in the actual piece?

This is why I subscribed to you

En mi país se dice: eres una verga, muchas gracias amigo

May I ask what software do you use for those notes in your presentations?

Awesome content; unrelated but, I like the layout of your sheets; what software did you use ?

When I saw your CHOPÍN waltz variation video, I was looking up which CHOPÍN waltz you were playing towards end of video and I couldn’t find it, but I KNEW I recognized it… then finally I found it and realized it was your own WaltZ variation to Chopins mazurka in C# minor❕ hah…. (Also, ‘Shopin’….LOL)

Love love love your channel ❤

hidden gem

Op 25 no 1

14:40 🫠 no homework?!

This is just so-o-o cool. Your explanations of the process make me want to pick up my pencil and start applying/adapting this to/in my own language.

''the stupid copy the genius steals''

neo-riemannian theory