It's wonderful that in the 21st century there's someone who has taken up the work of the great Romantic composers by creating new works, I've been hoping for this for a long time, and classical music hadn't died with its original composers. Thanks for this wonderful work, Michael!
@en-blanc-et-noir Mr Michael Koch, Thank you for all the work that you do that we do *not see(!) - planning, shooting, editing, preparing to play … ! The total, your artistry and insights, are sincerely appreciated. Thank you. hug from the road, Dr D
I was getting worried about not getting my monthly dose of En blanc et noir, excellent job, keeping me wanting for more knowledge from your always appreciated genius, thanks Michael
Is P.T Arnold's book a good choice for realizing these freer works? I've seen, for example, some chains of 6/4/2 or 6/4/3 chords on Vivaldi's slower movements(eg. Autumn, mov.2), but haven't seen explanations on these on partimento guides. Is there any treatises you might recommend, specially on the baroque style, for more info on these resolutions?
yo, never heard of PT Arnold. Those chords are pretty common… the chains however as seen in those Partimenti are not really a baroque type of thing but rather become hip around 1800 - as they are chromatic or so called ‚real‘ sequences (in opposition to diatonic sequences which is the baroque standard type). These sequence though has a baroque ancestor: the 4/2-6-chain, which deffo is explained in every Partimento source that features ‚the rules‘. I spoke about this family of sequences several times on the channel, on the baroque type here: ua-cam.com/video/GuDqqHaKaGE/v-deo.html
Right, the resolutions of these chords are mostly modeled on the ROTO, but when solving more extreme cases, like in Vivaldi or fugal Bach, the preparations and flow of the bass are harder to track. I'll start on Arnold's this December, some said that this book, with Heinichen's, should have plenty of additional resolutions besides the standard set, I've finished Christensen's book and found it enlightening, but Arnold's are two 600 page books each filled with rules, so it's kind of daunting. I'm preparing to write a baroque suite for my uni next year😁
It's wonderful that in the 21st century there's someone who has taken up the work of the great Romantic composers by creating new works, I've been hoping for this for a long time, and classical music hadn't died with its original composers. Thanks for this wonderful work, Michael!
@en-blanc-et-noir
Mr Michael Koch,
Thank you for all the work that you do
that we do *not see(!) - planning, shooting, editing, preparing to play … !
The total, your artistry and insights, are sincerely appreciated.
Thank you.
hug from the road,
Dr D
Every new video on this channel -- a holiday for me
I'm impressed that you can play so many different styles. 👏
Thanks man! appreciated!
I have played them all :D
Content King!
Gorgeous harmony and writing! top tier!
It’s amazing how you bring together the partimento and the romantic aesthetic! Well done! I absolutely loved it!
I was getting worried about not getting my monthly dose of En blanc et noir, excellent job, keeping me wanting for more knowledge from your always appreciated genius, thanks Michael
Fabulous. Thanks for posting.😀🙏🎶🎶
Beautiful! 🙏
Hey men, I just wanted to thank you. You have been a bless for my composition journey, I really learned things via your videos. Thank you.
Genau das wonach ich zur Zeit suche👍🏼
As always great quality.
Brilliant ～ thanks
Good idea using a Baroque practice and upgrading it into a more modern, Romantic setting.
Great
So beautiful!
So beautiful
I love your vídeos!!
MICHAEL KOCH!!!!!!
Awesome!!!!!!
so nice as always chapeau and love from vienna
Beautiful music coming from Harlequin sleeves.
👍
Is P.T Arnold's book a good choice for realizing these freer works? I've seen, for example, some chains of 6/4/2 or 6/4/3 chords on Vivaldi's slower movements(eg. Autumn, mov.2), but haven't seen explanations on these on partimento guides. Is there any treatises you might recommend, specially on the baroque style, for more info on these resolutions?
yo, never heard of PT Arnold. Those chords are pretty common… the chains however as seen in those Partimenti are not really a baroque type of thing but rather become hip around 1800 - as they are chromatic or so called ‚real‘ sequences (in opposition to diatonic sequences which is the baroque standard type). These sequence though has a baroque ancestor: the 4/2-6-chain, which deffo is explained in every Partimento source that features ‚the rules‘. I spoke about this family of sequences several times on the channel, on the baroque type here: ua-cam.com/video/GuDqqHaKaGE/v-deo.html
Right, the resolutions of these chords are mostly modeled on the ROTO, but when solving more extreme cases, like in Vivaldi or fugal Bach, the preparations and flow of the bass are harder to track.
I'll start on Arnold's this December, some said that this book, with Heinichen's, should have plenty of additional resolutions besides the standard set, I've finished Christensen's book and found it enlightening, but Arnold's are two 600 page books each filled with rules, so it's kind of daunting. I'm preparing to write a baroque suite for my uni next year😁
let him koch ...
I wish you were my teacher,, i emailed you :(
I am sorry but my favorite one is the major one in the introduction! Nice as always though
Add a rock drum beat and you've got yourself a banger.