Improv Prelude / Partimento Realizations on Corelli's Op. 1, 10 "Grave"

Cheers people! :D Have fun.
Music by Michael Koch.
If you wanna know more - I compiled some thoughts on this Corelli Bass realizations and the Prelude in this video:
• "Doubles" on an Origin...

[@hisky.]

i want to be like you when im older lol

[@xdomm951]

I’m 50 and I wanna be like him when I’m older too

[@ebu6880]

​@@xdomm951 my 60 year old dad still wonders what he's gonna be when he's older so, you know, there's always time 😅

[@en-blanc-et-noir]

Lol that's so cute :DDD

[@fredhoupt4078]

the spirit of J.S. Bach hovers over the whole work. Really nice.

[@frixosmina]

Marvellous, beautiful and amazing all at once. Thank you Michael.

[@giladeilat6134]

I love your channel so much

[@justusmache8814]

It is the best on UA-cam!

[@dillonmuller8641]

Great video Michael, thanks very much! Inspiring for someone who spends a lot of time on Corelli!!

[@Composer_]

2nd version, the Partimento Realization was my favorite, i thought i would like the composed version more but 2nd just sounds better idk. love it

[@MarcPlaysPiano]

Awesome work as usual!

[@kamiltopaczewski7445]

I loved it! Great realisation.

[@christophersurnname9967]

Very good! Keep it up

[@jonaswolfmusic1775]

1:23 beautiful

[@anled.composition]

Wonderful work, thanks for sharing.

[@en-blanc-et-noir]

Thanks man😅✌️

[@wheelmanmitch]

So good 😎

[@MosesM514]

Please please please look at Chopin's 4th movement of his second sonata. I just realized it had a fauxbordon in it and i think there is many other devices you have covered. I think it would be an interesting video.

[@gabrielakochmusic]

😮🙌🏽

[@TrayyTurner]

do you still give lessons

[@en-blanc-et-noir]

yes, I do, but at the moment I‘m packed, sorry

[@JoeLinux2000]

Fantastic. You are living in the wrong time period.

[@en-blanc-et-noir]

thanks, but nope ha, I'm happy to have a radiator in the flat and supermarket round the corner lol... to not to mention the dentist hahah

[@thekeyoflifepiano]

If you were living in Europe in the 1700s, there was a high chance you were a farmer. Actual education was only available to 10% of men and 1% of women. There was also lots of wars and religious persecution. No time for partimento. And I think Michael would agree that what he is doing is creative and different in our current era, but that what he's playing would not have been considered exceptional in any way at that time. The highly regarded musicians of 1700s Europe were certainly good enough to remember, but Baroque music, like any genre that has become popular, has many shortcuts for mediocre musicians to sound good.