Відео

I think you deserve more and more subscribers.

Great way to work with fixed node structure. Thanks for your knowledge and wisdom.

Never heard of that before but maaaaaaan. This would have saved me so much trouble in my last Project xD

Amazing work..

Thanks for such a breakdown, but doesn't Davinci's 'native auto align clips by waveform' not do this? 6:10

Davinci should be paying you. This should be the first thread one reads when tackling Color Management. Great job explaining the myriad of choices.

It's so overwhelming, i hope they pay well for this long hard work

nice sharing!

thanks dude! It helped a lot.

thanks for a great, simple, and thorough description of the how and why re proxy files. Just curious if this method preserves the 6K resolution in editing.....does this process allow zooming etc within the edit to be preserved when the 6K files are swapped back in?

Why you need the Mac mini ? I mean can't the Synology be the host for the PostgresSQL database ?

Well explained. I watched numerous videos to comprehend CSM and CST but I always felt confused. Thank you for your time and effort.

Where do you take such high quality images from ?

This is such a great bit of info!! Funnily enough I was about to film an interview this morning and this showed up just beforehand. I always used to pick one source or occasionally switch sources but this way of aligning and then mixing the two is infinitely better!! Thanks again mate 👌

Your classes always show up just as I seem to need them. Keep these gems coming. Thanks!

Aweome! Thank you!

A real pro tip - thank you. So much to know and learn. Your relaxed, paced style really helps.

Thank you for sharing these simple yet advanced tips!

Would love to see the final edit.

This is fantastic! I had a similar issue with an interview of a couple. Both wore labs and when they spoke together it sounds so phase induced.

Thanks Dad!

This is really valuable - I have not found too many people talking about their mindset while editing, and getting into this level of detail. I'm currently about to work on a weeks worth of drone footage, and this style of additive workflow seems like a perfect fit for making sense of all those clips.

If you know your videos will only ever be viewed locally in QuickTime, or by Mac users in safari or chrome, r709-a is the best option. If your video will be viewed anywhere else, rec 709 gamma 2.4 for broadcast (or 2.2 if your project is destined for web). If you want to monitor your final deliverable, preview your file in a program that doesn't use Apple's Color sync utility, like VLC, IINA, or Firefox.

The Sound Difference :O

Absolutely inspiring! Always Struggle with huge Projects like multi Week Roadtrips. Syncing Cams, Audio, finding a balance with B-Roll... Your Videos really help to see where I could end up in a few years :D

Thanks for this, I find the export settings in Resolve really counterintuitive and this helped clarify things! You'd think 'Auto' would give higher results than imposing a kb/s limit, but my deliverables were coming out really poor quality. Setting the limit to 80,000kb/s really sharpened things up.

I'm moving from using a mouse to a Wacom tablet. How have you mapped the pen buttons to work best for you? Thanks!

Excellent video Josh! I'm new to DaVinci coming from Premiere and your videos are already helping a lot. I'm just very curious to know if you ever use the cut page in DaVinci, and if you do what is it that you do there? Haha thank you very much!

Nice setup and agree about "just works" and longevity. What chair do you use? For me that's the most important part of the setup. Never had wrist problems, but back pain is the bane. Another question - thoughts/opinions on sit-stand work?

Love that you have kept the same set up for so long. Clearly it works great.

Thanks! I was wondering this watching your other vids. Always good to see an actual editor advocating for...ya know, a proper frickin color acc monitor instead of whatever the latest flashy thing is.

Thanks for sharing. As for keyboard, I use a small one plus a bluetooth numpad on the left side of keyboard for custom keys. Also a logitech mx 2 mouse

I love the way you think- buy something and stick to it so you can learn it well and become as efficient as possible with it. Don't get caught up in the gear hype for small, incremental changes. Those small changes will hurt you in the long run if you're needing to relearn things all the time. One video I'd LOVE to see from you is how you setup and edit Multicam. There aren't really any great videos on UA-cam on how to edit complex multicam edits/projects, especially with many audio tracks. The best one I've been able to find is from a YT channel called "Chris Roberts Video Production & Training". It's a good tutorial, but I feel like there's gotta be a better way in Resolve to go about complex multicam edits.

less is more ! great stuff. thanks for sharing all these valuable informations.

Great video! One question though. I understand how you can create a timeline with clips using "time-of-day" timecode for a single day - but how does this work if you have multiple days that could have clips with identical timecode ranges? I know there are timecode "user bits" that can be set on some devices, which can include the date/reel-number etc, but I don't anywhere this is mentioned in Resolve. What happens if you try to add / align clips from different days on a single timeline (using timecode)? How would Resolve know the order to put them on the timeline without some additional meta-data? Or do you just have to have one timeline per day and then merge these somehow? I can see this could have issues if you wanted to a use a clip from one day on the timeline from a different day. Thanks for any suggestions!

video start at 2:50

Thanks

Your channel is helping me so much to migrate from Premiere and understand the best workflows in DaVinci. Thanks bro!

This is by far the best breakdown I've come across dealing with this issue. At your convenience, I'd love to hear your thoughts on a few things: 1) What Output Color Space would you choose when you're round-tripping from Premiere to Resolve? 2) What export settings do you recommend when sending project file(s) back to an editor? I mainly edit (Premiere), and am trying to get a solid color management workflow down, editing in premiere, sending an XML to resolve for color, then exporting individual ProRes 4444 files back to premiere.

Great tips bro, thanks for sharing!

How do we find the input color space?

Great tutorial, helped me a lot! Could you tell me what settings should I use in color managment tab if I have mixed footage? (Slog, clog, braw…) Thank a lot!

Could you please do a live style step by step more detailed version of this showing you useing the tools and adjustments for each part :) Also do have a video on more advanced green screen removal with people moving arround the scene and changing lighting and shadows in the shot? thanks for your work by the way

I love your videos.. U don't use Simon Says anymore??

Question if I use a same background video loop in all of my projects which is about a 1GB. Copying that file into every project will eat up so much of my hard disk space. So what do you do about that scenario that may be common across all your project. For example your UA-cam opener?

Hi Joshua, I noticed you use a tablet instead of a mouse. Have you been editing like that for a long time? Are there any major drawbacks to using a pen? Do you use it just for editing or for everything? I'm experiencing some wrist and hand pain, and I'm currently trying a trackball mouse, but I'm not enjoying it very much. Thanks for your great videos!

Oof always always making us THINK. Thank you

great music choice, its like minecraft

This was incredibly helpful. I've been stuck trying to start my documentary on thru hike of the Pacific Crest Trail (6 months worth of content) for almost a year! This is a very insightful video to help organize my workflow and start creating a story. Thank you!

A 47 minutes well spent watching this. Great sharing and thank you.