SCV 1997 - Arranging for Marching Percussion (I.A.R.P. tape)
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- Опубліковано 16 бер 2016
- Originally released on cassette tape, this is an audio feature produced for the International Association of Rudimental Percussionists (I.A.R.P.). It was released after the 1997 Drum Corps International (DCI) championships in Orlando, Florida and features excerpts from the percussion book written for the Santa Clara Vanguard.
PLEASE COME BACK TO DRUM CORPS!
This is so unbelievably fascinating. I wish arrangers wrote like this today.
Thank you for posting! One of my favorite tapes, ever!
wish there was more of you talking about your compositions out in the open. I love your insight.
Thank You for this!
Best mixtape ever!
@7:20 SCV PLATES: Boy were they 5X as complex as any jazz set drummer ever was on the cymbals. Whether bass, tenors, snares or marching timpani... Every single battery player through out time would want to march on a cymbal line like that, stomach pain & all. I remember packing up the drums at our truck one night after a performance at BYU. SCV PLATES announced themselves well before getting to me so I got to see them burnin' (marchin as unit) down a hall of the parking lot straight at me. They almost ran over me & though I was a little pissed, they were so intense & majestic that I was really in awe. After that, the plate section leader came over to me & said sorry. I was like, "Dude you're all good... that... was... A W E S O M E !" I always wanted to be on a unit that is so intense & involved & necessarily bad azz that they were above anything else happening around them for 10 miles. That's just me, "Jones'n even if I never played with SCV."
come back jim :/
This Is a very informative video, and for it I say thanks. I was wondering though, when you write, do you have both the snare and tenor parts in mind? Or do you think about them one at a time?
If I remember correctly from watching the stick heights from the lots or back or side of the field, the beginning of the snares' long buzz roll started at 1 & 1/2 inches or lower... pp or ppp?
Thank you for this
whats with the two bass lines?
We started the show with the bassline split into different pods playing in counterpoint. So I think that was my way of writing the two differentiated parts into the score. That was a long time ago. Today, I probably would have just chosen a 2-voice approach with opposing stem directions, though that might make stickings tricky if they were needed.
@@jimcasella Thanks for that explanation.
Your beats are better than Paul’s
Paul has won more awards with scv. That being said, Casella is still one of the best ever and in fact set a higher standard that only Paul has been able to achieve and exceed.
@@sagemode1088 Winning doesn't mean better.
@@sagemode1088 winning doesnt mean more musical
@@stevechrollo8074 Thats highly subjective, isnt it?
@@sagemode1088 so is winning