Great channel. I film drag racing events. I'm using a Sony A7 IV with a sony 70-200 F/4. I shoot 24fps @ 50s/s. Cant I use 60 or 80 s/s to keep a sharper image with cars passing at 150-200mph? It may be a good topic. Thank you for repling.
Thanks for being there for me to stumble on to... 🙂 I sub'd!! I've spent countless hours searching for a system that allows me to go between RS(n) and some kind of baseplate... ArGh! LOL... Bright Tangerine looks like the final solution (brings to mind Palpatine Final Order references!!) LOL... Thanks for being so "Driven"...
WHEN GOING SHOULDER RIG: I use a 5" monitor with a friction arm to place the monitor in front of me. I don't use the monitor on the top handle if I'm going with a shoulder setup. I'll be doing a follow up at some point with how I setup an EVF so please standby.
I went all in on Bright Tangerine when I got my Komodo early this year! Agreed on all points. They are as functional as they are seemingly bulletproof.
Thanks so much for this! Been trying to figure out a decent shoulder mount set-up. I know you mentioned this was mostly for resting the camera on your shoulder - but I'm interested to know what you'd recommend for a shoulder mounted shooting setup - i.e. pushing the monitor forward (rather than an EVF).
I’ll put a 5” monitor on a friction arm instead of the handle. I won’t use a 7” monitor dangling off the side because it gets kind of bulky for my liking.
Great point. Because I’m left handed, I usually grip the camera with my left hand when shooting handheld my thumb naturally falls in the spot where I put the record button. But the beauty of the mutiny button is that you could put it anywhere
This is probably one of the best and well thought out rigs, one of the priciest too lol, quality nonetheless. Are the bright tangerine side plates compatible with the Red wing grip? Even with the run/stop top plate on? I know you didn't feature it but i find a side handle helpful and would like to know. Cheers mate
That's a good question. I don't have a wing grip to test. I don't think it would work though b/c the BT top plate hangs over the sides of the camera to connect to the side plates. I actually think Bright Tangerine should make their own version of the wing grip!
Dude. I'm so happy you continue to level up with your craft. This setup looks so tailored for what you do and it's obvious you're in a flow state. Like Max Verstappen, unfortunately. haha
I recently bought the bright tangerine and Metabones RF-to-PL Lens Adapter, but when I go to place the pl mount it doesn't seat In all the way. Looking at it seems like a gap like the speedbooster isn't long enough to seat with the support adapter. Any ideas
There's a screw at the bottom of the adapter support bracket that lets you fit the adapter into it. Loosen it, place the bracket on the adapter and then put the adapter on the camera. You should be able to tighten the bottom screw down and then bolt to the cage.
@@joenicklo I saw that and I unscrewed all the way but it still doesnt seem to go down far enough to lock I to the komodo, I have the speedbooster ultra 0.71x
Sorry to hear that. In the end, it doesn't matter what cameras we all shoot on. They're just tools. That said, I found that the RED is a better tool for the type of work I do and I personally find the overall image the Komodo produces to be more in line with the look I'm trying to achieve. Unfortunately, I had a lot of complaints with the Z Cam lineup and those complaints took a very long time to be addressed. As far as I know, the Z Cam E2-F6 Pro still hasn't been released. Be sure to check out my full review on the Komodo. ua-cam.com/video/Plm5fBwFxFo/v-deo.html
@@joenicklo yeah just shortly after watching this video I found your other one talking about the user interface problems and it did explain a lot. Lol. Thanks for the response though. I greatly appreciate it. I have some other questions for you as well but I will try to send them on your webpage as they are more of your personal opinions. Again thank you very much.
I usually pull focus by hand when shooting solo. I was using the Tilta Mini Follow Focus but after using the Bright Tangerine Follow Focus they loaned me out in Long Beach, that's definitely my go-to. Sadly, they're out of stock for a little bit longer. The thing is smooth as butter! If I'm working with an AC, we use the Nucleus M kit.
I just discovered the Kasbah system last night. Would love to hear more in depth thoughts on it…comfortability, scenes of it in use, etc. Great content man. I love that you share real world experience.
It's pretty comfortable. I can't really say much more on it other than like I mentioned in the video, it's breathable...we were filming in 101F in the humid St. Louis sun in August and we were soaked in sweat but the pad stayed dry. Very lightweight setup and comfortable to use.
Amazing video mate! I just got my Komodo and we have a similar build! May I ask your sdi protocol? I keep finding a lot of contradictory practices when it comes to Sdi
The dovetail has a flat bottom with mounting points (1/4 20 and 3/4) to mount tripod plates. You then put the dovetail onto the tripod as if it were the camera.
@@joenicklo thanks, so the BT left field system has two quick release points, one where the DJI plate attached to to the bottom of the camera can be released from the top part of baseplate/riser to enable quick mounting on gimbal, and then another quick release point from the bottom half of the baseplate when the bottom half is attached to the dovetail, with the dovetail being fixed to to tripod using whichever plate came with the camera or is compatible? So basically you can come on and off your tripod quickly with rods etc in place, or you can release just the upper part to go straight into gimbal?
I sincerely hope you're being sponsored by Bright Tangerine. Over $200 for a top handle?? Just no. It's a slick build, but no follow focus system?? No transmission system? This almost feels like a 'how much can I spend on a rig in just accessory parts' video. $1250 for the Kasbah shoulder pad and handles??! What?! I thought Wooden Camera stuff was pricey. I guess if you're working every single day, this could make sense, but there's so many other options at 1/4 the price. But I'm left wondering how useful it is to have the monitor on top of the handle, above and behind your head when the rig is sitting on your shoulder. The rig looks balanced and comfortable, but ultimately unusable in its current configuration.
Solid rig and walkthrough! Nice to see someone else who pays attention to cable management. Definitely would have loved seeing this before starting my own Komodo rig journey. Too many options! Keep up the great work!!
Great video, thanks for sharing 👏🏼👏🏼👏🏼 I’m planning to switch from Z Cam E2S6 to Red Komodo and researching for best accessories… Your video seems like helped me out with a choice for a monitor 👍🏼 And that was probably the most complicated question and now it’s solved 🤓 Thank you 🙌🏼
Yes please show us the Tilta Mirage in details, I need to know if I'm buying it ! 😃😃 (And if you are doing such a test, can U try to control the VND with the Nucleus M ? I can't find anywhere if it's possible 😕) Thanks for your very useful and detailed videos, you helped me a lot building the perfect Z-Cam E2-S6 rig ! 😁
Yes! It does. I don’t recall if it did with Pages OS4, if it did…then it wasn’t obvious enough for me to see but when I updated to Pages OS 5, the AF Touch Control was there. I’ve considered doing a video on it because it’s honestly not bad at all. I even used it to film some of the B-Roll shots in my latest video.
@@joenicklo Thank you so much for confirming this! As far as my research goes, you’re the first person that has confirmed this. Really appreciate it! I’ve just pulled the trigger and bought the monitor with the Komodo control.
@@AldinOrtinez Sweet, glad I could help. Make sure you have Pages OS 5 though. Just to let you know, I got better results with RF lenses over adapting EF lenses like the Sigma 18-35mm.
i've been using the core swx npf dummy battery to d-tap to power my indie 7. i'm on my second one since the first stopped working. good to know about a backup (dc to lemo) when that might happen again.
Never had any issues with the DC to Lemo. The only thing you have to watch for is that the Indie 7's DC input can be a little close to some monitor mounts. For example, I cant use the GDU monitor mount + Indie 7 and use the DC input since the mount almost blocks the port.
After some time, definitely coming around to your way of thinking in regards to the Komodo. Definitely a great rig, well setup. One thing you don't have shown here is any form of follow focus, I suppose you just rack everything by hand. You mention your shoulder mount EVF and alternate monitor, so that covers that part. Liked, commented.
Thanks! I flashed up a pic with the bright tangerine follow focus. That’s my preferred unit but it’s on back order. In the meantime I hand pull or use the nucleus M when it calls for it.
How do you like shooting on the Komodo for Fd ? do you feel like it's s the right camera for such a high paced action sport ? or do you think with the boot up time it can't bite you in the ass sometimes ? Just wondering how you like the overall work flow as I shoot a lot of face paced action style stuff and have been looking to maybe make the Komodo my main rig, just not sure yet.
We filmed almost the entire season on two Komodos. Krispy shot on his Gemini one race. We did just fine. We didn’t turn the cameras off unless we needed. Having v-mounts helps, and even then…swapping batteries at the right times prevented us from missing shots. I also carried my R5 with me most times just in case I needed to get something extremely quick.
I knew I shouldn't have cut that part out!!! To answer your question, I use an EVF but since I've yet to find an EVF that I really like, I didn't mention it. Alternatively, I use a friction arm to relocate the monitor to my eye line.
@@joenicklo Thats kinda what I figured! One of my least favorite parts of figuring out rig builds is quickly swapping the monitor location. Smallrigs HawkLawk, KondorBlue mini quick release, and Falcams Quick release arms look like good solutions. Have you tried the Zcam EVF? What are you currently using?
There is a cage that wraps around the Komodo with a ton of mounting options. I have it and love it. Protects the camera keeps cables out of the way and loads of mounting points. But you loose the stop start feature it covers that port.
Great review bro. I seriously believe you have to e best set up yet. What was the weight of your entire rig set up on this video ? Including the Komodo and lens
@@joenicklo thanks for the information man! I’m looking for a tripod that could take the weight of your kit. I’m thinking of getting the same one but with some sigma cine lenses. Would you mind telling me the name of the tripod that you used with this kit.
@@joenicklo Hey man, I just got my Komodo with the same bright tangerine cage and build. I’m having trouble connecting the bright tangerine support to the metabones speed-booster adapter PL mount. Would you happen to know if I can take off the support foot, or if it’s even possible? Since I don’t think it fits
I don't get how you see the image when you're in shoulder position. On your picture you have no EVF and your monitor screen is placed behind your head...
I've answered this a few times in the comments. When I go shoulder rig, I use a friction arm with a 5" monitor. I have an EVF from Portkeys that I use from time to time however, I'm waiting on them to send me the new eyecup. I don't like the standard eyecup they put on it. Once I get it, I'll be doing another video explaining the EVF setup.
The 11-20, Mirage and VND together, yes. I didn't stack the CPL. The Mirage vignettes slightly at 11mm and the VND has a massive X-pattern at the highest ND.
Great content as always, and what a gorgeous build! Oh boy, that Kasbah system looks very cool. Good to see you like the Mirage CPL filter. I'd been looking at the Vaxis CPL as I have the Mirage matte box, but saw a 1 star comment on B&H saying it had really bad colour shift. Good to know the Tilta version works for you.
Depends what I’m shooting. I use the bright tangerine follow focus, the Tilta nucleus M or I pull focus by hand. I also use the autofocus system sometimes. Believe it or not, the Komodo has decent (not amazing) autofocus capabilities :)
@DrivenFilms oh i know but!.... i was really torn with what to get for my first cinema lens and went with the 50-135 tokina thanks to your overview. i fell in love. i got the nucleus nano 2 back when i didnt understand what follow focus system i would need. but thank you!
Wow ! Very nice review of your Komodo production rig. Thank you for taking the time to do this breakdown. If you don't mind me asking you, how much cash outlay would your rig set me back if I were to duplicate it ?
@@joenicklo I Love the image that comes out of the Komodo, but you have indeed invested quite a chunk of change to only get 6K out of a camera. It is a wonderful image, and resolution isn't everything. When it comes to satisfying client expectations, if you show up for some jobs with a GH6, they will indeed question your level of professionality. If you tell them you're shooting on a RED, than that does carry a certain level of name recognition and respect. Not to mention the 16 bit colour science of the RedCode Raw codec makes your car footage look really amazing. I find a lot of mirrorless cameras give a hard digital video look to them, which is not always a desirable image to have to work with. I am considering the BMD URSA Mini Pro 12K also, and I can have almost a full production package for the cost of your rig build. 😳 I must admit your rig build for your Komodo looks really cool.😃
There aren't really *any* "cinema" lenses for RF mount outside of the upcoming Fuji ones. Samyang, Meike, and other Chinese made optics are very much considered bargain bin. Maybe we'll see canon release another cine prime set for their mount. P.s. that's a sick addition to the Komodo body, the support for bigger lenses is much needed, RF is flimsy.
If needed I toss on the Nucleus M. You might have seen the Bright Tangerine follow focus briefly in the photo. I don't own that...yet, but it's my FF of choice.
@@JasonCayabyab I believe the Kasbah shoulder pad will be in the way. If the shoulder pad isn't on you do not need the riser. At 9:36 you can see it on the dovetail without the riser.
@@JasonCayabyab as Joe confirmed, yes, it's an ARRI standard dovetail clamp on the baseplate. The riser is used to provide additional height clearance and transitioning speed when mounting the shoulder pad at the rear.
Let's all buy a red camera, sheesh!
Not a bad idea
Bright Tangerine makes incredible stuff! Need to transition to BT for my rig
Solid stuff for sure. Thanks for watching brother.
Great channel. I film drag racing events. I'm using a Sony A7 IV with a sony 70-200 F/4. I shoot 24fps @ 50s/s. Cant I use 60 or 80 s/s to keep a sharper image with cars passing at 150-200mph?
It may be a good topic. Thank you for repling.
I generally shoot at 180 degree shutter unless I need to get a bit more light I move up to 360 degree.
Thanks for being there for me to stumble on to... 🙂 I sub'd!! I've spent countless hours searching for a system that allows me to go between RS(n) and some kind of baseplate... ArGh! LOL... Bright Tangerine looks like the final solution (brings to mind Palpatine Final Order references!!) LOL... Thanks for being so "Driven"...
Glad I could help! The baseplate is a lifesaver
WHEN GOING SHOULDER RIG: I use a 5" monitor with a friction arm to place the monitor in front of me. I don't use the monitor on the top handle if I'm going with a shoulder setup. I'll be doing a follow up at some point with how I setup an EVF so please standby.
looking forward to the follow-up :)
I went all in on Bright Tangerine when I got my Komodo early this year! Agreed on all points. They are as functional as they are seemingly bulletproof.
Truly solid brand.
Thanks for your support Kris!
“Now if you’re watching this you probably have a Komodo and you probably know this”
Ah yes, of course we all have one, let me just get mine
prob·a·bly (adverb) - almost certainly; as far as one knows or can tell.
I’m building out my Komodo rig and your video is very helpful. Thoughts on the new Canon RF cine prime lenses on the Komodo?
Glad the video helped! I haven’t seen the new lenses! I’ll check them out though
Thanks so much for this! Been trying to figure out a decent shoulder mount set-up. I know you mentioned this was mostly for resting the camera on your shoulder - but I'm interested to know what you'd recommend for a shoulder mounted shooting setup - i.e. pushing the monitor forward (rather than an EVF).
I’ll put a 5” monitor on a friction arm instead of the handle. I won’t use a 7” monitor dangling off the side because it gets kind of bulky for my liking.
@@joenicklo thanks! do you have a rec for a decent arm thats also long enough to push the monitor forward?
@@EdProsser I like the iFootage crab arms. Really nice friction arms.
@@joenicklo Thank you appreciate the tip, will check it out!
great video dude! I love that record button, I really want to move it to the operator side, I don't know why red put it on the AC side? xD
Great point. Because I’m left handed, I usually grip the camera with my left hand when shooting handheld my thumb naturally falls in the spot where I put the record button. But the beauty of the mutiny button is that you could put it anywhere
Another banger vid from you brotha! Rig looks great!
Thank you sir!
Hey! Would love to know more about your hiring process! We are looking to bring on an editor
Full transparency, our editor was initially an intern that reached out. He did such a good job that I hired him.
This is probably one of the best and well thought out rigs, one of the priciest too lol, quality nonetheless. Are the bright tangerine side plates compatible with the Red wing grip? Even with the run/stop top plate on? I know you didn't feature it but i find a side handle helpful and would like to know. Cheers mate
That's a good question. I don't have a wing grip to test. I don't think it would work though b/c the BT top plate hangs over the sides of the camera to connect to the side plates. I actually think Bright Tangerine should make their own version of the wing grip!
Dude. I'm so happy you continue to level up with your craft. This setup looks so tailored for what you do and it's obvious you're in a flow state. Like Max Verstappen, unfortunately. haha
Being compared to Max is the highest honor! :D
Do you happen to have a link to the cable management things? Think you called them sprigs? Thank you.
Here you go geni.us/JyUgR
I recently bought the bright tangerine and Metabones RF-to-PL Lens Adapter, but when I go to place the pl mount it doesn't seat In all the way. Looking at it seems like a gap like the speedbooster isn't long enough to seat with the support adapter. Any ideas
There's a screw at the bottom of the adapter support bracket that lets you fit the adapter into it. Loosen it, place the bracket on the adapter and then put the adapter on the camera. You should be able to tighten the bottom screw down and then bolt to the cage.
@@joenicklo I saw that and I unscrewed all the way but it still doesnt seem to go down far enough to lock I to the komodo, I have the speedbooster ultra 0.71x
Wow. Kinda disappointed you haven’t stayed with Z-Cam. Even with the new 6K Pro full frame. What is your overall opinion on Red vs Zcam?
Sorry to hear that. In the end, it doesn't matter what cameras we all shoot on. They're just tools. That said, I found that the RED is a better tool for the type of work I do and I personally find the overall image the Komodo produces to be more in line with the look I'm trying to achieve. Unfortunately, I had a lot of complaints with the Z Cam lineup and those complaints took a very long time to be addressed. As far as I know, the Z Cam E2-F6 Pro still hasn't been released. Be sure to check out my full review on the Komodo. ua-cam.com/video/Plm5fBwFxFo/v-deo.html
@@joenicklo yeah just shortly after watching this video I found your other one talking about the user interface problems and it did explain a lot. Lol. Thanks for the response though. I greatly appreciate it. I have some other questions for you as well but I will try to send them on your webpage as they are more of your personal opinions. Again thank you very much.
The website is for the studio so it may not be me that replies. Instagram @joe.nicklo is the best way to reach me
Great video :) may I ask, which version of the Kondor Blue Swivel Tilt Monitor Mount are you using with the Bright Tangerine Top Handle? Thanks :)
Thank you! This is the one: geni.us/B9Ssv
@@joenicklo Thanks :)
YW
How do you focus? Or are you usually working with an AC?
I usually pull focus by hand when shooting solo. I was using the Tilta Mini Follow Focus but after using the Bright Tangerine Follow Focus they loaned me out in Long Beach, that's definitely my go-to. Sadly, they're out of stock for a little bit longer. The thing is smooth as butter!
If I'm working with an AC, we use the Nucleus M kit.
I just discovered the Kasbah system last night. Would love to hear more in depth thoughts on it…comfortability, scenes of it in use, etc. Great content man. I love that you share real world experience.
It's pretty comfortable. I can't really say much more on it other than like I mentioned in the video, it's breathable...we were filming in 101F in the humid St. Louis sun in August and we were soaked in sweat but the pad stayed dry. Very lightweight setup and comfortable to use.
@@joenicklo thank you for the response!
@@davidmorefield you’re welcome
@@davidmorefield we are adding more to the Kasbah line up, stay tuned!
Amazing video mate! I just got my Komodo and we have a similar build! May I ask your sdi protocol? I keep finding a lot of contradictory practices when it comes to Sdi
Thanks! For SDI I follow RED’s directions: support.red.com/hc/en-us/articles/360057166453-Preventing-Damage-to-SDI-Outputs
@@joenicklo thank you. I did read that and then every other red user said the opposite and I got confused. Thanks for the reply.
look at you! back in the saddle!
It's good to be back!
WATCH MY REVIEW ON THE RED KOMODO: ua-cam.com/video/Plm5fBwFxFo/v-deo.html
Rig looks great brother and stoked to see some formula drift content hopefully soon from you!
Hey, thanks man. You can watch a bunch of the FD content we filmed on the Throdle YT channel.
great video and thanks for sharing
hope to see more videos (SmallHD monitor, battery plate, etc)
Appreciate you watching. What in particular would you like to know about the Small HD monitor?
@@joenicklo operating system, connection with Komodo…
Would love to see a review on the Tilta Mirage. Great video as always!
Noted! Thanks for watching.
Will that small rig 12” dovetail work on a Sachtler Flowtech 75 with Aktiv 8 head?
The dovetail has a flat bottom with mounting points (1/4 20 and 3/4) to mount tripod plates. You then put the dovetail onto the tripod as if it were the camera.
@@joenicklo thanks, so the BT left field system has two quick release points, one where the DJI plate attached to to the bottom of the camera can be released from the top part of baseplate/riser to enable quick mounting on gimbal, and then another quick release point from the bottom half of the baseplate when the bottom half is attached to the dovetail, with the dovetail being fixed to to tripod using whichever plate came with the camera or is compatible? So basically you can come on and off your tripod quickly with rods etc in place, or you can release just the upper part to go straight into gimbal?
I sincerely hope you're being sponsored by Bright Tangerine. Over $200 for a top handle?? Just no. It's a slick build, but no follow focus system?? No transmission system? This almost feels like a 'how much can I spend on a rig in just accessory parts' video. $1250 for the Kasbah shoulder pad and handles??! What?! I thought Wooden Camera stuff was pricey.
I guess if you're working every single day, this could make sense, but there's so many other options at 1/4 the price. But I'm left wondering how useful it is to have the monitor on top of the handle, above and behind your head when the rig is sitting on your shoulder. The rig looks balanced and comfortable, but ultimately unusable in its current configuration.
Cool 👍
Solid rig and walkthrough! Nice to see someone else who pays attention to cable management. Definitely would have loved seeing this before starting my own Komodo rig journey. Too many options! Keep up the great work!!
Thanks for watching. I can't stand cables all over the place. Thankfully sprigs are here.
i dont have a komodo
I'm sorry
why you regrate? This is my problem. But i want to buy a cinematic camera. So i watch your video and its good for me. Tnx for making this.
@msr-vlogs-bd5989 thanks for watching :)
I'm glad I found another in my realm. Motorsports!!!
Hell yeah!! Even though I’ve moved away from motorsports a bit, I still love filming it
Same just waiting for my two wires
I hate waiting for parts 😂
Great video, thanks for sharing 👏🏼👏🏼👏🏼 I’m planning to switch from Z Cam E2S6 to Red Komodo and researching for best accessories… Your video seems like helped me out with a choice for a monitor 👍🏼 And that was probably the most complicated question and now it’s solved 🤓 Thank you 🙌🏼
Glad it was helpful!
Fantastic video! Time to watch your Tokina 25-75 video!
Enjoy! Watch the 11-20 and 50-135 as well. :)
That Senna poster in the back. 🥵❤
Love the start/stop button addition. Agree completely it is so poorly placed by Red.
RED said that they tried other positions but this one was technically more feasible.
Yes please show us the Tilta Mirage in details, I need to know if I'm buying it ! 😃😃
(And if you are doing such a test, can U try to control the VND with the Nucleus M ? I can't find anywhere if it's possible 😕)
Thanks for your very useful and detailed videos, you helped me a lot building the perfect Z-Cam E2-S6 rig ! 😁
I don't own the Nucleus M but I'll try to set it up with the Nucleus Nano handwheel if that works for you.
No I don't have a Komodo nor can I afford it, but I love camera gear and I love the content you guys put out! Cheers guys, keep killing it!
Appreciate the kind words!
Double thumbs up
Appreciate it :)
Great video bro!!
Appreciate it!
Nice upload
Thanks
Congratulations 🎉👏
TY!
Does the Indie 7 red control allow you to use the Komodo’s touch AF function?
Yes! It does. I don’t recall if it did with Pages OS4, if it did…then it wasn’t obvious enough for me to see but when I updated to Pages OS 5, the AF Touch Control was there.
I’ve considered doing a video on it because it’s honestly not bad at all. I even used it to film some of the B-Roll shots in my latest video.
@@joenicklo Thank you so much for confirming this! As far as my research goes, you’re the first person that has confirmed this.
Really appreciate it! I’ve just pulled the trigger and bought the monitor with the Komodo control.
@@AldinOrtinez Sweet, glad I could help. Make sure you have Pages OS 5 though. Just to let you know, I got better results with RF lenses over adapting EF lenses like the Sigma 18-35mm.
i've been using the core swx npf dummy battery to d-tap to power my indie 7. i'm on my second one since the first stopped working. good to know about a backup (dc to lemo) when that might happen again.
Never had any issues with the DC to Lemo. The only thing you have to watch for is that the Indie 7's DC input can be a little close to some monitor mounts. For example, I cant use the GDU monitor mount + Indie 7 and use the DC input since the mount almost blocks the port.
amazing rig, my dream rig!
You and me both!
Don’t forget you’re living the dreams of many! Such a beautiful set up man 🥹
Absolutely
After some time, definitely coming around to your way of thinking in regards to the Komodo. Definitely a great rig, well setup.
One thing you don't have shown here is any form of follow focus, I suppose you just rack everything by hand. You mention your shoulder mount EVF and alternate monitor, so that covers that part.
Liked, commented.
Thanks! I flashed up a pic with the bright tangerine follow focus. That’s my preferred unit but it’s on back order. In the meantime I hand pull or use the nucleus M when it calls for it.
Congratulations
TY!
How do you like shooting on the Komodo for Fd ? do you feel like it's s the right camera for such a high paced action sport ? or do you think with the boot up time it can't bite you in the ass sometimes ? Just wondering how you like the overall work flow as I shoot a lot of face paced action style stuff and have been looking to maybe make the Komodo my main rig, just not sure yet.
We filmed almost the entire season on two Komodos. Krispy shot on his Gemini one race. We did just fine. We didn’t turn the cameras off unless we needed. Having v-mounts helps, and even then…swapping batteries at the right times prevented us from missing shots. I also carried my R5 with me most times just in case I needed to get something extremely quick.
Where do you put the monitor when its on your shoulder?
I knew I shouldn't have cut that part out!!! To answer your question, I use an EVF but since I've yet to find an EVF that I really like, I didn't mention it. Alternatively, I use a friction arm to relocate the monitor to my eye line.
@@joenicklo Thats kinda what I figured! One of my least favorite parts of figuring out rig builds is quickly swapping the monitor location. Smallrigs HawkLawk, KondorBlue mini quick release, and Falcams Quick release arms look like good solutions.
Have you tried the Zcam EVF? What are you currently using?
I’m currently using the portkeys evf. The z cam evf is actually really nice for the money. I’m hoping RED releases one
I watch your red Komodo review video at least once a week, no lie haha.
Glad to see more Red from you!
I'm glad to hear that Brian. I'll be doing more Komodo related content soon.
There is a cage that wraps around the Komodo with a ton of mounting options. I have it and love it. Protects the camera keeps cables out of the way and loads of mounting points. But you loose the stop start feature it covers that port.
Interesting. I love that the BT top plate works with the Komodo's R/S function.
Great work man!
Great review bro. I seriously believe you have to e best set up yet. What was the weight of your entire rig set up on this video ? Including the Komodo and lens
Appreciate it. I’ve never weighed it honestly. I’d say maybe 18lbs? I dunno. It doesn’t feel heavy to me.
@@joenicklo thanks for the information man!
I’m looking for a tripod that could take the weight of your kit. I’m thinking of getting the same one but with some sigma cine lenses. Would you mind telling me the name of the tripod that you used with this kit.
Sachtler Flowtech 75 with FSB4 head
@@joenicklo thanks bro 🙏🏻 appreciate all the help and information
@@joenicklo Hey man, I just got my Komodo with the same bright tangerine cage and build. I’m having trouble connecting the bright tangerine support to the metabones speed-booster adapter PL mount. Would you happen to know if I can take off the support foot, or if it’s even possible? Since I don’t think it fits
💪🏼
Thx!
I don't get how you see the image when you're in shoulder position. On your picture you have no EVF and your monitor screen is placed behind your head...
I've answered this a few times in the comments. When I go shoulder rig, I use a friction arm with a 5" monitor. I have an EVF from Portkeys that I use from time to time however, I'm waiting on them to send me the new eyecup. I don't like the standard eyecup they put on it. Once I get it, I'll be doing another video explaining the EVF setup.
A nice little rig, good job!
Thanks. It's getting the job done.
By any chance have you tried the tokina 11-20 t2.9, tilta mirage vnd, cpl in tandem?
The 11-20, Mirage and VND together, yes. I didn't stack the CPL. The Mirage vignettes slightly at 11mm and the VND has a massive X-pattern at the highest ND.
Amazing rig, thanks a lot for sharing as always ! ;)
My pleasure!
your transitions from sticks to hand held and gimbal is smoothly thought out. Great work!
It's a wonderful feature that definitely removes frustration.
Proud of you. But even more so, really happy to see you upload.
Thanks Aaron! I hope to have some more videos out soon. There definitely won't be a gap as huge as the last break I took.
Such a great breakdown!
TY!
Thank you for sharing your knowledge !
You’re very welcome
Great content as always, and what a gorgeous build! Oh boy, that Kasbah system looks very cool. Good to see you like the Mirage CPL filter. I'd been looking at the Vaxis CPL as I have the Mirage matte box, but saw a 1 star comment on B&H saying it had really bad colour shift. Good to know the Tilta version works for you.
Definitely give the Tilta CPL a shot.
@@joenicklo thanks, will do 👍
how did you handle focus?
Depends what I’m shooting. I use the bright tangerine follow focus, the Tilta nucleus M or I pull focus by hand.
I also use the autofocus system sometimes. Believe it or not, the Komodo has decent (not amazing) autofocus capabilities :)
@DrivenFilms oh i know but!.... i was really torn with what to get for my first cinema lens and went with the 50-135 tokina thanks to your overview. i fell in love. i got the nucleus nano 2 back when i didnt understand what follow focus system i would need. but thank you!
@TimelessCinematics the nano 2 is solid.
yeah
Thanks for watching buddy
@@joenicklo with pleasure! I would like to "sponsor" one of your video with the course if interested PM!
Absolutely. Let’s chat
Love this rig! Good job on a very thorough review.
Glad you like it!
Looks great but how can you see the monitor with this setup when it's on your shoulder?
I mentioned this in other comments but I put the monitor on a friction arm, or use an EVF.
Great build
Great parts
so many metal plates and rodes, no thanks, AF for the win
errrrr k
Huge fan of FD! Sick to see you doing work with them.
Definitely check out some of the stuff we did for Throdle & FD. They play a lot of our videos during the race livestreams as well.
That’s awesome! I’ll check it out. If you ever find yourself at Evergreen in WA and need another camera op count me in!
Wow ! Very nice review of your Komodo production rig. Thank you for taking the time to do this breakdown. If you don't mind me asking you, how much cash outlay would your rig set me back if I were to duplicate it ?
Rigging parts, Camera and lens included would be around 20k
@@joenicklo I Love the image that comes out of the Komodo, but you have indeed invested quite a chunk of change to only get 6K out of a camera. It is a wonderful image, and resolution isn't everything. When it comes to satisfying client expectations, if you show up for some jobs with a GH6, they will indeed question your level of professionality. If you tell them you're shooting on a RED, than that does carry a certain level of name recognition and respect. Not to mention the 16 bit colour science of the RedCode Raw codec makes your car footage look really amazing. I find a lot of mirrorless cameras give a hard digital video look to them, which is not always a desirable image to have to work with. I am considering the BMD URSA Mini Pro 12K also, and I can have almost a full production package for the cost of your rig build. 😳 I must admit your rig build for your Komodo looks really cool.😃
@@markjob6354 I'd never want to lug a rigged up Ursa Mini Pro around a race track. Thing is a beast.
@@joenicklo True, and that is one of its downsides. The URSA footprint is a little on the large size.
Welcome back Joe! Great breakdown. Glad to see you back in the feed!
Yes to the Mirage review :)
I just might do it...
There aren't really *any* "cinema" lenses for RF mount outside of the upcoming Fuji ones. Samyang, Meike, and other Chinese made optics are very much considered bargain bin.
Maybe we'll see canon release another cine prime set for their mount.
P.s. that's a sick addition to the Komodo body, the support for bigger lenses is much needed, RF is flimsy.
Yeah the lens support + mount support help tremendously.
Which upcoming fuji lenses? They already have their mk cine zooms in RF mount, have they announced new ones?
@@gabrielmachadobsb I've yet to hear anything on them.
@@gabrielmachadobsb Must be those, I think the article I was reading about it was a bit depreciated, it said they hadn't come out for RF yet.
@@zantanimus3721 The MK's are definitely out for RF. Great lenses.
hows the heat on the wires behind the cheese plate?
Fine. No heat. Exhaust is on the left side by the media door.
curious how much it weights approximately all together?
With or without the lens? I can prob weigh it tomorrow
@@joenicklo would be great both if possible, but if its easier just without is fine :) thanks!
Does the top handle require a toll to slide forward/back?
A toll? Sorry, what do you mean.
@@joenicklo lol. Does it require a tool?
No follow focus ?
If needed I toss on the Nucleus M. You might have seen the Bright Tangerine follow focus briefly in the photo. I don't own that...yet, but it's my FF of choice.
40! You look 20 😮
I like you! ;) LOL
At 3:19, what is that attached to the Arri Dovetail? Is that part of the BT accessories kit?
Yes. I forgot to mention. That’s a riser that’s used when you’ve got the shoulder pad in the rear position
Thanks for that. Can you still attach the baseplate directly to the dovetail without this riser?
@@JasonCayabyab I believe the Kasbah shoulder pad will be in the way. If the shoulder pad isn't on you do not need the riser. At 9:36 you can see it on the dovetail without the riser.
@@joenicklo perfect thanks again
@@JasonCayabyab as Joe confirmed, yes, it's an ARRI standard dovetail clamp on the baseplate. The riser is used to provide additional height clearance and transitioning speed when mounting the shoulder pad at the rear.