I told my wife that every year I will be upgrading to a new camera. As a professional photographer these are my tools and when the tool makes my life and job easier they pay them self off. She kind of freaks out when I drop four to $5000 on a camera body and the lens. But she understands this is my livelihood and this makes us money. Sometimes it’s hard for her to grasp but in the end she understands. So it’s nice every year I get to buy a new camera. And I always have at least three. great video thanks for sharing
God, this is so much work. I use 2 C70 and get ready for filming in less than a minute. I bet you couldn't tell a difference in image quality on a blind test. Anyway- your rig looks very pro.
YES! I literally have these same thoughts every time I rig up the camera. That’s why I usually keep it as small as possible. It’s easy and fun to use that way, but I STILL wonder if I shouldn’t just stick with my Sony mirrorless cameras. More to come on that soon. Thanks for watching!
Me again haha. Sometimes I like to rewatch the videos 🤣. When you talk about LIFO can I ask you a few questions? 1. Once everything is powered on, which SDI do you connect first? Does it matter? 2. If you wanna eat something (and everything is charged) can you turn off and on the camera and monitor without removing the SDI? Thanks again haha
Hey I'm glad to hear it! 1. I connect the SDI to the monitor first, RED second. 2. Before turning off the camera, I remove the SDI from the RED. Hope that helps!
I laughed so hard with the SDI topic. "Shocking right?" hahaha. I don't why it was funny :)) amazing video! It would be really nice to see your opinion on the new Komodo-X!
Definitely! The X looks like it cleans up pretty much any complaints I had with the Komodo. Wonder what I can get for the trade… Thanks for watching 🙏🏼
That intro. lol. Had that conversation last night with the lady as I have garage full and where moving together in a few days. Had to prep. But it’s also true, gotta have the tools for new techniques.
Can I use the Blackmagic 12G monitor and operate it directly through the on-screen display menus without the need of an additional control kit unlike the SmallHD? Thanks for the fantastic upload!
Realised that an Atmos Shinobi I own (for a previous camera) doesn’t have SDI connectivity - that’s not a criticism of the Shinobi - it’s in the lower price range - so - with the Red Komodo I’ve acquired - I’ll try monitoring through my smartphone with the Red App. Thanks for the video !
Why are you using dummy batteries on your Video Assist? It has a DC barrel input that will accept the voltage from D-tap. You could even put some little npf-550s in the back to keep it on when swapping v-mount batteries. Did you get rid of your F6 before they added B-Raw to Z-Cams?
Dude. You’re right! That would look so much cleaner - thanks for the heads up! I DID get rid of the Zcam before BRAW. 🤦🏼♂️ I have some experience with BRAW from the Blackmagic URSA broadcast and that’s definitely a nice codec as well.
Dang i've been thinking about getting that Sachtler bag forever.. Not sure if i wanna get the 5 or 4... it looks like the 4 fits that komodo pretty snug that's nice !
Yeah it’s a great bag. The side pockets run the full length of the bag, but they’re skinny. So I have a smaller zip bag for batteries, cables, etc. that I put inside the main chamber. Saves me rooting around awkwardly in the side pockets 👍🏻
Just subscribed! So left side is R3D ? (Please say I'm right (or I'm unsubbing! 😛) - Just kiddin! So great job on your presentation and style - thinking about the Komodo (x?) - and so that's how I found ya!
@@DustinSheffield At some point, the reach for the perfect image quality has to be tempered with practical resource capacity (read money), and a compromise has to be made? Otherwise, yes, I would love to do that ! :-)
Hi there, do you really match Sony footage to it easily? I have the red komodo and was gonna get the FX3 as a B-cam. Do you think this is a good move? THankyou!
Hi! Yeah with the RAW codec on the Komodo it’s pretty easy to match footage to most cameras. The Sony will always have more of a “video” look than Komodo but I think the advantages far outweigh the downsides. Plus lens choice, lighting and composition will all have a huge impact as well (obviously). So yes, I think the fx3 is a great choice 👍🏻Thanks for watching!
Ooh good look - I forgot to mention that little piece and it's great at keeping the adapter locked down. It's actually another 8sinn piece that fits the cage: www.bhphotovideo.com/c/product/1651354-REG/8sinn_8_c_ef_rf_sbas_canon_ef_to_rf.html
Great video. I’m looking to upgrade from a BMPCC 6k and I was looking at the Z Came E2 F6. You mention you bought the Komodo from the f6. Would you say the quality jump is worth skipping the F6 and going straight to Komodo?
Great video! I was a Zcam shooter and just recently sold my F6 and have been eyeing the Komodo. What was it like for you transitioning from the Zcam to the Red?
Nice! I love the Zcam F6 and I still miss it. That camera is simple to use and offers a TON of camera for the money. In the end it was the 16-bit color and the simplicity of the RED UI that won me over. Zcam has so much potential, but RED is already there. I will still keep my eye on Zcam for future cameras, but I’m very happy with the Komodo at this price point.
You have to keep in mind, cameras are a tool and each tool. The tool you buy should fit your needs personally. This isn’t a competition. If you’re planning heavily grading and or adding a lot of effects and green/blue screen, the RED Komodo is automatically superior. Especially with it’s 16 bit compressed raw. With that said, if you’re primarily planning on recording in 10 bit 422 with great autofocus, the Sony is obviously the best choice. Each tool is different for each person’s needs. On a side note, the UA-cam poster mentions that he’s needs to buy the latest and greatest to keep up with competition. That is the wrong way to run a production business. The newest camera isn’t going to get you more jobs or better jobs. Now if your business is focusing on rentals then I guess that would make sense.
Thanksfor great content! I was just wondering about how you lock down the speedbooster for it to not wiggle. I can kind of tell that it seems to be something in the bottom tightened to the base plate of the cage. Is that something that comes with the cage or is it a spare part? And also is it the canon focal reducer you have? Saw something about it having two small screw inserts on the bottom instead of the single thread thats usually on other brands like metabone. If so, does it fit to the cage without any additonal parts or modifications? Highly appreciate your help. Thanks
Good eyes! Yes that’s this piece: 8Sinn Canon EF to RF Speed Booster Adapter Support for RED KOMODO Cage. I think it only fits on the 8 sinn cage but it locks the focal reducer down real nice 👍🏻
Thanks! It’s the Sennheiser MKH 50. Pricey but I use it on nearly all my gigs now. Especially great indoors for dialogue in small rooms where reverb is bad. I have a couple Rode NTG3s I use for work as well 👍🏻
Glad you asked! I couldn’t find the long SmallRig tail anywhere in stock so I just ordered these Camvate ones and used the longest of the three included: CAMVATE Triple NATO Rail Quick... www.amazon.com/dp/B07R3SR675?ref=ppx_pop_mob_ap_share
Great tutorial and glad i landed on this channel while it has just satrted i am sure we will be great youtube buddies and i learn from you through the journey. #ExperienceAfricans
Yeah I can understand that - there are SO many great cameras out there now it's easy for people to find alternatives - I wonder how much the patent stuff hurts RED's overall business?
So if you have a business and invest money on developing an industrial process and you try to protect it, you are unethical? Then all companies are ….. I’m sick of this topic of the patent… The essence of registering a patent is to protect your knowledge and ALL COMPANIES DO THE SAME …. Then… Why Sony or Canon do not share with Red their autofocus knowledge? Again, I’m sick of people repeating topics without a deeper consideration …
@@joaquinperalba1624 they are patenting the concept of RAW, video and compression, which really shouldn’t be a thing. All three of those things have existed long before RED came to being. If you want to patent a certain proprietary algorithm or process, sure. But what they are patenting is akin to patenting the concept of boiling water. There would be no issue if the patent was on some sort of exotic pot.
I told my wife that every year I will be upgrading to a new camera. As a professional photographer these are my tools and when the tool makes my life and job easier they pay them self off. She kind of freaks out when I drop four to $5000 on a camera body and the lens. But she understands this is my livelihood and this makes us money. Sometimes it’s hard for her to grasp but in the end she understands. So it’s nice every year I get to buy a new camera. And I always have at least three. great video thanks for sharing
Damn you had us legit cracking up and very informational for us Komodo users as well. Thank you!!
This is a great list of Komo-do’s and Komo-don’ts 👍
Thankyasir - plenty more to learn but this is what I know so far haha
So good Dustin! Such a good talker like you’ve been doing this for a long time!
Haha thanks Myong! Maybe had a little too much fun with this one, but I’m glad you liked it! More to come 👍🏻
@@DustinSheffield Dustin, my wife bought me the red Komodo for Christmas so let me know if you need a second Komodo for your gigs!
@@CameraToFreedom What? A wife that actually BUYS you all the gear you want… um .. need? NEXT LEVEL 🙌🏻 Yeah let’s shoot!
God, this is so much work.
I use 2 C70 and get ready for filming in less than a minute.
I bet you couldn't tell a difference in image quality on a blind test.
Anyway- your rig looks very pro.
YES! I literally have these same thoughts every time I rig up the camera. That’s why I usually keep it as small as possible. It’s easy and fun to use that way, but I STILL wonder if I shouldn’t just stick with my Sony mirrorless cameras. More to come on that soon. Thanks for watching!
I have both. Komodo footage looks better
Great video Dustin!
Love your presentation style dude! Great video :)
great and interesting video and insights! video was funny too haha subbed
Thanks for the sub Robert!
I'm definitely impressed! Nice job rigging out your cam!
Me again haha. Sometimes I like to rewatch the videos 🤣. When you talk about LIFO can I ask you a few questions?
1. Once everything is powered on, which SDI do you connect first? Does it matter?
2. If you wanna eat something (and everything is charged) can you turn off and on the camera and monitor without removing the SDI?
Thanks again haha
Hey I'm glad to hear it!
1. I connect the SDI to the monitor first, RED second.
2. Before turning off the camera, I remove the SDI from the RED.
Hope that helps!
I laughed so hard with the SDI topic. "Shocking right?" hahaha. I don't why it was funny :)) amazing video! It would be really nice to see your opinion on the new Komodo-X!
Definitely! The X looks like it cleans up pretty much any complaints I had with the Komodo. Wonder what I can get for the trade… Thanks for watching 🙏🏼
I love the build. The Komodo is my dream camera. Looking to get one within the year.
That intro. lol. Had that conversation last night with the lady as I have garage full and where moving together in a few days. Had to prep. But it’s also true, gotta have the tools for new techniques.
Yessir! Better to establish precedent early than try to win her over later haha. Thanks for watching!
Wonderful video man, loved the humor, as someone who also always has boxes coming in, i know what you’re talking about 😂.. keep it up!
haha thanks! I figured I couldn't be the only one with this problem... Appreciate you watching the vid
Excited for the Komodo X
Dude the eye poke had me dyin😂
Can I use the Blackmagic 12G monitor and operate it directly through the on-screen display menus without the need of an additional control kit unlike the SmallHD? Thanks for the fantastic upload!
This is a wonderful presentation, thanks.
You only have to disconnect the SDI cable from the camera and not from the monitor itself.
12.5 stops dynamic range, nice
Nice Rig! Clean and efficient.
Realised that an Atmos Shinobi I own (for a previous camera) doesn’t have SDI connectivity - that’s not a criticism of the Shinobi - it’s in the lower price range - so
- with the Red Komodo I’ve acquired - I’ll try monitoring through my smartphone with the Red App. Thanks for the video !
ProRes was on the right? Watching on an iPhone.
Why are you using dummy batteries on your Video Assist? It has a DC barrel input that will accept the voltage from D-tap. You could even put some little npf-550s in the back to keep it on when swapping v-mount batteries.
Did you get rid of your F6 before they added B-Raw to Z-Cams?
Dude. You’re right! That would look so much cleaner - thanks for the heads up! I DID get rid of the Zcam before BRAW. 🤦🏼♂️ I have some experience with BRAW from the Blackmagic URSA broadcast and that’s definitely a nice codec as well.
And lighter
great video! Thank you!
The beginning intro of this is gold hahaha 😂
Dang i've been thinking about getting that Sachtler bag forever.. Not sure if i wanna get the 5 or 4... it looks like the 4 fits that komodo pretty snug that's nice !
Yeah it’s a great bag. The side pockets run the full length of the bag, but they’re skinny. So I have a smaller zip bag for batteries, cables, etc. that I put inside the main chamber. Saves me rooting around awkwardly in the side pockets 👍🏻
What is the make and model of the Camera bag that you are using for the Komodo ?
It’s the Sachtler Dr. Bag - 4. Great bag!
Awesome video with good quality camera. I would like to buy it
Haha I actually think I might hang on to this one for a while!
Just subscribed! So left side is R3D ? (Please say I'm right (or I'm unsubbing! 😛) - Just kiddin! So great job on your presentation and style - thinking about the Komodo (x?) - and so that's how I found ya!
Thanks for the sub! I'm ALWAYS thinking about the next RED. What about the new V-Raptor X? Do any of us need these cameras?
@@DustinSheffield At some point, the reach for the perfect image quality has to be tempered with practical resource capacity (read money), and a compromise has to be made?
Otherwise, yes, I would love to do that ! :-)
Best rig ive Seen 😄 thx
Hi there, do you really match Sony footage to it easily? I have the red komodo and was gonna get the FX3 as a B-cam. Do you think this is a good move? THankyou!
Hi! Yeah with the RAW codec on the Komodo it’s pretty easy to match footage to most cameras. The Sony will always have more of a “video” look than Komodo but I think the advantages far outweigh the downsides. Plus lens choice, lighting and composition will all have a huge impact as well (obviously). So yes, I think the fx3 is a great choice 👍🏻Thanks for watching!
What is that piece that secures your focal reducer to the cage? Looks super nice for removing any wiggle/play
Ooh good look - I forgot to mention that little piece and it's great at keeping the adapter locked down. It's actually another 8sinn piece that fits the cage: www.bhphotovideo.com/c/product/1651354-REG/8sinn_8_c_ef_rf_sbas_canon_ef_to_rf.html
How much did they whole shebang cost?
Great video. I’m looking to upgrade from a BMPCC 6k and I was looking at the Z Came E2 F6. You mention you bought the Komodo from the f6. Would you say the quality jump is worth skipping the F6 and going straight to Komodo?
Nice video! whats that vmount plate you're using?
Thanks! That's the Wooden Camera Battery Slide
Great video! I was a Zcam shooter and just recently sold my F6 and have been eyeing the Komodo. What was it like for you transitioning from the Zcam to the Red?
Nice! I love the Zcam F6 and I still miss it. That camera is simple to use and offers a TON of camera for the money. In the end it was the 16-bit color and the simplicity of the RED UI that won me over. Zcam has so much potential, but RED is already there. I will still keep my eye on Zcam for future cameras, but I’m very happy with the Komodo at this price point.
thanks great video😀
Glad you liked it!
Dope video 🤘🏽🤘🏽
basically FX30 without raw support
Not even close
@@PeterDiBussolo more than close at the given price
Without having to deal with red shinaningans
@@BakaOctopus if your comparing image quality it’s not close.
You have to keep in mind, cameras are a tool and each tool. The tool you buy should fit your needs personally. This isn’t a competition.
If you’re planning heavily grading and or adding a lot of effects and green/blue screen, the RED Komodo is automatically superior. Especially with it’s 16 bit compressed raw.
With that said, if you’re primarily planning on recording in 10 bit 422 with great autofocus, the Sony is obviously the best choice.
Each tool is different for each person’s needs.
On a side note, the UA-cam poster mentions that he’s needs to buy the latest and greatest to keep up with competition. That is the wrong way to run a production business. The newest camera isn’t going to get you more jobs or better jobs. Now if your business is focusing on rentals then I guess that would make sense.
Great points Mike? Gear Acquisition Syndrome is a serious disease and needs to be treated accordingly 😉
Thanksfor great content! I was just wondering about how you lock down the speedbooster for it to not wiggle. I can kind of tell that it seems to be something in the bottom tightened to the base plate of the cage. Is that something that comes with the cage or is it a spare part? And also is it the canon focal reducer you have? Saw something about it having two small screw inserts on the bottom instead of the single thread thats usually on other brands like metabone. If so, does it fit to the cage without any additonal parts or modifications? Highly appreciate your help. Thanks
Good eyes! Yes that’s this piece: 8Sinn Canon EF to RF Speed Booster Adapter Support for RED KOMODO Cage. I think it only fits on the 8 sinn cage but it locks the focal reducer down real nice 👍🏻
Great to hear! Been googling like crazy trying to figure out the puzzle😂 thanks for replying, very helpful!
Great video.
Thanks!
Incredible hahaha
Hey what mic do you use to record the sound with? Your voice sounds very nice and clean
Thanks! It’s the Sennheiser MKH 50. Pricey but I use it on nearly all my gigs now. Especially great indoors for dialogue in small rooms where reverb is bad. I have a couple Rode NTG3s I use for work as well 👍🏻
@@DustinSheffield straight into the camera or zoom recorder?
@@birthright94 into the Zoom F6
Love it
Ytuber from Vietnam.
Would you use it for weddings?
If it was the RIGHT wedding 💰 haha I’d definitely trust it at a wedding but I’m not sure I could justify the storage for all that RAW footage…
Which nato rail do you use on the outrigger handle?
Glad you asked! I couldn’t find the long SmallRig tail anywhere in stock so I just ordered these Camvate ones and used the longest of the three included: CAMVATE Triple NATO Rail Quick... www.amazon.com/dp/B07R3SR675?ref=ppx_pop_mob_ap_share
Just tell me you’re not filming weddings with this.
Haha no my friend I am not. Thanks for your concern 🙏🏻
@@DustinSheffield Whew 😅. I heard you saying you were still keeping your Sony gear, so that’s good to hear.
You are ex zcammer? Man I so hope I can upgrade from the S6 to the Komodo soon
Yes! Zcam is awesome and I think they're overdue for a new camera body soon, don't you?
Great tutorial and glad i landed on this channel while it has just satrted i am sure we will be great youtube buddies and i learn from you through the journey.
#ExperienceAfricans
That sdi protocol isn’t correct at all.
Uh oh! What’s the correct protocol then? I haven’t had any issues so far but I definitely don’t want to fry my ports 😬
It is correct. Connect SDI last, disconnect it first.
What a shame you didn't share the image quality of this camera you think so highly of.
callin the FBI hahaha
its a simple joke but you're telling your audience what a woman will think. she has her own thoughts.
I just ethically can't support Red as a company, their behavior with the patent nonsense just leaves a bad taste in my mouth.
Yeah I can understand that - there are SO many great cameras out there now it's easy for people to find alternatives - I wonder how much the patent stuff hurts RED's overall business?
So if you have a business and invest money on developing an industrial process and you try to protect it, you are unethical? Then all companies are ….. I’m sick of this topic of the patent… The essence of registering a patent is to protect your knowledge and ALL COMPANIES DO THE SAME …. Then… Why Sony or Canon do not share with Red their autofocus knowledge? Again, I’m sick of people repeating topics without a deeper consideration …
So basically you don’t believe that any company should file a patent and then enforce their patent?
Actually why stop there, let’s get rid of copyright and trademarks at the same time 😂
@@joaquinperalba1624 they are patenting the concept of RAW, video and compression, which really shouldn’t be a thing. All three of those things have existed long before RED came to being. If you want to patent a certain proprietary algorithm or process, sure.
But what they are patenting is akin to patenting the concept of boiling water. There would be no issue if the patent was on some sort of exotic pot.
Like.