STILL waiting for you to re-issue some exact versions of BROWNFACE amps, like the PRO and the Tremolux and the Vibroverb. And at a good price. Good grief. How much longer? BTW: This is the best demo of these I have heard! They are not trebled to death and distorted out of their pine minds. Good job. And you can't find these at our dealer. Dealers don't want to stock amps this pricey ...
Jimi Hendrix- "Voodoo Chile" ...from Electric Ladyland album (not to be confused with "Voodoo Child (Slight Return)" from same album, both songs are awesome!!!! :)
I just got a 57 custom deluxe, and I don’t know, maybe it my level of suck, but I just can NOT dial in a good mellow jazz sound with my H-575. I know it’s supposed to be a simple control setup, but it is beyond me, especially with the two channels and the the way the volume knobs (even for the channel you aren’t plugged into) affect the tone. I get that’s a lot versatility, a good thing, but for a guy like me, it’s kind of overwhelming.
Hi guy, as a pure Tweed Lover and jazz/fusion player I can give you some points to obtain a jazzy tone 1. The speaker has a major importance, if you have the original Jensen C12, I can recomande to upgrade it to Eminence like those reissue 2. the tube, do you have 2 x 12AX7? in this case the overdrive comes very earlier) the 1st tube has to be 12AY7 or 12AU7 for less gain and more clean headroom 3. you can switch the power tube for JJ 6V6 (more bass, light compression) or tung-sol 6V6 (more clean headroom, well balanced, ultra low noise) 4. plug your guitar into the inst channel Entry 2 (less gain) 5. turn down the tone (3-4 max) on 5E3 circuit, the tone impact directly the gain 6. the instr vol has to be set uppon you need, try to find the 'sweet spot' volume to obtain a clean, dynamic and if you play hard slight overdriven 7. turn up the vol of 1st chanel (not used channel) on 10-12, it will improve the clean sound 8. on your guitar turn your tone your volume , until you'll find desired mellow and smooth tone 9. maybe your guitar pickups has an High output, in this case , you can setup your guitar and put the pickup lowest as possible to edcrease the output or switch for more vintage low to medium output humbuckers Cleans on deluxe 57 are complex and incredibles to play jazz, smooth jazz, soul, R&B, but it's not blackface kinda tone or roland JC style, it's another taste, personaly I love it. with my custom LP style with Coils Boutique humbuckers (these one www.coilsboutique.com/pickups/humbuckers/crosstown/ ) I have a Huge clean sound on deluxe 57. Also crunches are very smooth
turn the mic volume up all the way while you are plugged into the instrument volume. Adjust your instrument volume to taste but start around 4 then go from there. That's how you get a clean tone. You can play with tubes as mentioned below but start with the Mic volume all the way up (nothing plugged into it) The two volumes are interactive. You'll see what i mean.
"These amps are brand new in the Fender Amp Line-Up." Not really. They're slightly tweaked versions of recent models. BUT, nothing wrong with that if they sound great (as this and the Sweetwater demos would suggest) and have good build quality (which would be expected with hand wired circuitry). Let's just not over-hype them. JMO
WAY OVERPRICED!!!! These cost just as much as an ORIGINAL. Lovely amps anyhow.. The Champs and Deluxes are WAY overpriced for how little they are. Can't use them live.. maybe for recording and practice but that's all!
A 57 Deluxe on stage with Mic in front of it, you can gig on night long bro and the soundman will be very happy.... I have made large gig on private event with this amp and it's ok but you should need a monitor
Thank you for making this video
Great tones
STILL waiting for you to re-issue some exact versions of BROWNFACE amps, like the PRO and the Tremolux and the Vibroverb. And at a good price. Good grief. How much longer?
BTW: This is the best demo of these I have heard! They are not trebled to death and distorted out of their pine minds. Good job. And you can't find these at our dealer. Dealers don't want to stock amps this pricey ...
I love Fender guitars and amps. But on a different note, it is not often that I am the first view on a video. ROCK ON TONE KING
2:27 what’s that tune
Ok, I NEED the deluxe
You just gotta love Shane…
Anybody know a song that kinda starts out like what that guy played at (0:15) seconds?
Jimi Hendrix- "Voodoo Chile" ...from Electric Ladyland album (not to be confused with "Voodoo Child (Slight Return)" from same album, both songs are awesome!!!! :)
Robin Trower - Bridge Of Sighs
I just got a 57 custom deluxe, and I don’t know, maybe it my level of suck, but I just can NOT dial in a good mellow jazz sound with my H-575. I know it’s supposed to be a simple control setup, but it is beyond me, especially with the two channels and the the way the volume knobs (even for the channel you aren’t plugged into) affect the tone. I get that’s a lot versatility, a good thing, but for a guy like me, it’s kind of overwhelming.
The Lowmein you need to look at ua-cam.com/video/VN2vqCxaeC0/v-deo.html
Hi guy, as a pure Tweed Lover and jazz/fusion player I can give you some points to obtain a jazzy tone
1. The speaker has a major importance, if you have the original Jensen C12, I can recomande to upgrade it to Eminence like those reissue
2. the tube, do you have 2 x 12AX7? in this case the overdrive comes very earlier) the 1st tube has to be 12AY7 or 12AU7 for less gain and more clean headroom
3. you can switch the power tube for JJ 6V6 (more bass, light compression) or tung-sol 6V6 (more clean headroom, well balanced, ultra low noise)
4. plug your guitar into the inst channel Entry 2 (less gain)
5. turn down the tone (3-4 max) on 5E3 circuit, the tone impact directly the gain
6. the instr vol has to be set uppon you need, try to find the 'sweet spot' volume to obtain a clean, dynamic and if you play hard slight overdriven
7. turn up the vol of 1st chanel (not used channel) on 10-12, it will improve the clean sound
8. on your guitar turn your tone your volume , until you'll find desired mellow and smooth tone
9. maybe your guitar pickups has an High output, in this case , you can setup your guitar and put the pickup lowest as possible to edcrease the output or switch for more vintage low to medium output humbuckers
Cleans on deluxe 57 are complex and incredibles to play jazz, smooth jazz, soul, R&B, but it's not blackface kinda tone or roland JC style, it's another taste, personaly I love it. with my custom LP style with Coils Boutique humbuckers (these one www.coilsboutique.com/pickups/humbuckers/crosstown/ ) I have a Huge clean sound on deluxe 57. Also crunches are very smooth
turn the mic volume up all the way while you are plugged into the instrument volume. Adjust your instrument volume to taste but start around 4 then go from there. That's how you get a clean tone. You can play with tubes as mentioned below but start with the Mic volume all the way up (nothing plugged into it) The two volumes are interactive. You'll see what i mean.
I want 1 of each.
Very nice! Not a big fan of Fender amps but these sounded very nice.
2:57
"These amps are brand new in the Fender Amp Line-Up." Not really. They're slightly tweaked versions of recent models. BUT, nothing wrong with that if they sound great (as this and the Sweetwater demos would suggest) and have good build quality (which would be expected with hand wired circuitry). Let's just not over-hype them. JMO
I don't mind hyping, if they really sound good and are affordable.
looks just like the clapton series but with a different name or label on them,way overpriced
Agreed on the price.
Amazing, but my Marshall 1974x and 1962 blow them ! Sorry
David Ignacio Carvajal Hausdorf you are comparing apples and oranges dude.
Fender cleans are legendary .. as are Marshall overdrives for Rock
I'd still take an overdriving tweed deluxe over a Marshall every single time.
+Adam Fischer
I don't like a lot of marshall overdrives but the 100 super JH is amazing.
WAY OVERPRICED!!!! These cost just as much as an ORIGINAL. Lovely amps anyhow.. The Champs and Deluxes are WAY overpriced for how little they are. Can't use them live.. maybe for recording and practice but that's all!
In today's currency its spot on priced as the cost of original 57 when it came out.
A 57 Deluxe on stage with Mic in front of it, you can gig on night long bro and the soundman will be very happy.... I have made large gig on private event with this amp and it's ok but you should need a monitor
Not really a demo as such.