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"Letter" BlackMagic Pocket Cinema 4K Short Film
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- Опубліковано 31 гру 2018
- My favorite actor was in town for Christmas so we made a mini short together for practice for both of us. Each scene was shot in about 20 mins over a three day period with available light, with the exception of a single light as a bit of a hair light in the TV watching scene and a fill light to expose her face in the tea scene with the window in the back. Shot shoulder mounted.
Four LUTs created for different scenes of the short are available for purchase at shoptly.com/i/88b. Get 15% off with this discount code: youtube
The music is from Soundstripe.com. I use this service on all my videos. Get 10% off your subscription by using this link: soundstripe.grsm.io/skyvistapro
The "Letter" LUT pack contains 4 custom LUTs that were created for different scenes of the short film, "Letter." Although the LUTs deliver a consistent look, each profile is different to account for the setting in which each scene was shot. It is recommended that the outdoor shot LUTs,
"Mailbox" and "Park," be utilized for your outdoor shots, and the remainder be used for interior shots. Of course, you may experiment in any way you wish!
Music licensed from soundstripe.com: "No Empty Dream" by Marie.
Tech: BMPCC4K; Cinema DNG raw 4:1, 4K 24fps; Sigma 18-35 1.8; Viltrox Speedbooster; Juicebox battery; Samsung T51 TB SSD; Sennheiser MKH-416 (see below).
*I had a question about the audio so I wanted to give a detailed account: Audio was captured in 3 different ways: For the wake up scene and the mailbox scene there were roofers installing a roof across the street with 10 hammers banging. So, for this I recorded foley audio with a Sennheiser MHK-416 and a Zoom H6 recorder and edited it in. For the TV and tea scenes, I recorded with the 416 direct via mini XLR adapter into the Pocket 4K, with the mic laying on the couch and on the table. For the car and park scenes, the 416 was mounted to the shoulder rig and direct into the Pocket4K.
I can't wait to get mine delivered in 2022!
Nav G. A buddy of mine just found one at a place called Kellerd's. I've heard of people getting them there previously, too. kellards.com/
you have to wait to get one?
@@skyvistaproductions118 yep, mine its from kellards too....your video look amazing, if you have a chance pls look my work with p4k too
ua-cam.com/video/Ikr532uR2p0/v-deo.html
Looks great! Love the colors.
@@skyvistaproductions118 thanks...!
Personally, I really love the color science of the BMPCC4K. I hope to pick one up one of these days.
me too. Just can't afford it right now.
Wow! Fantastic
marco trastu, thanks!
Seeing these kind of movies wants me to get this camera more and more.
The image quality is superb!!!
Thank you!
love the hand held style of this film. I noticed a lot of big movies are like this now. They're all holding their Red cameras like this, that's a fact.
Stéphane S. Great fact ill use it at the next family dinner
@@RudyAyoub just watch how Michael Bay shoots his Transformers
how sweet!
Azure Peace, thanks!
That was fracking gorgeous!
Bradley Hawk, thank you so much!
Really good. Great music choice
Nice! I ordered mine a couple weeks ago. Can't wait til it gets here.
how long do you have to wait for delivery, if you don't mind me asking?
Love it!
Dave, thanks!
this is a piece of Art.
Eli, thank you very much!
Brilliant film. Loved it to bits. Well done on this amazing project. Can't wait to see more from you guys!
Thank you so much! More to come for sure.
got goosebumps when she smiled :) love it! ;) great short! :) tnx for sharing :)
Chico Christe Pace, thanks, man!
Oh shit. Awesome story.
Dawid Does Tech Stuff, thanks!
I love this... Very CREATIVELY shot.. As far as the haters go, the reason they have time to be so critical, is because most likely they don't have anything adventurous going on in their lives...
Ty The Believe Guy, thank you. I don’t take much to heart unless I feel the person offering their opinion is in a position to offer it. Having said that, constructive criticism is absolutely vital and appreciated!
Insanely dope
Gary Gallardo, I appreciate that!
Cool
Beautiful film. Love the color.
Thank you very much!
This was so good! Seriously impressed! Some emotion without any dialogue! Great on you and the actor!
Alec, thank you! I let her know and she thanks you as well!
Great story my friend!
Much appreciated, Kadian!
Great film! Looks amazing 😉
Jose Virella Velazquez, thank you!
Inspiring, Keep up the good work
Thank you very much, Jerry!
The image quality is phenomenal
Pranjal Sensua, thanks! And thanks to BMD!
Awesome job. Love the cinematography and overall look and feel (camera movement) of the short. Instant Sub!
Jeff Bennett, just saw this for some reason. Thank you!
This was great!!!
BamaBoynCali, thanks! Did you see part 2??
SkyVista Productions 😱😱 no I didn’t. I def will check it out
Gorgeous simplicity
Perspective Caribbean, thank you!
Short Simple And beautiful. Loved it. Keep up the good work. you have my sub
The Queens Films, your words well describe your comment, as well. Much appreciated!
Great Job!
Анапа Море Каждый День, thank you!
A beautiful film! Directing was amazing, loved all the shots! It truly captured emotion. Loved the cinematography, oh yeah, and the camera produced beautiful images too. This is one of the best (non)reviews out there for the Pocket4k; just show us what the camera can do. Will check out those LUTs.
Photographic elements, thank you very much!
Great work - really shows that this camera can play with the big boys!
Jan Tore Sorensen, thanks! I don’t think we can blame the camera any more. This thing is going to bring filmmaking to the little guys.
beautiful work
Rosemary, thank you!
great work sir, that was truly beautiful!!
Alec Taylor, thank you and thanks for watching!
"Dear sister by the time you read this I'll be dead. Here's how I think its going to happen..."
haha!. nice!
Congratulations from Brazil. Nice!!!
Raony Gomes, thank you from the US!
great video. Made me want to buy one :)
Bjarne Dijkstra, thank you! You should!
Amazing man! the audio was great
Thanks, JayWolf!
Замечательная работа) поздравляю!
Спасибо!
finally something more than review
Really nice work on this camera and sound
Norman, thank you very much!
Wow incredible short! No hate on the BMPCC at all, but it goes to show you don’t need an Alexa or RED to produce great results. Seriously great job on this! I also really loved the lack of gimbal work. I think too many people are ditching that raw organic feel to handheld/shoulder rig look. Gimbals are great if the shot calls for it and so is handheld. Each shot type has its place and you nailed it. Awesome work!
Venture Arthouse, thank you so much! I have the Crane 2 and it has it's place as well.
The same look as in the video, you can also get with an iPhone 8+ or iPhone X. It's nice, but nothing special, it's not a "cinema" look, but more like advertising. For example, if you record with Arri and the old BMPCC, it looks like Cinema, why? The sensor plays a very important role, not only light. Do you know what Cinema looks like? See:
This looks like Arri ua-cam.com/video/iQsrnA1RxBU/v-deo.html or this (RED and old BMPCC) ua-cam.com/video/gVFtNIIQwhE/v-deo.html or this (BMMCC and old BMPCC have the same sensor) ua-cam.com/video/y3ajgEgtQPw/v-deo.html or simple shots of streets, train stations...or city and people, like example: ua-cam.com/video/21BuMSxbQlA/v-deo.html ALL that i see "film"/cinematic and no documentation or advertising look. This looks, of course, has to do with the sensor.
@@GlitzGlamTVProductions I think it's the contrast, or better highlight with the old BMPCC. It's the sensor.
Yes what u say i find also true.. take a look for example at the old canon dslr, the iimage had a typical motion cadance to It , its the sensor and the glass. Sure t lack more detail and color but it had more dreamy film sense. Also the A7s2 had that same filmic cadance but the A73 looks more real life, something new is not alway better. The old bmpc pocket has less rich colors and more noise then the new but the new is more “hard” looking and less filmic
🔥🔥🔥🔥🔥 Very well done keep it up I'm getting mine next month.
bobby hustle, thank you! You’re gonna love it!
Great camera work, love the handheld. People need to understand it's a creative choice.
Jed Camara, thanks! I do own a tripod and gimble! 😂
Well done, great shot selection and variety. I particularly liked the color grade & pacing of the short. Hope to see more content! Best of luck
Ryan, I appreciate that!
Very nice job.
Eric Gilmour, thank you!
This is pro all the way!
michael angelo saulsberry, thank you!
@@skyvistaproductions118 I'm a music producer 1st and I've aquired a few admirable acalads over the years. I was signed to the Great Quincy Jones from the age of 19 and I did 20 plus years under him but this is my next journey. Your film really inspired me. Seriously!!. Even with it little flaws😄👍 I see past it because I'm a creative person. Mayan I didn't know that accessories and equipment are so expensive. Our music stuff isn't as much and we can be Pro without using pro money if that makes sense. I'm trying so hard with something's. What would you suggest for my audio set up. Keep in mind I have Mics from $200-$6000 from my music side however I'm sure there is a note affordable way. Im using my BMPCC 4k and I wanna shoot a dialog scene of two people talking. What would be my mic set up?
@@skyvistaproductions118 ua-cam.com/video/UnmXRHpOSuo/v-deo.html
@@liltroot, I use the Sennheiser MKH 416-P48, with a mini XLR adapter direct to the P4K. Watch "Letter, pt.2 for Dialogue. I also have an audio tutorial on how I recorded audio on Letter part 2 on my channel.
@@skyvistaproductions118 Thanks
nice!
Lucian Mihai vlogs, thanks!
Amazing short film, great quality too. The grading and music was so on point and of course the actress too! Lol glad I could be the 900th subscriber 😀
Thanks so much, Johnny!
THE COMMON MORTALS THAT KNOW NOTHING ABOUT CINEMATOGRAPHY WILL GET TRAPPED BECAUSE OF THE THE STORY NOT THE SHAKE OR LACK OF IT, I MEAN YES FOR US IT WOULD BE DISTRACTING CAUSE WE ARE SADLY ALWAYS SEEING MOVIES FROM THE DIRECTORS PERSPECTIVE OR DP PERSPECTIVE. GREAT JOB.
Ángel Ravel, thank you. Yes it’s difficult sometimes to get lost in the story because we are too busy analyzing the shot. But, you definitely don’t want to do anything that distracts and the shake can be overdone.
Excellent work. Please do not mind the hateful comments. Creativity is free of limits. Can't wait to see your next!
One Studios, I appreciate that. Some of it’s actually helpful and good to consider. It’s funny when you put in the description that you shot each scene in 20 mins and did it for practice, people still put on their critic’s hats. Just can’t resist. 😂
Bro very Cinematic video....keep it up I am very much sure that you are capable to make one full movie.....all the best for your further
rajput Dhiraj P , thank you! There is a feature in the works!
color science the best
Color grade looks amazing so much so that I bought your luts. Unfortunately I’m not quite getting the same look as your film. The lut is pretty red on my shots in either indoor or outdoor available light. Did you put any other grade on with your lut? Great work on your film though love that milky look!
OurVisualEscape, thanks! Sorry it’s not working as you hoped. Forgive the obvious questions, but did you shoot in the “film” profile, and were you properly white balanced? Also, what codec? DNG? BRAW? ProRes?
@@skyvistaproductions118 No worries, I know its hard to make a lut that works universally. Yeah I filmed in the film profile and in BRAW. It starts to look more like yours when I adjust color temperature. I used a pro mist filter on my camera so maybe thats messing with it. I'd love to see a tutorial or maybe even a quick comment on how you graded this, I love the look.
Great footage mate. Is the footage super soft when you open the lens up all the way to f/1.2? I have this same set up.
Unelephant, thanks! Yes, it gets softer, but I think the trade off for light and bokeh are worth it.
@@skyvistaproductions118 not super soft. Just say out of focus mainly.
I disagree. I don't think it's a distraction. It adds movement to the shots.
But there is definitely balance. You could do more of both I guess.
I like it
I like 👍🏾
Thanks!
Great work and love the colors , waiting on my cage and angelbird ssd. I have the viltrox adapter and sigma 18-35mm ( Nikon) . Did you experience any vignetting at any of the focal lengths ???
Once again thanks for the short , I prefer to watch these then a bunch of reviews on top of reviews.
Thank you! My adapter is also for the Nikkon. Maybe a tiny bit of vignette at 18, but nothing that makes it unusable. I have the metabones .67 and the vignette was not useable. That's why I picked up the Viltrox. I'll never spend that kind of money on the metabones again. I don't see any difference in image quality.
It wouldn’t be a short film without the obligatory alarm clock wake up scene! 😉
adamballweg, indeed! I couldn’t help myself. 😂
excellent work...may i ask what do you edit on? Like your editing machine. Im a little scared to go into raw right now ..not sure how well my macbook will handle it.
Thank you! Dexterity, I have a fairly beefy PC, but nothing crazy. Core i7 (about 2 gens old); 64G Ram, 1080 Card; I run Resole on an SSD and also all footage is on a separate SSD.
Beautiful cinematography, Great Job. I'll buy the luts
Did you use DaVinci Resolve?
Just got mine and I'm having a hard time with Raw Files on FCPx
Paulo Agnelo Malzoni Filho, thank you! Yes, Resolve. I recommend you give Resolve a try. The color correction is the best and the editor is fine, and quickly improving. It handles the DNG with ease. You can also map any FCPx shortcuts you like into Resolve.
Beautiful, do you mind sharing how you expose with the BMPCC4K? What ISO did you shoot in?
Javier Aguirre, thanks! I always use the histogram. Depending on the lighting, it was between 200 and 800. Because of the way the dynamic range changes with the ISO on the P4k, more recently, I’ve been shooting outdoor scenes at 1000 ISO and compensating with an ND filter (you get the most possible highlight data at 1000 ISO). For shots where it’s dark and I want to preserve shadow detail, I go to 1250. You can see how they dynamic range changes on the P4k with ISO adjustments in a chart on the BMD website.
Хорошая работа
Спасибо, я ценю это!
On of the best films with BMPCC 4k for me! Love the cinematography and the mood also! Beuatiful man :)
KubaKokot9, thanks much!
Hey! Great test film! loved it! Did you use a Pro mist filter on your sigma 18-35?
Darrick Diaz, thanks! No, I did not. Just a variable ND on the outside shots.
Cool work! I have A question I wonder do you have the same problem I have with the changing of the iris manually with the Viltrox Adapter
Phil, I don't have any problem with that. What's happening?
I am having trouble seeing or changing the f-stop . It is open at f 1.8 and I can't adjust it
Phil Brown, the physical ring doesn’t turn?
@@DetroitVideoDiaries Try this... start @ 2:59 ua-cam.com/video/DM2LcMoEIxE/v-deo.html
Amazing amazing amazing
How was ur light setup bro !?
Thank you! The only lit shots were watching TV and at the kitchen table. In both cases, I used a cheap Neewer LED at a 45 degree angle.
Looks great man did you shoot that in 24 frame or 30
Thanks! 24.
HI! Great vid! I notice some ugly banding at 0:17 on the blue wall. Please tell, is it because of youtube compression or it's because bmpcc4k can't hold this type of scene/color/grading properly??
Thank you! Yes, UA-cam compression. The 12 bit raw is more then sufficient for that type of color gradient on the wall.
@@skyvistaproductions118 thanks))
Is DNxHR HQX for 4k export settings? Wat bitrate is recommended
Love this. Huge fan of the camera work. What was your post/grade work-flow for this...?
13 Stops Pocket Films /// tolufilms, direct from the SSD into Resolve. ISO, temp, tint, sat, contrast, left, gain, and shadows all adjusted in the raw tab. Applied a LUT I created and a secondary LUT and made minor color tweaks with the wheels. Secondary correction was done to add some color in the white washed sky using the gradient tool and color wheels.
SkyVista Productions thank you for the info. Really well done.
I just got the Pocket two days ago (yeeey) and I'd really really like to use your LUT. Can you help me?
Congrats! How can I help?
@@skyvistaproductions118 Send me the LUT I guess :D
so what was the letter about? that is the quesiton...
Ultra Instinct , indeed...
How did you get that soft look? When I film the sigma looks extremely sharp
I'm using a Viltrox speedbooster - not sure if that has anything to do with it. Also, as with any lens, if you shoot with the aperture wide open , or almost wide open, it will soften it.
Great sound design and short. Would have interspersed some scenes with camera on sticks like when at the mailbox and on couch. Otherwise amazing work! Did notice heavy color banding in the mail opening scene was this shot in raw or prores?
The Young Travelier, thanks for the input. It was raw, the banding is UA-cam.
How do you get this amazing quality at 1080p in UA-cam? Every time I upload something it never looks as good as the footage in my computer, almost as if UA-cam is super compressing my footage. I've seen other Pocket 4k footage and not all of them have this quality. I guess a better question haha, what are your export settings? or, what format/settings are you uploading to UA-cam? I'm in Resolve 14
Thanks, Jiroe! I export 4k, QuickTime, h.264, quality set to best. That's it!
congratulations on a excellent short film! Was this entered into any film fests?
We are living in an amazing time for indie filmmaking. Now almost anyone can get a Blackmagic Camera and be able to produce high-quality images like this short film. Now the images can properly support the images and make everyday things like walking to the mailbox look beautiful!
Thank you. We did not. We were really just looking for a chance to use the camera but we were pleased with the outcome!
Nice short ! looks great I debating to buy one of this Black Magic cameras. Again great job! btw was the envelop on the bed and the one on the bench different envelops ? Im not bashing just want to know.
Javier, thanks, and yes, same envelope. Someone else asked the same thing. I think the highlights are just blown in the one shot so you don't see the full V of the envelope.
The image looks great. Did you use any diffusion filters on your lens?
kuunami, just a Tiffen variable ND on the outdoor shots.
Really nice! Do you find a color shift with the Tiffen? @@skyvistaproductions118
Shoefly Studios, nothing that caught my attention. I just got the stuffed because a lower priced variable I had (Nomei, maybe?) was actually causing a very slight textured type of cast on the footage. You can see it as “noise” in the Buckhorn video I posted.
is there any vignetting with the viltrox + 18-35 combo? also do you notice any quality loss?
SoaR Fameful, not that I discern. The quality is fine. I have a metabones, too, and I can’t see any difference.
which Viltrox Speedbooster did you use?
great job. audio was really good also, how did you capture it?
Animus Visual, thank you! I updated the description for the an explanation of the audio. Thanks for asking.
@@skyvistaproductions118 that 416 is magic haha. Good stuff man. Thanks for the info!
I love it. It's a bit on an investment, but it's well worth it.
Very good Feeling! very emotional. I liked it alot! great idea and the ending almost had me crying for some reason.
only detail that threw me off: where two different envelopes used as the same letter? one with a straight lid and one with a triangle lid?
Florian, thank you! That's funny, you're not the first person to ask that. It is the same envelope. I think the envelope is just over exposed in one shot and it makes the outline disappear.
This is amazing what frame rate did you use
Garcia Barnes, thanks! 24 FPS.
@@skyvistaproductions118 thanks for the reply
Wow this is amazing. I wonder how much the video size is. Because you're recording 4k raw. Are you compressed the video before uploading to UA-cam?
Thank you! The file is compressed with 4k h.264, and then UA-cam further compresses it - that's why there is some noticeable banding in some of the color gradients (that's not visible in the raw).
How much total footage size? It's over 100 gigs? I'm so sorry for having lot of question because i want to buy this camera.
Clark, the Raw 4:1 is around 4 GB per minute.
@@skyvistaproductions118 Thank you for your help.
do you have a link to the shoulder rig you used
Camera settings? Nice job!
Thanks. I'll go ahead and add to the description, but the camera was in the "film" profile (log), Cinema DNG raw 4:1, 4k 24 fps.
You get this footage only from the sigma 18-35 ? Its so good keep up :)
Danyal, yep! Thanks!
Did you use an anamorphic lens too?
Purse Hero, nope. Just changed the project aspect ratio.
Just wondering how do you get this wide screen effect? btw nice video
Thanks, In Resolve, Master Settings, change the Timeline Resolution to 3840 x 1634; then click on "Image Scaling," go to the "Input Scaling" section where it says "Mismatched resolution files," and choose "Scale full frame with crop." If you don't have Resolve, I'm sure its very similar in any major NLE. Make sure your render settings are set to match the project settings and that's it. Upload normally to UA-cam.
@@skyvistaproductions118 Do you find it more effective than just using blanking? As in a better effect?
luigi cappello, I like the look better. To me, it looks like a movie screen. Movie screens don’t have black bars.
Did you use the Sigma ART lens? Or the CINE lens. Ive been looking at thte ART lens because I cant afford the CINE at the moment.
john winburn , the ART lens. I may be mistaken but I thought I read somewhere that the guts where the same or similar?? I know the price difference wouldn’t suggest that.
I think it was a well executed story. The movement, angles, color grading choice, and shallow DOP all felt like it served the story. If I had to give some constructive feedback, I would say to try and motivate the reasons for the CU and Wide shots while she is in bed. It felt like you were just going back and forth. An option would have been to do a slow pull back on the wide to show her sinking into her thoughts for whatever it was she was reading. But again, I didn't really have a problem with it as the entire story was quite good.
Scott, thank you and thanks for the feedback. I see what you mean on the bed shots. One problem was that the Sigma does not hold focus while you change the zoom; also, I had to pull focus manually while holding the shoulder rig so I tried to keep most shots on an even plane (as opposed to in and out motion). One possibility to achieve the shot you described would have been to close up the aperture a little to get a little more play in my focus field. I had left it wide open to get all the light I could as I just relied on the early morning sunlight from a window. Nice reel, by the way!
SkyVista Productions if there was room in the room, you have just walked backwards a little bit and pulled focus instead of zoom. But you're right the sigma wanders on zoom. There are 1000 ways to do anything and there are no right ways or wrong ways. It's just something to think about in the future. Camera movement is a way to convey emotion as well.
hi. why it looks like sony 6300)?!! too sharp. did you add or reduced sharpness and mid tone details?
I own the 6500 and I don't personally think this looks that. I did not adjust the sharpness at all. In the Cinema DNG codec, there is no sharpening applied. This quickly produced footage has it's flaws, but I'm not seeing it as being overly sharp. I did reduce midtone details in a few shots, but that was mainly to even out skin tones more than to reduce sharpness. Thanks for your thoughts!
Great footage! I prefer no tripod/gimbal shots. It's a creative choice.
Floaty shots are the worst kind of cinematography. It's not realistic or "immersive" in anyway. They distract from the performances. They're best used for battle scenes when it makes sense. It's not creative at all. It's lazy, because you're disregarding your audience's experience. The human eye does not see the world in floaty, bouncy motion.
VFX Todd I agree with you, but this is a youtube video and not a film. The creator obviously is not going to use a gimbal, tripod, steadicam, dolly, multiple lenses for a single youtube video. Maybe he’s experimenting? I just don’t see why everyone needs to complain about it.
@@AllThingsFilm1 wtf are u talking about???? it's the most realistic and immersive movement, it represents the bouncing of your steps...It's clear that you know nothing about cinematography. Even the blockbusters use it all the time and not only in battle scenes. But there is a big difference when you compare a shot handheld with or without (jitter) a shoulder rig (and properly balanced)
Great film beatifully shot. That sigma shines! What iso were you using?
Zak Fenning, thank you! From 100 to 1250. One of the great benefits in shooting raw is that you can adjust the ISO in post, non-destructively. It’s the same as if you had done it in camera, with the exception of not having the benefit of the dual native ISO of the camera. In other words, if you shoot 1000 in camera, and then want to bump it in post to 1250, you don’t get the ISO reset that the camera would give you at 1250.
@@skyvistaproductions118 thanks for replying! That makes sense. Btw I watched this on a big 55 inch 4k oled, I couldn't tell what was 100 and what was 1000. Could be due to youtube compression, but that's still amazing how clean it is at such a range of isos. Thanks again!
Zak Fenning, good to know, thanks. I did apply a very small amount of noise reduction in Resolve in the TV watching scene. Also, the major issue I noticed from UA-cam compression was the color banding visible on the blue wall in the opening shot. That banding is not present in the original.
Dopeness...any lut used in the grade?
chris fox, thanks. I used the black magic film to video LUT, a LUT I made called Harbor, and some additional tweaking.
@@skyvistaproductions118 Sweet, Was a IR curt filter used ? I keep reading that it is needed with BM cameras?
chris fox, no IR or any other filters used.
This is still the best ever quality DSLR footage I've ever seen especially the shot at: 1:46 / 1:47. Could you please do a tutorial on how you got all these shots? The lighting, the camera settings, the colour grading? Thanks. BTW the best 35mm film footage I've seen is some of the shots in Lost In Translation, ones with Scarlett Johansson. Also Star Wars: The Force Awakens (35mm film) and Blade Runner the 80's one (35mm film.) The actress in your film Letter is a similar type to SJ so that helps.
Hi, thanks for that! Unfortunately, no time for a tutorial, but I can give you some quick feedback:
Lighting: She was next to a large window on her left, brining in natural light; I added a bi-color LED, matched for the daylight to give a little more pop on her face. There was obviously another window behind and to her left with natural light which set her apart nicely from the background.
Settings: One big factor was this was back when the P4K used Cinema DNG - I still think it looks nicer than BRAW. This was on the Sigma 18-25, 1.8, with the aperture wide open (which makes the lens which is very sharp a little softer). ISO was probably around 400.
Grading: Nothing fancy - exposing for the skin and grading for accurate skin tones, and I added a LUT I created that appears in the description.
Hope this helps!
@@skyvistaproductions118 Thanks so much.
Reminds me of Dunedin, FL
gwoiler , is that where you are?
Clearwater... but I go Onewheeling in Dunedin all the time by the water and in town.@@skyvistaproductions118
actually... that looks like that park near or in Oldsmar - on the lake... @@skyvistaproductions118
What ND filter are you using with the sigma 18-35?
GemmellBroductions, Tiffen variable.
This camera is produces Legend footage all the time no matter if you're not good film maker as well this camera will turn your projects into Legendary footage, see my videos and short film which have been filmed with this camera
Looks great ... but i find the hand held camera shake distracting, especially when its a slow pace.
Works well in a fast pace action scene though.
I personally, would of used a gimbal
Jay Freeman, join the raging debate! 😂
Nice job, it just seemed a bit strange that your focus on the waiting of the opening of the envelope changed from a flat flap to a triangle flap. It sort of jumped out, and the envelope sized changed. A continuity thing.
In Alchemy, same envelope the whole time. Promise.
Give me some screen times when you see it.
@@skyvistaproductions118 You are totally right I am wrong. I looked close and you can't see where the flap goes and thought it was going across. My bad... really like your piece.
No worries! Thanks!
For some reason I thought the same. Weird.