I love watching a morning mist rising. Whether its over the ocean, or watching the clouds lift off of the Canadian rockies in the morning, and then sail away to become the clouds over the city hours later. Its humbling in a sense. Its like watching the earth inhale and exhale, and makes you feel very small.
That's a beautiful analogy, watching the world inhale. My favorite spot in this respect is the top of a Vlieland dune, just under the lighthouse, overlooking the Wadden Sea and the North Sea. I once watched a thunderstorm develop in the west, almost hitting the island and disappearing in the east. A peak moment.
@@PaintingSkies1 That sounds wonderful. My peak moment was watching the nights condensation lifting off of the mountain tops, just as the sun was rising. I was literally watching a weather system develop.
Thank you so much for sharing your videos and skills with us all. I find your videos soothing and informative....plus they inspire me to get out my paints and have a go! You make it look so achievable....but that's because you are expert...but I will still give it a go, learn and enjoy the process. Thanks again
Thank you so much for sharing your process for these beautiful paintings. I love that you use your hands as part of the process - I do this too (I come from a background of soft pastels) but find the oil paints make my skin sore and crack! Any tips to prevent/treat this would be gratefully received!
My pleasure, Annabel! I worked with soft pastels a lot too. Great stuff. I also have this problem with my hands, butI'm not sure it's the paint that causes it. In my case it's probably the fact that I wash my hands a lot. I use moisturizing cream after each painting session.
Hello. I love your videos. I was wondering as an artist myself if your cloud technique will work on stretched canvas? Keep your great content coming. 🎨 ☺
Yes, it'll work on canvas, though not as well as on a smooth panel. It's harder to get the seamless gradients I'm after. Removing the paint with a cloth (to reveal lighter parts) is much harder on canvas. The paint gets stuck in the texture. But I would certainly try, if I was you!
Echt weer een heel mooi schilderij. Zeer inspirerend en leerzaam. Ikzelf schilder uitsluitend met acryl. Dus ik ben eigenlijk wel benieuwd hoe jij een wolkenlucht uitsluitend met acryl zou schilderen.
Dank je Folkert! Ik ben eerlijk gezegd niet zo'n goeie acrylschilder, dus ik weet niet of je veel waarde aan mijn advies moet hechten, maar ik zou het in grote lijnen net zo doen als met olieverf. Eerst het blauw van de lucht (in zijn geheel meestal), dan over de droge onderlaag de wolken schilderen in een middentoon en (als dat weer droog is) de hoge lichten en de schaduwen. Daar overheen eventueel een glacis als de contrasten te hard zijn. Hierbij ook de link naar een artikel dat ik op mijn blog heb geschreven: paintingcloudskies.blogspot.com/2016/08/oils-and-acrylics.html. Als je de tijd hebt, kun je de reactie lezen op het artikel van een acrylverfschilder (Gayle) met veel tips om de glazuurtechniek toe te passen met acrylverf.
I’ve been painting with my hands for decades now. Back in the sixties and seventies (when I was a student at the Academy) using your fingers was more or less standard practice. Since then health and safety regulations have become more strict and in my palette there’s only one color left (Transparent White) with an environmental hazard warning sign on the tube. I’m not saying there’s no risk at all, I’m not a scientist. Everyone should make their own choice. If you don’t feel comfortable using your hands, then don’t. I’ve been doing it for so long now that I’ll probably keep doing it til the day I lay down my brushes...
Just beautiful. I enjoy all your videos. When you paint on paper are they just studies for a bigger painting? Do you mount the paper painting on foam core and frame it behind glass?
Thanks, Jessica! Yes, they're quite often studies for larger works, but I more and more I enjoy doing them for their own sake. When I'm content I have them mounted on MDF board, so they can be framed like paintings on panel.
That stipple brush is... an enigma? But pretty sweet results with the discipline to use it well. Seems to me that the texture, if you've properly used it a few times and then your badger fan brush... it seems to remind me of the texture that I get when I put a surface onto masonite. Usually something from Gamblin in my case (oil painting ground). Been so very long since I've painted, I sooo want to start up again. Love clouds. Between yourself, Christopher Leith Evans, Jett Green (two former matte artists who are amazing painters... I think you'd like Chris' videos on clouds...) sigh...
I'm working on a large commission at the moment with a huge dark cloud. I'm slowly building up the contrast in the cloud with transparent layers. I use the stipple brush for each layer, resulting in a fine grained texture you'd never get with a regular brush. Thanks for the tip. Will check them out. My tip: if you have this urge to pick up painting again, just do it.
Do you have any tips for an amateur painter trying to make realistic paintings? My lighting is off and I feel discouraged as I can’t put what I want to make onto the canvas.
Well, you might be asking to much of yourself. I have been struggling myself for quite a few years, before I had the feeling I was on to something. If you keep putting in the hours (and avoid perfectionism) you will get better. If you want to find out more about my painting technique: www.paintingskies.com/video.
Yes, in this case I primed the paper with a blue acrylic. That's not always my approach. Sometimes I prime it with Gesso (a Royal Talens primer). The MDF panels I work on are primed by a small Dutch company, who (understandably) won't share their recipe.
@@PaintingSkies1 Thanks! i never used acrylic for primer i use gesso sometimes or canvans already prepeared that i find in shops i start at 18 y o with oil on a thick paper and still have that first painting , i copied the same the following year on convans, & i still have that one too i love Tales and sometimes Van Gogh line of colors
@@PaintingSkies1 Hi well i painted for my pleasure some were given as a gift or were sold and i STILL REGRET 😱 my main job has been jewellery i am very attracted by bright colors , always left painting for retirement actually i am retaired and still do some jewellery and re-start painting 😂
@@PaintingSkies1 thanks' for the info. Bty .. I saw in one of your other videos how you go about tapping the paper to your workboard, very cool little trick👍
@@StevenMarkPaintings Yes, it is, isn't it? Learned it from my frame maker. She uses it to mount works on paper in a travel passe partout. I thought: This can also work to tape paper to my work board. And it does :)
I have been working on canvas for years. I switched to panel, because I wanted a smooth surface to paint on. When painting on canvas, you'll always have to deal with the canvas texture.
Thank you so much, especially telling us what color you used. Very generous of you! it comes with out saying this is a beautiful painting.
My pleasure, Franceska!
Awesome, as usual. I see you basically make up your paintings out of your imagination, which is much harder to do and still make them look real.
Thanks, Mike! I do use reference photo's, but I don't copy them. They're mostly relevant in the beginning of the painting process.
I love watching a morning mist rising. Whether its over the ocean, or watching the clouds lift off of the Canadian rockies in the morning, and then sail away to become the clouds over the city hours later. Its humbling in a sense. Its like watching the earth inhale and exhale, and makes you feel very small.
That's a beautiful analogy, watching the world inhale. My favorite spot in this respect is the top of a Vlieland dune, just under the lighthouse, overlooking the Wadden Sea and the North Sea. I once watched a thunderstorm develop in the west, almost hitting the island and disappearing in the east. A peak moment.
@@PaintingSkies1 That sounds wonderful. My peak moment was watching the nights condensation lifting off of the mountain tops, just as the sun was rising. I was literally watching a weather system develop.
@@mark-dietz Amazing...
Always a pleasure to watch and always a breathtaking result. Thank you.
My pleasure, Mark, thanks!
Thank you so much for sharing your videos and skills with us all. I find your videos soothing and informative....plus they inspire me to get out my paints and have a go! You make it look so achievable....but that's because you are expert...but I will still give it a go, learn and enjoy the process. Thanks again
My pleasure! If you put in the hours, you'll get better, that's the secret. Worked for me!
beautiful as always thanks for sharing..
My pleasure, thanks!
Brilliant! Love it!
Dankjewel, Folkert!
I love your videos, you’re the best teacher I’ve found for sky’s!❤❤
That's great to hear, Steve, thanks!
That looks amazing. You have inspired me to paint using your methods thanks
Ah, that's great, thanks John!
Great as always Jan...
Thanks...
Thank you for this video, a clear and beautiful explanation
I'm pleased to hear you enjoyed the video, thanks!
Excellent work!!!!!!👏👏👏👏👍🥰👌
Thank you!
Wow thank you so much. Your way of painting and talking about your process is so meditative and artistic ❤
Thank you, Nabila, my pleasure!
Outstanding!
Thanks, Alex!
So beautiful painting 🖌️
Thank you so much for sharing your talent 😊
Please stay connected
Thanks, Eram, I will!
Your work is fantastic😊
Thank you, Peter!
You are a poet. Thank you from Argentina ❤
Thank you so much, Julieta!
You are a master in your own right!
Thanks, Steve!
Superb, brilliant, perfection
As always thank you 👍
Thank you so much, Tracey!
i love skies .. in fact o thought to make many and did not 😱 very lovely work and interesting also
Thanks, Paul!
Thank you so much for sharing your process for these beautiful paintings. I love that you use your hands as part of the process - I do this too (I come from a background of soft pastels) but find the oil paints make my skin sore and crack! Any tips to prevent/treat this would be gratefully received!
My pleasure, Annabel! I worked with soft pastels a lot too. Great stuff. I also have this problem with my hands, butI'm not sure it's the paint that causes it. In my case it's probably the fact that I wash my hands a lot. I use moisturizing cream after each painting session.
You make it look easy.
Thanks, Mike. The secret is to put in the hours!
Hello. I love your videos. I was wondering as an artist myself if your cloud technique will work on stretched canvas? Keep your great content coming. 🎨 ☺
Yes, it'll work on canvas, though not as well as on a smooth panel. It's harder to get the seamless gradients I'm after. Removing the paint with a cloth (to reveal lighter parts) is much harder on canvas. The paint gets stuck in the texture. But I would certainly try, if I was you!
..absolute Klasse
Dank je, Ingo!
Espetacular, parabéns
Obrigado, Sandra!
Echt weer een heel mooi schilderij. Zeer inspirerend en leerzaam.
Ikzelf schilder uitsluitend met acryl. Dus ik ben eigenlijk wel benieuwd hoe jij een wolkenlucht uitsluitend met acryl zou schilderen.
Dank je Folkert! Ik ben eerlijk gezegd niet zo'n goeie acrylschilder, dus ik weet niet of je veel waarde aan mijn advies moet hechten, maar ik zou het in grote lijnen net zo doen als met olieverf. Eerst het blauw van de lucht (in zijn geheel meestal), dan over de droge onderlaag de wolken schilderen in een middentoon en (als dat weer droog is) de hoge lichten en de schaduwen. Daar overheen eventueel een glacis als de contrasten te hard zijn.
Hierbij ook de link naar een artikel dat ik op mijn blog heb geschreven: paintingcloudskies.blogspot.com/2016/08/oils-and-acrylics.html.
Als je de tijd hebt, kun je de reactie lezen op het artikel van een acrylverfschilder (Gayle) met veel tips om de glazuurtechniek toe te passen met acrylverf.
I do sincerely hope you use non toxic pigment when using your fingers as brushes. Stay safe.
I would love your comment on safety of pigments. From 🇦🇺
I’ve been painting with my hands for decades now. Back in the sixties and seventies (when I was a student at the Academy) using your fingers was more or less standard practice. Since then health and safety regulations have become more strict and in my palette there’s only one color left (Transparent White) with an environmental hazard warning sign on the tube.
I’m not saying there’s no risk at all, I’m not a scientist. Everyone should make their own choice. If you don’t feel comfortable using your hands, then don’t. I’ve been doing it for so long now that I’ll probably keep doing it til the day I lay down my brushes...
Just beautiful. I enjoy all your videos. When you paint on paper are they just studies for a bigger painting? Do you mount the paper painting on foam core and frame it behind glass?
Thanks, Jessica! Yes, they're quite often studies for larger works, but I more and more I enjoy doing them for their own sake. When I'm content I have them mounted on MDF board, so they can be framed like paintings on panel.
@@PaintingSkies1
Thank you for that info. I’m going to try painting on paper now. You have inspired me.
@@jessicagiardino8298 That's just great, Jessica, thanks!
nice lovely cat video ! (+ gift : a cool clouds painting tutoriel)
First things first. Thanks!
I love a good cat video
That stipple brush is... an enigma? But pretty sweet results with the discipline to use it well. Seems to me that the texture, if you've properly used it a few times and then your badger fan brush... it seems to remind me of the texture that I get when I put a surface onto masonite. Usually something from Gamblin in my case (oil painting ground). Been so very long since I've painted, I sooo want to start up again. Love clouds. Between yourself, Christopher Leith Evans, Jett Green (two former matte artists who are amazing painters... I think you'd like Chris' videos on clouds...) sigh...
I'm working on a large commission at the moment with a huge dark cloud. I'm slowly building up the contrast in the cloud with transparent layers. I use the stipple brush for each layer, resulting in a fine grained texture you'd never get with a regular brush.
Thanks for the tip. Will check them out. My tip: if you have this urge to pick up painting again, just do it.
Do you have any tips for an amateur painter trying to make realistic paintings? My lighting is off and I feel discouraged as I can’t put what I want to make onto the canvas.
Well, you might be asking to much of yourself. I have been struggling myself for quite a few years, before I had the feeling I was on to something. If you keep putting in the hours (and avoid perfectionism) you will get better. If you want to find out more about my painting technique: www.paintingskies.com/video.
I love your work. I have purchased a few of your tutorials. Do you have a patreon?
Thank you, Anthony! Yes, I have a Patreon account: www.patreon.com/paintingskies.
💕❤️🎨🎨🎨
Thanks, Robert!
hello
did i correctly understand
u paint oil on a acrylic base ?
thanks❤️
Yes, in this case I primed the paper with a blue acrylic. That's not always my approach. Sometimes I prime it with Gesso (a Royal Talens primer). The MDF panels I work on are primed by a small Dutch company, who (understandably) won't share their recipe.
@@PaintingSkies1 Thanks!
i never used acrylic for primer
i use gesso sometimes or canvans already prepeared that i find in shops
i start at 18 y o with oil on a thick paper and still have that first painting , i copied the same the following year on convans, & i still have that one too i love Tales and sometimes Van Gogh line of colors
That's great, that you still have work from that age. I don't know where my work went, but it's all gone... @@pauljack7170
@@PaintingSkies1 Hi
well i painted for my pleasure some were given as a gift or were sold and i STILL REGRET 😱 my main job has been jewellery i am very attracted by bright colors , always left painting for retirement
actually i am retaired and still do some jewellery and re-start painting 😂
You seen to use a lot of different size paper canvas, where do you get your from?
I work on 300 grs. Arches oil paper of 56x76 cm. I cut it at the size I want. They come in loose sheets, not a pad.
@@PaintingSkies1 interesting. Do you gesso it before painting?
@@StevenMarkPaintings I do, just to be certain, but the manufacturer claims you don't have to. It's sold as oil paper after all.
@@PaintingSkies1 thanks' for the info. Bty .. I saw in one of your other videos how you go about tapping the paper to your workboard, very cool little trick👍
@@StevenMarkPaintings Yes, it is, isn't it? Learned it from my frame maker. She uses it to mount works on paper in a travel passe partout. I thought: This can also work to tape paper to my work board. And it does :)
Very nice
Thank you, John!
I love your skies painting, but… why you do not paint on canvas which is a much more durable painting support? Believe me, I respect and love your art
I have been working on canvas for years. I switched to panel, because I wanted a smooth surface to paint on. When painting on canvas, you'll always have to deal with the canvas texture.
I agree I always used nothing but canvas before.
🤍💛🧡💗💚💙💜🤎🖤✌
Thanks, Howie!