Y'all get me so excited when something drops. Y'all have some of the BEST plugins, lots of innovation... WITH GREAT GUI/GRAPHICS. Trackspacer is genius and now this?? Highly underrated. I need MORE
This is what i’m looking for in the digital domain!! Plugins that do things analog can’t. I’m tired of this 1176 emulation or that neve channel strip emulation… this is really an amazing and powerful tool ITB!
I believe it was this plugin that inspired me to write my JS Transient Splitter which splits the attack and sustain to separate (pairs of) channels so you can make whole chains of whatever plugins you want for each and then mix them back together however you see fit. Honestly haven't found a whole lot of use for that, but it's on the Reaper Stash for anybody who thinks it might be useful.
In the field of sound processing, I envy English the ability to name various phenomena. It is clear and concise. Although Czech is a rich language, we have to find adequate means of expression in it.
I enjoyed playing with the demo; the choice of effects makes a lot of sense and the transient detection works nicely. The biggest problem is linear controls that pack most of the "useful" settings to one end of the knob range for LFO rates (which don't tempo-sync) and the compressor attack/release controls. Dan Worrall has been known to criticise that sort of thing in other plugins ;-)
@@WalkinonSunshyne One can achieve similar results with an existing transient designer and appropriate DAW routing. The plugin needs to provide a nicer workflow than that; mostly it does, until you try to dial in a slow LFO or fast release.
Ive been waiting for a transient design program that allows you to affect the mid side separately. And there is also other effects as well for sustain and attack separately! GOLD!!!
This does easily what I try to do much of the time, but I do it more clumsily with other plugins and chains. With this, it seems easy to get right to the point. Thanks.
Adds in the spicy aliasing on the 808, one of my favourite sounds, -cuts the best part after in the saturation stage and breaks my heart. Sick groove though
Already regretting recently buying Boz digital Transgressor 2: Quantum takes the whole idea of splitting the signal in the transient and the sustain to a completely new level. This plugin could really become a game changer. It's not just a way of controlling transients, I'm guessing this can do what a lot of standard plugins do in a much less controllable way, but better. It's a bit like finding out about dynamic eq (in fact that happened to me after watching Dan Worrels video on TDR Nova). All of a sudden you can't imagine how you could have mixed without one.
Dan brings his own clarity to a video. But this plug-in is very well thought out. Splitting the signal of the detector is great idea. Can they be output separately?
Absolutely genious plugin. The capabilities for percussion sound design are amazing. This plugin opens up so many possibilities. Like doing some creative routing within your DAW by splitting transients and tails for different processing. Or a series of reverb buses activated either by transients or tails, so you can have super short “room” type reverbs on transients and huge halls on tails. For mastering I would love to be able to band-limit the detection and processing. Obviously a multiband version of this plugin would be the ultimate tool for this but I would love to even just apply this to the high frequency content, or low frequency content. Could be really effective for accelleration-limiting a bass dynamics management!
Hi, great plugin and lesson by Dan. Question for Dan, maybe for your channel: At 01:28 you said "extra warmth and thickness, the latter doesn't come with the usual risk of cluttering up the low mid range however, as we're only applying it to those very short initial transients." I saw in other videos people adding frequencies for short period (on transients) using EQ's expansion. (Expanding high frequencies without sounding harsh, and adding low frequencies without sounding bloated :) Claiming this improves the translation problems to other systems compared to if the same frequencies would be added constantly. Also, reading Gelfand's book on Hearing he speaks about longer sounds are heard louder than short ones.. Would love if you could _expand_ on the subject please! :) Thanks!
The problem with demonstrating on experimental wacky drum sounds is that it all sound wacky whatever you put on it? You could put it thru a flanger and a echo and what's the actual difference? There's no reference is there? It's just another thing, that does a thing...
It is definitely the best of its kind. Awesome on kick and snare for adding sustain. It is just a bit pricey though cause it is not an effect which is used very often. 🤑
I've been using Boz Digital Transgressor and Transgressor 2 for years, and now both Surreal Machines and you guys have released really good alternatives to it. I still love Transgressor, but it does have some problems with weird artifacts, which neither Impact or Quantum seems to have (or at least not as pronounced). Even though Quantum has more effects included and maybe more functionality, I feel like Impact is a bit closer in price to what I can justify spending on a transient shaper. I'll demo them both for a while longer before I decide.
*Feature Request:* provide an "Output" module (available when pressing the "+" button) to route attack/release to any other track (or plugin) in your DAW for processing with other effects. This would allow for so much flexibility, like using only the attack to trigger the side chain of a compressor of another track. And being able to add multiple output modules, you could create multiple output points, like send the dry attack to a compressor, then process the attack inside Quantum and send the processed attack to a reverb bus, and so on. All of this could be done within one instance of the plugin. I don't know if that would be possible, but that would take this already amazing plugin to the next level!
There are a lot of artifacts created on many tracks that remain no matter how much I tweak it. Just try turn down attack to hear artifact. Works on some stuff. I'll pass on this one.
This embodies what a 'paid plug-in' should be imo. Since transpire came out there's been no better transient plug-in, and no need to pay for one either, until now.
Fully agreed! Maaaybe you could justify getting Spiff, but that’s real expensive. And great as it seems, I haven’t felt motivated, since Transpire just gets it done 99% of the time. This contributes something all new though.
Pfff. You support liers and thiefs. They stole it. All these ideas and much better ones were explained one year ago on UA-cam. Also this plugin has awful processors. Just split transient and sustain and process by much better ones
@@covidpassforslaves1763 wanna educate us ? As in actually direct us towards the originators YOU claim to support? Also why resort to personal insults when it's clear those supporting aren't even aware of any previous version? Also if someone has published this idea in UA-cam without patenting it then it's perfectly ok to develop that idea imo. I give ideas away all the time that I expect people to do better things with.
Website says it is artifact-less; FALSE, it creates many artifacts. Website says it is not a one-trick pony; FALSE, it only works reliably on drums. Website says it is designed with ridiculous attention to detail; OOPS! They missed the main detail of working without glitches. Website says it is a joy to work with; NO, it is not. They should have named it Glitch-Factory.
*Me three years ago:* "I'm so glad i gave up hardware. Look at all the money I'm saving by using free plugins! So much to learn and explore with very little investment! I am glad i have learned to be prudent with my audio tech purchases. It was so silly when i used to want to buy every shiny new thing that came out!" *Me after discovering Dan Worrall two months ago:* "I don't at all hate working 60 hours a week! How else am I going to afford all the fabfilter plugins????"
This does look incredible, but if I’m spending that much on a plugin it would have to be something more utilitarian like ProQ or something more unique like Gullfoss. There is already a ton of transient designers for
I'm a simple man, I see a video starring Dan Worral I click it.
The voice of the gods...
I don't think you're simple. But this comment is unoriginal enough to exist below every one of his videos.
@@ottam Okay Mister Original
i see his name, i click it
@@yeezythabest Hey, my father is *Mr.* Original.
There’s no greater endorsement than Dan demonstrating your plugin for 10 minutes.
Also costs you 4000€
@@ArguZ72 well worth that
@@josuastangl7140 pff nope, overrated completely. The guy cannot even make an amateur good electronic sound by himself.
@@ArguZ72 exactly, I respect a lot wavesfactory plugins but paying that boomer for endorsing the company sets me kinda off.
@@liorsilverstein9802 You're so edgy. 🥱
This is absolutely wild
Yoo fancy seeing you here
It's stolen ideas. How can you support these scamners?
@@johnkanguru5747 from where?
@@johnkanguru5747🙄Bold accusations warrant clear explanation and tangible proof. You've provided neither. 🥱
Y'all get me so excited when something drops.
Y'all have some of the BEST plugins, lots of innovation... WITH GREAT GUI/GRAPHICS.
Trackspacer is genius and now this??
Highly underrated. I need MORE
This is what i’m looking for in the digital domain!! Plugins that do things analog can’t. I’m tired of this 1176 emulation or that neve channel strip emulation… this is really an amazing and powerful tool ITB!
Jesus Jesus! what a device. Congratulations.
Great demo Dan as always.
I believe it was this plugin that inspired me to write my JS Transient Splitter which splits the attack and sustain to separate (pairs of) channels so you can make whole chains of whatever plugins you want for each and then mix them back together however you see fit. Honestly haven't found a whole lot of use for that, but it's on the Reaper Stash for anybody who thinks it might be useful.
Thanks for that tip! Will check it out.
Dan is normally the 'fundamentals and facts' guy, so the biggest advert in this whole vid is it's nice to see Dan having some creative fun!
Complete masterclass in a simple introduction video.
In the field of sound processing, I envy English the ability to name various phenomena. It is clear and concise. Although Czech is a rich language, we have to find adequate means of expression in it.
Intersting all in one solution plugin. Being honest, the example at the end is complete chaos :)
Yeah, I think he over did it. But maybe my taste of music is just different.
@@Zadagu ah, I think it serves its purpose. I don't want to go into judgement of "good" or "bad". It was just my impression.
Hahahaha awesome 👌!
The bypassed version sounded better at the end, was more punchy
I saw the same ideas on UA-cam before. Nothing special. I pass on this plugin.
Wow, the short 808 bass with only the attack part (sustain muted) sounds very interesting on it's own.
My self-esteem and my talent had left the chat... Dan as usual kicks the hell out of a great plugin. RAD music!
I enjoyed playing with the demo; the choice of effects makes a lot of sense and the transient detection works nicely. The biggest problem is linear controls that pack most of the "useful" settings to one end of the knob range for LFO rates (which don't tempo-sync) and the compressor attack/release controls. Dan Worrall has been known to criticise that sort of thing in other plugins ;-)
Although not desirable, this is a revolutionary plugin so it’s pretty forgivable. This is also a tutorial that he is paid to do.
@@WalkinonSunshyne One can achieve similar results with an existing transient designer and appropriate DAW routing. The plugin needs to provide a nicer workflow than that; mostly it does, until you try to dial in a slow LFO or fast release.
@@WalkinonSunshyne Agreed.
Love your content! You should review Eventide's new SplitEQ, it's a transient designer, but for EQ-bands
Great plugin and a clever move to ask Dan to present it. I'll wait for the blackfriday dealt though, 150e is a bit steep.
Dan your No:1 marketing man so to the point with unprecedented clarity, Iam sold on this product! Good job Dan you the man 👍👍👋
Ive been waiting for a transient design program that allows you to affect the mid side separately.
And there is also other effects as well for sustain and attack separately! GOLD!!!
My oh my, a very powerful transient designer!
I had brushed off this offering and now I'm thinking to catch it if it goes on sale. $100 for VSTs nowadays is an instant red light for me.
This plug in appears to be well worth the money
This does easily what I try to do much of the time, but I do it more clumsily with other plugins and chains. With this, it seems easy to get right to the point. Thanks.
I get a little sad every time I hear Dan say "That's all. Thanks for watching."
Adds in the spicy aliasing on the 808, one of my favourite sounds, -cuts the best part after in the saturation stage and breaks my heart. Sick groove though
Been wanting a transient shaper like this for a long time!
Well, I definitely wish I'd seen this before the introductory pricing ended! It looks terrific.
Already regretting recently buying Boz digital Transgressor 2: Quantum takes the whole idea of splitting the signal in the transient and the sustain to a completely new level. This plugin could really become a game changer. It's not just a way of controlling transients, I'm guessing this can do what a lot of standard plugins do in a much less controllable way, but better. It's a bit like finding out about dynamic eq (in fact that happened to me after watching Dan Worrels video on TDR Nova). All of a sudden you can't imagine how you could have mixed without one.
Dan brings his own clarity to a video. But this plug-in is very well thought out.
Splitting the signal of the detector is great idea. Can they be output separately?
Melda MXXX can, and has been doing all of this and more for ages ;)
It's because it was stolen from a guy on UA-cam. Fk this company
@@johnkanguru5747 Proof?
@@AndyNicholson Melda's stuff is a mess. Cool ideas and some decent sounds here and there but they're the antithesis of user friendly.
@@Brendan-Black I disagree, strongly.
Wow. great work as usual, Dan
Absolutely genious plugin. The capabilities for percussion sound design are amazing.
This plugin opens up so many possibilities. Like doing some creative routing within your DAW by splitting transients and tails for different processing. Or a series of reverb buses activated either by transients or tails, so you can have super short “room” type reverbs on transients and huge halls on tails.
For mastering I would love to be able to band-limit the detection and processing. Obviously a multiband version of this plugin would be the ultimate tool for this but I would love to even just apply this to the high frequency content, or low frequency content. Could be really effective for accelleration-limiting a bass dynamics management!
You like this then go explore the crossovers in Melda multiband plugins or MXXX, this is a tame version of them.
Pfff. They stole these ideas.
@@covidpassforslaves1763 No one ripped off your little ideas, ya twat. 😅
This is insane. Congrats on this idea and how you did it!
Hi, great plugin and lesson by Dan.
Question for Dan, maybe for your channel:
At 01:28 you said "extra warmth and thickness, the latter
doesn't come with the usual risk of cluttering up the low mid range however, as we're only applying it to those very short initial transients."
I saw in other videos people adding frequencies for short period (on transients) using EQ's expansion.
(Expanding high frequencies without sounding harsh, and adding low frequencies without sounding bloated :)
Claiming this improves the translation problems to other systems compared to if the same frequencies would be added constantly.
Also, reading Gelfand's book on Hearing he speaks about longer sounds are heard louder than short ones..
Would love if you could _expand_ on the subject please! :)
Thanks!
thhis sounds out of this world!
I've got Eventide Physion. That does Tonal/Transient Audio Splitting and Special FX.
Might add this to my production tool box. These tools come in handy for surgical processing
Wow this is really interesting. Seems more tweakable than Boz’s Transgressor
This is very good for drum loops and for individual drums and also solo instruments, but for other things, is very glitchy!
Damn, I just missed the 33% sale. Had I known about this then I would've gotten it!
Saaaame 😭
Wait for Black Friday.
Don't support scammers. They stole these ideas
@@covidpassforslaves1763 Nice username, opinion discarded
@@covidpassforslaves1763 STFU. Thanks!
Interessting plugin and good explanation.
The problem with demonstrating on experimental wacky drum sounds is that it all sound wacky whatever you put on it? You could put it thru a flanger and a echo and what's the actual difference? There's no reference is there? It's just another thing, that does a thing...
Can you dial or type in exact frequency for a sample rate and a bit depth in the Lo-Fi module???
Damn, what a cool plugin
Great introduction although the 808 obviously sounded better before you added reverb but to each their own.
Very powerful, hope the price drops eventually... Not that it isnt worth the money compared to thousands of other plugins
I’m sold.
what does the dynamic Knob do in the saturation module?
It is definitely the best of its kind. Awesome on kick and snare for adding sustain.
It is just a bit pricey though cause it is not an effect which is used very often. 🤑
Seems the whole reaper gang is here in the comments! Love your stuff Raym!
Looks pretty useful, but the price is a bit too steep…
It's realy the best transient shaper vst !!!!❤❤
Wow what a simple but fantastic plugin. I bet it's not cheap though.
this is amazing -- wow!
Hi, i would love to give this plugin a try, but the downloaded file is only an exe file.
is the demo only working in Windows?
The website detects if you are on Mac or Windows and it download the appropriate file.
Very clever and very nice👏👏🦄🙏🎩🙏🏿
I've been using Boz Digital Transgressor and Transgressor 2 for years, and now both Surreal Machines and you guys have released really good alternatives to it. I still love Transgressor, but it does have some problems with weird artifacts, which neither Impact or Quantum seems to have (or at least not as pronounced). Even though Quantum has more effects included and maybe more functionality, I feel like Impact is a bit closer in price to what I can justify spending on a transient shaper. I'll demo them both for a while longer before I decide.
Initially I was gonna say, eh just looks like DynaQ or Transgressor 2! But no... This is exponentially more. Lol. What a fun looking tool!
Step 1: Make a plugin
Step 2: Hire Dan Worrall to demonstrate it
Step 3: ...
Step 4: Profit
Holy hell this plugin!!!
Im fucking blown away, this plugin is ridiculous and whom'stever created is a genius. Is this the end all be all of transient plugins?
But this is nothing new, it's all been done before.
@@AndyNicholson yea and it's expensive. Just make an effects chain and a simple transient shaper
Can't this be achieved by duplicating the tracks and treating them seperately?
Man that's a ballsy way of processing an 808 style bass
Im liking this plugin
05:16 - hahahahaha, love that little dig :) Been saying for ages how people are calling anything an 808, it's silly.
*Feature Request:* provide an "Output" module (available when pressing the "+" button) to route attack/release to any other track (or plugin) in your DAW for processing with other effects. This would allow for so much flexibility, like using only the attack to trigger the side chain of a compressor of another track. And being able to add multiple output modules, you could create multiple output points, like send the dry attack to a compressor, then process the attack inside Quantum and send the processed attack to a reverb bus, and so on. All of this could be done within one instance of the plugin.
I don't know if that would be possible, but that would take this already amazing plugin to the next level!
Routing audio through a plugin and bypassing the DAWs routing? I don't think that's possible.
Very spicy Dan.
Top notch 🔥
Dan Worrall!
Dan worral 🙏🙏💥💥💯💯
There are a lot of artifacts created on many tracks that remain no matter how much I tweak it. Just try turn down attack to hear artifact. Works on some stuff. I'll pass on this one.
Sick plugin
Physion ?
Dan Worrall the god
Dan Worrall has such a sexy old man voice. Also nice plugin, I'll probably buy it.
This embodies what a 'paid plug-in' should be imo. Since transpire came out there's been no better transient plug-in, and no need to pay for one either, until now.
Fully agreed! Maaaybe you could justify getting Spiff, but that’s real expensive. And great as it seems, I haven’t felt motivated, since Transpire just gets it done 99% of the time. This contributes something all new though.
Pfff. You support liers and thiefs. They stole it. All these ideas and much better ones were explained one year ago on UA-cam. Also this plugin has awful processors. Just split transient and sustain and process by much better ones
@@andreyaek2266 f you man. Thry stole these ideas. Nothing new here
@@covidpassforslaves1763 wanna educate us ? As in actually direct us towards the originators YOU claim to support?
Also why resort to personal insults when it's clear those supporting aren't even aware of any previous version?
Also if someone has published this idea in UA-cam without patenting it then it's perfectly ok to develop that idea imo. I give ideas away all the time that I expect people to do better things with.
@@BuzzaB77 Cool thief. Nice set of life rules. Congrats.
The tittle made me believe Dan has his own plug-in now until I read the comments.
Physion By Eventide is exactly the same thing but this has a better and more efficient ui
Literally my first thought
I love Eventide but Physion isn't nearly as good as it could've been. If anything, Wavesfactory greatly improved upon the original idea with this.
It’s like XboxAhoy and Game Makers Toolkit went into music production to produce the one and only Mr. Worrall
mmmmmm interesting use for samples.
Website says it is artifact-less; FALSE, it creates many artifacts.
Website says it is not a one-trick pony; FALSE, it only works reliably on drums.
Website says it is designed with ridiculous attention to detail; OOPS! They missed the main detail of working without glitches.
Website says it is a joy to work with; NO, it is not. They should have named it Glitch-Factory.
DAN STOP I don‘t have any money left for more plugins!
🔥🔥🔥
How to market a complex plugin.....get Dan Worrall to explain it
The Bob Ross of Sound
*Me three years ago:* "I'm so glad i gave up hardware. Look at all the money I'm saving by using free plugins! So much to learn and explore with very little investment! I am glad i have learned to be prudent with my audio tech purchases. It was so silly when i used to want to buy every shiny new thing that came out!"
*Me after discovering Dan Worrall two months ago:* "I don't at all hate working 60 hours a week! How else am I going to afford all the fabfilter plugins????"
tbh, i'm still very prudent with my purchases. But Dan is really testing my fucking limits here.
@@G8tr1522 just get the plugins for free with a simple google search lol
sweet !
This does look incredible, but if I’m spending that much on a plugin it would have to be something more utilitarian like ProQ or something more unique like Gullfoss. There is already a ton of transient designers for
Whatever you’re paying worrall... its not enough
Wait a minute, waitjustagoddaminute! I know this voice!
🙏👏👏👏👏
Less impressive pancz?
Dan Worall could sell ice to an eskimo
I thought my transient bucket was full...
SERUM FX FOR TRANSIENTS?! WHAT?!?!
crazy
I feel as if he’s going to call me an idiot sandwich at any moment 😦😅
Meh 😐 another transient processor.... Until Dan opened up the effect menu and...🤯WOW..whaaaaat🥴
"reduce the samplerate to add a delicious aliasing effect..."
😂😂🤣
lol Spliteq Dan?
Wow
Well there goes all my money #WOW
i guess the narrator from planet earth makes techno now huh