I analysed hundred of cloth sims made by top 3D artists and made 'Cascade - Realtime Cloth Simulation Library'. Check it out here: blendermarket.com/products/cascade---realtime-cloth-simulation
@@MrRyu719you can render shadows as a separate layer as well (but be very careful with it - it's easy to forget to turn something on or off during this) and the color-correct it just like everything else in this video
Why did you choose to do the lighting change in compositing if you had the basic room modeled out? I think robot and drone would integrate better if you really saw the harsh lines of where they move from shadow to light and vice versa
Good point. The way I think about compositing is that your renderer should produce the images that are 'just good enough' with all the passess/layers needed. The actual magic happens in the compositing. Some workflows even relight the entire scene in the post. Does depend on the use case. Doing it in the compositor here just felt easier.
I was doing a test on the rendering engine in this video but every time I activate the render I no longer see the backdrop from the camera, what do I do?
So if you drag and drop the image onto the camera, its only serves as a reference, not a 3D object. The solution is to set it up in the compositor with the ‘alpha over’ node. This will render out the objects and composite it on top of the base plate.
Hi, I would like to know if you have the possibility to edit me some figures with a green background.. Of course I will purchase it, I would appreciate a response, thanks
Great work !! A few things i feel could be added: The safes could have some dirt or imperfections in the textures to blend with the age of the environment The floating robot could have more gi and key when outside to blend with brighter environment and black levels of the human The floating robot animation could also be retimed to match the human head look at in initial frames At 12:29 the shadow from the robot feels darker than the shadow on the wall The same with the small walking robot shadow vs the env plate shadow at frame 12:39
A few notes: the telephone on the wall should be hidden behind the window frame. The shadows from the robot should be harder, now they are soft compared to those on the wall. You forgot to put the tower outside the window into the final composition. Materials were mentioned already, maybe because of them it looks a little bit CG. But idea is good :)
Thanks for the tutorial. I enjoy it from A - Z, I will really appreciate if you can create a longer tutorial about VFX and I can assure many of your audience including me will appreciate it and will be glad to hear your explain voice on a longer video. Thank sir.
I think u can use cryptomattes for collections, instead of render layers, and then export as an MULTI EXR file (polyfroad has a good video on YT), which is much better for compositing
Definitely can! I tend to use OpenEXR workflow with a cryptomatte pass when ultimate/production quality control is needed in the compositing for every little thing. For simpler scenes meant for YT and social media, render layers serve well in my experience. Possible to operate with EXRs in DaVinci Resolve as well in the Fusion page.
I analysed hundred of cloth sims made by top 3D artists and made 'Cascade - Realtime Cloth Simulation Library'. Check it out here:
blendermarket.com/products/cascade---realtime-cloth-simulation
Well done, but I assumed that the whole process would be done within Blender. At least that's what the title describes. I am not an Adobe user.
It definitely can be!
@@DadicekCzexactly. Some people don't realize that some tools are better suited for other uses but not all uses.
I use Da Vinci Resolve Studio, so I assume Blender and Resolve Studio will work fine?
brother for tracking you can try syntheyes by boris fx it's really good and i believe has an option to do one time payment
You Good at what YOU KNOW...
My God ! its one of the best tutorial i've ever seen ! thanks loooot!!
Nice, for Lighting transition we can use mask feather to have an accurate shadow line
This is an incredible tutorial.
Y there is only 8k subscribers in your channel???
Thank you for the wonderful tutorial ❤
You didn't show the color management process for ae compositing. What is your preference color management for project like this?
I really like how every process is documented and explained. Little bit overwhelming but all understandable!
Glad it helped!
@@hamzameo Is there any tip on shadow matching?
@@MrRyu719you can render shadows as a separate layer as well (but be very careful with it - it's easy to forget to turn something on or off during this) and the color-correct it just like everything else in this video
amazing video king
Thank you! Great tutorial!
Superb work Hamza! What workstation uses for create this?
Fairly medium. 1660Ti with 6 Gigs of VRAM.
@@hamzameo the very important thing are the talent my friend! Thanks you!
suggest me a course for vfx which involves blender and after effects or only blender.
great video
great job
Why did you choose to do the lighting change in compositing if you had the basic room modeled out? I think robot and drone would integrate better if you really saw the harsh lines of where they move from shadow to light and vice versa
Good point. The way I think about compositing is that your renderer should produce the images that are 'just good enough' with all the passess/layers needed. The actual magic happens in the compositing. Some workflows even relight the entire scene in the post. Does depend on the use case. Doing it in the compositor here just felt easier.
I was doing a test on the rendering engine in this video but every time I activate the render I no longer see the backdrop from the camera, what do I do?
So if you drag and drop the image onto the camera, its only serves as a reference, not a 3D object. The solution is to set it up in the compositor with the ‘alpha over’ node. This will render out the objects and composite it on top of the base plate.
Sorry for ever using blender
Hi, what are the specifications of your pc? tysm!
Intel i7, GTX 1660Ti, 16Gb RAM. M2 SSD for apps. Not Fancy at all.
You are not mention AE in the title, not everyone has that
You can do anything he did in this tutorial in any other compositor.
Wilson Timothy Gonzalez Maria Martin Ronald
Gonzalez Karen Taylor Sarah Rodriguez Frank
❤👍💪🙏
Wilson Brian Perez Sandra Thompson Betty
White Jason Johnson Linda Young Matthew
Masterful work and explanation. You know someone's really good at what they do when they can teach it as well as you have!!
Amazing video. So much to learn from this! 🤩
You are the star of the video -> The Fridge (containing radioactive material)
See the island which is ignored, then realized your’re the same person that made island scenery tutorial.
I actually seriously looked through for about 7 minutes, then realised this is way way beyond me..whoosh~🤣 .awesome work
Hi, I would like to know if you have the possibility to edit me some figures with a green background.. Of course I will purchase it, I would appreciate a response, thanks
Could you use a gobo to properly light the robot on the right?
Smith Kimberly Hall Jessica Rodriguez Scott
Brown Timothy Gonzalez Kevin Young Susan
Lopez Kevin Walker Ruth Thompson Amy
Lopez George Brown William Jackson Jennifer
Thomas Michael Perez Sandra Garcia Steven
Gonzalez Margaret Young Cynthia Johnson Anthony
Clark Gary Hall Jose Anderson Timothy
Gonzalez William Garcia Michael Anderson Jose
That was really, really great! Simple explanations and still pretty thorough. Thanks for this.
Jones Kimberly Williams Daniel Brown Sandra
Moore Steven Walker Timothy Wilson Gary
Hey, I saw that your Blender speed while making animations is very quick and has good quality. What laptop or PC do you use?
Nothing over the top really. i7 9th Gen, GTX 1660 Ti, 16 Gigs of RAM and M.2 SSD for running apps.
Martinez Nancy Miller Paul Lopez Scott
Robinson Laura Moore Kevin Thomas Timothy
Williams Betty Miller Jeffrey Taylor Scott
Perez George Williams Jason Taylor Sarah
Brown Paul Robinson Lisa White Susan
Lopez Linda Lewis Robert Miller Matthew
Perez Shirley Hernandez Kimberly Walker Maria
Robinson Dorothy Robinson Anthony Thomas Paul
Martinez Gary Gonzalez Michelle Martin Shirley
Jones Cynthia Brown Mary Garcia Dorothy
Perez Lisa Young Brian Hall Ronald
Great video! What is the music/song on the background called?
Brown Amy Martin Sarah Williams Mark
White Jason Gonzalez Sarah Gonzalez Sharon
Thompson Jose Anderson Carol Jones Jennifer
THANKYOU so much i subbed 🤩...really loved your content looking forward more in-depth vfx tuts
You are welcome! Let me know if there are specific things that you struggle with.
Lee Gary Wilson John Lee Michelle
Do you still have the robot asset available
Smith Steven Lewis Helen Miller Helen
Great work !! A few things i feel could be added:
The safes could have some dirt or imperfections in the textures to blend with the age of the environment
The floating robot could have more gi and key when outside to blend with brighter environment and black levels of the human
The floating robot animation could also be retimed to match the human head look at in initial frames
At 12:29 the shadow from the robot feels darker than the shadow on the wall
The same with the small walking robot shadow vs the env plate shadow at frame 12:39
Great observation and suggestions. Thanks!
Hi, I have question why don't you compositing on Blender? :)
I just feel AE is a bit more flexible and there are certain plugins that work well with AE.
Complete A-Z guide on the subject with great explanation!
Great work but still flying robot looks like sharpen when it's enters to the scene
Interesting observation. The blur values should change as an object travels in the Z depth.
Amazing video, keep doing. Also what spec pc you use and where you get your music
Where can we find short sequence like your for training my vfx skills
Vex, as in Houdini? Either way, you can find some good footages on unsplash/pexels.
@@hamzameovfx*** my bad, but thanks bro ;)
you could remember the interpretation and paste to all footage at once, to change the framerate.
❤❤
goat
Nice
motion tracking not working. all track points showing in yellow color
Ian Hubert has a great tutorial on just motion tracking. I would always recommend that for any issues in blender motion tracking.
@@hamzameo Thanks problem solved.
bro is not even a full time 3d artist, and he's in fact a doctor! and it doesn't ends there, he's work featured on blender reel!!
🎉🎉🎉🎉❤
7:56 can you make separate detail video on this part. i am beginner in vfx.
I was baited. Everything was good until 8:15 😢. Would love to see a remake of the end done in Blender and linked in the description!
A few notes: the telephone on the wall should be hidden behind the window frame. The shadows from the robot should be harder, now they are soft compared to those on the wall. You forgot to put the tower outside the window into the final composition. Materials were mentioned already, maybe because of them it looks a little bit CG. But idea is good :)
Thank you bro for tutarail
Thanks for the tutorial. I enjoy it from A - Z, I will really appreciate if you can create a longer tutorial about VFX and I can assure many of your audience including me will appreciate it and will be glad to hear your explain voice on a longer video. Thank sir.
Nice but need to add some shadow details
What a great tutorial. I learnt so much! Perhaps its also worth putting in the title that After Effects is also used.
New Sub, love those Asset
😍😍 can you talk more about layering thanks a lot
Great tutorial. The boy in the video doesn't catch the shadow of the flying robot.
Rest everything looks cool
Thanks
Agreed. We can have a basic mesh recreation of the subject and use that as shadow catcher for this.
Excellent work !!! Question : why Petrivka, eastern Ukraine, any association ? )))
Not particularly. The environment just feels like its from eastern Europe. 😄
How u rendered the mist layer?
Wow hanza yiu are great❤❤❤❤❤
Thank you so much !
thank you......im a newbie
Make more videos like this
amazing man, keep going
I think u can use cryptomattes for collections, instead of render layers, and then export as an MULTI EXR file (polyfroad has a good video on YT), which is much better for compositing
Hi! Is this achievable with DaVinci Resolve?
Definitely can! I tend to use OpenEXR workflow with a cryptomatte pass when ultimate/production quality control is needed in the compositing for every little thing. For simpler scenes meant for YT and social media, render layers serve well in my experience.
Possible to operate with EXRs in DaVinci Resolve as well in the Fusion page.
Instant subscribe!
Inspiration +100
What a legend❤
amazing work
Fantastic tuto!!! Well done.
Very informative 😃
thanku