Glad to see someone appreciating this update. I'm really happy with the features. I'm a software engineer myself, and can tell you these changes would have been a lot more work than people think. The UI changes (allowing combining different pages together finally);are particularly nice, and are going to make using Live a much more fluid experience. I'm also looking forward to the new tagging making its way to Push eventually... Which definitely needs a better way to find sounds! Roar looks and sounds fantastic! Also it's great to have another native instrument, because this means it will work nicely with Push. To the nay-sayers, get a grip. It's a solid update, with features that will make EVERY user's experience better.
Are we able to assign shortcuts to things like "Legato"? That would be mega useful when needing to very quickly finish a MIDI edit. Forever haven't been able to do that (not even on Mac with custom keyboard shortcuts).
Technically no upgrade is needed for my workflow since live 8 but i love how mature the software became. I love ableton live and i am very happy about this update.
Thank you for this video !!! Very interesting. Ableton focused on creativity & worflow for this new version. Which I think is the good direction. We all have already plenty of plugins that we use in Live and also in another DAWs for some. So creativity & workflow are what make Live what it is: a creative tool with a strong workflow that does not slow down the creativity but emulates it instead. I remember I mainly bought it (it was Live 9) for these reasons
This insightful video clearly demonstrates and explains the update and the goals behind it. Anyone who would be dismissive of the update has likely never had the experience of writing code and maintaining a codebase that is two decades old. I am confident that the incremental updates to the Ableton 12 branch will ensure that this DAW continues to evolve and maintain its elite status.
I remember when Live 11 was coming out the big 'gotcha' moment for me was the take lanes - that one feature that made me want to run out and upgrade right away. With Live 12 there are so many little quality of life features that I've been sold on the upgrade early. Roar looks great, mixer in arrangement view looks great, but the MIDI tools are a different level. STOKED.
There's some good workflow improvements there, but the biggest workflow fix for me would be a universal API for browsing presets across all VSTs. I would love to see Ableton invest in that, similar to Native Instruments' NKS standard but with even more extensive device control. You shouldn't need an Arturia or Native Instruments midi controller to have full control of their plugins. It should be handled by the DAW in my opinion.
The changes they made for 12 are highly practical for me. I've seen a lot of complaints about it and I can't really see those are rational. I'm happy with what Ableton did for this version. The basic functions of Ableton with racks and just the basic principles of operation only needed basic DAW features to take it to the next level. These changes did that.
I wonder if they have improved features like clip volume control with a hotkey or device overview in the mixing window. I would also welcome a hotswap function for the audio clip and a more contrasting display of the selected channel...
I'm looking forward to this update! If I could wish one feature for All existiert stuff: fewer tabs in the UI of the plugins or a expandable UI like the wavetable.
The only good thing about the update is being able to see everything at once. I have enough plugins on my computer that can do what the new plugins are doing. So for me, not really worth the price just for a change in workflow.
I can't help but notice that the Transform tab in the Piano Roll has a "Strum" option too. If that works how I'm expecting it to, based on what you showed from the Transform tab, then that has me very excited. All the other features you showcased looked really fantastic as well.
it’s funny, i’m also most excited for roar. i’ve never been super stoked on abletons distortion options. but holy shiz they really made a nuts device and it sounds amazing
Have they finally fixed the atrocious MIDI clock/external instrument issues which makes recording hardware with consistent and accurate timing completely impossible? When I emailed them about this they literally told me "its a bug, sorry". Really hope this bug was fixed because its my main DAW, and constantly having to readjust these settings has been really driving me insane for years.
I fixed that with a hardware sequencer and hardware synths and using live only as a multitrack audio recorder.... :) well first it was a choice to work only with hardware, like in the 80ies, and I love the sound of real analog.
@@WaveRiderMusicsmart choice because it’s enough to drive you nuts. Honestly it’s a shame that a DAW as otherwise great and popular as Live has these issues though 😞
Simple answer is because people were asking for quality of life things since a decade(not gonna mention this here), and Ableton still doesn't care to make those changes
Because ableton LIVE is essentially a Live DAW and a songwriters creative playground and folks tend to want it to be a catch all solution. It can be a catch all, and the devs have made strides to make it that flexible, but at the end of the day no other DAW has the flexibility for studio and stage use that Ableton has period. There may be better DAWs for sound design, and recording, etc etc etc but at the end of the day Ableton Rules the live perdormance stage and in my opinion the creative songwriting space.
Ho Lee Crap.. I was not expecting THAT.. (Roar) they weren't kidding, this thing really DOES roar! Wooooooo. I also noticed 'flam' on the piano roll. How handy is THAT for setting up drum patterns.
I see a lot of potential time saving features for me in my mixing jobs and exciting stuff for live scenarios. Preordered and submitted for beta test. Cant wait to get my hands on Live 12!
Didn't you do a video in Live 12 comparing two loops, one in which you were using the updated midi change features to create a loop that was changing/transforming each time it was played through? Or am I imagining this?
It would be nice if they added more features for people who work with recording and mixing audio. I love producing in Ableton, but I still find myself opening up Logic for those things..
@@casual_dalliance Ableton has no ARA for me to use with Melodyne and no native tuning solution, it only has 12 return tracks, I don't think Ableton has clip bounce, and it's not even close to being optimized as far as raw performance vs Logic.
@@GC-nd1lp see, you just confirm what I said. Recording and mixing isn’t pitch correction (that’s editing). Logic’s flex pitch sucks big time, so that’s out of the question, and ARA integration is something we’ve all been wanting (however, I don’t find transporting that tedious. Literally switching DAWs takes more time than that). If by clip bounce you mean printing all the fx within the audio, of course it has it (as every single DAW out there). Would it hurt to read the manual? What do you mean by “optimized as far as raw performance”? Raw performance has to do with your RAM and CPU in the first place and I never had issues with Ableton.
@@casual_dalliance lol... Editing is a part of the pre-mixing stage and is generally something done by a mixing engineer (or their assistant). I never mentioned Flex Pitch, only Melodyne because of that reason. Export is not tedious, the annoying part of lacking ARA is not being able to recall. Say a client wants a more or less polished sound than I thought fit the song...well I have to what? duplicate my vocal tracks in order to keep the originals? Ableton does not have the bounce in place function that Logic has... All I do is press Control + B on a clip region and the effects are printed for only that region. Performance within a DAW is not only determined by the RAM and CPU but how efficiently the code within the DAW handles those, and what resources it takes to do tasks. Logic is able to run more plugins and more tracks than Ableton is and there are plenty of videos to show this.
I have a question. How can I copy and paste clips only in the arrangement window? I used to be able to just move the mouse over one of the tracks on the right hand side, copy and paste. - I have to go to SESSION, copy the clip, go back to the arrangement again and then paste it so far, this 'twelve' is totally unsuitable. CHAOS on the screen
can someone tell me if they added proper pitch modulation for audio tracks similar to the pitch modulation with midi tracks? I'd like to have that slow down/pitch down effect u can do in Fl studio so eaily and that in ableton is much more difficult to get
@@Itallivingsorry but I disagree. If you already own it you already have 80% of the functionality (maybe more), but you’re being asked to pay 80% of the cost for the new 20% of functionality.
i can't say much besides this, i don't know if you own it or not as that is a huge différence, i just saw the full price a new customer needs to pay including the discount versus what i payed to Upgrade. i would agree with you yet for me already owned a i get in fact an 60% discount versus 20% extra functionality so it a perception i can live with @@MrClarkio
I switched to Bitwig some time ago, primarily because of modulation and the handling of third-party plugins (sandboxes). I've long been of the opinion that Ableton should be recoded from the ground up. The program has become quite large. And is the upgrade actually free?
No the upgrade from 11 suite is 179 once it comes out although has a 20% discount if you upgrade before the actual release date (but don't pay until its released) so 143GBP...
Well, then it's probably better to take a close look at Live 12 live to see if the upgrade is worth it. Ableton has accompanied me for years; I hope they find a niche again to be unique.@@MrYazbo
@@KimonoEtrange No, I am not. But Bitwig is 663 MB, and Live 11 Suite is 5.52 GB. You don^t have to be a genius to know that it's time to clean up the basement, right?
@@danikoenig Well if you're referring to the fact that there is way more samples in Ableton than bitwig than yeah we agree that it is bigger in size. We disagree that it's because it needs to be cleaned up.
I really don’t understand people being disappointed by this. The only thing that is a genuine letdown is no ARA support but that only affects a small group of vocal artists/engineers. What else could you possibly have wanted from this update? It’s huge!
People who work for the movie industry uses other DAWs and are unlikely to switch to Ableton anytime soon, with or without atmos implemented. Outside that atmos is a curiosity at best, so I don't really see what the point would be.
Atmos is something only a very very extreme minority of users would want. I'm glad Ableton is adding features for the minority of users - I'm certainly one of very few people who REALLY CARES that they added microtonal support - but I hardly think adding Atmos is AT ALL a needed feature for any program specifically made for it in 2023
I don’t understand that, this update is the biggest Ableton update I’ve seen in a while. And personally I wanted all the new features. Seems like this update was for me.
For a paid update I have to agree. A lot of the features are cosmetic meaning I have a max for live/vst plugin for specific features. Most DAWs are so good these days minimising the reason to upgrade. Good they are catching up, 12 in its current state is just not for me.
I have to know, can you do alt + space while multi-clip editing in the piano roll? As in, play from the piano roll play head? That’s the biggest frustration I’ve had with the piano roll and it seems like they’ve improved it a lot
I Already have it per-ordered and once received somewhere in 2024 we will see if this will do it or not... Since Bitwig resolved many things that Ableton can't do i might still jump between multiple DAW's .... Looking forward anyway ...
i can't compare it with live 12 just yet, but Modulation is far more advanced giving you the options to have them on the project, group, track and individual sets of your devices and we are not even talking about the Note and FX Grid, both are instant FX or device creating tools much easier then M4L , and it is less CPU intensive , just to name a few @@MizumiGCMods
He may be using a recording software such as OBS studio which allows you to choose your PC's audio output as a sound source while also recording your screen. Does that answer your question?
@@Zuke22 I should have specified, I’m fine with recording my screen with OBS, I need help with recording DAW audio. It’s seems to not work as a “Audio Input” and I tried using the “ReaStream” plugin which doesn’t work for me either.
Any word on integration with Push 3? It would be nice if these features are available functions on Push, though i’m not holding my breath since they haven’t even added something as basic as program changes for clips…..
mate please explain Keep Monitoring Latency , EVERYONE ELSE WITH THE BETA BUT YOU HAS THIS TURNED OFF is it the same as logics low latency mode were it disables everything below a certain threshold so when u turn it on (audio can change volume if you have something with latency and u turn low latency on in logic but this is needed if you need late tracking in a project with 1000 ms of latency) it just eliminates the latency? or is this function Keep Monitoring Latency for something else
![Lp. Сердце Вселенной #60 РОЖДЕНИЕ ЛОЛОЛОШКИ [Финал] • Майнкрафт](http://i.ytimg.com/vi/YoR0pAV9FVQ/mqdefault.jpg)
The MIDI tools on the piano roll look absolutely incredible
Right, Compared to fl studio everything is tucked away at the top then you have to menu dive.
In ableton, Everything is right there
Glad to see someone appreciating this update. I'm really happy with the features. I'm a software engineer myself, and can tell you these changes would have been a lot more work than people think. The UI changes (allowing combining different pages together finally);are particularly nice, and are going to make using Live a much more fluid experience. I'm also looking forward to the new tagging making its way to Push eventually... Which definitely needs a better way to find sounds!
Roar looks and sounds fantastic!
Also it's great to have another native instrument, because this means it will work nicely with Push.
To the nay-sayers, get a grip. It's a solid update, with features that will make EVERY user's experience better.
Not shown in video, but a huge aspect of 12 is the new keyboard shortcuts and accessibility features. They actually exist now! It's so much nicer.
still no custom shortcuts..
@@iamdoomedmusiccant you do custom shortcuts per track with the KEY button
@@vjmcgovernyou can, but it's certainly not the same. you can't edit the ashtray existing shortcuts either, which sucks
Are we able to assign shortcuts to things like "Legato"? That would be mega useful when needing to very quickly finish a MIDI edit. Forever haven't been able to do that (not even on Mac with custom keyboard shortcuts).
Look up clipgain v2, a max4live device that was just updated like a week ago to allow keyboard mapping for legato, hopefully it works for you
Technically no upgrade is needed for my workflow since live 8 but i love how mature the software became. I love ableton live and i am very happy about this update.
Sir, you are a wise man.
Wow! Some really handy new features. Roar sounds great ..& that strum effect on Meld! I'm excited for this release
Great intro to 12 and great message to finish with! Can’t wait to see the deep dive videos.
Thank you for this video !!! Very interesting. Ableton focused on creativity & worflow for this new version. Which I think is the good direction. We all have already plenty of plugins that we use in Live and also in another DAWs for some. So creativity & workflow are what make Live what it is: a creative tool with a strong workflow that does not slow down the creativity but emulates it instead. I remember I mainly bought it (it was Live 9) for these reasons
Beautiful, I'm hooked. Ableton 12 here I come. Can't wait for your new courses Anthony!
Omg finally live 12 here we come
dude Roar is so sick
This insightful video clearly demonstrates and explains the update and the goals behind it. Anyone who would be dismissive of the update has likely never had the experience of writing code and maintaining a codebase that is two decades old. I am confident that the incremental updates to the Ableton 12 branch will ensure that this DAW continues to evolve and maintain its elite status.
chatgpt?
no
Crazy. If I don't know how to make a particular food/dish, I can't say it tastes disgusting? Because I can't cook it?
@@davdcl499 operative word is dismissive, not critical
I remember when Live 11 was coming out the big 'gotcha' moment for me was the take lanes - that one feature that made me want to run out and upgrade right away.
With Live 12 there are so many little quality of life features that I've been sold on the upgrade early. Roar looks great, mixer in arrangement view looks great, but the MIDI tools are a different level. STOKED.
this sw is getting better and better, thanks
There's some good workflow improvements there, but the biggest workflow fix for me would be a universal API for browsing presets across all VSTs. I would love to see Ableton invest in that, similar to Native Instruments' NKS standard but with even more extensive device control.
You shouldn't need an Arturia or Native Instruments midi controller to have full control of their plugins. It should be handled by the DAW in my opinion.
Me too
0:11 Nice inbox bro
WOW your headphones in this video are HUGE! I bet they sound great 😎
What are they?
Ableton is KING! Live 12 is a must welcomed addition to the arsenal
OMG THEY FINALLY ADDED A STRUM FEATURE.
I really hope they handle stability better. We need plugin sandboxing pronto.
The changes they made for 12 are highly practical for me. I've seen a lot of complaints about it and I can't really see those are rational.
I'm happy with what Ableton did for this version. The basic functions of Ableton with racks and just the basic principles of operation only needed basic DAW features to take it to the next level. These changes did that.
looks like that cool hotswap feature could replace the need for XO by XLN Audio...
i was about to buy it...
I bought Ableton 11 2 years ago and i already have to pays 200 euros ? no way haha. I'll wait for Ableton 13.
i would consider this to be fucking massive update i am so excited
between this update and the new push, i’m happy to stay inside this whole winter cookin up some good stuff 🥹
thats the take ;)
14:30 WORDS! Spot on absolutely!
So far, the best feature I see is this cute orange start screen 😳
Damn. About time they added the strum function into chord.
That being said, you were spitting straight facts from 14:02 onwards - thankyou!
WOW Distortion and Env Follow Effects ... What a great innovation ! Yuppy Yuppy Yeah !
Cheers for the review. Looks very cool.
I just hope this release is more stable and efficient
I love it - but I’ve been saying this for years .. We need edit and undo history !
Thank you for the lesson, sensei
You're getting bigger and bigger my guy. No doubt soon you will be getting 100k views. Love to see it.
I am still on live 9, but I may upgrade for this one.... I may go back to composing in the box a little
Solid advice there at the end.
I wonder if they have improved features like clip volume control with a hotkey or device overview in the mixing window. I would also welcome a hotswap function for the audio clip and a more contrasting display of the selected channel...
I'm looking forward to this update! If I could wish one feature for All existiert stuff: fewer tabs in the UI of the plugins or a expandable UI like the wavetable.
still doesn't have a built in 'bounce in place' option ? multiple audio clip editing ?
The only good thing about the update is being able to see everything at once. I have enough plugins on my computer that can do what the new plugins are doing. So for me, not really worth the price just for a change in workflow.
great point about learning the tools you have!
I can't help but notice that the Transform tab in the Piano Roll has a "Strum" option too. If that works how I'm expecting it to, based on what you showed from the Transform tab, then that has me very excited. All the other features you showcased looked really fantastic as well.
New sub 👊🏾 I’ve been learning AL for a while now I hate I didn’t wait to get 12 I had brought 11 a few months before they dropped 12
Thanks for showing off some of the new features that weren't on Ableton's website.
I think I like seed to stage the most (:
In drum rack you have little squiggly line , press it and you can change entire content of drum rack or even per instrument
it’s funny, i’m also most excited for roar. i’ve never been super stoked on abletons distortion options. but holy shiz they really made a nuts device and it sounds amazing
What about real latency compensation?
"Strum" starts to sound like to the super-fast midi from video games.
Have they finally fixed the atrocious MIDI clock/external instrument issues which makes recording hardware with consistent and accurate timing completely impossible? When I emailed them about this they literally told me "its a bug, sorry". Really hope this bug was fixed because its my main DAW, and constantly having to readjust these settings has been really driving me insane for years.
I fixed that with a hardware sequencer and hardware synths and using live only as a multitrack audio recorder.... :) well first it was a choice to work only with hardware, like in the 80ies, and I love the sound of real analog.
@@WaveRiderMusicsmart choice because it’s enough to drive you nuts. Honestly it’s a shame that a DAW as otherwise great and popular as Live has these issues though 😞
Thanks for the video and info.
Not sure why people are disappointed in this update, it’s amazing
Simple answer is because people were asking for quality of life things since a decade(not gonna mention this here), and Ableton still doesn't care to make those changes
Because, ideally, this is what Ableton 11 should have been. Ableton is lagging behind.
@@milkyway8353"everyone's a critic"
Because it's too little of an improvement for a whole numbered upgrade, not even talking about 229$ price tag
Because ableton LIVE is essentially a Live DAW and a songwriters creative playground and folks tend to want it to be a catch all solution. It can be a catch all, and the devs have made strides to make it that flexible, but at the end of the day no other DAW has the flexibility for studio and stage use that Ableton has period. There may be better DAWs for sound design, and recording, etc etc etc but at the end of the day Ableton Rules the live perdormance stage and in my opinion the creative songwriting space.
I feel somewhat lucky. They have a deal right now that if you upgrade/buy to 11 (for 20% off atm), you get a free update to 12 when it releases.
Do you know if there's a trial version of the new beta live 12?
Ho Lee Crap.. I was not expecting THAT.. (Roar) they weren't kidding, this thing really DOES roar! Wooooooo. I also noticed 'flam' on the piano roll. How handy is THAT for setting up drum patterns.
Holy moly Roar sounds awesome! Can not wait to try it myself!
Thank you for the cool demonstrations. It's very helpful. Thank you.
I see a lot of potential time saving features for me in my mixing jobs and exciting stuff for live scenarios.
Preordered and submitted for beta test. Cant wait to get my hands on Live 12!
I upgraded to Ableton 11 last week before the announcement :( worst timing ever. Hoping customer service throws me a bone.
Good luck. And expect nothing 😊
Possible to make tracks and so ga without having real synth? Does it have its own synth?
Dope video bro!
This for this quick overview.
Didn't you do a video in Live 12 comparing two loops, one in which you were using the updated midi change features to create a loop that was changing/transforming each time it was played through? Or am I imagining this?
It would be nice if they added more features for people who work with recording and mixing audio. I love producing in Ableton, but I still find myself opening up Logic for those things..
If you find yourself opening Logic for mixing and recording then the problem isn’t Ableton pal.
@@casual_dalliance Ableton has no ARA for me to use with Melodyne and no native tuning solution, it only has 12 return tracks, I don't think Ableton has clip bounce, and it's not even close to being optimized as far as raw performance vs Logic.
@@GC-nd1lp see, you just confirm what I said. Recording and mixing isn’t pitch correction (that’s editing). Logic’s flex pitch sucks big time, so that’s out of the question, and ARA integration is something we’ve all been wanting (however, I don’t find transporting that tedious. Literally switching DAWs takes more time than that). If by clip bounce you mean printing all the fx within the audio, of course it has it (as every single DAW out there). Would it hurt to read the manual?
What do you mean by “optimized as far as raw performance”? Raw performance has to do with your RAM and CPU in the first place and I never had issues with Ableton.
@@casual_dalliance lol... Editing is a part of the pre-mixing stage and is generally something done by a mixing engineer (or their assistant). I never mentioned Flex Pitch, only Melodyne because of that reason. Export is not tedious, the annoying part of lacking ARA is not being able to recall. Say a client wants a more or less polished sound than I thought fit the song...well I have to what? duplicate my vocal tracks in order to keep the originals? Ableton does not have the bounce in place function that Logic has... All I do is press Control + B on a clip region and the effects are printed for only that region. Performance within a DAW is not only determined by the RAM and CPU but how efficiently the code within the DAW handles those, and what resources it takes to do tasks. Logic is able to run more plugins and more tracks than Ableton is and there are plenty of videos to show this.
@@GC-nd1lp 🤦♂️
I have a question. How can I copy and paste clips only in the arrangement window? I used to be able to just move the mouse over one of the tracks on the right hand side, copy and paste. - I have to go to SESSION, copy the clip, go back to the arrangement again and then paste it
so far, this 'twelve' is totally unsuitable. CHAOS on the screen
how much of this is gonna be locked behind the suite version? I only have the standard version
Great video! Roar reminds me of Minimal Audio
can someone tell me if they added proper pitch modulation for audio tracks similar to the pitch modulation with midi tracks? I'd like to have that slow down/pitch down effect u can do in Fl studio so eaily and that in ableton is much more difficult to get
Absolutely love ableton….but that price tag though……insane.
if you already own it then you get a 20% reduction, not so bad i would say
@@Itallivingsorry but I disagree. If you already own it you already have 80% of the functionality (maybe more), but you’re being asked to pay 80% of the cost for the new 20% of functionality.
i can't say much besides this, i don't know if you own it or not as that is a huge différence, i just saw the full price a new customer needs to pay including the discount versus what i payed to Upgrade.
i would agree with you yet for me already owned a i get in fact an 60% discount versus 20% extra functionality so it a perception i can live with @@MrClarkio
where to get this ableton theme?
Awesome! still a bit expensive as an update for someone who already bought the full version suite a few months ago..😅
OK, so with this video and the Ableton website combined I now know nearly everything about the new release, except one thing: the release date.
My Experience from previous upgrades is about 3 months. I suppose around mid-february next year. 😊
It says on the site early 2024 that's abt all we have
I switched to Bitwig some time ago, primarily because of modulation and the handling of third-party plugins (sandboxes).
I've long been of the opinion that Ableton should be recoded from the ground up. The program has become quite large.
And is the upgrade actually free?
No the upgrade from 11 suite is 179 once it comes out although has a 20% discount if you upgrade before the actual release date (but don't pay until its released) so 143GBP...
Well, then it's probably better to take a close look at Live 12 live to see if the upgrade is worth it.
Ableton has accompanied me for years; I hope they find a niche again to be unique.@@MrYazbo
It's large so it needs to be recoded? You a programmer or?
@@KimonoEtrange No, I am not. But Bitwig is 663 MB, and Live 11 Suite is 5.52 GB. You don^t have to be a genius to know that it's time to clean up the basement, right?
@@danikoenig Well if you're referring to the fact that there is way more samples in Ableton than bitwig than yeah we agree that it is bigger in size. We disagree that it's because it needs to be cleaned up.
Hope stability issues are fixed in this release.
Does anybody know approx. how much it will cost to upgrade the full Live 11 version to Live 12 when it's properly released?
Looks like they're pulling from FL and Reason. I might buy this.
Can you automate the scale??????
I really don’t understand people being disappointed by this. The only thing that is a genuine letdown is no ARA support but that only affects a small group of vocal artists/engineers. What else could you possibly have wanted from this update? It’s huge!
Trying to sign up for your newsletter. Multiple devices and different browsers and all say "oops something went wrong" Did I break it?
Wish it came with stem separation like FL
Ableton still without dolby atmos implementation? Are they slepping? It is 2023
People who work for the movie industry uses other DAWs and are unlikely to switch to Ableton anytime soon, with or without atmos implemented. Outside that atmos is a curiosity at best, so I don't really see what the point would be.
Atmos is something only a very very extreme minority of users would want. I'm glad Ableton is adding features for the minority of users - I'm certainly one of very few people who REALLY CARES that they added microtonal support - but I hardly think adding Atmos is AT ALL a needed feature for any program specifically made for it in 2023
Does the choose similar sounds work within customer sample folders?
Bounce to audio?
Absolutely love Ableton.... but 🙄 underwhelmed.
What were you hoping to see?
Have patience and have fun padawan
I came when u said Ableton " choose similar sounds"
I don’t understand that, this update is the biggest Ableton update I’ve seen in a while.
And personally I wanted all the new features.
Seems like this update was for me.
For a paid update I have to agree. A lot of the features are cosmetic meaning I have a max for live/vst plugin for specific features. Most DAWs are so good these days minimising the reason to upgrade. Good they are catching up, 12 in its current state is just not for me.
I have to know, can you do alt + space while multi-clip editing in the piano roll? As in, play from the piano roll play head? That’s the biggest frustration I’ve had with the piano roll and it seems like they’ve improved it a lot
Is that theme new?
how much is the upgrade from 11?
Ngl MIDI tools is really just worth it
I'd love to see Roar used with an electric guitar
Thanks mate
I Already have it per-ordered and once received somewhere in 2024 we will see if this will do it or not...
Since Bitwig resolved many things that Ableton can't do i might still jump between multiple DAW's ....
Looking forward anyway ...
What kind of things does bitwig do better? I’m considering switching too but might be too far in with M4L plugins to make it worth it yet
i can't compare it with live 12 just yet, but Modulation is far more advanced giving you the options to have them on the project, group, track and individual sets of your devices and we are not even talking about the Note and FX Grid, both are instant FX or device creating tools much easier then M4L , and it is less CPU intensive , just to name a few @@MizumiGCMods
Both have Pro & Con's @@MizumiGCMods
Any improvement for video? Working with video files can be a nightmare in Live 11.
ARA support??
Great video! Side question, how do you record your DAW audio to use in your video? Do you use the ReaStream plugin or is it something else? Thanks!
He may be using a recording software such as OBS studio which allows you to choose your PC's audio output as a sound source while also recording your screen. Does that answer your question?
@@Zuke22 I should have specified, I’m fine with recording my screen with OBS, I need help with recording DAW audio. It’s seems to not work as a “Audio Input” and I tried using the “ReaStream” plugin which doesn’t work for me either.
Any word on integration with Push 3? It would be nice if these features are available functions on Push, though i’m not holding my breath since they haven’t even added something as basic as program changes for clips…..
The devices are all on Push 3 but the midi piano roll stuff is not, as of now.
On attend l intégration de variations audio pour corriger les note de la voix comme melodine
Hope they fix the CPU issues
bro tell us about shif e on piano roll thats all that matters
Support ARA？
mate please explain Keep Monitoring Latency , EVERYONE ELSE WITH THE BETA BUT YOU HAS THIS TURNED OFF
is it the same as logics low latency mode were it disables everything below a certain threshold so when u turn it on (audio can change volume if you have something with latency and u turn low latency on in logic but this is needed if you need late tracking in a project with 1000 ms of latency)
it just eliminates the latency?
or is this function Keep Monitoring Latency for something else
If I already bought Live 11 Suite, will I get Ableton 12 for free or I have to pay again? Please helpp
Welcome to the cycle of never-ending paid updates for Live.
Nup, special pre release price is £143 the normal upgrade price is £179 which seems pretty steep.
@@mrdrgonzo It's a loyalty penalty.