Shooting film also helped me think about the editing process. There is something pleasing about the output from film which is so full of unique character.
That’s true! I think my digital style of editing also evolved as I shot film, since I tried to bridge the gap between the two mediums to make a more coherent body of work
Really enjoyed this one. To me, there’s something about the physicality of working with film that focuses your mind on the work, as you describe. And it’s always better to know how to use a different tool than to not!
Absolutely agree! I’m glad that what I was saying could resonate. Sometimes I worry that I’m spouting into a void so it’s validating to hear that other people have similar feelings 🤣 Thanks so much for watching!
For me, I enjoy telling stories, whether it’s through a series of photo journalistic images, Candice from hanging with friends, or even a single image from a portrait session. There’s a story to each image, and telling that story is what I’m passionate about. Big fan of your work and your channel!
We truly admire your honest reflection on the creative journey. Your insights into balancing professional work with personal passion projects resonate deeply with many artists. It's inspiring to see how film photography has reignited your love for the process. Keep sharing your journey and insights-your authenticity is truly impactful, and we look forward to seeing more of your creative explorations!
This video beautifully captures the struggle and joy of balancing professional and personal creativity. Your candid reflections on creative burnout and the importance of differentiating work from passion projects are incredibly relatable. It's inspiring to see how film photography reignited your passion for the process, not just the outcome. Your journey is a reminder to all creatives to find joy in the art itself. Looking forward to more of your insightful content!
Sophia, knowldege about photography be it aesthetics or the core sceince is very different to reading a spec sheet and then repeating it on Y.T. The quality of your work, your relaxed but professional attitude, lack of ' monkey business ' presentation, etc shows that you have the necessary qualities. Let all the other guys or girls talk about spec sheets. As for film photography, I agree with you. I have been seriously thinking about getting a Monochrome Leica for quite some time. Most of my photography is with B&W film and with the ever increasing prices and lack of availability, the cost is getting prohibitive, in particular as I am just a hobbyist. Yet, everytime that I convert a colour file of my digital Leica to B&W, it leaves me wanting. No matter how I introduce realistic grain into it, or back off the micro contrast and texture to take that horrible didgital edge off it, it still leaves me wanting. Something is always lacking and that is the organic nature of film. I have experienced the same feeling on the rare occasion that I have used colour negative film. I used to tell myself that this is due to having been brought up on film. I shot film for more than 30 years before digital came along, yet I hear the same comments from young photographers who had known nothing but digital prior to discovering film. It is like listening to a MP4/CD and then discovering Vinyl. In the end result is what matters, but we can not ignore the experience of the process and the satisfaction that it gives. Keep going.
Great video. In my ideal world I’d make a living as a pro photographer (too late for that now though) instead of the office job. But I’ve often wondered if I’d lose my enjoyment of it, or it would at least diminish somewhat, if I was shooting at least 95% of the time as work rather than for fun. I guess it would depend on what kind of shoots most of the work was comprised of.
@@SophiaCarey lots of wonderful, generous & inspirational people too, but I think it’s an even more gatekeeper heavy part of the photography world than any other
I have a problem, I love collecting and using gear… I’m picking up films and shooting them, but I don’t have a project to motivate me. At least I’ve done a couple model shoots this year and I’m doing some events regularly… but I’d rather work on a portrait project.
Ah that’s interesting! What kind of portrait project do you have in mind? Are there other projects that you can draw inspiration for to get you started,
I mainly do landscape and still life. In the last two years, I have made it my mission to discover ordinary sites within a two or three miles radius of my house and even inside the house.
@@SophiaCarey Aside from involving humans, I have not nearly enough of a concept. I think that is one of the things that slows me down. I need to scope myself down to a limited subset smaller than all of humanity.
I am strictly a film Schooter. I do not edit my photos. I do have my lab crop and take out dust and scratches on my enlargements for art shows. But I do not mess with contrast or light or color. If its shit it stays shit unlike digital where you try and polish a turd. And I do not know why digital togs try and make their photos look like film if digital is supposedly a superior technology.
I’ve not shot any digital for myself for probably 9+ months, film is absolutely the way I differentiate personal work from paid
I think it’s a common consensus to be honest!
@@SophiaCarey Weddings broke me 🤣
Shooting film also helped me think about the editing process. There is something pleasing about the output from film which is so full of unique character.
That’s true! I think my digital style of editing also evolved as I shot film, since I tried to bridge the gap between the two mediums to make a more coherent body of work
Really enjoyed this one. To me, there’s something about the physicality of working with film that focuses your mind on the work, as you describe. And it’s always better to know how to use a different tool than to not!
Absolutely agree! I’m glad that what I was saying could resonate. Sometimes I worry that I’m spouting into a void so it’s validating to hear that other people have similar feelings 🤣 Thanks so much for watching!
For me, I enjoy telling stories, whether it’s through a series of photo journalistic images, Candice from hanging with friends, or even a single image from a portrait session. There’s a story to each image, and telling that story is what I’m passionate about. Big fan of your work and your channel!
We truly admire your honest reflection on the creative journey. Your insights into balancing professional work with personal passion projects resonate deeply with many artists. It's inspiring to see how film photography has reignited your love for the process. Keep sharing your journey and insights-your authenticity is truly impactful, and we look forward to seeing more of your creative explorations!
This video beautifully captures the struggle and joy of balancing professional and personal creativity. Your candid reflections on creative burnout and the importance of differentiating work from passion projects are incredibly relatable. It's inspiring to see how film photography reignited your passion for the process, not just the outcome. Your journey is a reminder to all creatives to find joy in the art itself. Looking forward to more of your insightful content!
Sophia, knowldege about photography be it aesthetics or the core sceince is very different to reading a spec sheet and then repeating it on Y.T. The quality of your work, your relaxed but professional attitude, lack of ' monkey business ' presentation, etc shows that you have the necessary qualities. Let all the other guys or girls talk about spec sheets. As for film photography, I agree with you. I have been seriously thinking about getting a Monochrome Leica for quite some time. Most of my photography is with B&W film and with the ever increasing prices and lack of availability, the cost is getting prohibitive, in particular as I am just a hobbyist. Yet, everytime that I convert a colour file of my digital Leica to B&W, it leaves me wanting. No matter how I introduce realistic grain into it, or back off the micro contrast and texture to take that horrible didgital edge off it, it still leaves me wanting. Something is always lacking and that is the organic nature of film. I have experienced the same feeling on the rare occasion that I have used colour negative film. I used to tell myself that this is due to having been brought up on film. I shot film for more than 30 years before digital came along, yet I hear the same comments from young photographers who had known nothing but digital prior to discovering film. It is like listening to a MP4/CD and then discovering Vinyl. In the end result is what matters, but we can not ignore the experience of the process and the satisfaction that it gives. Keep going.
Great video.
In my ideal world I’d make a living as a pro photographer (too late for that now though) instead of the office job. But I’ve often wondered if I’d lose my enjoyment of it, or it would at least diminish somewhat, if I was shooting at least 95% of the time as work rather than for fun. I guess it would depend on what kind of shoots most of the work was comprised of.
Yes!! So relatable.
I’m glad you think so Sujan! Thanks for watching!
There’s definitely a strong 🔔 🔚 quotient in the film photography ranks
Hahahha unfortunately I think you’re right
@@SophiaCarey lots of wonderful, generous & inspirational people too, but I think it’s an even more gatekeeper heavy part of the photography world than any other
I have a problem, I love collecting and using gear… I’m picking up films and shooting them, but I don’t have a project to motivate me. At least I’ve done a couple model shoots this year and I’m doing some events regularly… but I’d rather work on a portrait project.
Ah that’s interesting! What kind of portrait project do you have in mind? Are there other projects that you can draw inspiration for to get you started,
I mainly do landscape and still life. In the last two years, I have made it my mission to discover ordinary sites within a two or three miles radius of my house and even inside the house.
@@lensman5762 that’s a great idea! I really like the idea of setting yourself restrictions/challenges to help your creativity
@@SophiaCarey I sincerely believe that it has made me a better & more creative photographer.
@@SophiaCarey Aside from involving humans, I have not nearly enough of a concept. I think that is one of the things that slows me down. I need to scope myself down to a limited subset smaller than all of humanity.
Very well said !!!
Thank you!
I am strictly a film Schooter. I do not edit my photos. I do have my lab crop and take out dust and scratches on my enlargements for art shows. But I do not mess with contrast or light or color. If its shit it stays shit unlike digital where you try and polish a turd. And I do not know why digital togs try and make their photos look like film if digital is supposedly a superior technology.
Cooll...
Creative slump is real
Absolutely