also wanted to add, there are zillions of vids when ppl make music with ONE finger/mouse and computer keyboard.... for me it's the main thing which is killing a musical approach ... YOu got very cool set of instruments:), I am 50yo geezer, used to be AKAI's 'head' for many years, until I dropped music production for long time.. Now thanks to infamous B-ringer, I can afford model D, td3/303, sh-1, and many more....Roland's TR8 is also a blast, having one drum machine with 808/909/707/727 sounds and being able to 'mix' those classic drum machines into one kit is amazing. My approach to the music making is in some way similar to yours, that's why I found your vids very interesting (for me anyway:). Although, I am professional sound engineer for many years (Red mastering Studio, London is my place), I tend to be much less technica when I make music, I just go with the flow and carry on:)
Do you still mix and master? I do as well and I find that having that experience leaves me with the notion of picking sounds and using them as is. You should come join our discord mate...
Huge thanks for addressing my question in the video, I really appreciate it! I guess that I will have to sit down and practice this, without using eq or sidechaining, and see how far can I go with this idea.
No worries Omri. It was a valid question. Try it out and see if it works. And if you need help, we’re all here. Start at the basics. It’s easy to overproduce
Man, wat maken polyritmes een verschil. Jouw uitleg in een andere video geeft een hele andere vibe in mijn live-set die ik aan het knutselen ben met de MC-707 en de Neutron :D
Thank you for this! Its the first video that's given me what feels like a proper understanding of polyrythmns and how to apply them to my music! So much fun to watch you do this.
Thanks! It took a while getting into that sound design structure, but once you know what you're looking for. It all becomes easy. If there's anything you'd want some help with, just holar
Great tips mate! Totally agree with polyrhythms to make loops more interesting. Also i use LFO and some gear has probability parameters to achieve even more variety of patterns. Cheers!!
Yo Ark! Yes indeed. That’s one of the things I like about our elektron gear. The probabilities settings. Also LFOs keep things interesting. Still I like to try and achieve this with ‘steady’ stuff first and see if I can do that. I might do an advanced vid on probability and lfos. You have me an idea
very cool channel! I am also DAW allergic and make music without DAW. Although, in late 90's, for at lesat 12-15 years I used to work with DAW. Really enjoy your approach and interesting presentations. Keep the good work mate!
Great sounds, great explanations! I love to make electronic music by myself, but I use lots of vintage drum machines instead as you can find on my channel.
Yo Luciën. Topkanaal mi man. M'n eigen studio gaat binnen nu en een week live. Ik leer van alles en iedereen en yu n'a sranan man dus neem sowieso iets aan van jou. Tan bun yere. And keep up the sounds 👊🏽
@@AnalogKitchen Hi :) I thought it was a special table with the machines lowered into it. Now I realize it is simply foam which is cut out. It looks awesome!
@@tobiaslofi Roland SH-101. Some substituted the Roland MC-202 for this back in the day. Today it’s the Roland sh01a or behringer MS-1 for those that don’t want to spend the bigger bucks which, ironically was why people bought the 101 in the first place! You could find them for $50-$150 everywhere.
@@MrCowfood I see. I’m not a piano player so I would never know how to use that. I wonder if the Roland MV-1 verselab could be a good dawless and screenless all-in-one ….?! It has 909, drums, synths, samples, possibly a 303 sound, and vocal processing….
sorry for multiple comments:), when programming 303 (in my case td3) I noticed that 11th, 9th, and 7th works best for polyrhythmic loops. Although music is a free art form, I did experiment a lot with 303 basslines, and it just grooves wickedly good when it's not 16th note pattern (Although 15th and 13th are too much:). FOr any other users of 303 or clones - try program patterns, experiment with the pattern length and accent notes and slides. Even not exciting 16th notes pattern can change into something very interested when pattern is shorten and playing polys.
That’s a very open question. I think this comes down to organizing your different boxes. I make my songs consistently over different boxes. So i dedicate 8 patterns to 1 song and save my Octa and Mpc that way. Things that get triggered separately (say the TB-03) get the same thing. So p1 is in that key p2 is in the key of those patterns. I’ll do a vid on my workflow soon
Subscribe to find out more live set tips: ua-cam.com/users/analogkitchen
One of the best channels ever no matter the subject and the best channel about electronic dance music creation
Wow mate, thanks for those words. And thanks for supporting!
I was just thinking the same thing how have I not known this channel
totally agree.
also wanted to add, there are zillions of vids when ppl make music with ONE finger/mouse and computer keyboard.... for me it's the main thing which is killing a musical approach ... YOu got very cool set of instruments:), I am 50yo geezer, used to be AKAI's 'head' for many years, until I dropped music production for long time.. Now thanks to infamous B-ringer, I can afford model D, td3/303, sh-1, and many more....Roland's TR8 is also a blast, having one drum machine with 808/909/707/727 sounds and being able to 'mix' those classic drum machines into one kit is amazing. My approach to the music making is in some way similar to yours, that's why I found your vids very interesting (for me anyway:). Although, I am professional sound engineer for many years (Red mastering Studio, London is my place), I tend to be much less technica when I make music, I just go with the flow and carry on:)
Do you still mix and master? I do as well and I find that having that experience leaves me with the notion of picking sounds and using them as is. You should come join our discord mate...
Thanks for the shoutout! Happy to be a Patreon!
Glad you’re on board!
Huge thanks for addressing my question in the video, I really appreciate it! I guess that I will have to sit down and practice this, without using eq or sidechaining, and see how far can I go with this idea.
No worries Omri. It was a valid question. Try it out and see if it works. And if you need help, we’re all here. Start at the basics. It’s easy to overproduce
One of the best most useful and most enjoyable channels to watch. You’re killing it.
Thanks Kenzie!!
Thank you, im learning so much from your videos! Keep it up big dawg
Thanks for watching Frank! Whoof whoof!
It's always a pleasure to drop in here! 🙌🏽👏🏽
Hey Carlos, great to see you up here again! Hope yer well! Peace from The South Side
The infinite loop concept is why I love Techno. If it’s done well I don’t need much more and can drift on it for ages 😁👍😎
Hahahaha. Now ain’t that the truth! I always dig the fact it’s also hypnotic. Cheers for watching Sub
Man, wat maken polyritmes een verschil. Jouw uitleg in een andere video geeft een hele andere vibe in mijn live-set die ik aan het knutselen ben met de MC-707 en de Neutron :D
Thanks! Fijn dat het werkt Rik! Good luck! 🍀
Your channel is the best online masterclass ever !!!! thks again it's so clear ;-)
😎
Such a great flow, came for a few minutes but stayed for the whole thing
And glad you did. Stay tuned for more!
Thank you for this! Its the first video that's given me what feels like a proper understanding of polyrythmns and how to apply them to my music! So much fun to watch you do this.
Thanks you for watching this! Much more coming!
Really cool stuff Lucien!! Awesome to see how you control all the equipment!! I learn a lot from this!
Hey Rick!! Cool you checking in! Glad you like it. Thanks for watching
Very clear again Lucien!
Thanks for checking Mitch! Let’s do a duo vid soon
Another great video. You are a natural teacher. Thx for sharing.
Thanks 🙏🏾. Glad you like it!!!
Just found you an subscribed. You are funny, man! Keep it up!
Welcome aboard
you have such ease on making really cool sounds happen. I love how you are using the Multiclock.
Thanks! It took a while getting into that sound design structure, but once you know what you're looking for. It all becomes easy. If there's anything you'd want some help with, just holar
Great video!! So full of content 💣👌 love your channel bro!
Thanks for stopping by!
Hey man, really nice groove as usual. Thanks for your channel and your vibes.
And you for checking and supporting!
Top video this mate. Watched it twice and I can't wait to get to work on a new infinate beat in the morning. Lovely setup also 👍👽
Glad you dig it! Let me know how you get on? Happy new year!
@@AnalogKitchen really good thanks. Even went out and picked up a behringer ms-101 to add some sparkle. I'll have my own YT channel next 🤔
@@SLEEP-236 YEAHAW!
Great Video. Thx man! 🤛
Glad you liked it!
@@AnalogKitchen You're very welcome! Stop on by on my channel, 2 if you like. There is a lot of Dawless stuff 2 discover! Keep it up man! 👍🎧
Great tips mate! Totally agree with polyrhythms to make loops more interesting. Also i use LFO and some gear has probability parameters to achieve even more variety of patterns. Cheers!!
Yo Ark! Yes indeed. That’s one of the things I like about our elektron gear. The probabilities settings. Also LFOs keep things interesting. Still I like to try and achieve this with ‘steady’ stuff first and see if I can do that. I might do an advanced vid on probability and lfos. You have me an idea
@@AnalogKitchen very glad i can help man! Cheers!
Brilliant walkthrough 👍🏾 Great sound 👏🏾 Thanks for sharing
@@nigelrogers8690 glad you like it Nigel!
beautiful analog analogies. thank you always
Thanks for watching!
very cool channel! I am also DAW allergic and make music without DAW. Although, in late 90's, for at lesat 12-15 years I used to work with DAW. Really enjoy your approach and interesting presentations. Keep the good work mate!
Thanks for checking!
Top Notch sound, subscribed!
Welcome!
Nice stuff 😍
Thanks 🙏🏾
Thx, for sharing, amazing advice!
Subscribed.
Thanks for the sub! Welcome aboard!
Great content as always 👌
Well, thank you sir 🙌🏾
Great sounds, great explanations! I love to make electronic music by myself, but I use lots of vintage drum machines instead as you can find on my channel.
Hey Native! I’ll pop by and say hi! Thanks for watching!!
@@AnalogKitchen Always a pleasure!
Masterclass!
Thanks for checkin, Robby!
Thank you!
You're welcome!
Yo Luciën. Topkanaal mi man. M'n eigen studio gaat binnen nu en een week live. Ik leer van alles en iedereen en yu n'a sranan man dus neem sowieso iets aan van jou. Tan bun yere. And keep up the sounds 👊🏽
Thanks for checking Chris! Succes met je studio mi man!
Oh my God! The table with the machines lowered into it is awesome! Where did you get that?
Not sure what you mean Stefan?
@@AnalogKitchen Hi :) I thought it was a special table with the machines lowered into it. Now I realize it is simply foam which is cut out. It looks awesome!
Yes. But nice that it looks professional. I didn’t know that when I was cutting the holes with a standard potato 🥔 knife haha
@@AnalogKitchen It looks awesome!
Groovy 🙆♂️ ▶️ 🎶 thank you
Ow yes!!!
Thanks bro 🖤
You’re welcome
Really inspiring
Thanks for watching
Yep. 909,303,101,delay,verb,mixer done ;)
Don’t think you need much else... Maybe a Jupiter 8. That would still make me go hmmmm
@@AnalogKitchen jupiter 6 might be good nuff' but I totally agree
What’s a 101?!?
@@tobiaslofi Roland SH-101. Some substituted the Roland MC-202 for this back in the day. Today it’s the Roland sh01a or behringer MS-1 for those that don’t want to spend the bigger bucks which, ironically was why people bought the 101 in the first place! You could find them for $50-$150 everywhere.
@@MrCowfood I see. I’m not a piano player so I would never know how to use that. I wonder if the Roland MV-1 verselab could be a good dawless and screenless all-in-one ….?! It has 909, drums, synths, samples, possibly a 303 sound, and vocal processing….
sorry for multiple comments:), when programming 303 (in my case td3) I noticed that 11th, 9th, and 7th works best for polyrhythmic loops. Although music is a free art form, I did experiment a lot with 303 basslines, and it just grooves wickedly good when it's not 16th note pattern (Although 15th and 13th are too much:). FOr any other users of 303 or clones - try program patterns, experiment with the pattern length and accent notes and slides. Even not exciting 16th notes pattern can change into something very interested when pattern is shorten and playing polys.
No worries! I'm glad you're getting inspired!
Question for you AK. Is the launch control controlling the volume levels on the MPC live?
Yes it is Trevor. Also some filters, ADSR envelopes and reverbs here and there. But just mainly levels
Many thanks, loving the channel! Day off work tomorrow so I’m gonna fire up some boxes and put some of your tips into practice!
Let know if it worked? Have fun!
The SQ64 is an amazing tool for creating longer loops, the probability function can turn 64 steps into 256 if you have the patience...
It didn’t stay in the end… I think there’s better boxes suited for what I want to do
what's easiest and most basic way to save full projects for triggering in live set?
That’s a very open question. I think this comes down to organizing your different boxes. I make my songs consistently over different boxes. So i dedicate 8 patterns to 1 song and save my Octa and Mpc that way. Things that get triggered separately (say the TB-03) get the same thing. So p1 is in that key p2 is in the key of those patterns. I’ll do a vid on my workflow soon
lekker ge-edit 010
Thanks 🙏🏾 Richard! Having fun here!!
Can I have „dadagadadagadadagadagadaga“ as an Audio sample please? 😅
I think you are refering to me recording the ride pattern huh hahahaha. I might have spent too many nights at the studio with just my gear
What do you use to sync everything?
Midi cables? Hahahahaha. Just kidding. I have some stuff linked up to the Multiclock which is the master sync tempo slayer
I love and respect all artists, but techno will nevr be energetic and funky ever again
There's still some good techno out there. Look deep!
are you carl cox？
No, I'm the guy that handles his bank account :)
@@AnalogKitchen HAHAHAHAHHAAHHAAHAA