Thank you ladies (and orchestra). Ladies, you use your faces to give a faithful expression to the words you are singing. I have rarely seen this in technically excellent performances. It is wonderful--too wonderful for words.
This 'stitching together' of "And He shall feed his flock" with Matthew 11 is exquisite, and the centrepiece of the libretto; truly inspired, only someone who knew the experience of being fed and having their burden lifted, by Jesus could have written this...
Isaiah 40:11- He shall feed His flock like a shepherd: He shall gather the lambs with His arm, and carry them in His bosom, and shall gently lead those that are with young. Matt. 11:28-29- Come unto Me, all ye that labour and are heavy laden, and I will give you rest. Take My yoke upon you, and learn of Me; for I AM meek and lowly in heart: and ye shall find rest unto your souls.
He shall feed his flock like A shepherd And He shall gather The lambs with his arm With his arm He shall feed his flock like A shepherd And He shall gather The lambs with his arm With his arm And carry them in his bosom And gently lead those That are with young And gently lead those And gently lead those That are with young Come unto Him All ye that labour Come unto Him, ye That are heavy laden And He will give you rest Come unto Him All ye that labour Come unto Him, ye That are heavy laden And He will give you rest Take his yoke upon you And learn of Him For He is meek And lowly of heart And ye shall find rest And ye shall find rest Unto your souls Take his yoke upon you And learn of Him For He is meek And lowly of heart And ye shall find rest And ye shall find rest Unto your souls
Handel clearly loved female voices, and he wrote some very sensual music for them, particularly sopranos. This is a really good example. I love the whole performance; but it's great having this duet as an extra go-to video (plus various other excerpts)
Love me some Katie and Elle. What lovely voices!! And Barnaby is so multi-talented. AAM definitely has it together. Great performance of a great work. Bravo!!
See? I always knew the VOCES8 singers could do a great job with baroque sacred arias! Now, Barney and co., let's hear you do more Bach! And I don't mean with an added choir -- just the eight of you will be very satisfactory!
This is an amazing construction by Handel. Notice how in the midst of all the peace and invitation there is maintained an undercurrent of tension from the tempo. All the while you want it to go faster, but it never does because it can't. That would destroy the peaceful message and tone of the piece. I wonder if Handel meant for this to happen, given that he wrote and adapted earlier compositions so quickly into this masterpiece.
Hi, Mr. Lester, I think? (feel) it's prima facie, he (Handel) wouldn't have "got it right" at all, if it weren't part of the "authorial intent". (That blows me away; most of my life, I've figured the baroque genius (geniuses) were so part of their "monarchized" cultures that - they didn't have - the (over) individualized (romantic) - degraded to selfish schmaltz - that we've devolved into; but, the other Handel piece that "knocked at my door" (when I was 20) is "Sampson & Delilah" (Draw the Tear from Hopeless love) - "ohhh yeah" - but, now that I'm old - and the internal "fire-works-display" that our emotions - manufacture - for all of us (for important reasons - beyond our capacity to grasp at the time) - when that goes away - with age and discretion - the purpose of the "ostinato" (which there's a whole lotta that in Baroque music - right? - well, it's just the "deeper Reason" - which emerges - when the shallow stuff (the "fireworks display" etc.) that drives our best efforts at the mean or the mid-range of the bell curve of our lives (demographically speaking) - we don't get the drum, we don't get the bass lines - until we can't really hear the jingle jangle (Mr. Tambourine Man) plays for us - in the largest (and emptiest parts of our existences) - which most of us never even get past. What do I know. Anyway, I'm saying, I'm pretty sure GF Handel knew exactly what he was pulling off? (But that never occurred to me until listening to it today many, many years later). Cheers. It's a good question...I like music, but I'm just a listener. How'd he do it? - It more "happened" - in him. dave
0:54 - 1:05. Musicians should study this and see what breathing is required to sing. It is an angle and view that you don't get to see often. Serious bellows action, besides the diaphragmatic. And the shoulders are still. Get thee to your swimming and develop the breathing capacity.
Excessive and unnecessary appoggiaturas by Katie totally wrecks he simplicity of the duet. Who's damn fool idea was it to add these? Eleonore is flawless as ever. They should have stayed in position at the front until the end of the play-out of the aria.
If you don't like it it's better to not say anything at all. I think her singing is special. If you don't havae something nice to say don't say anything at all.
Why are the lady Singers ( soloists mostly, seen as centre of attention and attraction too!) dressing like that singing such songs that espouse modesty...." and learn from me'.... does not go together...
I don’t think I’ve read such a silly comment in all my life. What exactly is lacking in modesty about the way they’re dressed? Take you and your outdated views back a few centuries and I think you’ll fit in fairly well there
It’s also probably appropriate to remind you that Handel himself was known to have been quite fond of attending Bath houses in 18th century London. So if the way these women dress bothers you, you’ll have a hard time digesting the fact that this divine music was written by a supposedly bisexual man
![Handel: Messiah | Voces8 and Academy of Ancient Music [Full Concert]](http://i.ytimg.com/vi/lFjQ77ol2DI/mqdefault.jpg)
![Handel: Messiah | Voces8 and Academy of Ancient Music [Full Concert]](/img/tr.png)
![Lp. Сердце Вселенной #60 РОЖДЕНИЕ ЛОЛОЛОШКИ [Финал] • Майнкрафт](http://i.ytimg.com/vi/YoR0pAV9FVQ/mqdefault.jpg)
Thank you ladies (and orchestra). Ladies, you use your faces to give a faithful expression to the words you are singing. I have rarely seen this in technically excellent performances. It is wonderful--too wonderful for words.
I think the moment the soprano takes over is the most beautiful moment of Messiah.
This 'stitching together' of "And He shall feed his flock" with Matthew 11 is exquisite, and the centrepiece of the libretto; truly inspired, only someone who knew the experience of being fed and having their burden lifted, by Jesus could have written this...
I agree. It's as if the two verses were born together.
Btw for those who don't know, it's Isaiah 40:11 and Matthew 11:28-29.
Isaiah 40:11- He shall feed His flock like a shepherd: He shall gather the lambs with His arm, and carry them in His bosom, and shall gently lead those that are with young. Matt. 11:28-29- Come unto Me, all ye that labour and are heavy laden, and I will give you rest. Take My yoke upon you, and learn of Me; for I AM meek and lowly in heart: and ye shall find rest unto your souls.
Handel wrote the entire score of The Messiah (Christmas and Easter portions) during a 2 week bender. He was drunk the entire time. Any vessel will do.
I am in tears. Such impossible beauty!
My soul can rest in it.
He shall feed his flock like
A shepherd
And He shall gather
The lambs with his arm
With his arm
He shall feed his flock like
A shepherd
And He shall gather
The lambs with his arm
With his arm
And carry them in his bosom
And gently lead those
That are with young
And gently lead those
And gently lead those
That are with young
Come unto Him
All ye that labour
Come unto Him, ye
That are heavy laden
And He will give you rest
Come unto Him
All ye that labour
Come unto Him, ye
That are heavy laden
And He will give you rest
Take his yoke upon you
And learn of Him
For He is meek
And lowly of heart
And ye shall find rest
And ye shall find rest
Unto your souls
Take his yoke upon you
And learn of Him
For He is meek
And lowly of heart
And ye shall find rest
And ye shall find rest
Unto your souls
Katie and Eleonore are absolutely perfect.
Two beautiful (and wonderfully different) voices, plus the AAM instrumentalists - a superb combination
This is a miracle
Gosh these are lovely voices and a beautiful approach. Still one of those that brings tears.
Wow, KJH has an astonishing voice very impressive.
2 GODDESSES OF VOICE AND BEAUTY!!!!
Handel clearly loved female voices, and he wrote some very sensual music for them, particularly sopranos. This is a really good example.
I love the whole performance; but it's great having this duet as an extra go-to video (plus various other excerpts)
Beautiful performance with the right amount of vibrato.
Handel Music is Divine ❤😊
Le Jour Du Seigneur brought me here to listen to
This merveille Amen 🙏 😊
Breathtaking, two amazing voices... two gorgeous ladies.
The voice of angel’s! Just amazing!
Love me some Katie and Elle. What lovely voices!! And Barnaby is so multi-talented. AAM definitely has it together. Great performance of a great work. Bravo!!
Two absolutely exquisite singing voices.
Yes. But with too much ornamentation for my liking. (I'm old & boring).
Sheer beauty.
Katie, wonderful! the soprano was also great of cause, but we old men feel protective and loving.
Handel and bach is amazing indeed my favourites
Lovely voices!
Wonderful!
Well coordinated and balanced piece. Nothing was missing. Great conducting
See? I always knew the VOCES8 singers could do a great job with baroque sacred arias!
Now, Barney and co., let's hear you do more Bach!
And I don't mean with an added choir -- just the eight of you will be very satisfactory!
yes, lots more Bach please!
I agree, more Bach please!!
Oh my goodness…perfectly executed. I would love to see this live.
Wish there was a playlist of just the soloists from this Messiah. I'd post them all Christmas season long.
Hermoso ❤
Beautiful
Beethoven admired the "effects" Handel could achieve with "simple means." This melody is a fine example: six descending notes.
This is an amazing construction by Handel. Notice how in the midst of all the peace and invitation there is maintained an undercurrent of tension from the tempo. All the while you want it to go faster, but it never does because it can't. That would destroy the peaceful message and tone of the piece. I wonder if Handel meant for this to happen, given that he wrote and adapted earlier compositions so quickly into this masterpiece.
Hi, Mr. Lester, I think? (feel) it's prima facie, he (Handel) wouldn't have "got it right" at all, if it weren't part of the "authorial intent". (That blows me away; most of my life, I've figured the baroque genius (geniuses) were so part of their "monarchized" cultures that - they didn't have - the (over) individualized (romantic) - degraded to selfish schmaltz - that we've devolved into; but, the other Handel piece that "knocked at my door" (when I was 20) is "Sampson & Delilah" (Draw the Tear from Hopeless love) - "ohhh yeah" - but, now that I'm old - and the internal "fire-works-display" that our emotions - manufacture - for all of us (for important reasons - beyond our capacity to grasp at the time) - when that goes away - with age and discretion - the purpose of the "ostinato" (which there's a whole lotta that in Baroque music - right? - well, it's just the "deeper Reason" - which emerges - when the shallow stuff (the "fireworks display" etc.) that drives our best efforts at the mean or the mid-range of the bell curve of our lives (demographically speaking) - we don't get the drum, we don't get the bass lines - until we can't really hear the jingle jangle (Mr. Tambourine Man) plays for us - in the largest (and emptiest parts of our existences) - which most of us never even get past. What do I know. Anyway, I'm saying, I'm pretty sure GF Handel knew exactly what he was pulling off? (But that never occurred to me until listening to it today many, many years later). Cheers. It's a good question...I like music, but I'm just a listener. How'd he do it? - It more "happened" - in him. dave
I don't want it to go faster. So I don't feel any tension from the tempo.
❤
0:54 - 1:05. Musicians should study this and see what breathing is required to sing. It is an angle and view that you don't get to see often. Serious bellows action, besides the diaphragmatic. And the shoulders are still. Get thee to your swimming and develop the breathing capacity.
❤❤❤
🌹🌹🌹🌹🌹
👏👏👏💐🌺❤️💕💕
Everyone: "C'mon, it's just a piece of music"
Detective Conan fans: *intense sweating*
I need the lirics of this presentation
TERIFFIC mezzo
what is the soprano singing?
I miss the recitative!
2:17
I hope that sopranos voice is the last thing I hear when I die
Excessive and unnecessary appoggiaturas by Katie totally wrecks he simplicity of the duet. Who's damn fool idea was it to add these? Eleonore is flawless as ever. They should have stayed in position at the front until the end of the play-out of the aria.
If you don't like it it's better to not say anything at all. I think her singing is special. If you don't havae something nice to say don't say anything at all.
I noticed the slight embellishment, but it doesn't seem excessive or out of place to me. . .
Why are the lady Singers ( soloists mostly, seen as centre of attention and attraction too!) dressing like that singing such songs that espouse modesty...." and learn from me'.... does not go together...
There is a ‘Nopce champêtre’ performed in a church to be found on UA-cam too. Another one of these hugely confusing choices.
I don’t think I’ve read such a silly comment in all my life. What exactly is lacking in modesty about the way they’re dressed? Take you and your outdated views back a few centuries and I think you’ll fit in fairly well there
It’s also probably appropriate to remind you that Handel himself was known to have been quite fond of attending Bath houses in 18th century London. So if the way these women dress bothers you, you’ll have a hard time digesting the fact that this divine music was written by a supposedly bisexual man
I’m so glad you mentioned these confusing choices in music. It’s nice when people can keep their story straight. Music is about the audience.
Probably they have only one black dress for oratorios.