The Wireless PRO kit is a dream come true. I have the Zoom F3 32-bit field recorder, which is fantastic. Now, with the Rode Wireless PRO, I can record all my wireless audio in 32-bit as well. It's Christmas in September!!
The magnetic clips were available as extras for the wireless go ii as well - I paid for them. Sigh. Now with the Pro set you get quite a good package deal - two lavs, the magnetic clips, all the cables and the charging case - it's really good value for money
@@DarkCornerStudios aptly named: MagClip Go and they cost $19 for a single one. So getting two in the box is already $38 “value” plus two lavalier II that cost $99 each, is another $198 “value” - charge case $79 value, that’s now altogether $315 of value on top of the wireless system. For $399 as a kit! I would say buying a wireless go II right now is not very smart….
I drop by your channel periodically and I really like it. For me I really didn't understand what this product was based on the introduction to the video. What is its use case?
Float only works with separate audio files that we need to sync in post production. The gain assist will work directly to the camera audio/video file so no need to sync later. This is why the float is not useful for some creators. My issue is that my content is not controlled in that manner most of the time. The riding vlogs I do tend to last 6-8 hours on a daily basis so recording separate audio clips and syncinc everything in post is an impossibly crazy amount of work. If I can get clean audio with the gain assist directly to my main camera it would be an enourmous win compared to getting the levels just right before recording. WHY is nobody making a descent video about this I can never understand.. maybe I will do one later about my use case when I get the unit.
I still wish Rode would release the dual transmitter w/ Receiver AND the the Single Transmitter w/Receiver at the same time. I am a solo content creator and have no use for the extra transmitter, but they always seem to wait a while to release the single/solo option. DJI dis the same thing with their mic too, but DJI also removed the rechargeable case too :(
@@DarkCornerStudios thanks! I am sure there would be some big improvements of the Rode over the Zoom. However, I cannot help but that that two Zooms will give a similar level of functionality over the Rode for half the price.
The Wireless PRO kit is a dream come true. I have the Zoom F3 32-bit field recorder, which is fantastic. Now, with the Rode Wireless PRO, I can record all my wireless audio in 32-bit as well. It's Christmas in September!!
Whoaa the range of 260 meters is insane. Not sure when I'd need that, but it definitely removes a lot of limits.
The magnetic clips were available as extras for the wireless go ii as well - I paid for them. Sigh. Now with the Pro set you get quite a good package deal - two lavs, the magnetic clips, all the cables and the charging case - it's really good value for money
I never knew they existed.
I need to do more deep dives into theor accessories
@@DarkCornerStudios aptly named: MagClip Go and they cost $19 for a single one. So getting two in the box is already $38 “value” plus two lavalier II that cost $99 each, is another $198 “value” - charge case $79 value, that’s now altogether $315 of value on top of the wireless system. For $399 as a kit! I would say buying a wireless go II right now is not very smart….
I drop by your channel periodically and I really like it. For me I really didn't understand what this product was based on the introduction to the video. What is its use case?
These are Lavalier mics.
Meant for discreet usage.
Float only works with separate audio files that we need to sync in post production. The gain assist will work directly to the camera audio/video file so no need to sync later. This is why the float is not useful for some creators. My issue is that my content is not controlled in that manner most of the time. The riding vlogs I do tend to last 6-8 hours on a daily basis so recording separate audio clips and syncinc everything in post is an impossibly crazy amount of work.
If I can get clean audio with the gain assist directly to my main camera it would be an enourmous win compared to getting the levels just right before recording.
WHY is nobody making a descent video about this I can never understand.. maybe I will do one later about my use case when I get the unit.
I still wish Rode would release the dual transmitter w/ Receiver AND the the Single Transmitter w/Receiver at the same time. I am a solo content creator and have no use for the extra transmitter, but they always seem to wait a while to release the single/solo option. DJI dis the same thing with their mic too, but DJI also removed the rechargeable case too :(
Does the receiver have two audio outs to connect directly to a mixer?
I use an iPad Pro & LumaFusion,can I download audio files direct onto the iPad Pro & use in LumaFusion ? Or do I need a laptop?
It works with iOS
@@DarkCornerStudios thanks for your quick response,I better start saving up for the wireless pro then 👍makes the audio sound fantastic
Thank you. Can this Pro be used as an external microphone with a laptop or cell phone?
Yes to both!!
Would you review Phenyx Pro gear?
Can you do a comparison of the Wireless Pro v the Zoom F2-Bt?
Let me look into that!
@@DarkCornerStudios thanks! I am sure there would be some big improvements of the Rode over the Zoom. However, I cannot help but that that two Zooms will give a similar level of functionality over the Rode for half the price.
Do those work directly on RCP 2/duo?
Yes!
Great video!
Great content 👊👊
Going to be upset if dji drops something in a few months
That's the problem with all tech
@@DarkCornerStudiosbeen waiting 15 years, getting close to buying tech again 😂
I wouldn't trade my Hollyland Max for this Rode Wireless Pro.
What a deal!
Fantastic review!