Thank you for listening! I was wondering if anyone would ever ask. It's a bit of both. In general, the bottom notes are fingered 5-4-3 and the top notes are gliss with the side of the thumb with tweaks as needed for black keys.
@@lhkim74 wow the gliss and the alternation that must’ve been a lot of spent time rehearsing that into the fingers pretty elaborate. It’s like the waldstein plus the alternation in one hand. I haven’t heard any other recording able to get that fast just close ones but a lot of tension from the octaves great work!!
@@lhkim74 one more for ya, do you leave out some notes in one of the notes of the octave at times or are you playing everything with the gliss and alternation technique
@@lhkim74 thank you that’s really insightful!! I wanted to really learn this transcription so far ur my favorite! My teacher had a professor named theodors Leschetitzky and I believe he’s pretty well known he once said when playing certain Liszt pieces to refinger and leave out things (pianos back then were lighter action easier to play heavy technique) to be able to play it well and when asked if it was bad to do so he said “let them sue you”
Nicely played! Liszt's transcription never disappoint us. (and thanks for captions :D)
Que hermoso
'No, I don't understand!'
Just curious how did you get the left hand octaves so fast do you glissando them or using an alternation of 4 and 5 on the left hand to get it faster
Thank you for listening! I was wondering if anyone would ever ask. It's a bit of both. In general, the bottom notes are fingered 5-4-3 and the top notes are gliss with the side of the thumb with tweaks as needed for black keys.
@@lhkim74 wow the gliss and the alternation that must’ve been a lot of spent time rehearsing that into the fingers pretty elaborate. It’s like the waldstein plus the alternation in one hand. I haven’t heard any other recording able to get that fast just close ones but a lot of tension from the octaves great work!!
@@lhkim74 one more for ya, do you leave out some notes in one of the notes of the octave at times or are you playing everything with the gliss and alternation technique
It’s been a while, but I believe all of the bottom notes (fingered) are there, but on top (gliss) I had to leave out a few.
@@lhkim74 thank you that’s really insightful!! I wanted to really learn this transcription so far ur my favorite! My teacher had a professor named theodors Leschetitzky and I believe he’s pretty well known he once said when playing certain Liszt pieces to refinger and leave out things (pianos back then were lighter action easier to play heavy technique) to be able to play it well and when asked if it was bad to do so he said “let them sue you”
Liszt??
Liszt suposted to make the solo piano version. Im not sure