Nemesis Delay ADT: Official Demo

The Nemesis Delay ADT is a multi-mode delay pedal with 26 different styles of delay, an analog dry through signal path, 100 factory loaded presets, stereo I/O, tap tempo, and is compatible with the over 1,000 presets created and published for the original Nemesis Delay by the Neuro Community.
Learn more about the Nemesis Delay ADT - www.sourceaudio.net/nemesis-d...
All the delay effects that made the original Nemesis Delay so popular are still present in the Nemesis Delay ADT, but some of its most well-regarded delay engines previously included with the Neuro Desktop Editor and Mobile App., (Source Audio’s free effects editing software available for Mac, Windows, iOS, and Android) have moved to the face of the pedal. New additions to the face of Nemesis include the “Drum Echo,” based on vintage Binson Echorec rotating drum units, known for their multiple playback heads and rhythmic delay patterns. Another addition is “Oil Can,” which captures the sound of a 1950’s Tel-Ray Electronics Sound Chamber, a unit known for its ghostly and reverberant echoes created with a rotating can of electrolytic oil. Also included is “Resonant Analog”, based on the tone of darker bucket brigade chips with an especially soft echo that dramatically degenerates with each passing repeat.
In addition to the effects described above, the Nemesis Delay ADT features an encyclopedic, far-reaching collection of classic and contemporary delays. Vintage sounds include effects based on tape delay units like the Maestro Echoplex™ and Roland Space Echo™, slapback, and other popular bucket-brigade analog delay pedals. More contemporary effects include a pristine digital delay, pitch shifting, reverse, lo-fi/sample rate reduction, reverse/octave up, and more. It also includes stereo ins and outs, 5-pin MIDI DIN input and thru ports, tap tempo with 15 different beat divisions, 8 preset positions (128 presets with MIDI), 100 pre-loaded factory presets, and a delay hold (a.k.a. “Freeze”) function.

[@AbeldeBetancourt]

Great news!! I just bought a Collider mostly because of the *Analog Dry Through* I found in the user manual.

[@mattgilbert7347]

Yea I sold my old Nemesis because I like wet/dry and for that you need analog dry-through. However, I missed it so much (and had acquired other delays with ADT) I bought a replacement OG Nemesis this week!
Wish I'd waited like 5 damn days....😤😤

[@jamq4]

I definitely will have one of those. What an amazing delay pedal Sir!!!

[@Bearsena97]

Been a faithful nemesis user for years. This is cool

[@qiuz51]

Wow, really inspiring tones here!! Love those Tele cleans as a canvas for the delay sounds.

[@abouc]

Source Audio makes the best effect pedals

[@Osmone_Everony]

The Helix delay at 1:52 sounds awesome! 😃

[@MrBlake6332]

WE EATIN GOOD

[@soulscollector81]

I like the delay freeze function 1.36

[@mattgilbert7347]

Goddam this comes out the week I buy a regular Nemesis to replace my older original Nemesis I sold last year.
Oh well, I could always buy the ADT and trade+$ my OG Nemesis for a Collider or Ventris...

[@aaron9142]

Are you making a new version of the Ventris as well?

[@sourceaudioeffects]

Ventris already has analog dry through. 🙂

[@NaimFeroudj]

❤❤

[@josephestes7076]

The composition for slapback was great. Great playing all around.

[@MrHrnt]

Will sell my Strymon dig for this.

[@josephwright5921]

Now make an extensive video for SYNTH OWNERS by someone who can play well, like Loopop or Geosynths!
I love my Ventris!

[@user-qd2ic1vz5c]

Doubling effect sounds more musical