Great addition to cello literature. Powerful With much character so well performed Sibelius knew the instrument and sonorities and was playful with virtuosic.escapades. He loved the violin and it shows in this fine piece for cello. Eric Shumsky
Cassadó, Kodály, Britten, ... I agree there's not a ton, but there're *some* . I might be alone in this (or maybe not), but personally I enjoy Cassadó more than any of the Bach suites except *maybe* No. 6
@@EvanED agreed,plus scant classical choices but haydn c and D, But end romantic period has nice options Or what most cellist virtuoso do, play transposed pieces for violin on cello
@@protect_provide8031 So at least as I interpreted the original comment, Haydn doesn't even count -- I think they were talking *unaccompanied* cello. If you allow pieces for solo cello + accompaniment, I actually don't really have too many complaints about the rep; even as-is, there's already a *lot* of really good stuff. Like maybe if you're a pro you'd start running thin on things at some point, but at least as an amateur there's already more things I'd like to learn than I likely will ever have time for.
There's an explanation in the notes of the score. Basically it seems that half of the variation was written on the pages of another manuscript and people were unsure if it was 2 versions of the same half variation. By the time the piece got published, a performance tradition had already developed omitting the variation.
+celloz1 Here info. She is fantastic!!! Kati Raitinen has established herself as one of the leading musicians on the Swedish musical scene. Apart from her position as solocellist at the Swedish Royal Opera she is a founding member of the renowned string trio ZIlliacusPerssonRaitinen who among other projects have their own concert series at the Stockholm Concert House called "Monday at last!" The trio has received two Swedish Grammy awards in 2005 and 2011. Kati participates regularly in chamber music festivals around the world and has made countless recordings for radio and TV. The latest one, featuring Johan Ullén's Seven Deadly Sins was broadcasted in the Swedish television in 2013. She has played as soloist with most of the Swedish orchestras. Kati studied in Helsinki with prof. Martti Rousi and in Stockholm with prof. Frans Helmerson. She plays an anonymous cello probably from Rome, possibly from 1750-60. Recorded in Engelbrektskyrkan, Stockholm, June 13, 2014. Video by Nida.
absolutely mesmerising.
Marvelous composition and absolutely superb performance and rendition. Thank you for posting!
This is so under appreciated! Bravo!
As soon as I saw the length of the endpin I knew I was going to enjoy the recording.
Great addition to cello literature. Powerful With much character so well performed Sibelius knew the instrument and sonorities and was playful with virtuosic.escapades. He loved the violin and it shows in this fine piece for cello. Eric Shumsky
What a great piece! How have I never heard of it?? Excellently played!
absolutely beautiful
That was beautiful
Composers pls give us more cello solos it’s killing me not a single one since Bach 😢
Cassadó, Kodály, Britten, ... I agree there's not a ton, but there're *some* . I might be alone in this (or maybe not), but personally I enjoy Cassadó more than any of the Bach suites except *maybe* No. 6
@@EvanED agreed,plus scant classical choices but haydn c and D,
But end romantic period has nice options
Or what most cellist virtuoso do, play transposed pieces for violin on cello
@@protect_provide8031 So at least as I interpreted the original comment, Haydn doesn't even count -- I think they were talking *unaccompanied* cello.
If you allow pieces for solo cello + accompaniment, I actually don't really have too many complaints about the rep; even as-is, there's already a *lot* of really good stuff. Like maybe if you're a pro you'd start running thin on things at some point, but at least as an amateur there's already more things I'd like to learn than I likely will ever have time for.
@@EvanED well said,
Dall'Abaco ,Duport, Piatti ,Max Reger, Khachaturian, Kodaly, Britten, Ligeti, Crumb, not enough but they exist
those thirds :o
👍🏻👍🏻👍🏻👍🏻
Excellent performance! I'm just curious why nobody ever does the 6th variation?
There's an explanation in the notes of the score. Basically it seems that half of the variation was written on the pages of another manuscript and people were unsure if it was 2 versions of the same half variation. By the time the piece got published, a performance tradition had already developed omitting the variation.
congratulations! who is the cellist, where it is possible to read her BIO?
+celloz1 Here info. She is fantastic!!!
Kati Raitinen has established herself as one of the leading musicians on the Swedish musical scene. Apart from her position as solocellist at the Swedish Royal Opera she is a founding member of the renowned string trio ZIlliacusPerssonRaitinen who among other projects have their own concert series at the Stockholm Concert House called "Monday at last!" The trio has received two Swedish Grammy awards in 2005 and 2011. Kati participates regularly in chamber music festivals around the world and has made countless recordings for radio and TV. The latest one, featuring Johan Ullén's Seven Deadly Sins was broadcasted in the Swedish television in 2013. She has played as soloist with most of the Swedish orchestras.
Kati studied in Helsinki with prof. Martti Rousi and in Stockholm with prof. Frans Helmerson. She plays an anonymous cello probably from Rome, possibly from 1750-60.
Recorded in Engelbrektskyrkan, Stockholm, June 13, 2014. Video by Nida.
BREATH
You have the parts in pdf of this piece?
Help keep music publishers in business. Buy a real copy. It's published by Fennica Gehrman. Any online music dealer would be able to get it for you.
@@jimp4170 I do not have money for this
I admire the playing; but the performance doesn't really convince me that the work isn't ersatz.