This camera is basically perfect for my needs, but the no dual recording video is a deal breaker. As a solo shooter, I can't take a chance on shooting to only one card, when countless other brands offer the option for dual video recording. It's literally the only thing holding me back from going all in on Nikon. Awesome camera though!
I'd love to hear how you shot weddings with non dual slotted cameras for years. Did you back up to a laptop or just use large cards and checked them constantly prior to the wedding shoot?
I shoot with a Zf, and the Z6iii seems like a pretty on-par/above-par companion camera to go with it. I do think the habit of making the dual slots different formats is very weird (the Zf records SD and microSD). I've never had LUTs in-camera, so I'm fairly used to going without, but it would be a really nice addition! All I need from Nikon now is to give the Zf a firmware update for half-press to zoom out :'D
@@BryanKeithPhoto It's not overrated when a card gets corrupted and you lose your entire wedding. I've had a CF Express Type B card fail before. Luckily it was for photo only so I had the SD card as a backup.
Competition is great! This forces Sony and Canon to pull out the stops on the upcoming releases. Will be interesting to see what's in the new A7V. I skipped the A7IV because it just didn't do anything special for me. Canon R6III will also be very interesting.
Competitors do not allow dual recording. Guys, think for a second here. Look at the codecs, containers and frame rate of the camera. Why on earth, would it dual record to a type b and then an SD card? Help that make sense. Buy a Cine camera if that’s important to you. Canon R5 doesn’t even dual record. Stop it man, it’s not an issue, it’s just a common sense thing. Be happy they at least gave you all those goodies in the camera, which let’s admit, none of you won’t end up using the features anyway, it’s just to geek out over specs.
Quite the opposite. All other competitors allow dual recording because they have efficient log profiles to have manageable file sizes to be recorded to both cards, which is expected in this price class by its target audience.
@@kashifswaynerobinson saying simultaneous dual-card recording isn’t important and to buy a “Cine” camera if you need that is not common or sensible lol. Most pro photographers worth their salt run dual cards even if they’re only shooting stills… this is not just a “cine” thing lol
lol avoiding to compare it to S5iix which has unlimited recording when you were talking about overheating is AMAZING! just shows where the agenda is coming from. S9 is not this in camera territory S5iix is and it's almost 50% cheaper with the deals
Quick Q: Was the file recorded after the cam switched off being too hot? I did several Z8 tests and it kept shutting off quickly and the files were not even recorded. Sent it back and was aiming at the Z9 since. Until.... [Great review - tnx]
2 hours and 5 minutes record time? Remember until recently you had a 30 minute limit. 2 hr 5 minutes is way long enough for anything I’ve ever recorded. I’ve been a photographer since 1981. Of course I’ve been a digital shooter since the early 2000’s. I shoot a ton every week. I’ve never had a card go bad. If that’s the major reason for not going with a camera that only shoots video to a single camera, so be it. I’m very comfortable shooting to a single card or SSD. There are plenty of things that can go wrong when shooting video. Mine has never been a memory card.
I think it's important to consider that the different levels of warnings MAY do different levels of damage to the camera in the long run. Think dried heat sink paste etc. So while these figures ARE excellent, one wouldn't want to drive the camera into the red on a regular basis. Also choosing the memory card with the lowest heat generation (Delkin Black for example), will be beneficial for long term reliability.
I've used the Sony A1 and A74 at 4k 60 and they overheat. A1 overheart after 10 minutes or so. A74 overheat while I'm shooting 1080p. Give me the Nikon please
@@francis2339 Watch Nikon z9 lab test review on Cine5d. Look particularly at the lattitude test vs every other Sony prior to the Burano. Nikon z9, solid 8 stops that can go to 9. All other Sony sensor based cameras between 7 and eight. Nikon has a problem from their very contrasty Nikon Nlog.
I own an A7iv and it has only overheated one single time in 3 years, and it was shooting xavcs-i 4k for over an hour, handheld in the summer on a hot day… also out of all the test videos on yt showing that the a1 doesn’t overheat… I’m gonna believe them over you lol.. You dont have to use or even like Sony, but at at least be honest about the fact that they are extremely capable, well-made cameras.
@@RustyShackleford9000 I largely agree, but I genuinely believe that Sony has a problem with software or quality control. I owned an A7IV and was incredibly disappointed by its thermal performance too (even with the thermal limit set to high). I had it in a large church with decent air circulation on a tripod during a summer day recording a ceremony at 4k 24p, and it overheated approximately an hour in. Mine wasn’t so bad that it overheated doing 1080p, but it definitely made the camera unusable for long-form content. I’m happy that you got lucky with your A7IV, but after wielding two A6300s, an A7SIII, and the A7IV over the years, it seems like getting a camera with solid thermal performance is a genuine gamble with Sony. The only one that didn’t have problems was the A7SIII (thank God, that thing is the messiah of video cameras).
18:17 to me that’s the most exciting part is the kind of cameras are gonna be able to produce in the future - just imagine a RED camera with Nikon auto focus. Wow. The insane picture quality of Nikon. The future is bright.
I have been debating between the D780 and this now. I have F lenses which is why the D780 appealed to me... As a hobby filmmaker and hopefully getting into wedding video now not only photography... does the Z6iii record N-Log internally? or do I need an external monitor/recorder? Nikon's site, says it does, but the internet doesn't make it clear. In addition, Nikon makes it seem like only certain memory card brands will support RAW recording... I'm sold on almost everything, but my bank account may be crying. I just want to know if I'll need to spend another 1k on a ninja and cage or if the body and a Z lens/adapter is all I need
You must have cards > 32GB is all they demand - and that makes perfect sense because the data being captured is ginormous. At least 128GB at 300Mbps is what I'd venture to say is a good start.
Not yet. This was deep in R&D when the deal went through. The first “RED” Nikon camera may be the Z5 II, Z50 II, and any other bodies after we see a Z7 III, if we see one.
Hi, great review. However, recording in 6K RAW or 4K RAW ProRes is limited by the card's capacity. In fact, even when using a real 2TB card, you can only record about 35 minutes, either continuously or in fragments. I have had this issue since purchasing, both with 2TB Sandisk CF cards and ProGrade cards. According to Nikon's official support, there are only four certified brands for RAW, and only one, Nextorage, exceeds 660GB, reaching 1.3TB. When manually partitioning my ProGrade CFexpress card to 660GB using a PC, the camera works perfectly. However, if I leave it standard, the recording stops after reaching 660GB, even though there are still 40 minutes available. If I continue, it stops again every 20, 30, or 15 seconds. Only by inserting a new CF card or reformatting it do I get the full 40 minutes available again. I apologize for my English. Best regards from italy
Why both about deal recording? Just stick in a 512 or 1 TB in and you're done. Furthermore, you could upload your data to the Nikon cloud service temporary if your juice runs out. Honestly you don't even need 6k. For normal media posting 4k 30 or 4k 60 is already good enough. To me, the addition of REDLuts to their N-log is really a blessing as well. Remember, moving forward, Nikon will incorporate more RED features once they done testing the beta algorhytm across all N-log specs. Camera aside, I think its time for Nikon to roll out a new speedlight. Their SB 5000 is 10 years old now. Luckily the Godox V1 Pro comes to a rescue
No camera under 3k USD has dual recording, not even Eos R5 so whether it can dual record or not it doesn't matter coz the competition also doesn't, just check the 6k raw and other most important things you need, hope this helps 🎉
That RED was allowed to patent internal RAW is just off the charts crazy. But there it is! I just have that nasty suspicion as to what happened in the patent office - or should I rather say outside, under the table.
The internet is packed with videographers asking about how to recover images and video from their SD card (especially from Sony cameras), but, so it appears, very few from Nikon users. That might be due to the fact that the Z-series from the beginning could only take the larger, and much more reliable, XQD and later on, CFexpress B, cards. From my experience with Nikon Z-cameras, I don't need a second card slot.
Not sure why but when I record a video in 4k 60 frame rate 120 it’s clear when I watch it back on the camera but then on my editing software on my MacBook it gets laggy and choppy. SD card is a SanDisk 128gb pro V30. Any ideas
@@joshuajlewis1575 I just ordered a V90 card to try it. Do you think that will stop the lag in my editing software? When I watch the video on my camera it’s fine. Only in the software it gets laggy. Thanks for the help too!
I heard lot of people talking and showing a bad performance in low lights. like strange flickering and artifacts....do you noticed something like that?
Camera looks really good! Thank you for this great video. I can't be the only one that thinks this IBIS is somehow a step backward... ? I've shot lots on Z6ii and Z9 and esp. for the latter... idk. It just seems a little jankier.
No dual recording is a dealbreaker. I'm in my third year in my photo/video journey, and I already had a card failure. Unrecoverable photos and videoclips on it. Glad I bought dual card slot cameras that actually can save to both cards. It can be the best camera ever if it doesn't have this feature it's basically a single card slot camera therefor not a professional tool. Or at least not for the kind of work that you cannot repeat.
Very nice review! I really feel that in 2024, we shouldn't be paying $2500 for a camera that cannot record video or photos to dual cards, specially if you are buying for professional work that cannot be re-shoot, like a wedding for example. This is one of the main reason why I am selling my Pocket6k Pro, and I will probably not pull the trigger on this camera unless they unlock the dual recording feature like Canon eventually did with the R5.
Hey Matt, I found a manufacturing error Nikon refused to acknowledge in my z9, z8, and og z6 regarding audio - there is bleed between left and right through the 3.5mm jack, meaning it is effectively useless with jam sync timecode like tentacle sync mkii because the timecode bleeds into the scratch track. It means if there's drift you have no fallback. Did you experience this with the z6iii?
we tested timecode with the Z6iii and it worked fine using the tentacle to jam sync the audio. Synced up fine in post. Could one of your units just be faulty? I havent tried it on the Z8 though.
Far from an expert but I thought that the volume needs to be reduced so it doesn't bleed. The other way to get around audio bleed is only jam sync at the start and then disconnect it. As long as you aren't filming lots of small clips. Also believe timecode doesn't prevent drift, you need a camera with genlock which none of these type of cameras have.
@@petercofrancesco9812 we had the tentacle connected to the camera the entire time. You never really notice drift unless you are filming longer than 24 hours without refreshing the sync from my experience.
@@danielvilliers612 that's true but that's adding ~$600 to your total but at that point you're getting closer to the Z8 price and could get more bang for your buck there.
The lack of dual recording should be a deal breaker for a wedding videographer today. Totally unacceptable. Your reputation is so valuable, and losing your footage will kill it. Nikon must address this ASAP.
@@peterra2532 It's not just about redundancy, the benefits also include 1) having a card in the camera at all times, 2) have overflow capacity when one is filled up, and 3) backup flexibility.
sony will probably answer to this.... and then canon maybe and then panasonic ...i mean this never ends ....imo sony is the one that leads atm ... but when nikon does this they have to make something equal or better
@@sardanapalos sony already knew about this so im sure they are preparing. Sony literally makes sensors for Nikon (alongside Fuji and Lumix) so they pretty much know what they will be facing against
@@sardanapalos I think A7S is gonna be canceled, literally pointless now that sony is focusing on the FX line plus the ZV line. Highly doubt they are going to keep specialising in 3 different lines of cameras that are the same thing. U gotta admit Z6iii has some crazy video specs for 2500$, great allaround package.
Its not about the body always. The biggest problem with Nikon today is lense choices. I wish Nikon makes a S line 1.4 series for hybrid shooters. 1.4 S line can be a optimum balance of quality, charecter, weight n price . Unfortunately nikon dosent have amazing support like sony from Zeiss or sigma.
Why do you absolutely want 1.4 s-line? 1.8 vs 1.4 is near the same in terms of light and bokeh…1.8 s-line are as good as 1.4 from sony in terms of IQ
4 місяці тому
No entiendo todas las quejas, ni en esta cámara ni en la s9… creo que estas cámaras son increíbles 😅 solo que ahora solo nos concentramos en tener algo que criticar, lo que sea😅
The problem with relying on 32-bit float is that you can end up either under driving or over driving the mic capsule which leaves you with a pristine recording of a mic working outside its sweet spot for sound pressure. Plus for a lot of commercial work you still have to deliver in 24-bit. So learning how to gain stage properly on set (or at a wedding) is still an essential skill.
@@danielvilliers612 4k 60 without a crop, no over heating, 4k oversampled from 6k, etc are nice but not enough to sell all my sony and reinvest in another eco system. Even if I would buy I would wait for people who do longer term reviews, these are just a preview of every think that's good without real world usage. One clear trade off it doesn't have good enough internal stab like Panasonic to use without a gimbal. Also the 1 card recording. It's ok not a deal breaker.
8:30 +1 Makes no sense as a Z8 owner. Why - just why. Hopefully the can remove this feature or at least let us hack it Also when/if we will get red code raw on Z8/9/6iii
You want to record on two Memory Cards yet you use the Cheap Belkin Memory Card??? Most Mfrs will be using cheap cards too, both are going to fail even if it had the ability!!
Per Nikon, this camera DOES automatically record proxy files to the SD card when recording high quality video files to the CF Express drive. Also, Davinci Resolve already supports ProRes RAW. ua-cam.com/video/Rr7-tyt8aWg/v-deo.html
not a word about how large are Prores or RAW videos ... much more than h264/265, you won’t use it at a wedding. 6k without opengate, Ibis mehh. Strange camera for weddings
@@whoismatt not so cheap, considering that you need to backup the flash drive and then also ssd /hdd . If one wedding takes up 500+ GB, this is a problem . Let's not remember those heroes who used 1DX's )
I shoot entire wedding in 8k raw with z8, at the end of the day I use around 800gb (but at the end of the day I shoot h265). I use 1tb that cost me 300$ canadian dollars, and 2x 12tb hard drive that cost me 400$ canadian dollar… I think that 6k raw will take less storage… It’s not so expensive… When I finish to edit a wedding, I transform all footage to h265, for backup and save it for 2 years… When I shot first in nraw I never shot h265 anymore as raw is so good
This flip out screen is an atrocity. I was thinking of exchanging my Zf for a Z6iii before, now I think I’ll have to look to another brand. Nikon used to put photography first. I’m sad to see that “me, myself and I, look at me on social media” videographer types are more important !!! Sad day as far as I’m concerned.
Lost me on not being able to dual record. As a wedding filmmaker, having the peace of mind that comes with a backup in case one card fails is especially important.
Is it me or does Nikon video quality looks too clinical? The image is nice and clean but not much character. Does this have to do with the lens or is that how Nikon processes it's image?
As a long time Nikon user, I’m “meh” about this new articulating screen. As soon as you insert a USB-C cable or HDMI cable, there goes the ability to have it swivel up or down when in the out position.
@@Whiteinrevery Well said, the amount of complain people have reached is unbelievable. Man you get 6k raw video in the palm of your hand for 2.5k USd, and you keep complaining. Go buy a video camera for factor for 2.3.10x more if you don't want this.
to late now, had to jump to sony years ago because of my Z6 many short-comings- 25 years w Nikon but couldn't shoot video like a sony & new lens tech took forever !!!
dont be overwelmed ...sony will probably answer to this.... and then canon maybe and then panasonic ...i mean this never ends .... some brand is far way ahead, others catch up ...imo sony is the one that leads atm ... but when nikon does this they have to make somethng equal or better
This is the first camera I kinda want... In a long time
My wallet simply isn't getting a break this year, is it?
This camera is basically perfect for my needs, but the no dual recording video is a deal breaker. As a solo shooter, I can't take a chance on shooting to only one card, when countless other brands offer the option for dual video recording. It's literally the only thing holding me back from going all in on Nikon. Awesome camera though!
I'd love to hear how you shot weddings with non dual slotted cameras for years. Did you back up to a laptop or just use large cards and checked them constantly prior to the wedding shoot?
I shoot with a Zf, and the Z6iii seems like a pretty on-par/above-par companion camera to go with it. I do think the habit of making the dual slots different formats is very weird (the Zf records SD and microSD). I've never had LUTs in-camera, so I'm fairly used to going without, but it would be a really nice addition!
All I need from Nikon now is to give the Zf a firmware update for half-press to zoom out :'D
Added to cart lol
Same. Doing more video since you're my hero.
We just need it to record video to both card slots! How can we make enough noise for them to add this feature??
@@3akoscielskiimo dual recording is overrated
@@BryanKeithPhoto It's not overrated when a card gets corrupted and you lose your entire wedding. I've had a CF Express Type B card fail before. Luckily it was for photo only so I had the SD card as a backup.
Competition is great! This forces Sony and Canon to pull out the stops on the upcoming releases. Will be interesting to see what's in the new A7V. I skipped the A7IV because it just didn't do anything special for me. Canon R6III will also be very interesting.
Competitors do not allow dual recording. Guys, think for a second here. Look at the codecs, containers and frame rate of the camera. Why on earth, would it dual record to a type b and then an SD card? Help that make sense. Buy a Cine camera if that’s important to you. Canon R5 doesn’t even dual record. Stop it man, it’s not an issue, it’s just a common sense thing. Be happy they at least gave you all those goodies in the camera, which let’s admit, none of you won’t end up using the features anyway, it’s just to geek out over specs.
lol found the Nikon Stan 😂
Quite the opposite. All other competitors allow dual recording because they have efficient log profiles to have manageable file sizes to be recorded to both cards, which is expected in this price class by its target audience.
@@RustyShackleford9000 I shoot Canon. Not a Stan, just outlining common sense.
@@kashifswaynerobinson saying simultaneous dual-card recording isn’t important and to buy a “Cine” camera if you need that is not common or sensible lol. Most pro photographers worth their salt run dual cards even if they’re only shooting stills… this is not just a “cine” thing lol
The R5 and R6 do have options for video dual recording
It’s CFexpress odds of a CFe card failing is pretty slim, those are essentially M2 SSDs
betwing this camera, A7iv, S5 IIX, which one to think is the best?
S5ii X is the best.
lol avoiding to compare it to S5iix which has unlimited recording when you were talking about overheating is AMAZING! just shows where the agenda is coming from.
S9 is not this in camera territory S5iix is and it's almost 50% cheaper with the deals
Hi. What did you say about it and Da Vincy? Im going to use that combination.
Quick Q: Was the file recorded after the cam switched off being too hot? I did several Z8 tests and it kept shutting off quickly and the files were not even recorded. Sent it back and was aiming at the Z9 since. Until.... [Great review - tnx]
Great review, thanks so much. What is your favourite lens for videoshooting on this body?
I'm probably upgrading from Z6i to this monster.
I have fully articulating flipscreen tho. Almost a dealbreaker for me.
2 hours and 5 minutes record time? Remember until recently you had a 30 minute limit. 2 hr 5 minutes is way long enough for anything I’ve ever recorded. I’ve been a photographer since 1981. Of course I’ve been a digital shooter since the early 2000’s. I shoot a ton every week. I’ve never had a card go bad. If that’s the major reason for not going with a camera that only shoots video to a single camera, so be it. I’m very comfortable shooting to a single card or SSD. There are plenty of things that can go wrong when shooting video. Mine has never been a memory card.
I think it's important to consider that the different levels of warnings MAY do different levels of damage to the camera in the long run. Think dried heat sink paste etc. So while these figures ARE excellent, one wouldn't want to drive the camera into the red on a regular basis. Also choosing the memory card with the lowest heat generation (Delkin Black for example), will be beneficial for long term reliability.
Hey Matt I love your videos! Do you think the dynamic range of the Z6iii is on par with other cameras at its price point? Thanks.
I've used the Sony A1 and A74 at 4k 60 and they overheat. A1 overheart after 10 minutes or so. A74 overheat while I'm shooting 1080p. Give me the Nikon please
Whit 10steps of dynamic range i think not
@@francis2339 Watch Nikon z9 lab test review on Cine5d. Look particularly at the lattitude test vs every other Sony prior to the Burano. Nikon z9, solid 8 stops that can go to 9. All other Sony sensor based cameras between 7 and eight. Nikon has a problem from their very contrasty Nikon Nlog.
I own an A7iv and it has only overheated one single time in 3 years, and it was shooting xavcs-i 4k for over an hour, handheld in the summer on a hot day… also out of all the test videos on yt showing that the a1 doesn’t overheat… I’m gonna believe them over you lol..
You dont have to use or even like Sony, but at at least be honest about the fact that they are extremely capable, well-made cameras.
or Panasonic
@@RustyShackleford9000 I largely agree, but I genuinely believe that Sony has a problem with software or quality control. I owned an A7IV and was incredibly disappointed by its thermal performance too (even with the thermal limit set to high). I had it in a large church with decent air circulation on a tripod during a summer day recording a ceremony at 4k 24p, and it overheated approximately an hour in. Mine wasn’t so bad that it overheated doing 1080p, but it definitely made the camera unusable for long-form content. I’m happy that you got lucky with your A7IV, but after wielding two A6300s, an A7SIII, and the A7IV over the years, it seems like getting a camera with solid thermal performance is a genuine gamble with Sony. The only one that didn’t have problems was the A7SIII (thank God, that thing is the messiah of video cameras).
18:17 to me that’s the most exciting part is the kind of cameras are gonna be able to produce in the future - just imagine a RED camera with Nikon auto focus. Wow. The insane picture quality of Nikon. The future is bright.
i think after my 2 Canons R5C and my 2 LUMIX S5IIX i dont need anymore cams but i still loving your videos ,
You can change your setup with 4x z6iii = same lenses, same color etc and 4 great equivalent cameras = better workflow 😂
and still flex with it
I have been debating between the D780 and this now. I have F lenses which is why the D780 appealed to me... As a hobby filmmaker and hopefully getting into wedding video now not only photography... does the Z6iii record N-Log internally? or do I need an external monitor/recorder? Nikon's site, says it does, but the internet doesn't make it clear. In addition, Nikon makes it seem like only certain memory card brands will support RAW recording... I'm sold on almost everything, but my bank account may be crying. I just want to know if I'll need to spend another 1k on a ninja and cage or if the body and a Z lens/adapter is all I need
You must have cards > 32GB is all they demand - and that makes perfect sense because the data being captured is ginormous. At least 128GB at 300Mbps is what I'd venture to say is a good start.
@kevinrtres obviously that makes sense. Thanks! Planning on getting a couple 256 anyway.
Now we're seeing the results of the Nikon x RED Acquisition
Not yet. This was deep in R&D when the deal went through. The first “RED” Nikon camera may be the Z5 II, Z50 II, and any other bodies after we see a Z7 III, if we see one.
lol not at all.
@@RemyOrtiz z50ii with 4k60 raw would slaughter a6700's sales
This camera was produced over a year ago.
Doesn't Nikon have very little lenses for its crop sensors cameras?@@JJARCHIE
What camera and lens did you use to shoot this video?
Hi, great review. However, recording in 6K RAW or 4K RAW ProRes is limited by the card's capacity. In fact, even when using a real 2TB card, you can only record about 35 minutes, either continuously or in fragments. I have had this issue since purchasing, both with 2TB Sandisk CF cards and ProGrade cards. According to Nikon's official support, there are only four certified brands for RAW, and only one, Nextorage, exceeds 660GB, reaching 1.3TB. When manually partitioning my ProGrade CFexpress card to 660GB using a PC, the camera works perfectly. However, if I leave it standard, the recording stops after reaching 660GB, even though there are still 40 minutes available. If I continue, it stops again every 20, 30, or 15 seconds. Only by inserting a new CF card or reformatting it do I get the full 40 minutes available again. I apologize for my English. Best regards from italy
very informative review Matt! thanks for that
Why both about deal recording? Just stick in a 512 or 1 TB in and you're done. Furthermore, you could upload your data to the Nikon cloud service temporary if your juice runs out. Honestly you don't even need 6k. For normal media posting 4k 30 or 4k 60 is already good enough. To me, the addition of REDLuts to their N-log is really a blessing as well. Remember, moving forward, Nikon will incorporate more RED features once they done testing the beta algorhytm across all N-log specs. Camera aside, I think its time for Nikon to roll out a new speedlight. Their SB 5000 is 10 years old now. Luckily the Godox V1 Pro comes to a rescue
Matt, how does this compare to the Sony FX3 when it comes to video?
Was the Z6III in normal or sport mode, when doing the IBIS test?
I'm so waiting on this release!
No camera under 3k USD has dual recording, not even Eos R5 so whether it can dual record or not it doesn't matter coz the competition also doesn't, just check the 6k raw and other most important things you need, hope this helps 🎉
That RED was allowed to patent internal RAW is just off the charts crazy. But there it is! I just have that nasty suspicion as to what happened in the patent office - or should I rather say outside, under the table.
The internet is packed with videographers asking about how to recover images and video from their SD card (especially from Sony cameras), but, so it appears, very few from Nikon users. That might be due to the fact that the Z-series from the beginning could only take the larger, and much more reliable, XQD and later on, CFexpress B, cards. From my experience with Nikon Z-cameras, I don't need a second card slot.
Not sure why but when I record a video in 4k 60 frame rate 120 it’s clear when I watch it back on the camera but then on my editing software on my MacBook it gets laggy and choppy. SD card is a SanDisk 128gb pro V30. Any ideas
You need v90 cards.
@@joshuajlewis1575 I just ordered a V90 card to try it. Do you think that will stop the lag in my editing software? When I watch the video on my camera it’s fine. Only in the software it gets laggy.
Thanks for the help too!
Can't wait for your comparison to S5II. Have to make a purchase decision soon.
I'm bummed that Nikon didn't add a custom LUT feature to the camera. I hope they will implement it in firmware updates.
Our biggest request since the z8.
Watch the nikon z6 iii presentation.
There is!!!!
Watch the z6 iii presentation, there is !!!
@@strippedlist, do you mean nx studio? it's not clear if it supports 3D luts.
@@cinematools watch the z6 iii comercial/presentation,,,4 minutes video
Does this camera not work in daVinci/black magic?
I wonder how the z6iii is in low light video compared to the Sony A7s iii.
Not as good but still very usable at higher ISOs
Is this camera compatible with a YOLO box for live video broadcast of maybe short interviews
How many minutes can 6K RAW 60p shoot depending on the memory card capacity?
I heard lot of people talking and showing a bad performance in low lights. like strange flickering and artifacts....do you noticed something like that?
these greens look gorgeous
raw baby
Awesome review as always! my question is do you think it can be used as a b cam to Black magic?
Thank God ,
Finally we have a competitor.
Greetings from SONY
What is the Picture control you can upload to Z6III from NX Studio, is that not a Lut?
Camera looks really good! Thank you for this great video. I can't be the only one that thinks this IBIS is somehow a step backward... ? I've shot lots on Z6ii and Z9 and esp. for the latter... idk. It just seems a little jankier.
Is there the same timecode (bluesync/atomos) implementation as in the Z8/Z9?
I can't believe Premiere Pro doesnt support NRAW. The only way you can edit NRAW is in Davinic Resolve.
Does it overheats at 4k 60 p ?
nope. I Shoot sports with it. It does great even at 4k120
No dual recording is a dealbreaker. I'm in my third year in my photo/video journey, and I already had a card failure. Unrecoverable photos and videoclips on it. Glad I bought dual card slot cameras that actually can save to both cards.
It can be the best camera ever if it doesn't have this feature it's basically a single card slot camera therefor not a professional tool. Or at least not for the kind of work that you cannot repeat.
You know how many 20+ thousands cameras did not have dual recordings. LOL.
Any CFexpress B failures?
@@livejames9374 It was an sd card. Good quality but sd.
My only concern is the dial mode on the opposite side! Everything with Nikon is backwards pretty much anyways so to be expected
Beautiful footage and grading!
NIKON Z6iii Rolling shutter 12.5 ms (2500USD)
CANON R8 14.5 ms (1200USD) ???
Sony FX3 or Nikon z6 lll ??
Very nice review! I really feel that in 2024, we shouldn't be paying $2500 for a camera that cannot record video or photos to dual cards, specially if you are buying for professional work that cannot be re-shoot, like a wedding for example. This is one of the main reason why I am selling my Pocket6k Pro, and I will probably not pull the trigger on this camera unless they unlock the dual recording feature like Canon eventually did with the R5.
Problem with codec different
Hey Matt, I found a manufacturing error Nikon refused to acknowledge in my z9, z8, and og z6 regarding audio - there is bleed between left and right through the 3.5mm jack, meaning it is effectively useless with jam sync timecode like tentacle sync mkii because the timecode bleeds into the scratch track. It means if there's drift you have no fallback. Did you experience this with the z6iii?
Didn’t test timecode with it. I’ll have to test next time I have one around
we tested timecode with the Z6iii and it worked fine using the tentacle to jam sync the audio. Synced up fine in post. Could one of your units just be faulty? I havent tried it on the Z8 though.
Far from an expert but I thought that the volume needs to be reduced so it doesn't bleed. The other way to get around audio bleed is only jam sync at the start and then disconnect it. As long as you aren't filming lots of small clips. Also believe timecode doesn't prevent drift, you need a camera with genlock which none of these type of cameras have.
@@petercofrancesco9812 we had the tentacle connected to the camera the entire time. You never really notice drift unless you are filming longer than 24 hours without refreshing the sync from my experience.
Dual card recording for video is not very important.
I have never experienced card failure, been using Nikon and Fujifilm for years.
Do you think a Z6iii has enough megapixels for wedding photography and not video.
Get a z7 and its solved
Why wouldn't it? If you are filling the frame properly it's a non issue.
4:21 Did you apply any Optical Flow on these footages? Look at the background behind the tree during the slow motion.
No optical flow or post stabilization to any footage in the review. :)
They should have added a flippy uppy screen. It is a must for me
Bringing up the ~2hr limit is ridiculous because how many people actually record for even an hour?
The specs are fantastic, but a $2500 camera should be able to shoot to 2 cards even if it's not the highest quality settings or something.
You can add something like the Atomos Ninja. At least you have the option.
@@danielvilliers612 that's true but that's adding ~$600 to your total but at that point you're getting closer to the Z8 price and could get more bang for your buck there.
My A1 doesn't have most of the video features of this camera :(
Jared Polin must be crazy to slate this camera.
He has gone autofocus crazy.
I'm confident to buy this camera to replace my original z6
Coming from the original Z6 it's a massive upgrade
The lack of dual recording should be a deal breaker for a wedding videographer today. Totally unacceptable. Your reputation is so valuable, and losing your footage will kill it.
Nikon must address this ASAP.
I shot 10years wedding video and photo, with only 1 sd card and never had problem…As cf card is more robust, I won’t be afraid…
@@peterra2532 It's not just about redundancy, the benefits also include 1) having a card in the camera at all times, 2) have overflow capacity when one is filled up, and 3) backup flexibility.
Peace of mind is important.
Damn Nikon gonna steal a tons of customers back from Sony and Panasonic. 6k/60p and 4k120p interal raw? JEEEZ
sony will probably answer to this.... and then canon maybe and then panasonic ...i mean this never ends ....imo sony is the one that leads atm ... but when nikon does this they have to make something equal or better
Not really. RAW is not a popular workflow for its target audience shopping in this price range.
@@sardanapalos sony already knew about this so im sure they are preparing. Sony literally makes sensors for Nikon (alongside Fuji and Lumix) so they pretty much know what they will be facing against
@@Omgiamsotriggered i guess they will put it all on the a7siv ...but will they put internal raw? thats the big question for me
@@sardanapalos I think A7S is gonna be canceled, literally pointless now that sony is focusing on the FX line plus the ZV line. Highly doubt they are going to keep specialising in 3 different lines of cameras that are the same thing. U gotta admit Z6iii has some crazy video specs for 2500$, great allaround package.
Its not about the body always. The biggest problem with Nikon today is lense choices.
I wish Nikon makes a S line 1.4 series for hybrid shooters.
1.4 S line can be a optimum balance of quality, charecter, weight n price .
Unfortunately nikon dosent have amazing support like sony from Zeiss or sigma.
Why do you absolutely want 1.4 s-line? 1.8 vs 1.4 is near the same in terms of light and bokeh…1.8 s-line are as good as 1.4 from sony in terms of IQ
No entiendo todas las quejas, ni en esta cámara ni en la s9… creo que estas cámaras son increíbles 😅 solo que ahora solo nos concentramos en tener algo que criticar, lo que sea😅
The problem with relying on 32-bit float is that you can end up either under driving or over driving the mic capsule which leaves you with a pristine recording of a mic working outside its sweet spot for sound pressure. Plus for a lot of commercial work you still have to deliver in 24-bit. So learning how to gain stage properly on set (or at a wedding) is still an essential skill.
Agreee, its the same principle as raw video
I dont get your advise "film in 24p not 60p",!! you never slow your footage for any reason?
Excelente trabajo bro me tiene pensando esa Nikon z6IIi soy usuario de Sony y quisiera navegar en otras aguas 😉
Matt used the “O” word 😮
most cinema cameras don't record to two cards at the same time.
The AF is so good that the footage looks like it was shot with a green screen.
Sounds like a nice camera but market feels like it's getting saturated.
Except that no ones has these features even in their much more costly cameras.
@@danielvilliers612 4k 60 without a crop, no over heating, 4k oversampled from 6k, etc are nice but not enough to sell all my sony and reinvest in another eco system. Even if I would buy I would wait for people who do longer term reviews, these are just a preview of every think that's good without real world usage.
One clear trade off it doesn't have good enough internal stab like Panasonic to use without a gimbal. Also the 1 card recording. It's ok not a deal breaker.
I love we are at the point where there are so many good cameras for people to choose from
1:26 UA-camrs now have chaperones, 😂
8:30 +1 Makes no sense as a Z8 owner. Why - just why. Hopefully the can remove this feature or at least let us hack it
Also when/if we will get red code raw on Z8/9/6iii
You want to record on two Memory Cards yet you use the Cheap Belkin Memory Card??? Most Mfrs will be using cheap cards too, both are going to fail even if it had the ability!!
Per Nikon, this camera DOES automatically record proxy files to the SD card when recording high quality video files to the CF Express drive. Also, Davinci Resolve already supports ProRes RAW. ua-cam.com/video/Rr7-tyt8aWg/v-deo.html
I need this camera but I'm from Argentina it's gonna take so longo to get it 😪😪😪😪
not a word about how large are Prores or RAW videos ... much more than h264/265, you won’t use it at a wedding.
6k without opengate, Ibis mehh. Strange camera for weddings
Perhaps because you have the choice.
Storage is cheap these days. Remember filmmakers used to take up terabytes filming a wedding with a 1DXiii without raw.
@@whoismatt not so cheap, considering that you need to backup the flash drive and then also ssd /hdd . If one wedding takes up 500+ GB, this is a problem . Let's not remember those heroes who used 1DX's )
I shoot entire wedding in 8k raw with z8, at the end of the day I use around 800gb (but at the end of the day I shoot h265). I use 1tb that cost me 300$ canadian dollars, and 2x 12tb hard drive that cost me 400$ canadian dollar…
I think that 6k raw will take less storage…
It’s not so expensive…
When I finish to edit a wedding, I transform all footage to h265, for backup and save it for 2 years…
When I shot first in nraw I never shot h265 anymore as raw is so good
@@peterra2532 one question .. why????
Dang it Nikon, stop releasing so many cameras that I want! I'm trying to stay with Lumix for my wallet's sake! 😅
Affordable 6K Raw Video Camera? LMFAO! 3,000 euros-I wish I were rich enough to call that affordable.
Why I didn’t care at all about this beast camera.
This flip out screen is an atrocity. I was thinking of exchanging my Zf for a Z6iii before, now I think I’ll have to look to another brand. Nikon used to put photography first. I’m sad to see that “me, myself and I, look at me on social media” videographer types are more important !!! Sad day as far as I’m concerned.
Lost me on not being able to dual record. As a wedding filmmaker, having the peace of mind that comes with a backup in case one card fails is especially important.
Nikon was starting to fall off. This was a much needed release. Great job nikon 👏🏼
@17:30 that's a lot of noise in the shadows.
Is it me or does Nikon video quality looks too clinical? The image is nice and clean but not much character. Does this have to do with the lens or is that how Nikon processes it's image?
It’s definitely sharp in 6K with super sharp lenses. You may wanna add a filter to soften it a bit if you prefer
Best pic quality
Sony
Canon
Lumix
Nikon
If you want excellent video, we all know who the real beast is.
This will not be a big seller in the wedding world, which is probably the biggest market to throw away
Is the new d750. Will definitely be big in wedding space
For wedding video 1080 still enough,
The export 😎
Not really, esp not sony"s fhd ( exceptions for 12mp sonys )
You get a7SIII for the price of a7IV
1:25 Nikon doesn't trust you. They lent the Z6III to Gerald Undone for a few weeks before embargo without a chaperone.😂
Or more like they know Gerald doesn't shoot anything outside his studio lol
That's not an entry level camera though :) but loved your video/feedback.
Could you describe what the dual gain iso issue looks like in h265 N-log recording?
Is it an issue? ISO 5k is dirtier than 6400; knowing where the second base kicks in is useful in making technical exposure choices.
@@northofbrandon Of course not ;)
My little typo.
Thanks for the information, dual ISO at 6400 is higher than I expected.
@@TheRapTrue I think it may depend on what mode you're in (h265 vs log or raw) but I could be wrong. I have heard 100 and 500 for 265? hmm
Over priced in India 2964 USD (247k INR) for body only 😢😭
As a long time Nikon user, I’m “meh” about this new articulating screen. As soon as you insert a USB-C cable or HDMI cable, there goes the ability to have it swivel up or down when in the out position.
usually if you use the HDMI out, you are using a monitor and not the articulating screen anymore for viewing.
@@Whiteinrevery Well said, the amount of complain people have reached is unbelievable. Man you get 6k raw video in the palm of your hand for 2.5k USd, and you keep complaining. Go buy a video camera for factor for 2.3.10x more if you don't want this.
single card recording is a deal breaker for a videographer this price in this era where theres alot of cameras.
Ff but w crop in some modes. Sony is still the king
Ahahah the cripple king!!
a7iv crop in 4k60p. a7iv is no match for this, or canon r6ii.
to late now, had to jump to sony years ago because of my Z6 many short-comings- 25 years w Nikon but couldn't shoot video like a sony & new lens tech took forever !!!
dont be overwelmed ...sony will probably answer to this.... and then canon maybe and then panasonic ...i mean this never ends .... some brand is far way ahead, others catch up ...imo sony is the one that leads atm ... but when nikon does this they have to make somethng equal or better
@@sardanapalosSony has too many tricks in the bag and a good camera body is just one of them.