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Design Cinema - EP 39 - UFO Attacks!
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- Опубліковано 29 бер 2011
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Hey Feng, thanks so much for sharing these lessons and being so proactive about helping others even though we aren't paying students. Your videos are fantastic!
This "home made textures" trick is pure genius!
It's fast as hell and it works really good :)
Thank you so much
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I admire ur awsome work!...and i respect ur "humble" atitude,that other great artists dont have,to show us exactly how u do this great art!!...for free...it is very inspiring!!...thanks!
I love these. For me, your painting talent is actually second to your ability to explain these principles in a way that clicks
I love the way how you gain control over the painting from the first stroke. Its like you knew you were in control. Awesome work as usual. Thank you so much for letting us have a peek into that brain of yours
Feng you are a great philanthropist, watching these for free almost feels like stealing. Your point about density helped me crack the issue I've been having with a matte painting. I simply can't wait to watch the rest of these, so I'll stop typi
You are a god among men. Seriously, thank you for sharing your brilliant work with all of us.
how can anyone dislike this video or any of his videos ? ...
Fantastic. I have never seen anything like this before so I am open mouthed!
Hi Feng, I just want to add to the many other comments from people who have thanked you for your time and kindness in making all these great tutorials. I found them less than a month ago, and have already watched all of them in order. (I'm commenting on this one cos it's my favourite!) I am from the UK and have studied Architecture, but my real ambition is to get into set design and I'm only just starting out. You've really inspired me to go and strive for my dreams - so many many thanks! :-)
When the video finish... i only can clap... O M G... i'm starting in "CGI" world... and the "mate painting" are basically from a lot of scenes... thx for this magistral leasson.
Excellent as usual.
My favorite subscription, hands down!
Another great demo/tutorial.
Thanks Feng !
This is STUNNING!
Feng I love you so much. Your not like one of the selfish pro artist out there. Your helping me so much you have no idea I was trying hard to do something like this for years! God bless you! Your a real Pro. thank you!
One of my favorites so far!
You Sir, are a master!
Thanks for sharing!
Ty Feng, you're my hero!
This is incredibly helpful!!!
Perfect timing, Feng.
I find these tutorials houndred of times better than lot of boring and expensive gnomon workshop dvds. In almost 15 or 20 min we have all the needed and relevant information
I actually hated everyone's obsession with "concept" art until I saw this. Bravo, sir.
another great vid! Thanks Feng these are all really awesome!
It's the dual brush setting in photoshop that you can add to the default chalk brush that gives the nice texture.
wonderful, never cease to amaze me.
Thanks Feng for again one awesome tutorial. Love these kind of sci-fi themed paintings. But what I really would like to see from you is an outer space or in close of a planet orbit.
Thanks again, and keep watching you :)
artwork: 10, narration: priceless
i love your style and you can explain REALLY good. thanks for the effort of putting this up here, really learning something!
omg i just found out of this channel! all this content for free!!!!!???? THANK YOU!
You are really a genius! I missed that inspiration from my teachers at the art school. Thanks a lot!
@Midstar1
the perspective grid was made by hand; you can see it from 0:30 to 2:18
Amazing stuff. I learn a lot from your videos even though I dont use photoshop much much. But use this information for a lot of my other paint work I do.
Amazing perspective use!
When establishing the initial jigsaw collage that is the background, I wish I knew more about the effects you used when altering the hues and contrast of the underlying image... I've never messed with pure effects layers too much but I guess it makes a huge difference when doing a base like that.
Great stuff. I think you should talk more about some technical stuff though, like "hit ctrl+u to change the colors" and so on.
thank you very much, that you show give us such great advices, your are amazing!!
a tablet will make drawing way easier than a mouse, the top brand for digital art tablets is Wacom, even there lowest range model the Bamboo tablets are very good. The size of your tablet will not effect your drawing, but a larger tablet will make extended drawing easier on your wrist.
Very nice ! ;)
Hope to see your next tut soon
First off I want to say thank you very much for all the hard work you put into these tutorials for us. I was wondering if you would ever consider making one of your demo PSD files available for download, so we could dissect and reverse engineer it to help us learn? If not I understand. Thanks again!
i'm officially depressed... awesome work!
Your most helpful tutorial yet. I loved how you clearly defined a non finished vs. a 6 hours later finished painting. After you res up and start adding that final level of detail are you zooming in or staying zoomed out? I second the question if you are toggling opacities or keeping your brush at say 60% and selecting different colors that are being made in the painting.
Amazing as usual
Whoa awesomeness was that all realtime
resolution is probably why. If you're working on an image with 100dpi, it'll look more pixelated when working up close compared to working on an image at 300dpi. I wouldn't worry too much about starting an image off at 300dpi since it'll be started off with very loose colors and shapes and not details. Once you start getting to the details, bump the image res to 300dpi. It might slow your comp down a little bit but that should work.
Really nice design!
Awesome work
Awesomeness level over 9000
Thanks again for this Feng, u da man!!!
you are awsome feng @FZDSCHOOL
Amazing thank you so much for the tutorials..!
This is literally perfect........
Thanks a lot for this one :)
gah that is so frickn awesome. I can't wait to get to that same level...
I must have missed that video, thank you for clarifying :). Also I was simply interested in the brush, not because I think it would look better but to try and imitate the style in the video. I know he wants me to make my own style, but I think imitation is also an important skill in art.
@xalener i see.. thats very informative. thankyou.
The FZD Design Cinema Contest deadline is approaching soon. Be sure to submit your entry by September 30, 2013 to win a trip to Singapore. Good luck to you all~~
thanks for this amazing tutorial
Thanks again so much for this super fantastic tutorial!
How do you add brush strokes on top of painting, such as shadow and highlights? Do you create a layer on top, paint upon it and then merge it down?
@a7924a
I find working in digital to be much better for your eyes. Your eyes and a camera works pretty much the same. Imagine zooming in and out, focusing back and forth with a camera for 10+ hours a day. Eventually it'll break....just like your vision. However, in digital, you just need a constant focus. If you want to see something better, just zoom in. Your iris/lens is pretty much relaxed the whole time (at least for me).
I can works for hours w/out a break in digital.
HUGE inspiration. THANK U :}
Brilliant - thanks!
@Zargogo i think he shades with colors taken with the eyedropper that exist already in the picture.
You are amazing!
amazing =]
Amazing!!! really amazing
wowow i can really listen to you talk for agesss
man you rock !! Thank you !
@lucaddragon
I don't have any experience with oil since it's not a medium used in the Industrial Design process. I took an elective class on it way back at Art Center and got a C+ in the class! lol. My process is more similar to gouache, which is a ID medium and extremely similar to PS's default brush.
I love traditional oil paintings btw.
Yep it's digital art and he definitely does use one in his other videos too.
Ur videos have helped me so much thanks btw. , aaaaammmmmmaaaaazzzziiiinnnggg!
GREAT VIDEO! only thing i would say is and im not trying to come across as a pro or anything, but the spaceship in the background to me looks like its floating across the sky were as if i had some flames comeing from the bottom like a spaceship comeing back into earth were its all hot and stuff under neath might make it look as if its droping in from space to help its buddy :)
this was sick love see moreee :D
Amazing tutorial thanks :)
One of his pictures is out of the window of a Japanese castle. I know because I took a picture that looks exactly the same. =P
@kimsiang
Cintiqs are nice and I do know a few professionals who use it (I own one as well, but it's in storage). Personally, I don't like having my hands blocking the image and also having to look down (hurts you neck verses looking straight). The glass thickness is also an issue for me. But at the end of the day, use whatever is comfortable. I've been using Wacom tablets since the mid-90s, so I'm just too used to them.
thanks for this great demo, feng! i'm kind of curious to know your personal take on contiqs vs intuos. coz i do notice many professionals such as yourself stick to intuos even if they can afford it.
Feng for president !
I'll have to take a trip to singapore just to be able to say "thank you" in person to you.
:)
Amazing as usual!
This may sound very novice, but could you explain how you paint at that caliber? I try hard to mimic you, but it never comes out right. Maybe some techniques professional designers use. Thanks:)
My brush strokes look little pixelated! I'm using Photoshop Elements 10.
@werderfan2012 anything you can't shoot yourself you can paint. Also there are sets of photos you can purchase online or in DVD form. Some are very economical, depending on use. Search around for a cheap deal on stock collections. When you pay for one of those sets you purchase certain usage rights with them, make sure you know the terms and limitations so you don't get into trouble. Good luck!
how do you make the images blend in with eachother? like when you put the airplane parts onto the buildings to give it the destruction look?
@xalener i see... and then what do they call prospective?
the dodge brush is the dangerous brush haha. was that just a brush with the orange color and set mode to dodge? Or the actual dodge tool?
Hi Feng, Good Day
I was wondering if you have any advice for doing an underwater scene? It be good cos I'm currently doing an undersea creature concept and Im trying to find a good way to show it's underwater ie texture, blur layers...
Thanks for ur videos and your insane dedication, you're awesome. Ive learned ALOT.
Hi, I really love your work. AWESOME! But why is the building grassy and mossy, When the alien just invaded.
Amazing!
Did you use the same brush all the time? I likd it a lot! :)
What kind of photoshop brushes do you use?? The textures from them look pretty cool! The default brush I've bene using feels a bit flat on my drawings
How does he shade? Does he have his opacity set to 100% and just change colours from the palette all the time?
The perspective on his laser mouth thing still looks off to me. Not by much, but a little bit.
Omg, how long do you need to practice to be THAT good? :/
NICE! :)
Feng
Amazing tutorial, was just wondering where you got the PS brushes that you are using for things like grass and other foliage. I think you numbered the 5-8
What I learned from this: That I have a lot to learn...
..."from my airfield..."?? holy shit. $$$
how big is the image that you work on and what is the size that you save it as?
What brush did you use to paint the alien?
woa great tutorial
8:25 Ceiling Cat?!
how did you made brushes groups?