Professional Singer Reaction & Vocal ANALYSIS - Dimash & Aida Garifullina | "ULISSE"
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- Опубліковано 27 вер 2024
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#dimash #aidagarifullina #reaction #ulisse #operasinger #opera #vocalrange #vocalcoach #voiceteacher #basssinger #dimashkudaibergen #vocalanalysis
Hey everyone, Dimash sounded incredible on that D6 - my apologies for the misidentification of that note. Hope you enjoyed the rest of the analysis! :)
Next please react to Dimash singing “Ikanaide” for Tokyo Jazz Festival.
Not hard to do- none of us are suprised Dimash's voice can be mixed up for Aida's on his top end :) - and there wasnt a good look at them in the footage for the note.
Yes, I enjoyed it, thank you :)
I suggest you to listen to Tu vas me detruire, Dimash duet with Sundet Baigozin and to Ay Karagoz, sung with Alisher Karimov.
Most of Dimash duets are great, I think.
"A lot of you're probably not able to hear it".
And that's exactly why we listen to you Peter. If you want to learn, best learn from a pro.
Btw. I was thinking a while ago about how you'd be announced if you sang Rossini? Something like:
'Not the Barber of Seville singing The Barber of Seville'? 😎
Have you ever?
Well you gave credit to Aida for the D6 when it was not her so Dimash can fool experts as well. But Soprano Elizabeth Zharov picked that it was Dimash on the high note
Thank you for your commentary. The piece was originally written by Igor Krutoy for the voice of acclaimed operatic baritone Dimitri Hvorotovsky (RIP) and lyric coloratura soprano Sumi Jo. I love the way Aida and Dimash sound together. For this event, Igor chose Dimash to sing two contemporary classical pieces he originally wrote for Hvorotovsky, this one and "Ti Amo Cosi". At this same event, Dimash also sang "Olimpico" and "Passione", both songs that Igor wrote specifically for Dimash's voice, and "Know", a piece he rewrote for Dimash, originally sung by Lara Fabian, lyric soprano.
❤
We're not professionals, but we all heard Dimash going higher than Aida at the end 😂
Sorry, but I have to respectfully disagree. I’ve listened to this closely, dozens of times, and I can clearly hear Dimash maintaining his lower note at the end, as Aida goes up. It’s still a high note, but it’s lower than Aida’s.
@@debbienockels3796 Hi Debby, I respect your disagreement, but at the end, both are in high pitch and Dimash is even more higher at the very end. Maybe you are confused by the chorus at the back. Take care. 🥰
@@debbienockels3796 Nope. It's Dimash doing the D.
@@debbienockels3796 Aida has a surprisingly warm alto voice that tones with Dimash's so beautifully, that it's bound to cause confusion! As my favourite of all Dimash's many duets and collaborations, I just can't get enough - and yes, that includes his switch up to D6 en finale ;)
@@debbienockels3796 Simple and plain. You heard wrong dozens of times. Maybe you need your ears checked? Cause they're *clearly* not in good working order. Neither is Peter's 'professional hearing'.
Watch the video in slomo and zoom in to both their mouths. You're obviously not capable of hearing it, but surely you can see?
I will recognize Dimash's voice and vocals in 1000 people. The last note (D6) was sung by Dimash. Listen carefully.
100%👍❤
I think people often have assumptions, at first I assumed it is Aida, but after checking the fan cam several times, it’s indeed Dimash.
Мне очень нравится этот дуэт, гармоничный, прекрасно звучащий, прекрасно смотрящийся. Я восторгаюсь обоими, но Аиду слушаю редко, а Димаша каждый день. Почему-то только его голос вызывает во мне столько эмоций, независимо от тембра, жанра и стиля. И вот это объяснить не сможет ни один профессиональный разбор.
His voice has magic :)
❤🤗👍🤝
Аналогично и со мной так ! Только ДИМАША могу слушать по-многу раз кряду и не надоедает, это какая-то магия !!!
I love how you gushed over DIMASH'S D6, when you thought it was Aida's... 😆
The last highest note was not Aida but Dimash.
Finally fooled you, it was Dimash who took the final high note in this song.
While this is an Igor Krutoy composition it was not written specifically for Dimash or Aida. This was a birthday gala for Igor Krutoy, who is at the piano, and there were multiple performers, not the least of whom, was Andrea Bocelli, and they were all performing songs written and or composed by Igor.
That D6 is Dimash, not Aida. 😆 That voice is very distinct.
@@ecilaeniarol9863 if you don't know it would be difficult to discern. It's only because we know the tone of his voice so well. It isn't really that important because he knows that Dimash can hit those notes
@@JustMyOpinion1010 crediting the correct singer is important
@@deborahsmith9968 Peter is great & he's got a humble demeanor about him everyone makes mistakes & he admitted that above.... I actually like that he missed it b/c it underscores what Freak Dimash is lol...... Aida is amazing too.... I luv listening to her performances - such a Pro
@@jackzeldon2883 agree. Love Peter’s channel!
So great to finally hear these two sing together! They performed really well as a duet, and it was super cool/interesting to see how Dimash stacks up against a legit opera star. Which Dimash song do you want to see me analyze next?
I haven’t seen the video yet, but I can’t wait to hear your comments! So much to unpack!
Here is an example of Dimash without a mic, singing with Andrea Bocelli. It is a backstage video, and not a performance, but should give you something to reference for his natural volume. You have made several comments about sound compression and wishing to hear what he would sound like without a mic, so I hope this would be a good start.
ua-cam.com/video/Ayb7IX-ry8M/v-deo.html
the last note was Dimash's not Aida's
I checked with his teacher but Dimash said the same in an interview. He is a TENOR. He does tend to be a little more choppy and less flowing between words when he sings in a foreign language and it's a song he's not super familiar with.
Watch the end again, and listen carefully, and you will see/hear the highest note at the end was actually sung by Dimash, not Aida. ;) …. Next please react to Dimash singing Ikanaide, an old classic Japanese song which he brings his Dimash flair to it. Please react to it next.
Great analysis! I dont think you realised in the video that last D6 was actually Dimash!! Keep it up Peter💪
Yep, it was Dimash who sang the high D at the end. Kinda surprised Peter didn’t catch that because that was the cute little twist at the end of this piece. lol .
@@aynurgulaybastuncu1674 Ich merke, dass Peter nicht auf diese Diskussion reagiert, weil er überzeugt ist, dass die letzte Note Aida gehörte. Er hat das richtige Ohr für so was. Ich meine, dass er recht hat.
even experts sometimes miss certain points. here is the fancam link where you can clearly and closely see and hear Dimash (and NOT Aida) doing the last note in D6...
ua-cam.com/video/CWgPFvnLOyw/v-deo.html
thanks Peter for a great analysis. cheers!
Dimash is a FREAK!
Peter, so funny that you didn't recognize that it was Dimash who went for the high final note, particularly because you said it yourself in the beginning that he is most comfortable in the soprano range. But rewatch that moment and see his posture and his arm shoot up when he hits that note.
i agree with you. this fancam link clearly showed it was Dimash (and NOT Aida) who sang the high D6 final note :
ua-cam.com/video/CWgPFvnLOyw/v-deo.html
Отличный качественный подробный разбор! Для своего возраста и учитывая другие его возможности - Димаш отлично поёт, и этот разбор его не принижает, как и Аиду)) Очень интересно было послушать мнение профессионала, а не просто охи и вздохи других реакционеров.
Спасибо!
Dimash‘s voice is beyond amazing. What a superstar. I love his voice. For me the most beautiful.
This song was written for Dimitri Hvorostosky , who was a baritone.
Btw Dimash took the high note at the end and not Aida. Funny you didnt notice.
Для меня тоже - голос ДИМАША самый красивый из всех голосов мира !!!
100%❤🎉
❤
Dimash e Aida fizeram uma apresentação espetacular!
👏🏿👏🏻👏🏼👏🏼👏🏽👏🎶🎶♥️♥️🇧🇷🇧🇷🇧🇷
Well, you say to take your word for it because you are a professional, but if I had done that and hadn't known better, I would have never found out that Dimash was the one singing that high note. You even made it a point to stress how professionally Aida does it, while it was Dimash . Not criticizing, just pointing out a funny fact.
looool very funny actually
You listen carefully and dissect their vocals throughout the song . Then you MISSED Dimash’s last attack high note, which I don’t understand why? Lol. You even watched that part 2-3 times and still couldn’t see how he goes up higher than Aida in that last note! 😅 which seems effortless for him though, he seems comfortable on E6 F6 in head voice . Lol. 🤣
Although the composer (Igor Krutoy on piano here) wrote this song years ago, so he didn’t write it for Dimash. This is Igor’s 65th Birthday concert and all the artists were artists he had worked with over the years, obviously all the songs were composed by Igor. The highest note at the end was sung by Dimash!
Dimash actually went higher than her at the end. This song was written long before Igor knew about Dimash.
Aida had sung this for many years with other opera singers.
Thank you for a great analysis.
Yeah, I am kinda surprised he didn’t catch that the high note at the end was actually sung by Dimash. If he watched that part, that would have helped because you can clearly see with the position he took that it was he who sang it.
@@aynurgulaybastuncu1674 lol, idk if he really ignored Dimash in that last note or what😂😂😂. He even looked at the screen that part 2-3 times
@@kevinnguyen5042 he did not watch the screen carefully enough (his eyes weren’t on the screen the entire time during that part) because if he did, even from dimash’s posture and stance he took for that last note he would know Dimash sang that note. It is ironic too because during this video he over-emphasized how his professional opera singer ear is more fine tuned than ours, like he mentioned it ten times that he is a professional singer but yet his super ears failed him when it came to that last note, lol.
@@kevinnguyen5042 Aida sang the last note, and Dimash matched her in high tenor. I missed it several times, being used to Dimash`s high notes, until I finally noticed a tenor note in that finale, and I realized it was Dimash. But yes, when he takes a high note other times, he sounds just like Aida, which is why she joked that if she needs to step out for something, he can sing her part 😄
But in Ulisse, just like in Ti Amo Cosi, Dimash stuck to low range, and the girls sang the high notes :)
And his high tenor note at the end in Ulisse is gorrrgeous :)
P.S. Not gonna comment on the ongoing 'obsession' with the differences between professional opera singers and Dimash "not choosing this path". It seems like this HAS to be mentioned every single friggin time, as if we don`t know what field Dimash has chosen. Or the obsession with "actual voice volume". Nobody asked Peter to organize an audition at an opera for Dimash and give him a pass to join the opera. Don`t understand that point Peter keeps making.
I am glad that Dimash chose a career where he has concerts in front of 20.000+ people, so I can have a shot at being among them and hear him live. That`s all I`m gonna say.
I don`t know why professional opera singers don`t make reactions to other opera singers and be done. Why bother with non-opera singers with questionable volume and keep comparing techniques. Beats me.
@@lovesyoutube8591 In Ti Amo Cosi Dimash stuck to low notes only, but here in Ulisse the very final high note at the very end is 100% sung by Dimash, not Aida. Other opera singers who reacted to this performances also confirmed this. So, you and Peter are wrong about it being Aida.
Dimash actually beat Aida for a classical singing award (Victoria awards?) in Russia with his song Olimpico. I'm sure someone here can give all the details because it escapes me now.
Yes he did, I watched the ceremony where he accepted the award. He beat more opera singers than Aida but she was on the list. 🥰
The last couple of notes up to D6 was Dimash not Aida, funny you didnt mention it 🙃
It was Netrebko
@@FluffysMum because someone else already did
@@JustMyOpinion1010 did what?
Absolutly brilliant. I have seen this before as I have followed Dimash for a long time but it was great to have their voices explained with all the high's and low's which you would never really think about until it is pointed out to you. Very interesting. Thank you Peter Dorothy x ( Grandma North East England UK )
It is Dimash singing the final high note, not Aida, but of course a well trained opera singer who hears so much more than us would pick that up straight away.
Te faltó indagar más el evento completo, tu fascinación por la soprano que es genial, te impidió ser objetivo en el valor de lo que ocurre al unir las 2 voces diferentes y extraordinarias con alto sentido de perfección, sincronía o complicidad de ambos para dejar brillar cada voz y para integrar una obra hermosamente ejecutada, con un dejo de modernidad. esta obra saca lo mejor de cada cantante , deja que cada cantante brille y también brillan junto, ambas aprovechadas al máximo. Dimash es de formación lírica y tiene un registro muy alto y amplio, El montaje de la obra es de Igor, Debes saber que Dimash no trata de lucirse con Sarina, y no es desagradable o deficiente el resultado l la unión de ambas voces
Dimash did D6.
Dimash was the one doing the high note at the end.
What Dimash was doing there .. was singing the D6!!! 😁 After all the praise you gave Aida for that note!! I could hear quite distinctly that she sustained her last note and Dimash went up to the D6, (without having listened before) so, kind of surprised you didn't pick it up .. but .. all is forgiven!! 😁🥰
It's very interesting to me how Igor, who is known for taking classical pieces and expanding them by adding contemporary touches, has combined these two singers together in a beautiful blend of both genres! She is singing pure opera while Dimash intentionally weaves in the contemporary, creating something more dynamic in this already gorgeous piece of music! (It took me a couple of times through to realize that D6 was our boy Dimash too. He sounds very much like Aida up there😅!)
I really wish reactors would do some research to avoid incorrect conclusions. This piece was not written for Dimash, but for a baritone. Igor has been composing since before Dimash was born, and he has composed for many singers. So much confidence in statements that are completely wrong is very offputting.
This wasn't written for Dimash, but I think that today, he would have to reach less for those lower notes, as he's really worked on extending and strengthening the bottom of his range.
He is certainly amazing😢
Soy de Costa Rica pura vida amo a dimash el es el mejor del mundo 🇨🇷🇨🇷🇨🇷🇨🇷
Actually,Igor Krutoy wrote this piece for Sumi Joy and Dimitry Hvorotovsky I think.
Dimash es Dimash 💯💯🇨🇷
Many of Krutoy's composition are out of the ordinary. He likes to experiment, and singers like Aida and Dimash clearly appreciate the challenge of singing outside of their comfort zone. That's one of the reasons why they are the greatest.
Appreciate your analysis and sharing of operatic specifics. Alwaus fun to learn something new and sharpen the ears a bit more.
There will always be some backlash from some Dimash fans who are carried away by hus uniqueness and assume he’s perfect in all things and better than evetyone he ever sings with, and thus can never be xritiqued, even with no negative intentions.
Your comment about the low notrs was quite correct. He probably hadn’t worked on the bottom of his range as well at this point, since that’s not where his uniqueness lies.
i love your enthusiasm and I don't mind these long interesting informative videos. But, he was doing the D at the end, not Aida. I was confused by that as well the first I heard it, but that's 100% Dimash's voice, I know it too well by now. You're so right about him sounding like a soprano when he wants to and this is a good example.
Oh, I also love this performance and I believe it deserves more recognition. They sound great together. I can hear how Dimash needs more larynx push (even though not as well as you do), and that that is not his shining range, and I'm amazed at the same time that he sounds so good, while having that amazing crazy high rage too. He really does put in the work for it all.
Well, according to his own words, Dimash is a tenor. No surprise then that he has to darken his voice to get down to bass level. Too bad we rarely hear him sing operatically as a tenor because he often sings either lower or higher. Also, this piece was written for a baritone (as other commentators said), not for Dimash. Furthermore, I missed a comment about Dimash´s vibrato. In your Ogni Pietra review, you kept complaining that he did not sing all notes with vibrato as he should if singing proper opera. (Besides, Ogni Pietra is more like a rock opera so Dimash did not need to sing the notes in full opera mode.) .Finally, I am quite amused that you attributed the D6 at the end to Aida. Speaks for Dimash´s soprano quality though!
having recently found this channel, i've been binging dimash reactions here & in pretty sure this gentleman states multiple times in each video that he DOESN'T expect "perfect" operatic technique from dimash. if i'm not mistaken, it was actually in his "ogni pietra" video where this was most pointed out & rationally explained as to why it isn't the correct standard to analyze or critique dimash's performance from.
it's dears that can't understand any criticism of dimash that keep me from wanting to actually refer to myself as such, despite being obsessed with him & his talents since 2018...please relax a bit & allow others to speak their minds freely, especially on their own channel.
FWIW: i super duper appreciate the honest feedback & reactions; it's a refreshing change-up from most deadpan, here for the monetization reactions i'm seeing out there of dimash.
@@emelianemone777 In case you are referring to my earlier comment. I don't agree with your defense. To me it is obvious that PB does actually expect it but then backs down a little bit to appease the Dears. Besides, saying to not expect perfect operatic technique from Dimash strikes me as condescending. Finally, I am not a fan who cannot bear criticism of Dimash. For example, I've been attacked repeatedly for calling his song "Okay" lame and boring. Criticism where criticsm is due, but not in the sense of "you can't expect perfect technique from a mere crossover singer".
@@emelianemone777 constructive criticism is always a good thing for anyone who wants to learn. Most dears understand this. Problems only arise when the reactor confuses criticism and opinion with critique..or makes some comments without context which then sparks criticism from viewers. The lesson here is as much for the channel owner as it is for viewers.
Yes!…..totally agreed of your comment!……ay Peter!…..🤷🏼♀️🙆🏼♀️😂
@@emelianemone777 all fans of dimash accept the criticism
Петер, вы очень красивый мужчина с шикарным голосом.
Apparently Aida said jokingly to Lara Fabian that if she (Aida) got sick before the concert Dimash could sing her parts 😂😂😂
I loved your analysis. Thank you! It really showed me how to pick up the subtleties of each singer's performance as well as the mixed styles of the music behind it. Interesting and informative to a lay person like me!
Very good comments, thank you 💕
Thank you.
I can’t believe you didn’t realize that was Dimash at the end! So funny!!
I learn so much from you, Peter! Thank you.
gotta give credit to Dimash, not many singers in the wolrd can do all he does.
Thank you very much!💖🇫🇮
Thank you. Dimash sang the very last and highest note! :D Beautiful, thank you for your thoughts and expertise.
Добрый день и спасибо за профессиональный анализ голосов .
Немного напишу о композиции Улис .
Этот концерт был к юбилею Игоря Крутого .Однажды Игорь подружился с Димой Хворостовский он был оперный певец и Игорь стал писать ему песни ,хотя Игорь не был композитором по оперной части .Дима заболел рак головного мозга и пел даже очень больным .Когда Дима умер ,а их дружба была крепкая Игорь сильно тяжело пережил потерю друга и даже не мог писать музыку в тот период .Если вы посмотрите весь концерт юбилея Игоря Крутого с профессиональными фигуристами ,а солисты А.Бочелли,Лара Фабиан ,Аида Гарифулина и Димаш .После смерти Димы Хворостовского никто не пел песни ему написанные ,вот Димаш удостоился такой чести.Игорь Димаш полюбил и они друзья.Историю Игоря Крутого и Димаш тоже интересно было наблюдать .Эти песни были написаны для Димы Хворостовского .Вам нужно послушать оригинал песни с оригинальным исполнителем для кого писалась песня .
Дима Хворостовский Улис .
На этом юбилее Игорь Крутой организовал и память ДРУГУ Игорю Хворостовский .думаю переведёте комментарий и посмотрите .
GOOD DAY TO YOU...please react to DIMASH newess song ..it is more like a little film.....( the story of one sky...a wonderful masterpiece.....greetings from CANADA
Last note was dimash lol
"Ave Maria" - vocalise singing only the "Ah" composed by Igor Krutoy. Champion ice skater Anna Shcherbakova performed to this particular piece by Dimash.
Interesting comments, it's good to have the opinion of an actual opera singer. Thank you!
Obviously, for proper opera you need an opera house, this is a sports (ice hockey) arena, too big and not good accoustic conditions for opera.
This piece was originally sung by Dmitry Hvorostovsky, I don't know if written for a duo, since I've seen several performances with him and two sopranos, Aida and Sumi Jo. When performed as trio, Sumi Jo used to take the mezzosoprano voice, and Aida the upper voice.
The last high note was Dimash, earlier that day in the rehearsal they were playful, Aida joking "If I can't come, you can sing my parts", so they humorously decided that Dimash would take that last note.
Great with another Dimash song. Love when u "breake him down" ❤
Glad you enjoyed it!
Thank you for your reaction Peter, have a good week❤️
@@PeterBarber You are absolutely right. Comfort zone for Dimash, it's the high notes. An opera singer he once worked with would very much like Dimash to return to baroque opera at some point.
It is amusing that Peter could not tell Dimash sang the last D6 note. Mr ‘know it all’ actually knows very little!
@ Suzanne Carlsson.....Peter does know a lot but he does get quite pompous at times.
I quite enjoyed his gushing about Aida's last beautiful note when it was actually Dimash! 😁😁😂😂🤗
By now I know quite well the tone and color with which DImash's high soprano notes sounds; and I'm pretty sure that final D6 was the of him.
It is a great pleasure for me to listen to your analysis. Simple, clear and to the point. Thank you.
Thanks so much! Glad you appreciate my analysis :)
Hahahaha I am 1 year late in commenting. But comment I must😊! Prior to listening to this reaction video, I had heard the duet countless times in the past.
Ask any Dimash fan… even with eyes closed, they can tell when its dimash’s voice. That last note was definitely Dimash . He has that distinctive trait that fans have learnt to recognise and ❤.
React to Passione, Ti amo cosi, and Adagio, please 🙏
If I am hearing this right they synchronised their vibrato pretty much from beginning to end!!! Delicious.
Great reaction! Interesting analysis. I think the last hight note was Dimash, it sounds like his voice to me...
You are wrong - Dimash’s music teacher says his comfort zone is baritone. He has THE best voice ever
Very cool
As you described the difference between their voices it made perfect sense for this untrained ear, thank you so much! I've only sung Evgeniy Onegin excerpts in what you would probably consider dumpster chest belt but it isn't my pursuit, I only do stuff on the side for fun (a grand diversion, perhaps). Appreciate your insight!
Glad the commentary resonated with you! I love that opera, and everyone should sing regardless of skill level. It's such a great way to express oneself
@@PeterBarber Hi, Peter.
Thank you for the reaction.
I subscribed because you have gorgeous voice;)
Igor Krutoi wrote this specially for Dmitriy Khvorostovskiy (RIP).
By the way, the last high note was taken by Dimash, not Aida.
From the beginning, Dimash has carefully chosen WONDERFUL partners to sing with! Love this! More Dimash, please?
Another great reaction and analysis. This was a live concert in Moscow for Igor Krutoy's 65th birthday celebration. The whole concert is worth checking out. If you don't already know, Igor Krutoy is the man at the piano who frequently accompanies Dimash. He is a famous Ukrainian and Russian music composer, performer, producer, and musical promoter who has composed music for and performed with renowned singers in classical and contemporary music, such as Anna Netrebko, Dmitri Hvorostovsky, Aida Garifullina, Andrea Bocelli, Lara Fabian, Alla Pugacheva, Irina Allegrova, and others. As you already know, he ended his retirement after watching one of Dimash's performances so that he could compose music that only someone with Dimash's vocal ability could sing, such as I Miss You, Ogni Pietra, Your Love, Passione, Ave Maria, Stranger, just to name a few.
I love your reactions and information. I am fascinated with Dimash too. I think he was only 23 in this performance. Just amazing both of them
They're amazing. However, I appreciate hearing the critique of the various nuances of their singing. Thanks!
I like how defensive Dimash fans get whenever he gets even the slightest of criticisms. Always funny reading the comments under a reaction video that doesn't 100% suck up to him.
@ johnleoks....well, you do have to admit Peter comes off a little condescending and actually a bit pompous. 🙄🙄
This is a very late comment, but this concert was a retrospective for Krutoy, and many of the pieces were written before he ever heard of Dimash -- possibly before Dimash was even born.
I think you miss read the last notes from Dimash he even used his right arm to show himself hitting the soprano D6 Note over Aida :)
I really appreciate your expertise as you analyze Dimash’s performances. He is such a vocal beast in many genres, but I love his pop-opera style..is that the style he uses in Olympico the epic song written by Igor Krutoy? Thank you from an admirer in Canada. ❤🇨🇦
Couldn't you argue that if most people can't tell the "difference" between an expert and a novice opera singer that the difference is made up? At what point do we just admit that the differences are just so undetectably small that they are meaningless?
He is not pushing as much more recently. Check out the video of Stranger. He has really worked on his low range. You will be shocked by his low range more recently.
Super reaction👍👍thanks. hi from georgia✌
❤❤❤
What was Dimash doing, well he was singing the D6 you decided Aida sang, stop fangirling over Aida and listen to the performance
you noticed too! its very funny:)
But I was sure that the last, highest tone is sung by Dimash. That gesture - taking a hand up - is very characteristic for him when he sings really high.
Are you sure that it is Aida, not him? Other (female) opera singer told that was him, this last highest tone.
Il est étrange que vous ayez besoin de poser la question.si vous connaissez Dimash ,vous savez que c,'est lui qui fait la dernière note élevée.,pas besoin de demander l'avis à ce réacteur professionnel du lyrique.
Thank you Peter for that analysis, after your explanation it made it easier to understand where Dimash may be less comfortable vocally in his tenor voice for opera.
Ohh btw the final high note was definitely Dimash and not Aida. That I can't miss as we all know he can hit those crazy high notes like it's nothing😅
Sorry Peter, I don’t get your commentary. Have listened to Dimash for 5+ years. He still touches my soul every time. You seem to be referring to your abilities but do I know how you sing, no. I can’t even sing but I do enjoy listening to beautiful music. 🙏
Это,конечно,загадка,как Питер - большой проффессионал оперы,не распознал,что ноту D6 спел ДИМАШ ?! Да,когда ДИМАШ спел с СУНДЕТОМ БАЙГОЖИНЫМ оперную партию ,как приглашённый певец на конкурсе , председатель жюри сразу отметил пение ДИМАША ,спросил - кто этот молодой исполнитель ? Вот бы все оперные певцы пели на таком уровне...!!! Не зря ДИМАША приглашали в АСТАНУ оперу,по окончании высшего учебного заведения ,ведь он там обучался и оперному пению ...
I subscribed to your channel with your first reaction to Dimash. It‘s very interesting to hear the comments of a professional like you. Funny: I have a friend, she isn’t a fan of Dimash but knows that I am, and a few weeks ago she sent me a link of one of your Dimash reactions „I think you might like this.“ She was surprised that I already knew it and we talked a while about you. We both like your singing and your professional expertise. I would love to hear your analysis of Dimash‘s „Ave Maria“.
Thx
If dimash concentrates on opera only, he would be unmatched. But he is still good enough for most.
Peter! Dimash sings the last, highest note, not Aida!!!
Судя по реакции, Димашу нужно поработать над голосом, чтобы довести его до совершенства. Для меня он уже само совершенство. Питер классный, мне нравятся его разборы.
он говорит ,что есть зоны комфорта для певца и зоне менее комфортны и Аида и Димаш в этой песне части песни были не в своих зонах комфорта ,а менее комфортных зонах для них .Он все время думал ,что пемня написана для Димаша и удивлялся почему композитор не поместил его в комфортную зону ,а выбрал менее комфортную .Он не знал ,что песня написана для оперного баритона Димы Хворостовского и заметил этот факт .
Thanks for your reaction to our Aida and Dimash, both beloved in our country.
I'd like to recommend some other performances with Dimash: part of rock opera Notre Dames de Paris (duet with a bass opera singer Sundet Baigozhin, also from Kazakhstan); live singing without amplifier in TV studio - Jamaica (at the much younger age, smth like 14-16); mister Hyde (cover of Mademoiselle Hyde) ...
You made us wait months for this Peter! I want to say mean things but I'm too busy watching the reaction video 😠😤 ...😒...🤣🤣🤣
Enjoyed your commentary. As you said, it depends on your art form which things you may see as more artistic. Given the personality differences between Penelope, the wife waiting forever at home and bombastic, get-out-of-my-way Ulyssses, I think Dimash's less legato line may be appropriate.
Thanks for doing this. The first time I heard this piece, the male part was sung by Baritone DIMITRI HVOROSTOVSKY. 😊
Aida is truly an amazing voice. She is the first singer I have heard who is able to "shine" and vocally surpass Dimash in the context of this operatic performance. I am perhaps a little biased in my opinions because I prefer female opera singer soloists over male performers, mainly because it seems like the "best" operatic solo performances seem to be written for the female registers. Peter, I like how you reproduce in your own voice the vocal efforts of these performances, showcasing the degree of effort and the challenges these performers face during a live performance. Sometime it would be nice if you could overdub your voice and perform a quasi-duet performance with Dimash. I would like to hear you sing in a protracted effort, I think this would be very educational for those of us who can appreciate musical talents when I hear them but don't really have a firm grasp of how difficult it really is to sing on key, all the time.
Thank you for another honest and thorough analysis, your videos are really great and informative. By the way, I don't know much about figure skating either, but their performances were certainly great, because various world or European champions skated there. if I can recommend, Dimash's most beautiful performances for me are Samaltau from the Tokyo Jazz Festival and Autum strong from The Singer 2017 in China. These two performances really touched my heart.
It is so nice to listen to someone that knows what they are talking about...
Конечно, Аида прекрасно поет. Недаром она солистка Венской оперы.
If been waiting for this one Peter, Love it!
Dimash describe his style neoclassical he says pure opera singing is too rigid for him
please can you watch "Perrie Edwards outshining your faves while joking" :) she's one of my favorite vocalist ever and it's basically a video highlighting some vocals she did over the years while having fun, not performing seriously but still being better than most singers out right now :) (killer high notes!!)
link ua-cam.com/video/2D6AH_YYdKM/v-deo.html :)
Best breakdown of this I’ve seen. Much love and appreciation from California (SJ).❤️🍀🌈🙏🏻😇❣️
Spectacular analysis, this is why you are one of only two channels I subscribe to and the only one I watch every week. Thanks for sharing your knowledge with us 😊
Its not odd because it WASNT wrote for Dimash or Aida specifically to sing- what made you assume it was?
P.s Dimash has got better in his lower range since this- it was a while ago.
As far as I know, it was actually Dimash who did the high note at the end. Could you double check that and see if that's the case or not? I enjoyed hearing all the other little details you were able to share and explain. Thanks!
I enjoyed your reaction to this song Peter. I was hoping you would do it at some point. Not enough people have reacted to it. If you said the ice skaters were great you'd probably be right. If I'm not mistaken I believe they were skaters that performed in the Olympics.
1) Your ears seem to be biased if they couldn't determine that the last high note belonged to Dimash and not to Aida 🙂 In general, I liked your deep professional analysis, but can I trust his objectivity if you made a mistake at this particular moment? 2) You can argue for a long time and pointlessly about Dimash's main tessitura, but he positions himself as a tenor, and I tend to trust only his statements regarding him. 3) This composition was written not for Dimash's voice, but for a baritone (which Dimash is not). Here is this song performed by the outstanding natural baritone Dmitry Hvorostovsky (recorded 11 years ago) ua-cam.com/video/LfXvEos4VGk/v-deo.html
#1 is a good question. After all Dimash "stealing" the high note from Aida was the final gag of this performance. And one of the reasons why I like Ulisse better than Ti Amo Così, apart from their velvety voices feeling as smooth as hot chocolate with whipped cream (and being undisturbed by a third voice).
Of course, here or live, his training as a tenor is evident. Also his D6 should be. I think there is some bias here to highlight Aida, who is more akin to Peter's classical training.