Hello! I want to share with you my wind quintet, inspired by Monet painting "Le Bassin aux Nymphéas, le Soir",I hope you will enjoy it ua-cam.com/video/kshcZesMSP0/v-deo.html
Excellent articulation with an impressive tonal entrance (it really set the mood for this piece!) and a dramatic ending - Wenzel is an excellent clarinetist and plays, unlike many classical soloists, with enthusiasm! While one can disagree about his interpretation of this iconic number, he, nevertheless, gave a spirited rendition of this challenging solo....
Very fantastic and incredible since his talent for clarinet is no limit and he plays as he wish.Great musician.I played with him in Tokyo as a member of amatur ocrchestra.
+Warsteiner Deutschland That really wasn't needed. This dude was just trying to praise another musician, and you assert yourself to address something that had nothing to do with the inspiration the performer has caused, regardless.
quand on connait la difficulté de cette rhapsodie Wenzel survole cette oeuvre avec une incroyable aisance c est du Debussy pur impressionnisme incroyable!!!
C'est à la fois "casse-doigts", injouable, et parfaitement jouable, très bien écrit: il faut avoir la technique! Toutes les difficultés possibles et imaginables y sont, mais la virtuosité est tout sauf gratuite, c'est de la musique! Je suis en train de la retravailler (je l'avais jouée dans le temps, mais pas depuis des années), et ça me demande du boulot assis sur ma chaise devant mon pupitre! Mais quand on sait jouer ça, on sait tout jouer, ou presque!
Esta es la música cartiilaginosa, "sin esqueleto", de Debussy, llena de lirismo y cercana a la poesía como ninguna, que cambió la historia musical, con continuidad natural.
Martin Fröst, Sabine Meyer, Paul Meyer, Nicolas Baldeyrou ... listen to Baldeyrou's performance of Debussy on youtube: my favorite but i really love Fuchs too
You know I think if you're jealous because your not up on stage like him and listen for mistakes then your not really someone I would want in my audience let alone on my stage he was amazing smooth and it WAS fun and they asked him and I am listening and enjoyed his performance I look forward to hearing all the one's who dared to write a negative word. 🐦
On the last note he uses vibrato... I’m wondering if I should do the same for my jury coming up in May? He’s the only clarinetist whom I’ve heard use vibrato on this piece
music ables us to communicate with thought and emotion , feel it and or hear it. the rythym the frequency the vibration. if you agree thumbs up! Music is artfull sound enjoyed, and noise is sound of negative action out of touch with synchronisity. Das
Hello! I want to share with you my wind quintet, inspired by Monet painting "Le Bassin aux Nymphéas, le Soir",I hope you will enjoy it ua-cam.com/video/kshcZesMSP0/v-deo.html
Whatever. Everyone struggles with that part, and being a symphony player he's constantly busy with other stuff. Good of you to notice the mistake, though! My ears didn't catch it until you mentioned it.
My opinion, is that Drucker is the best who has ever touched the clarinet But, Wenzel has purer tone which comes with german clarinets, but in the end I would like to hear someone play Drucker's concerto (Corigliano Clarinet Concerto) as cleanly and as well articulated like Drucker's recording, again this is my opinion
We can't tell much about music and performance with this low quality recording. We know Mr. Fuchs is fine (just not very French). It is interesting to notice how much the German musical mind has softened towards French and English music in the past 60 years or so. As for the Berlin Phil. I have heard them live and the sound is a little harsh. I know it is because they play with too much stress. Much of it is musical stress because of the high pitch and the way it deadens the music receptors in the listeners.
I don't dislike but he had trouble with the rapid passage within the rehearsal number "7" because of the difficult throat tones fingering. The first time it was quasi undistinguishable but the second time, around 5:44 - 5:45, he didn't succeed.
+Dan McGlaun So, you're saying that when one has a job that is "better" than another person, or if one player is "better" than another player, that "superior" player is right in every situation? In every case of research? In every case of interpretation? With no exceptions? In this specific case, I am referring to the low D-Eb about 6 bars from the end of the piece, that WAS CORRECTED BY DEBUSSY to be D#-E. Because the mistake still persists in the clarinet part of the piano edition (along with a few others), some clarinetists insists on playing it. It is D#-E in the autograph orchestral score, the printed orchestral score, and the printed orchestral clarinet part. Debussy CORRECTED those wrong notes from the first edition where D-Eb was INCORRECT. There is really no longer any debate about this, and it doesn't matter who has/had the better job: wrong is wrong. It also does not detract from Mr. Fuchs' beautiful performance. I merely pointed it out so that students viewing this video wouldn't continue to play this mistake just because he did.
+Hector Salamanca You're a fool to criticize McGlaun. I get the impression that you don't know how to properly respond to his caliber of reasoning, so you resort to calling him out as someone who is "destroying classical music". As for your mentions of race, they are completely irrelevant and unfounded.
+Hector Salamanca I don't even know why I'm here on a video for Clarinet, but as long as the challenge stands, you can bet your ass I'll be coming at you, son!
oh really u r better tham him cool, then why u r not the guys who is doing the solo?!?!?!?! xD (im not saying he is the best of the world but dont use the right words for expres ur self or dislike)
+Hector Salamanca well , I have to admit, listening to it once more my judgement or rather comparison isn't founded on true knowledge and came to mind somehow out of the blue, sort of. I agree, a superficial observation..
Hey Sumeru Pillipes, it is OK to like Gerswin or anybody else you like. Don't listen to musical snobs that only like what the critics approve of. I am glad we don't all like the same things. I would have to escort my wife with a shot-gun if everybody liked what I liked!
Their clarinetist is fabulous. This conductor has no idea how to interact with The soloist and the orchestra. Look for the abato Meyer recording of this you'll know what I mean. This new guy is very disappointing I hope they decide to find somebody as good as abbado or Herbert gun carry on
Debussy did not write this piece in a key which flatters the clarinet. Too much time on weak, unfocused throat tones with no resonance. A great piece otherwise.
Debussy avec différents styles.Le manque de son ... Ehime.L'expressivité et le ton supérieurs de la clarinette de style Boehm. Dans ce cas, je préfère Stanley Drucker.
A truly magnificent clarinetist and musician.
I'm right now working this piece. Difficult, but so beautiful! One of the absolute summits of music!
Divine
I love how the clarinetist was into the piece emotionally it really adds to the performance :)
Me play clarinett 🙃
@@marcorazzano5701 same bro
Love the sound of German clarinet, and this interpretation is the best I've heard. Refreshing, lively, fascinating.
this makes me feel in a strange way going mad but with joy and pleasure. fantastic!
Hello! I want to share with you my wind quintet, inspired by Monet painting "Le Bassin aux Nymphéas, le Soir",I hope you will enjoy it ua-cam.com/video/kshcZesMSP0/v-deo.html
I spotted Albrecht Mayer in the orchestra. I fricken love him!!!!!
Excellent articulation with an impressive tonal entrance (it really set the mood for this piece!) and a dramatic ending - Wenzel is an excellent clarinetist and plays, unlike many classical soloists, with enthusiasm! While one can disagree about his interpretation of this iconic number, he, nevertheless, gave a spirited rendition of this challenging solo....
Beautiful 😊😊😊❤️❤️❤️❤️❤️ it’s my first time hearing him. He’s amazing 😭
Very fantastic and incredible since his talent for clarinet is no limit and he plays as he wish.Great musician.I played with him in Tokyo as a member of amatur ocrchestra.
+Warsteiner Deutschland That really wasn't needed. This dude was just trying to praise another musician, and you assert yourself to address something that had nothing to do with the inspiration the performer has caused, regardless.
+Warsteiner Deutschland And ur comment needed either
It sounds so beautiful!
God Bless You You Have Talents That No One Can Ever Master
Very beautiful. Also listen to George Pieterson (who has recently died) of the Concert Gebouw orchstra in this piece.
Beautiful !
God ,that’s music ,that’s speachless
Very nicely done. Love it!
Your Awesome
What can I say?!..he is brilliant...!!!!!
Bravo!
Love this1
It is very good
quand on connait la difficulté de cette rhapsodie Wenzel survole cette oeuvre avec une incroyable aisance c est du Debussy pur impressionnisme incroyable!!!
C'est à la fois "casse-doigts", injouable, et parfaitement jouable, très bien écrit: il faut avoir la technique! Toutes les difficultés possibles et imaginables y sont, mais la virtuosité est tout sauf gratuite, c'est de la musique! Je suis en train de la retravailler (je l'avais jouée dans le temps, mais pas depuis des années), et ça me demande du boulot assis sur ma chaise devant mon pupitre! Mais quand on sait jouer ça, on sait tout jouer, ou presque!
Amazing!!
fantastico
imslp i found the music there great song looking forward to playing it
Good luck! it's not easy!
Esta es la música cartiilaginosa, "sin esqueleto", de Debussy, llena de lirismo y cercana a la poesía como ninguna, que cambió la historia musical, con continuidad natural.
vim do livro "um sopro de vida" da Clarice linspector 🥰
I’ve played the Horn part for this and although it isn’t “much” (what does that mean?) I remember it being so lovely to be surrounded by this sound...
Muhteşem yorum
La mejor versión escuchada.
Pretty good!
Martin Fröst, Sabine Meyer, Paul Meyer, Nicolas Baldeyrou ... listen to Baldeyrou's performance of Debussy on youtube: my favorite but i really love Fuchs too
Nandirito ako para sa Assignment kay Maam Jho guys, like kung same.
First Periodical (module)
Good Job Everybody And God Bless You All And Your Families
in the suggestions on the side, the spongebob squarepants theme on clarinet has half a million views, while this has under 50,000.
Great player!! is he really playing it with a Legere synthetic reed as i have heard!!??
OH that sounds like debussy!
You know I think if you're jealous because your not up on stage like him and listen for mistakes then your not really someone I would want in my audience let alone on my stage he was amazing smooth and it WAS fun and they asked him and I am listening and enjoyed his performance I look forward to hearing all the one's who dared to write a negative word. 🐦
The very end reminds me a lot of Gershwin!
Exactly what I was thinking cx
On the last note he uses vibrato... I’m wondering if I should do the same for my jury coming up in May? He’s the only clarinetist whom I’ve heard use vibrato on this piece
donde puedo encontrar metodos de clarinete+
I never knew this existed until now.
Nandito poko para sa assignment kay sir luke..like nyo kung naparito din kayo para sa grades:))🤣
Kalat HAHAHHAHA
awit HAHAHA
awts gege
Sipag nyo naman HAHHAHAHHA
nandirito ako dahil mali pala yung isang video na napanood ko hahaha
music ables us to communicate with thought and emotion , feel it and or hear it. the rythym the frequency the vibration. if you agree thumbs up! Music is artfull sound enjoyed, and noise is sound of negative action out of touch with synchronisity. Das
Hello! I want to share with you my wind quintet, inspired by Monet painting "Le Bassin aux Nymphéas, le Soir",I hope you will enjoy it ua-cam.com/video/kshcZesMSP0/v-deo.html
すげぇぇぇ。
B R A V O ! ! ! !
Right. He's a great performer, that's for sure. This is a difficult piece.
yeah he's great, i don't see the need for comparison
Wonderful sound but completely crazy...
I like the Orchestra accompaniment rather than an over bearing piano player spoiling a solo, then I can hear the beautiful clarinet playing
Does anyone know, where was this played? Looks to be an outside venue if some sort
In the so called "Waldbühne" in Berlin
Wasn't Meyer in the Berlin Phil at one point? Not knocking Fuchs' excellent performance by any means, but just curious.
Whatever. Everyone struggles with that part, and being a symphony player he's constantly busy with other stuff. Good of you to notice the mistake, though! My ears didn't catch it until you mentioned it.
My opinion, is that Drucker is the best who has ever touched the clarinet But, Wenzel has purer tone which comes with german clarinets, but in the end I would like to hear someone play Drucker's concerto (Corigliano Clarinet Concerto) as cleanly and as well articulated like Drucker's recording, again this is my opinion
Les recomiendo ver el filme La Viaccia.
Charles Neidich. Listen to his recording of Weber's 2nd concerto. I agree, Martin is a master, put Neidich puts him to shame in the 3rd movement.
We can't tell much about music and performance with this low quality recording. We know Mr. Fuchs is fine (just not very French). It is interesting to notice how much the German musical mind has softened towards French and English music in the past 60 years or so. As for the Berlin Phil. I have heard them live and the sound is a little harsh. I know it is because they play with too much stress. Much of it is musical stress because of the high pitch and the way it deadens the music receptors in the listeners.
I don't dislike but he had trouble with the rapid passage within the rehearsal number "7" because of the difficult throat tones fingering. The first time it was quasi undistinguishable but the second time, around 5:44 - 5:45, he didn't succeed.
Any idea what clarinet and mouthpiece he uses? Just curious, I could never make any horn sound like this.
...and Alessandro Carbonare?
Much better piece than with the piano--who did the orchestration?
James Ginn Debussy, after making his original composition with piano, made an arrangement for orchestra.
did anyone forget to mention richard stoltzman?
Very nice. I notice he played the mistake notes in the coda, though he got all the other mistakes in the first edition corrected.
You have no idea what I'm talking about do you?....
Then you need to do your own research and make your own mind up, not just take someone else's word (or notes) for it.
+Dan McGlaun So, you're saying that when one has a job that is "better" than another person, or if one player is "better" than another player, that "superior" player is right in every situation? In every case of research? In every case of interpretation? With no exceptions? In this specific case, I am referring to the low D-Eb about 6 bars from the end of the piece, that WAS CORRECTED BY DEBUSSY to be D#-E. Because the mistake still persists in the clarinet part of the piano edition (along with a few others), some clarinetists insists on playing it. It is D#-E in the autograph orchestral score, the printed orchestral score, and the printed orchestral clarinet part. Debussy CORRECTED those wrong notes from the first edition where D-Eb was INCORRECT. There is really no longer any debate about this, and it doesn't matter who has/had the better job: wrong is wrong. It also does not detract from Mr. Fuchs' beautiful performance. I merely pointed it out so that students viewing this video wouldn't continue to play this mistake just because he did.
+Hector Salamanca You're a fool to criticize McGlaun. I get the impression that you don't know how to properly respond to his caliber of reasoning, so you resort to calling him out as someone who is "destroying classical music". As for your mentions of race, they are completely irrelevant and unfounded.
+Hector Salamanca I don't even know why I'm here on a video for Clarinet, but as long as the challenge stands, you can bet your ass I'll be coming at you, son!
you mean julian bliss? or is paul bliss someone I have not heard of..
On German system? Superhuman!
and michael han kim :D
For some reason this reminds me of a Tom and Jerry episode
oH yes you look good.
Ты уже и тут))))))))))))))))
やっぱヴェンツェルさんすげぇわ
only clarinetists of the calibre of fuchs and stoltzman can rival this!!!
Where did he find the end?
what do you mean?
@@CSRookie The ending of the piece comes out of nowhere.
I hear the ways of the indivisible in the bedroom bed
:)
another big: Alessandro Carbonare. Listen to him on you tube
Who's the conductor
Sir Simon Rattle
Wrf is this
Martin Frost the best!
Nella versione con pianoforte il clarinetto forse viene ancora di più esaltato
Do you mean Julian Bliss? There is no clarinetist named Paul Bliss. Julian Bliss can be in no way compared to Wenzel Fuchs, if you mean him.
oh really u r better tham him cool, then why u r not the guys who is doing the solo?!?!?!?! xD (im not saying he is the best of the world but dont use the right words for expres ur self or dislike)
Very nice - The quality of the recording was not great.
please watch dilaver ;)
...What are you talking about?
Hehehehe i guess you called his bluff.
Am a little surprised he couldn't manage it without the music!
Which of you "DISLIKES"are principles of BERLIN PHIL, LOL.....
lol get it right man it's JULIAN bliss
michael collins
david griffiths
another 2
Traineemusician...Put some ice on that BURN.........JK Lol.
shit, now I understand where gerswin got his inspiration from..writing Rhapsody in Blue.. so much better though is his (Gerswins) piece, I find..
+Hector Salamanca well , I have to admit, listening to it once more my judgement or rather comparison isn't founded on true knowledge and came to mind somehow out of the blue, sort of. I agree, a superficial observation..
Hey Sumeru Pillipes, it is OK to like Gerswin or anybody else you like. Don't listen to musical snobs that only like what the critics approve of. I am glad we don't all like the same things. I would have to escort my wife with a shot-gun if everybody liked what I liked!
Hector Salamanca you suck bitch
Michael had very good feet, once!
No thats the name of the tune you're singing, cos its Fraud!
Their clarinetist is fabulous. This conductor has no idea how to interact with The soloist and the orchestra. Look for the abato Meyer recording of this you'll know what I mean. This new guy is very disappointing I hope they decide to find somebody as good as abbado or Herbert gun carry on
８
Debussy did not write this piece in a key which flatters the clarinet. Too much time on weak, unfocused throat tones with no resonance. A great piece otherwise.
Beaucoup de problème technique digitale, pas ensemble avec orchestre. Franchement, c'est pas un bon clarinettiste pour le BPO. I'm sorry
kind of a matter of opinion, no?
Debussy avec différents styles.Le manque de son ... Ehime.L'expressivité et le ton supérieurs de la clarinette de style Boehm.
Dans ce cas, je préfère Stanley Drucker.
4 clarinetists?
martin frost
paul bliss
mate bekavac
sabine meyer
four in here