Meshuggah - New Millenium Cyanide Christ (drum cover)

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  • Опубліковано 22 сер 2024
  • I used to play this song live with Hybrid, so I decided to bring it back as a tribute because they recently played in my city proving that they are still the kings of their game, what a gargantuan and precise live performance.
    The catchy groove in this tune is infectious and funny to play, just one breakdown after another building up until the song explodes with the most epic outro ever.
    Contact for drum lessons and transcriptions: www.chusmaestro...
    Recorded, mixed and edited by Chus Maestro

КОМЕНТАРІ • 8

  • @Sodigerati
    @Sodigerati Місяць тому

    Excellent cover my guy

  • @robdrumcover
    @robdrumcover Місяць тому

    Really great cover dude !!

  • @RlotttHD
    @RlotttHD 3 місяці тому

    GENIUS!

  • @evilwarnings2419
    @evilwarnings2419 3 місяці тому

    De las canciones mas normales de Meshuggah, aun asi una pesadilla de tocar! Muy buena version!

    • @chusmaestro
      @chusmaestro  3 місяці тому

      ¡Epa, Jaime! Qué bueno leerte, gracias por pasarte a comentar. En efecto, bastante llevadera pero hay lío de pies en algunos patrones, sólo ellos hacen sonar coherentes las matemáticas.

  • @Zaganer
    @Zaganer 3 місяці тому

    Cool dude. Try next time not to play the kick on top of the snare. That's the toughest thing I've ever experienced since I started to do so on all their tracks. And I'm pretty sure that's what he actually does. You nailed it though, my respects!

    • @chusmaestro
      @chusmaestro  3 місяці тому

      Thanks for commenting, Alessandro, coming from a Meshuggah expert like you it's quite a compliment. Interesting advice, I have always played the unison of snare and bass drum if they coincide in a burst, but there are people who always omit that kick as you suggested (which requires a lot of left foot control), I'm not sure about the effect, why do you play it that way? Is it cleaner?

    • @Zaganer
      @Zaganer 3 місяці тому +1

      @@chusmaestro I think Tomas Haake plays this way, leaving the snare alone for more clarity.