An exceptionally beautiful aria. You have only to listen to the ovation the tenor received to realize how impressed the audience was by his performance.
¡Brota abundante, divina fuente! Ah! Fluye en torrentes de sangre sobre mi! Bach con sus cantatas sigue operando en las almas la Salvación. Gloria a Dios. Gracias Misericordioso Señor❤
E dico anche che la Musica Terapeutica di Bach mi ha aiutato a sconfiggere la mia Depressione! Gli Psicofarmaci non ci sono riusciti Bach con la sua Musica Divina Si ! 😊❤ Saluti da Lecce South Italy
Fantastische uitvoering. Zeer muzikaal en vol dynamiek. Heel goede, enthousiaste dirigent en prachtig koor en solisten. Chapeau !!!!!! Bach heeft er van genoten !!!!
Uraufführung am 15. Oktober 1724 in Leipzig. Es war sehr kalt in der Kirche, aber ich brachte trotzdem dieses Lied für die Gläubigen meiner Stadt. Es war ein wunderschöner Moment, an den ich mich noch genau erinnern kann. Danke an Maestro Rudolf, meinen perfekten Nachfolger in der Leitung meiner Kantaten.
Yet again a magnificent and uplifting performance by the BachStiftung, and how generous the applause was at the conclusion. I'm always so pleased that Herr Lutz acknowledges all the excellent soloists and section leaders and that we get to witness it.
Everything, if course, was vibrant, electrifying and superb. I was especially moved by the obbligato to the tenor aria, both in conception and execution,
¿Es posible deslindar esta maravillosa música de los significados religiosos de redención, consuelo y envío? El "locus amoenus" de la primer aria con la viola que simula el rumor de la "divina fuente"; la violenta pausa, justo después del imperativo "verstumme" de la "tromba di tirarsi" en el aria siguiente, son solo algunos indicios de cual es la respuesta.
Truly astonishing how, at 11:56. Bach superimposes the oboe's playing of the chorale that is also featured in the opening chorus and the closing chorale over the alto recitative. The resulting harmonic environment for the oboe's chorale melody could not be further from that in the opening and closing movements. Bach at his greatest.
It's called counterpoint. You seem to think Bach first composed the alto recitative without the cantus firmus (c.f.), then arbitrarily "superimposed" the c.f. (played on oboe) as if he were adding trumpet and timpani flourishes. Or did he start with the c.f. in mind and compose the voice part and the continuo to fit the c.f.? Which sounds more reasonable? I don't know why you find setting the c.f. in an alto recitative (with c.f. played on oboe with continuo accompaniment) more than astonishing than setting it in a chorale fantasy (with c.f. sung by sopranos in long notes over a fugato by the lower voices) or setting it in a 4-part chorale harmonization (with c.f. sung by sopranos). The contrapuntal technique is the same in all three movements: you start with the c.f. and fit the rest to the c.f. Not the other way around.
Perhaps you are being a little pompous and ultra-knowing here? Please don't insult people whose question is genuine by being smug and patronising with your 'superiority'
The tenor has tremendous breath control/breath management. Stunning. I LOVE that aria with viola- very very well played. Bass aria also absolutely wonderful!
Nell'Aria del tenore la viola riesce a tenere una dolcezza nonostante i passaggi veloci che è qualcosa di meraviglioso e poi la voce del tenore è bellissima
Completamente de acuerdo con su comentario, pero una lástima que aquí la parte de viola obligada esté tocada con un violín, aprovechando que la nota más grave es solamente el sol bajo
What is NikitaVenturesMusic doing here recommending that you go from the Bachstiftung channel to her WokoMusic channel, before you can read all the additional information about this beautiful cantata, and miss the links to the fantastic Bachipedia. It's absolutely shameful!
@@albrechtkling4213 Siehe auch die folgenden Auszüge zur Tenor-Arie zu Bachipedia: "Die trotz relativ tiefer Lage wohl doch einer Violine zugedachte Streicherpartie bleibt dabei wie ein herzlich zugewandter Gesprächspartner immer auf Augenhöhe präsent." "Solovioline und Singstimme übertreffen sich dabei in ihrem Bemühen, über sensibel absteigenden Basstönen in schier unendlichen Kaskaden die Ströme der göttlichen Gnade nachzuzeichnen."
@@albrechtkling4213 Wie man in der Aufführung sehen kann, hat sich die Bach-Stiftung entschieden, die Tenor-Arie mit Violine -- nicht Bratsche -- zu spielen!
Wieder eine wunderschöne Aufnahme! Der Trompetenspieler ist wunderbar. Ein Gedanke geht mir immer wieder durch den Kopf: zu Bachs Zeiten waren Frauen nicht erlaubt und ich verstehe, dass sie versuchen, so nahe am Original wie möglich zu sein, mit zeitgemässen Instrumenten use. Für die Sopranstimme wird aber eine Konzession gemacht, sie bringen nicht Knaben, um die Sopransoli zu singen. Warum dann männliche Altstimmen? Nichts gegen diese Sänger, Herr Börner ist ausgezeichnet. Aber ich finde es trotzdem etwas frauenfeindlich. Ihre Stellungnahme würde mich sehr interessieren.
Do you not find the presence of so many female instrumentalists in the ensemble a bit misandrist (männerfeindlich)? lol Why doesn't the Bach-Stiftung use boy singers? Gustav Leonhardt and Nikolaus Harnoncourt used boy singers in their recordings of the Bach cantatas and complained that it was difficult to find and rehearse quality boy singers. Besides, Bach used falsettists in his church music, both in Weimar and Leipzig.
![[UA] NAVI проти G2 Esports | Blast Premier Fall Final](http://i.ytimg.com/vi/QWlIm4FGESQ/mqdefault.jpg)
What a marvelous complement to a Saturday night here in Australia!
5:30 superb Raphael Höhn and superb violinist
Violist.
The tenor aria 🤩
An exceptionally beautiful aria. You have only to listen to the ovation the tenor received to realize how impressed the audience was by his performance.
He nailed it.
And the viola obligato.
Immer wunderbar! Herrzlich danke, bachstiftung.
¡Brota abundante, divina fuente! Ah! Fluye en torrentes de sangre sobre mi!
Bach con sus cantatas sigue operando en las almas la Salvación. Gloria a Dios. Gracias Misericordioso Señor❤
E dico anche che la Musica Terapeutica di Bach mi ha aiutato a sconfiggere la mia Depressione! Gli Psicofarmaci non ci sono riusciti Bach con la sua Musica Divina Si ! 😊❤ Saluti da Lecce South Italy
Fantastische uitvoering. Zeer muzikaal en vol dynamiek. Heel goede, enthousiaste dirigent en prachtig koor en solisten.
Chapeau !!!!!! Bach heeft er van genoten !!!!
Gorgeous performance!🙏☦Hallelujah!..💕👌B👏A🤝C☦H❤
Violinista ❤eviolonceiiista❤sono dei musicisti ❤benedetti ❤da DIO❤❤❤
Uraufführung am 15. Oktober 1724 in Leipzig. Es war sehr kalt in der Kirche, aber ich brachte trotzdem dieses Lied für die Gläubigen meiner Stadt. Es war ein wunderschöner Moment, an den ich mich noch genau erinnern kann. Danke an Maestro Rudolf, meinen perfekten Nachfolger in der Leitung meiner Kantaten.
Aria Bass 🎶🎵- what a masterpiece - Wielen Danke 👍
Splendide
💯/ 💯 Performance! This is a true Bach Renaissance.
Siempre maravilloso su trabajo.
Muchas gracias.
Magnífica, el aria de bajo con trompeta obligada!
Yet again a magnificent and uplifting performance by the BachStiftung, and how generous the applause was at the conclusion. I'm always so pleased that Herr Lutz acknowledges all the excellent soloists and section leaders and that we get to witness it.
❤
Fabulous...
Lovely to hear obbligato viola in the Aria.
Whenever I see a new video uploaded my eyes search for BWV4. We have 2,3,5 but not 4. Maybe not yet...
As always, the best of the best.
Everything, if course, was vibrant, electrifying and superb. I was especially moved by the obbligato to the tenor aria, both in conception and execution,
You have only to listen to the ovation the tenor received to realize how impressed the audience was by his performance.
Herrliches Trompetenspiel!
Grandiosos todos, del primero al último.
Nice Bass soloist
¿Es posible deslindar esta maravillosa música de los significados religiosos de redención, consuelo y envío? El "locus amoenus" de la primer aria con la viola que simula el rumor de la "divina fuente"; la violenta pausa, justo después del imperativo "verstumme" de la "tromba di tirarsi" en el aria siguiente, son solo algunos indicios de cual es la respuesta.
Bravi❤❤❤
Неуловимая, летящая и неповторимая музыка Баха - космос! Непревзойденный композитор! Polyphonia!
Truly astonishing how, at 11:56. Bach superimposes the oboe's playing of the chorale that is also featured in the opening chorus and the closing chorale over the alto recitative. The resulting harmonic environment for the oboe's chorale melody could not be further from that in the opening and closing movements. Bach at his greatest.
It's called counterpoint.
You seem to think Bach first composed the alto recitative without the cantus firmus (c.f.), then arbitrarily "superimposed" the c.f. (played on oboe) as if he were adding trumpet and timpani flourishes.
Or did he start with the c.f. in mind and compose the voice part and the continuo to fit the c.f.? Which sounds more reasonable?
I don't know why you find setting the c.f. in an alto recitative (with c.f. played on oboe with continuo accompaniment) more than astonishing than setting it in a chorale fantasy (with c.f. sung by sopranos in long notes over a fugato by the lower voices) or setting it in a 4-part chorale harmonization (with c.f. sung by sopranos).
The contrapuntal technique is the same in all three movements: you start with the c.f. and fit the rest to the c.f. Not the other way around.
Perhaps you are being a little pompous and ultra-knowing here? Please don't insult people whose question is genuine by being smug and patronising with your 'superiority'
@@melcadman Yes, I agree with your appropriate comment. The reply reeked of smugness !
Bravo, quelles magnifiques discipline et contrôle, mille mercis du Canada.
Music made in Heaven
Meravigliosi e molto bravi
La Tromba e' lo strumento DEGL'ANGELI QUINDI IL TROMBETTISTA E'UN ANGELO❤❤❤❤❤
Once again Bach hits the ground running at full speed!!
MAESTRO LUTZ oltre ad essere un Grande MUSICISTA❤ E" STATO BENEDETTO DIO❤❤❤❤❤❤
I particularly like the tenor solo but it is a wonderful cantata.
Une prestation admirable - une de plus parmi tant d'autres !... Avec une trompette baroque *'brillantissime'* !!
So many details are lost in the majestic opening chorus because of the rushed tempo.
Perfection as usual. I thought the alto was special.
The tenor has tremendous breath control/breath management. Stunning. I LOVE that aria with viola- very very well played. Bass aria also absolutely wonderful!
No words can describe or match this !!!
Such a shame the tenor aria is played on violin not viola.
Wie immer nur großartig!
As much as I like to help you guys with money by the advertisements they really do destroy the mood
I like the soprano recitative
Großartig!
Nell'Aria del tenore la viola riesce a tenere una dolcezza nonostante i passaggi veloci che è qualcosa di meraviglioso e poi la voce del tenore è bellissima
Completamente de acuerdo con su comentario, pero una lástima que aquí la parte de viola obligada esté tocada con un violín, aprovechando que la nota más grave es solamente el sol bajo
Nous sommes transportés dans l'univers de Bach, et soudain , une pub et sa musique débile nous agresse ....dommage !
What is NikitaVenturesMusic doing here recommending that you go from the Bachstiftung channel to her WokoMusic channel, before you can read all the additional information about this beautiful cantata, and miss the links to the fantastic Bachipedia. It's absolutely shameful!
I enjoy the concert was very nice and enjoyable.
splendore. grazie❤️
I seem to be in Heaven
5:31 aria tenore Ergiesse Dich reichlich BRATSCHE
13:50 aria basso Verstummme Höllenheer TROMPETE
21:46. chorale Führ auch mein Herz und Sinn
@@albrechtkling4213 WENDT: "Violino solo"
Google "BWV 5 IMSLP"
_Neue Bach-Ausgabe_ Serie I, Band 24, Seite 156
Editor: Matthias Wendt (g. 1951)
@@albrechtkling4213 Siehe auch die folgenden Auszüge zur Tenor-Arie zu Bachipedia:
"Die trotz relativ tiefer Lage wohl doch einer Violine zugedachte Streicherpartie bleibt dabei wie ein herzlich zugewandter Gesprächspartner immer auf Augenhöhe präsent."
"Solovioline und Singstimme übertreffen sich dabei in ihrem Bemühen, über sensibel absteigenden Basstönen in schier unendlichen Kaskaden die Ströme der göttlichen Gnade nachzuzeichnen."
@@albrechtkling4213 Wie man in der Aufführung sehen kann, hat sich die Bach-Stiftung entschieden, die Tenor-Arie mit Violine -- nicht Bratsche -- zu spielen!
Das ist eine Bratsche - mit Violine wären die tiefen Töne nicht möglich. Auch eine Konzertmeisterin ist oft in der Lage, gut Bratsche zu spielen 😀
Sorry, du hast recht, wird hier - leider - mit einer Violine gespielt, allerdings einem wunderbar warmen tiefen und bratschig klingenden Instrument 🥲
Wieder eine wunderschöne Aufnahme! Der Trompetenspieler ist wunderbar. Ein Gedanke geht mir immer wieder durch den Kopf: zu Bachs Zeiten waren Frauen nicht erlaubt und ich verstehe, dass sie versuchen, so nahe am Original wie möglich zu sein, mit zeitgemässen Instrumenten use. Für die Sopranstimme wird aber eine Konzession gemacht, sie bringen nicht Knaben, um die Sopransoli zu singen. Warum dann männliche Altstimmen? Nichts gegen diese Sänger, Herr Börner ist ausgezeichnet. Aber ich finde es trotzdem etwas frauenfeindlich. Ihre Stellungnahme würde mich sehr interessieren.
Ist das wirklich eine wichtige Frage ?
Alles musst nicht eine Krieg gegen die Patrirchat sein. Genieße die Musik.
Das fehlte noch: Frauenquoten in der Musik!
Do you not find the presence of so many female instrumentalists in the ensemble a bit misandrist (männerfeindlich)? lol
Why doesn't the Bach-Stiftung use boy singers? Gustav Leonhardt and Nikolaus Harnoncourt used boy singers in their recordings of the Bach cantatas and complained that it was difficult to find and rehearse quality boy singers. Besides, Bach used falsettists in his church music, both in Weimar and Leipzig.
BACH GIFT TO HUMANITY
very beautiful soprano
Wunderschönes Konzert... eine andere Welt... danke
Arie is Amazing ❤😊
Good music.
Bravi, bravi , bravi.
❤
Tutti bravi. GRAZIE DI❤❤❤VERI MUSICISTI Luigi da Roma❤
Wunder schöne Musik, einfach Klasse 🎺🆙👍
Danke 🤝
¿nombre de la violinista concertino?
Eva Borhi
@@herrickinman9303 gracias
First
:D
And? Putting spam in comments is so fun?
Thanks for being apart of my trying to watch all of Bachs work 🫠