Woke bullshit infecting every corner of life. One can no longer find refuge even in bach's music, one has to put up with the globalist"s masters poison because they PAY the NBS.
Some explanation about the stage setting of this production: In a theatrical programme about money, power and pleasure, the Netherlands Bach Society brings to life the fashionable Leipzig of the early 18th century. The performance begins with Bach's ‘Erwählte Pleißen-Stadt’; we extend this song of praise to the city of Leipzig to our present time. Imagine a company, CEOs talking about the success of their companies, standing behind their lecterns like you have at a press conference. But then, in Bach's expressive cantata ‘Es erhub sich ein Streit’ BWV 19, whistleblowers wonder: what about that success? What goes on behind the scenes cannot pass muster. Power, money, sex, the same old story. In the complex story of Telemann's opera ‘Der neumodische Liebhaber Damon, oder die Satyrn in Arcadien’, the satyr Damon tries to conquer a kingdom from which he has been exiled. Like a true contemporary seducer, he explores the boundaries of sexuality and bourgeois decency. The characters from Telemann's opera already enter the stage during BWV 19, the first complete Bach piece in the program. With some artifice here and there, a storyline emerges as if it had been conceived together by the two Baroque composers at the time. Director Caecilia Thunnissen: "In the end, this production is all about the longing for love. Some try to obtain love with wealth, others with macho behaviour. In the costuming, designed by Mahshad Safaei, we play with gender fluidity, the new sexual revolution is happening now, the discussion is hot. We give the contemporary seducer a stage, what does it look like? Someone who plays with decorating, sexuality and eroticism, and who feels free in it."
Im a 33 y old gamer dude that goes to hard techno raves and also listen to kpop. The opening to this cantata gets me way more excited that any dj or musicproducer could ever
mi estimado soy otro "jugador" de 40 que ama el techno como ningún otro género musical, y en la misma medida de amor, puedo saltar dias enteros con las cantatas y todo el legado de Bach. saludo grande desde argentina.
Bach is not and will never be "woke". I love NBS for the beautiful and refreshing interpretations of Bach's work. You don't need to pull stunts like this to try to be "relevant'.
😅 lol, bach wouldn't have even noticed the clothes... he would've been like "what's that african doing up there?"... but you "antiwoke" paranoids know better than to comment on that
Ein Leben reicht eigentlich nicht aus, um dem Wunder dieser Arie gerecht zu werden. Endless thanks, my dear friends from the Bachvereniging, for this unforgettable experience! ❤🔥
Außergewöhnliche skurrile Darbietung. Der Chor teilweise in Faschingskostümen, die Musiker laufen während der Aufführung hin und her, haben offenbar teilweise Streit, der Dirigent hat kurz vor der Aufführung das Kleid seiner Frau aus dem Kleiderschrank gegriffen. New Stile? Was soll das? Eine Nachbildung der undisziplinierten Orchester mit denen Bach damals seine Probleme hatte? Bitte gebt Bach wieder seine Würde mit einer seriösen Aufführung zurück. Immerhin, die musikalische Qualität war ausgezeichnet!
Vibrant, charming, modern presentation. The soloists, the choir and the orchestra also play perfectly. The sound is clear as crystal. Everything is perfectly in place. I rarely hear a performance of such high quality.
Wow. This was stunningly good from beginning to end. Soloists all stellar, brass piercingly perfect, reeds smooth but playful, strings tight and solid. My first time hearing this cantata, and I can’t imagine a better introduction.
Daniel Johannsen alone realizes that if you're going to dramatize Bach, make it theatrical, you can't have the singers relying on the score. And his mastery does justice to that remarkable aria.
0:15 Es erhub sich ein Streit (Chor) 4:45 Gottlob! der Drache liegt (Rezitativ) 5:49 Gott schickt uns Mahanaim zu (Arie) 10:02 Was ist der schnöde Mensch (Rezitativ) 11:01 Bleibt, ihr Engel, bleibt bei mir (Arie) 17:40 Laßt uns das Angesicht (Rezitativ) 18:19 Laß dein Engel mit mir fahren (Choral)
Great performance, as always! But I have to admit I'm not a fan of this strange and sexualized stage setting.. seems out of place for a church cantata.
“Out of place” vis-a-vis the original liturgical purpose is a non-starter argument, unless you want to banish the women from the stage. This is performance in the 21st century. That said, I also do not favor whatever this semi-staging was; it made no sense to me, and it added nothing to the glorious music. So I looked away from time to time, which must have been when anything sexy happened, for I saw nothing of the sort. ?
This was perfect in the context of the programmatic concert about the relations between money, power and pleasure.. but if taken alone, this production can be problematic because it's very strange, maybe too much. Always grateful nonetheless, the singing and instrumental finesse in the rendition of this cantata for the church couldn't be bettered, even if this time i forced myself to close my eyes
Lebhafte und wunderschöne Aufführung dieser fein komponierten Kirchenkantate mit gut harmonisierten Stimmen des ausgezeichneten Chors und herrlichen Stimmen dreier genialen Solisten sowie gut vereinigten und perfekt entsprechenden Tönen aller Originalinstrumente. Der intelligente und unvergleichliche Dirigent leitet das ausgezeichnete Barockorchester im veränderlichen Tempo und mit möglichst effektiver Dynamik. Hörenswert vom Anfang bis zum Ende!
Bach composed this as sacred music. Even if, sadly, you lost the ability to understand what desecration could be, the dissonance between the words and spirit of the cantata and this freakish performance is simply jarring.
It’s not even the weird costumes but the moving around that utterly ruins this. You’ve been presenting these cantatas for years performed to such a high standard, and to come up with some director’s clownery at this point…
Instrumental and vocal perfection. A cantata unknown to me but that opening chorus is astounding. Will bear repeated listening if not watching (the production).
A beautiful and powerful cantata by Bach, about the battle of Saint Michael with Satan, performed by the choir and soloists with a passion similar to Bach's. I congratulate NBS on another impeccably performed work by J.S.Bach 🎵😌🎶
Un po' di "teatro" alleggerisce l'austerita' di questa Cantata, magnificamente eseguita. Straordinaria la commovente aria del tenore, nella quale anche la 1° tromba e' riuscita a fare emettere al suo strumento soltanto suoni struggenti. Bravissimi tutti!
Mutig, kontemporär, lebendig, technisch und emotional wahnsinnig gut: Danke! Ich feiere das und finds toll dass das auch Platz findet. Dirigenten Kleid - richtig fäsch ❤️
@@kraka2381No he wouldn’t. Stop pretending you have some nuanced view of history. No, not every composer was gay or had some secret suppressed belief in modern social liberalism and third wave feminism.
Si la performance musicale de cet ensemble est toujours remarquable, qu'est-ce que cette bouffonnerie visuelle apporte au génie de composition de J. S. Bach? On a de plus en plus des enregistrements en tenue disparate de la rue; bientôt en survêtement ? Je regrette cette tournure prise, il y avait plus de rigueur avec le remarquable Jos van Veldhoven
And the tenor didn't need any music sheet to sing all of it either! The whole interpretation is wonderful. The costumes were interesting. Keep up the good work everyone.
Beautyful music, as usual ofcourse, beautyful sung, but if Bach wanted an opera, he would have written one. I don't think it's appropriate. It's also distracting.
I'm not "offended" by the staging of this cantata, nor do I find it to be sacrilegious or blasphemy or woke or whatever. The simple fact for me is that the words and music of this cantata tell a story. And Bach was an absolute master at using his music to infuse the words with even more profound meaning, in order to the tell the story in an even more captivating manner (the astonishing, multilayered tenor aria "Bleibt Ihr Engel" being a perfect example of this). But here, his work is utilized to tell an entirely different story, which means the interpretation is unfortunately no longer in service of the work being performed, but in service of some type of "concept" some theatre director has concocted. Such concepts *can* work, and maybe this one works for the Telemann opera...but with respect to this Bach cantata, IMHO it falls completely flat. And in the context of "All Of Bach", a seminal project dedicated to this truly remarkable composer and his groundbreaking music, I find this...quite unfortunate.
I am certainly willing to accept the rather unusual, controversial interpretation in exchange for a superb performance of this cantata. The Tenor Recitative and Aria, with the high trumpet sounding the chorale melody is especially noteworthy. Thank you!
It's probably some sort of heresy to say this but I've never understood the need for Opera, and Bach certainly didn't need it. His Cantatas and Passions are much better art for not attempting any sort of dramatic staging. The combination of a play with a dramatic plot in which the characters burst into song at intervals is something I've always found a huge turn-off (the same applies to film musicals!). Whereas the discipline of the Cantata form makes no attemt at realism and relies on the inherent drama of the words as sung, and in Bach's case his quite amazing ability to give musical expression to the whole range of human emotions. In this respect the Cantata form is similar to poetry which is read from the page (not performance poetry which is different), and still more to modern songs as exemplified by Bob Dylan and Leonard Cohen, in which the reader/listener can give their undivided attention to the words and music without distraction.
For my friends who are protesting the costumes, don't be alarmed, the lyrics have not been changed and the message is clear: in the fight between good and evil, Christianity is victorious through faith and divine protection.
Let me tell you about the next step. During the Coffee Cantata performance, the sopranos will drink coffee and empty their suddenly full bowels into each other's faces.
@@bachThe fact that this was part of a wider production means that the costumes probably weren't Sato's idea. Please bear in mind that Bach never trained as an opera composer like so many of his contemporaries (inc Telemann). He came up through the church tradition, even returning to the strictures of the church authorities at Leipzig after his luxury years at Cothen. The skits NBS did for Coffee Cantata, Quodlibet etc worked because those were secular, less formal works, unlike BWV 19, which is part of his sacred canon. Call me an old fuddyduddy but seeing an esteemed artist like Sato wearing a woman's ball gown and the other singers done up like wedding cakes whilst performing such serious music rather jars against nature's chime. Just saying.
Музика та спів дуже гарні ! Але Бах писав цю музику для Всевишнього , та хочаб із поваги до Баха варто виконувати його твори у пристойному зовнішньому вигляді . Божих вам благословінь.
To sing along with the final chorale: Laß dein Engel mit mir fahren Let your angel travel with me Auf Elias Wagen rot, In Elijah's chariot. Und mein Seele wohl bewahren, Keep my soul in holy safety Wie Lazrum nach seinem Tod. As the blessed Lazarus. Laß sie ruhn in deinem Schoß, May my soul rest peacefully, Erfüll sie mit Freud und Trost, Filled with comfort joyfully, Bis der Leib kommt aus der Erde Till my body, resurrected Und mit ihr vereinigt werde. With the soul is one, perfected. (for the translation source, click the icon for this comment)
Donald Trump brought me here. He posted a Saint Michael prayer on X(twitter) But I strongly doubt that he even knows this cantata or JSB`music in general
@@Nickkelvin-v3e Ich mag die Musik von Bach sehr. Und ich höre oft seine Musik. Wir sind Freunde der niederländischen Bachgesellschaft und besuchen regelmäßig Konzerte. Aber .... leider ...... ich bin kein Bach-Experte, nur ein Genießer.
We should just enjoy the music and not watch. The outfits look like an explosion in a paint factory for the most part. A pointless silly attempt to modernise bach and telemann and which does nothing to add to the music. Easy money for the director and designer whose explanation is an excellent example of the emperor's new clothes, if you needed one.
Superb and beautiful.👌👌👌 all those crybabies about the clothes they are wearing 🤣🤣 . I don’t care, even if they play naked..for me its the beautiful music that counts played by the best Bach interpretors there is.
Only listened to the impeccable recording, while working on something else. If I had not checked the comments afterwards, I would have missed the fun. What looks like mere publicity stunt seems to have caused quite a stir among the ranks of the _devout._ To an outsider (not committed to organised religion and/or contemporary gender politics), it's laughable. It's the last days of Pompeii, anyway.
just wondering. why are the men here dressed as women and women here dressed as men?
18th century.
Woke bullshit infecting every corner of life. One can no longer find refuge even in bach's music, one has to put up with the globalist"s masters poison because they PAY the NBS.
Oh, they censured my reply! Nice going!
Some explanation about the stage setting of this production: In a theatrical programme about money, power and pleasure, the Netherlands Bach Society brings to life the fashionable Leipzig of the early 18th century. The performance begins with Bach's ‘Erwählte Pleißen-Stadt’; we extend this song of praise to the city of Leipzig to our present time. Imagine a company, CEOs talking about the success of their companies, standing behind their lecterns like you have at a press conference. But then, in Bach's expressive cantata ‘Es erhub sich ein Streit’ BWV 19, whistleblowers wonder: what about that success? What goes on behind the scenes cannot pass muster. Power, money, sex, the same old story.
In the complex story of Telemann's opera ‘Der neumodische Liebhaber Damon, oder die Satyrn in Arcadien’, the satyr Damon tries to conquer a kingdom from which he has been exiled. Like a true contemporary seducer, he explores the boundaries of sexuality and bourgeois decency. The characters from Telemann's opera already enter the stage during BWV 19, the first complete Bach piece in the program. With some artifice here and there, a storyline emerges as if it had been conceived together by the two Baroque composers at the time.
Director Caecilia Thunnissen: "In the end, this production is all about the longing for love. Some try to obtain love with wealth, others with macho behaviour. In the costuming, designed by Mahshad Safaei, we play with gender fluidity, the new sexual revolution is happening now, the discussion is hot. We give the contemporary seducer a stage, what does it look like? Someone who plays with decorating, sexuality and eroticism, and who feels free in it."
Woke. They live on money from leftist organisations.
Im a 33 y old gamer dude that goes to hard techno raves and also listen to kpop. The opening to this cantata gets me way more excited that any dj or musicproducer could ever
welcome to Bach!
Love your comments. My entire life I am fan of both Bach and Prince
Bach can do that sometimes. Take the St. John Passion for instance.
mi estimado soy otro "jugador" de 40 que ama el techno como ningún otro género musical, y en la misma medida de amor, puedo saltar dias enteros con las cantatas y todo el legado de Bach. saludo grande desde argentina.
Enlightenment
Bach is not and will never be "woke". I love NBS for the beautiful and refreshing interpretations of Bach's work. You don't need to pull stunts like this to try to be "relevant'.
😅 lol, bach wouldn't have even noticed the clothes... he would've been like "what's that african doing up there?"... but you "antiwoke" paranoids know better than to comment on that
Music: 10/10
The rest: what the hell?
It speaks for these musicians that despite the wokist brouhaha that is being imposed on them,they,again, deliver a more than impeccable performance
Es erhub sich ein Streit in den Kommentaren.
:)
😂 nice
Uff 10/10 :)
that tenor aria is lovely. Beautifully performed
Ein Leben reicht eigentlich nicht aus, um dem Wunder dieser Arie gerecht zu werden. Endless thanks, my dear friends from the Bachvereniging, for this unforgettable experience! ❤🔥
So wunderschön gesungen. Unbeschreiblich. Vielen Dank.
you are one of the greatest voices interpreting Bach. it's a pity that you forgot the necessary composure. it's a great pain
Außergewöhnliche skurrile Darbietung. Der Chor teilweise in Faschingskostümen, die Musiker laufen während der Aufführung hin und her, haben offenbar teilweise Streit, der Dirigent hat kurz vor der Aufführung das Kleid seiner Frau aus dem Kleiderschrank gegriffen. New Stile? Was soll das?
Eine Nachbildung der undisziplinierten Orchester mit denen Bach damals seine Probleme hatte?
Bitte gebt Bach wieder seine Würde mit einer seriösen Aufführung zurück.
Immerhin, die musikalische Qualität war ausgezeichnet!
"haben offenbar teilweise Streit"... wie überraschend bei dem Titel
Machen Sie es besser. Ich bin mir nicht sicher ob Sie diese Leistung bringen wie dieser Chor.
@@bnddavid Schwierig als Einzelperson ?
@@jensnitsche4994 ich sehe sie auch nicht in so einem Ensemble😂
@@bnddaviddefinitiv nicht!
Mr johannsen you are absolutly amazing! I will listen to you my entire life!!
Vibrant, charming, modern presentation. The soloists, the choir and the orchestra also play perfectly. The sound is clear as crystal. Everything is perfectly in place. I rarely hear a performance of such high quality.
Wow. This was stunningly good from beginning to end. Soloists all stellar, brass piercingly perfect, reeds smooth but playful, strings tight and solid. My first time hearing this cantata, and I can’t imagine a better introduction.
Only with eyes closed.
Daniel Johannsen alone realizes that if you're going to dramatize Bach, make it theatrical, you can't have the singers relying on the score. And his mastery does justice to that remarkable aria.
0:15 Es erhub sich ein Streit (Chor)
4:45 Gottlob! der Drache liegt (Rezitativ)
5:49 Gott schickt uns Mahanaim zu (Arie)
10:02 Was ist der schnöde Mensch (Rezitativ)
11:01 Bleibt, ihr Engel, bleibt bei mir (Arie)
17:40 Laßt uns das Angesicht (Rezitativ)
18:19 Laß dein Engel mit mir fahren (Choral)
Great performance, as always! But I have to admit I'm not a fan of this strange and sexualized stage setting.. seems out of place for a church cantata.
And there was much pious tutting and harrumphing. Get over yourself you prude.
The attire itself isn't actually that sexual, in addition, the NBS chose to interpret the cantata in the context of the larger concert.
“Out of place” vis-a-vis the original liturgical purpose is a non-starter argument, unless you want to banish the women from the stage. This is performance in the 21st century. That said, I also do not favor whatever this semi-staging was; it made no sense to me, and it added nothing to the glorious music. So I looked away from time to time, which must have been when anything sexy happened, for I saw nothing of the sort. ?
I doubt all people who listen to Bach cantatas are religious.
Another stellar performance! bravo!!
This was perfect in the context of the programmatic concert about the relations between money, power and pleasure.. but if taken alone, this production can be problematic because it's very strange, maybe too much. Always grateful nonetheless, the singing and instrumental finesse in the rendition of this cantata for the church couldn't be bettered, even if this time i forced myself to close my eyes
Lebhafte und wunderschöne Aufführung dieser fein komponierten Kirchenkantate mit gut harmonisierten Stimmen des ausgezeichneten Chors und herrlichen Stimmen dreier genialen Solisten sowie gut vereinigten und perfekt entsprechenden Tönen aller Originalinstrumente. Der intelligente und unvergleichliche Dirigent leitet das ausgezeichnete Barockorchester im veränderlichen Tempo und mit möglichst effektiver Dynamik. Hörenswert vom Anfang bis zum Ende!
Botpost?
Bach composed this as sacred music. Even if, sadly, you lost the ability to understand what desecration could be, the dissonance between the words and spirit of the cantata and this freakish performance is simply jarring.
It’s not even the weird costumes but the moving around that utterly ruins this. You’ve been presenting these cantatas for years performed to such a high standard, and to come up with some director’s clownery at this point…
Bravo!
Wunderschöne Aufführung. Bach lives!
Instrumental and vocal perfection. A cantata unknown to me but that opening chorus is astounding. Will bear repeated listening if not watching (the production).
When does an "authentic" performance become a mockery?
A beautiful and powerful cantata by Bach, about the battle of Saint Michael with Satan, performed by the choir and soloists with a passion similar to Bach's. I congratulate NBS on another impeccably performed work by J.S.Bach 🎵😌🎶
Un po' di "teatro" alleggerisce l'austerita' di questa Cantata, magnificamente eseguita. Straordinaria la commovente aria del tenore, nella quale anche la 1° tromba e' riuscita a fare emettere al suo strumento soltanto suoni struggenti. Bravissimi tutti!
The heaven os open. Fantastic Performance indeed.
Wonderful, tremendous, magnificent!!!
I don't know what I enjoy more, the performance or the holier-than-though outrage expressed in the comments ? :)
Mutig, kontemporär, lebendig, technisch und emotional wahnsinnig gut: Danke! Ich feiere das und finds toll dass das auch Platz findet. Dirigenten Kleid - richtig fäsch ❤️
emocionante interpretación, Gracias por compartir esta joya, bendiciones y saludos a todos alli
Bach goes opera. The choir at the beginning takes it over. Great to watch. And music? Again a brilliant interpretation.
I wonder what a devout Bach would think of such a profane rendition of the sacred.
He would’ve been fine with it. The Modern Victorians of 21st century UA-cam not so much. Get over yourself!
@@kraka2381 How about you stop talking about something you know nothing about dummas. Get over yourself lol...
Surely he’d have been swept away by hearing, at last, performances that attain to his imagined glory and perfection for them.
@@kraka2381No he wouldn’t. Stop pretending you have some nuanced view of history. No, not every composer was gay or had some secret suppressed belief in modern social liberalism and third wave feminism.
Si la performance musicale de cet ensemble est toujours remarquable, qu'est-ce que cette bouffonnerie visuelle apporte au génie de composition de J. S. Bach? On a de plus en plus des enregistrements en tenue disparate de la rue; bientôt en survêtement ? Je regrette cette tournure prise, il y avait plus de rigueur avec le remarquable Jos van Veldhoven
And the tenor didn't need any music sheet to sing all of it either! The whole interpretation is wonderful. The costumes were interesting. Keep up the good work everyone.
Beautyful music, as usual ofcourse, beautyful sung, but if Bach wanted an opera, he would have written one. I don't think it's appropriate. It's also distracting.
It’s part of a staged performance, not a political statement….
Absolut! 👌
high quality audio but eyesore video
I'm not "offended" by the staging of this cantata, nor do I find it to be sacrilegious or blasphemy or woke or whatever.
The simple fact for me is that the words and music of this cantata tell a story. And Bach was an absolute master at using his music to infuse the words with even more profound meaning, in order to the tell the story in an even more captivating manner (the astonishing, multilayered tenor aria "Bleibt Ihr Engel" being a perfect example of this).
But here, his work is utilized to tell an entirely different story, which means the interpretation is unfortunately no longer in service of the work being performed, but in service of some type of "concept" some theatre director has concocted. Such concepts *can* work, and maybe this one works for the Telemann opera...but with respect to this Bach cantata, IMHO it falls completely flat. And in the context of "All Of Bach", a seminal project dedicated to this truly remarkable composer and his groundbreaking music, I find this...quite unfortunate.
I was a big supporter of your videos. It's over, farewell.
日本から ブラボー をお送りします!
Bravo ! Ces nouvelles tentatives de théâtralisation sont vraiment chouettes !
sato im Kleid, jetzt weiß ich Bescheid, schade
Ein Streit über die streitbare Farbwahl bei den Klamotten?
😁😂
It´s not serius. We are talking about Mr. Bach. This is not a Disney movie.
Just wonderful! We are truly blessed!
I suspect there was some kind of prank email
're: Dress Code' that only half the performers received.
Wie wunderbar! Musikalisch großartig in allen Teilen. Aber auch die Idee der Inzenierung.....Bitte weite so. Das ist Kunst für die Ewigkeit!
I am certainly willing to accept the rather unusual, controversial interpretation in exchange for a superb performance of this cantata. The Tenor Recitative and Aria, with the high trumpet sounding the chorale melody is especially noteworthy. Thank you!
The music is wonderful. I just don't need to watch the video. It's on in the background while I'm working.
Impresionante obertura. Jajaja mis vecinos la escucharon dos veces
BRAVO!!!
It's probably some sort of heresy to say this but I've never understood the need for Opera, and Bach certainly didn't need it. His Cantatas and Passions are much better art for not attempting any sort of dramatic staging. The combination of a play with a dramatic plot in which the characters burst into song at intervals is something I've always found a huge turn-off (the same applies to film musicals!). Whereas the discipline of the Cantata form makes no attemt at realism and relies on the inherent drama of the words as sung, and in Bach's case his quite amazing ability to give musical expression to the whole range of human emotions. In this respect the Cantata form is similar to poetry which is read from the page (not performance poetry which is different), and still more to modern songs as exemplified by Bob Dylan and Leonard Cohen, in which the reader/listener can give their undivided attention to the words and music without distraction.
There arose - or there will arise? Magnificent performance. Musical, powerfuol, high energy. Ausgeseichnet!
For my friends who are protesting the costumes, don't be alarmed, the lyrics have not been changed and the message is clear: in the fight between good and evil, Christianity is victorious through faith and divine protection.
Espectacular!
What the h***?
Ihr seit so klasse, ihr erobert die Welt.
what on earth is Sato wearing?
His costume is meant to reference Archangel Michael
@@bach Interesting.
Wow!
Let me tell you about the next step. During the Coffee Cantata performance, the sopranos will drink coffee and empty their suddenly full bowels into each other's faces.
I presume that watching the entire video would make clear why Shunske Sato is conducting in a gown for a widow at a formal funeral?
His costume was ment to be a reference to Archangel Michael
@@bach
Ah. Thanks.
The buffoonery is a distraction from the beautiful musicianship and at odds with Bach's lyrics.
Mirabile auditu, iucundum visu
I can imagine Bach writhing in his grave
I defenetly don't like the way they dress but the musik and the way they sing is beautiful if you hear wihout seeing ! ...
Sato wearing a gown. DAY MADE.
Superb music and dress are not more gay than in the XVIII century. Love it.
‘More gay’. Why would you use that phrase?
Did Sato turn trans?
Prefer NBS in formal, dark grey attire.
His costume was ment to be a reference to archangel Michael
@@bachThe fact that this was part of a wider production means that the costumes probably weren't Sato's idea. Please bear in mind that Bach never trained as an opera composer like so many of his contemporaries (inc Telemann). He came up through the church tradition, even returning to the strictures of the church authorities at Leipzig after his luxury years at Cothen. The skits NBS did for Coffee Cantata, Quodlibet etc worked because those were secular, less formal works, unlike BWV 19, which is part of his sacred canon. Call me an old fuddyduddy but seeing an esteemed artist like Sato wearing a woman's ball gown and the other singers done up like wedding cakes whilst performing such serious music rather jars against nature's chime. Just saying.
@@davidhancock8861 Truly stupid. Call me an old fuddyduddy as well, I'll be proud of it
Maravilloso!
Bellissimo, bravi! Molto belli i costumi: una gioia per le orecchie e gli occhi.
남자가 여성드레스를 입고 바이올린을 연주하는 프릭쇼는 이미 유행이 지난걸로 알고있습니다
music: 10/10
captions: 10/10
outfits: 9999/10
Unbeschreiblich!
Музика та спів дуже гарні ! Але Бах писав цю музику для Всевишнього , та хочаб із поваги до Баха варто виконувати його твори у пристойному зовнішньому вигляді . Божих вам благословінь.
Jaaaa und wir sind alle sooooo anständig und bieder. Den Mittelfinger darauf.
Stark!
💎
To sing along with the final chorale:
Laß dein Engel mit mir fahren Let your angel travel with me
Auf Elias Wagen rot, In Elijah's chariot.
Und mein Seele wohl bewahren, Keep my soul in holy safety
Wie Lazrum nach seinem Tod. As the blessed Lazarus.
Laß sie ruhn in deinem Schoß, May my soul rest peacefully,
Erfüll sie mit Freud und Trost, Filled with comfort joyfully,
Bis der Leib kommt aus der Erde Till my body, resurrected
Und mit ihr vereinigt werde. With the soul is one, perfected.
(for the translation source, click the icon for this comment)
Eso anhela mi corazón
Gracias
No resisti la tentación y doblé al tenor con mi cornetto(zink). Que hermoso todo.
Gracias amigos de allá lejos
.
Bellissimi vestiti, bravissimi interpreti, un Bach travolgente ed emozionante. Grazie, bravo ❤
Delightful!!!
No wonder they dumped Sato. How embarrassing. For a stunt like that the Leipzig city council would have thrown Bach in jail, even on Michaelis.
Musikalisch genial, mit der skurrilen Darbietungsform kann ich allerdings nichts anfangen. Das hat die Musik nicht nötig und passt m.E. nach nicht.
Que cosa más preciosa. Muchas gracias NBS por este tremendo regalo. 🤗
Donald Trump brought me here. He posted a Saint Michael prayer on X(twitter)
But I strongly doubt that he even knows this cantata or JSB`music in general
Heerlijk. Shunske Sato in een jurk. En dan toch zulke mooie muziek maken, complimenten.
Ich bin ein Liebhaber klassischer Musik. Ich habe vor kurzem angefangen, Bach zu genießen. Ich möchte Ihnen einige Fragen zu Bach stellen
@@Nickkelvin-v3e Ich mag die Musik von Bach sehr. Und ich höre oft seine Musik. Wir sind Freunde der niederländischen Bachgesellschaft und besuchen regelmäßig Konzerte. Aber .... leider ...... ich bin kein Bach-Experte, nur ein Genießer.
@@annemarie9602 Oh, schön. Händel hat mir mein ganzes Leben lang Freude bereitet. Haben Sie einen Lieblingskomponisten?
Donald Trumps prayer to St Michael brought me here.
But I strongly doubt that he even knows this cantata or JSB`music in general
We should just enjoy the music and not watch. The outfits look like an explosion in a paint factory for the most part. A pointless silly attempt to modernise bach and telemann and which does nothing to add to the music. Easy money for the director and designer whose explanation is an excellent example of the emperor's new clothes, if you needed one.
Schrikken dit zeg!
❤🥳
Not you too, NBS...
Superb and beautiful.👌👌👌 all those crybabies about the clothes they are wearing 🤣🤣 . I don’t care, even if they play naked..for me its the beautiful music that counts played by the best Bach interpretors there is.
What is Sato wearing?
he wears a costume which refers to the Archangel Michael
@@bach Oh, ok, thanks
Большое спасибо за исполнение! Вот моя обработка хорала из этой кантаты: ua-cam.com/video/xpr9fgYTcLk/v-deo.htmlsi=k6dTcw_0EPeHToaM
❤❤❤🎉🎉
a suggestion: why not publish the original German text first and then the subtitles
No, no, no!
Much too affectatious to be pleasing.
NBS, you’ve taken a giant leap from your good senses, and it’s a real shame.
Only listened to the impeccable recording, while working on something else. If I had not checked the comments afterwards, I would have missed the fun. What looks like mere publicity stunt seems to have caused quite a stir among the ranks of the _devout._ To an outsider (not committed to organised religion and/or contemporary gender politics), it's laughable.
It's the last days of Pompeii, anyway.
🌹🌷🌹🌷🌹🌷🌹🌷🌹🌷🌹
I was a huge fan for the longest time. I am unsubscribing now. What nonsense!
Ypperlig ❤
As long as György Schw... _(or his likes)_ finances such stuff, we will probably be plagued by such abuse. But the time is nearing ...
NBS goes w o k e ....