This is the best interpretation i ever listen. Every note, every musical frase has his especial detail. Patricia Kopatchinskaja will go down in history with this interpretation.
I agree. And one of the greatest violinists in the history of recorded sound. Of the great virtuosi of the past or present, not even David Oistrakh, or Maxim Vengerov approach anywhere near her astonishing level of versatility.
Patricia Kopatchinskaja ist ein gewaltiges "Naturereignis" und der lebensweise Christoph Eschenbach erfreut sich daran und lässt sie gewähren. Ein aufregendes Schau- und Hörspiel!
Maestra Patricia, tu principal imagen es tu magnetismo personal. En eso eres una verdadera líder. Tienes una idea artística y te atreves a exponerla, desarrollarla. Todo un ejemplo. Te escribo desde Chile. Mario Dueñas B.
That's right! I payed attention now to that cellist: He plays his instrument with great enthusiasm and full of joy. Similar to Patricia Kopatchinskaja, but (differently to her) w i t h shoes on his feet!
The beautiful Kurtág "Lontano" begins @ 34:14. Patricia can be seen rehearsing this in "Patricia Kopatchinskaja | A Day in the Life of the Moldovan-Austrian Violinist" ua-cam.com/video/BpHRoqBXgvo/v-deo.html from 16' 27".
Selectively… but then again, what would you know about bowing and articulation when it comes to playing on a multimillion dollar violin. Her bow costs as much as the house you might live in no offense…
C'est une vrai Résurrection du concerto de Schumann. Patricia Kopatchinskaja est un être exceptionnel. Dans l'ensemble j'ai trouvé le programme très intéressant. Seul bémol,si j'ose dire, c'est le positionnement de l'orchestre, avec les celli, les contrabasses et violon à gauche. Dommage !!
Écoutez, je suis désolé, je n’ai pas envie d’être médisant et je me pose des questions au vu de la salve d’éloges de tous les commentateurs. D’accord on dira que j’ai l’oreille détraquée, mais enfin son jeu n’est pas net, certaines notes grincent. Elles sont mal faites. Bref, parfois c’est limite faux...
@@acrostyche Peut-être vous vous accroché trop aux détails techniques( n'oublions pas qu'il s'agit d'une vidéo en direct). I y a aussi un message plus profond de l'artiste. C'est de ça qu'il s'agit.
No applause after the concerto? No wonder -- it was Feb. 2021. Patricia played it wonderfully. After this, the Schumann's concerto would be one of my favorites - right next to Brahms'. By the way, I need to check when this was composed. It seems like Schumann knew he was going downhill and accepting his demise.
Yes, unfortunately without applause. This concert was one of our Covid-Webconcerts without any audience at all. But they certainly deserved thunderous applause, didn't they? And: Robert Schumann's Violin Concerto was written in 1853. Indeed, one of his last significant compositions…
Le concerto est bien, mais avec des tempi un peu lents. Pat varie bien les phrasés dans le 3e mvt, mais je m’attendais à un style plus arachnéen, comme dans la version de Zehetmair, indépassable pour moi.
Schumann demande dans le premier mouvement: "Dans un tempo vigoureux mais pas trop rapide", Deuxième mouvement: "Lent", Troisième mouvement: "Animé mais pas trop vite". Alors qu'est-ce que vous voulez dire avec "Des tempi un peu lents"? D'ailleurs patkop ne fait que rarement ce qu'on attend.
@@silviabrodkorb3300 Das sollte kein sexistischer Kommentar sein, sondern nur die Frage nach dem Grund. Evtl. für die Musik? Ausserdem finde ich, dass die Meisten klassischen Musiker_innen sich nicht unbedingt freizügig kleiden, sondern meistens sehr elegant. Aber was erkläre ich hier, ich finde die Musik einfach wunderschön :)
@@silviabrodkorb3300 nicht Musikerinnen Frauen: obenrum gibt’s bei einigen einiges zu zeigen. Füße finde ich dagegen etwas weniger interessant. Dafür gibt’s sehr schöne Schuhe (für Frauen jedenfalls).
And she's out of tune quite frequently. She doesn't even know where the pictures. She has to use the music and shows to me that she doesn't know the piece. I absolutely hate her. The kids today don't know what yesterday was about.
@@BestAmateurViolinist Nope. Your generation just doesn't understand what tomorrow is about. Your comment reeks of ignorance. Patricia K. Is a phenomenal violinist. She just happens not to subscribe to the cliche of the strad
I'm afraid so. Eccentricity is all very well. But that's no excuse for the thin sound and bad intonation. This player gets worse and worse as she gets older. And the inexplicable passages of no vibrato just gets annoying. Maybe she is still trying to be "individual" and that's no bad thing, but at the very least its reasonable to expect a "virtuoso" player might be in tune.
It looks like she is playing a Pressenda violin. I think her playing has too many gimmicks. Instead of making faces, She should be putting better emotions into the music. The third movement is the slowest I have ever heard. But she lacks the ability to know how to phrase the passages. It's as if she doesn't know where they are going and what content they contain. It's also very out of tune and she makes some very rough sounds with the violin. She takes an elegant concerto and tries too much to make it her own by her bombastics. I am not a fan by any means. Everything I have seen from her has always been some of the worst performances. Zimmerman does an amazing recording of this, as does Menuhin, Lysy, and perhaps the best is a relative unknown of yesteryear, Peter Rybar. You can find all of them here on UA-cam. And I think it's very strange that she comes out barefoot. I can only imagine what Jascha Heifetz would have had to say about her. I know it would not have been kind. I wouldn't blame him, either.
Memorizing then keeping the piece safe in memory is about 50% of the practicing value for a pro. This is like cheating, she plays everything with a score.
Until about 1850 memorizing the piece and playing without music was considered unusual and overbearing. The old Liszt even said that it can be detrimental to the work. When young Patricia Kopatchinskaja won her competitions by playing by heart, but now she prefers to have the music before her to scrutinise it for new aspects while playing.
This is the best interpretation i ever listen. Every note, every musical frase has his especial detail. Patricia Kopatchinskaja will go down in history with this interpretation.
Schumann's violin concert is pure poetry!
Great version of the Schumann Concerto! Bravo!
Patricia Kopatchinskaja is one of the greatest artists of this generation
I agree. And one of the greatest violinists in the history of recorded sound. Of the great virtuosi of the past or present, not even David Oistrakh, or Maxim Vengerov approach anywhere near her astonishing level of versatility.
Patricia Kopatchinskaja ist ein gewaltiges "Naturereignis" und der lebensweise Christoph Eschenbach erfreut sich daran und lässt sie gewähren. Ein aufregendes Schau- und Hörspiel!
setuju
Maestra Patricia, tu principal imagen es tu magnetismo personal. En eso eres una verdadera líder. Tienes una idea artística y te atreves a exponerla, desarrollarla. Todo un ejemplo.
Te escribo desde Chile.
Mario Dueñas B.
I really love the cellist who play at the front desk . He plays with full of joy . Love his sound ❤️
That's right! I payed attention now to that cellist: He plays his instrument with great enthusiasm and full of joy. Similar to Patricia Kopatchinskaja, but (differently to her) w i t h shoes on his feet!
same
@@karlheiden1168 And do you know what difference the shoe makes? none, one just feels more comfortable without.
PatKop!!! Yes!!! Thank you!
Brillante versión de esta difícil obra por esta magnífica y descalza eximia violinista
Pure magic 👏🎶😍 The most marvelous rendition that I've heard. Thank you!
..гигантский труд...талант..дар божий...великолепно Спасибо огромное
Une violoniste absolument fénoménale ,c'est elle qui porte ce concerto,magnifique!
WoW das ist Atemberaubend!!!
Excelente play like to watch her playing. beautiful play.
Qué sentimiento, que gran maestría, excelente
Excelente concerto. Eis a razão de prestigiar a boa música. Muito obrigado!
DANKE !!!!!
Tnank you!!
That was music worth to lessen 🎶 👍👌🏅
Perfect team 🥰
Harika. Amazing. Wundervoll.
Hermosa música de Schuman y magistral interpretación !!! Great !!!
wonderful💜💜💜
Exciting!! ❤️Herzliche Dank!
mile grazie !!!
Schumanns Violinkozert! Ein fast vergessenes Meisterwerk mit einer kuriosen Geschichte. Sehr einfühlsame Interpretation von Patkop.
演奏も録音も素晴らしい。感動した。
Biz de burdayız 🇹🇷
Super!!!😍
Velicanstveno 👍❤
Спасибо!
Прекрасно, слов нет🤫🤫🤫
Woowww einfach wunderbar ❤❤❤
The beautiful Kurtág "Lontano" begins @ 34:14. Patricia can be seen rehearsing this in "Patricia Kopatchinskaja | A Day in the Life of the Moldovan-Austrian Violinist" ua-cam.com/video/BpHRoqBXgvo/v-deo.html from 16' 27".
VIVAT MAESTRO
音楽するよろこびに溢れている。コパチンスカヤ効果で、指揮のエッシェンバッハ（８１才！若い！）もオケも音に生気が漲っている。ブラボー！
😊🙏
That Kopatchinskaja knows how to slice, dice and chop a note.
Selectively… but then again, what would you know about bowing and articulation when it comes to playing on a multimillion dollar violin. Her bow costs as much as the house you might live in no offense…
Love watching her play. Like Janine Jansen, she plays with such passion. Also, she performs barefoot like Alice Sara Ott. Vive individuality!
Phantastisch!
🙏
Tko bi tebe mogao nadmašiti draga Patricija....samo nastavi tako
🌹👏👏👍
C'est une vrai Résurrection du concerto de Schumann. Patricia Kopatchinskaja est un être exceptionnel. Dans l'ensemble j'ai trouvé le programme très intéressant. Seul bémol,si j'ose dire, c'est le positionnement de l'orchestre, avec les celli, les contrabasses et violon à gauche. Dommage !!
Écoutez, je suis désolé, je n’ai pas envie d’être médisant et je me pose des questions au vu de la salve d’éloges de tous les commentateurs. D’accord on dira que j’ai l’oreille détraquée, mais enfin son jeu n’est pas net, certaines notes grincent. Elles sont mal faites. Bref, parfois c’est limite faux...
@@acrostyche Peut-être vous vous accroché trop aux détails techniques( n'oublions pas qu'il s'agit d'une vidéo en direct). I y a aussi un message plus profond de l'artiste. C'est de ça qu'il s'agit.
Schön
Çok güzelsin 🌺
Lovely barefoot playing 😊! And quite a stylish player too, tone of her violin is nice and rich - wonder what maker ?
Wikipedia at least states that she plays a violin made by Giovanni Francesco Pressenda (Turin) in 1834.
No applause after the concerto? No wonder -- it was Feb. 2021. Patricia played it wonderfully. After this, the Schumann's concerto would be one of my favorites - right next to Brahms'. By the way, I need to check when this was composed. It seems like Schumann knew he was going downhill and accepting his demise.
Yes, unfortunately without applause. This concert was one of our Covid-Webconcerts without any audience at all. But they certainly deserved thunderous applause, didn't they?
And: Robert Schumann's Violin Concerto was written in 1853. Indeed, one of his last significant compositions…
37:07 Dvorak’s heighth symphony.
Interesting
Woah they played Ghost Variations in between movements. Thinking of Schumann suicide and eventual mental illness now that's heartbreaking.
Zoruspas Ji Bo we muzika xwasu delal hewalno
Is this the Grotrian-Steinweg Piano that Robert or Clara Schumann played?
Le concerto est bien, mais avec des tempi un peu lents. Pat varie bien les phrasés dans le 3e mvt, mais je m’attendais à un style plus arachnéen, comme dans la version de Zehetmair, indépassable pour moi.
Schumann demande dans le premier mouvement: "Dans un tempo vigoureux mais pas trop rapide", Deuxième mouvement: "Lent", Troisième mouvement: "Animé mais pas trop vite". Alors qu'est-ce que vous voulez dire avec "Des tempi un peu lents"? D'ailleurs patkop ne fait que rarement ce qu'on attend.
@@emilelaurent Ecoutez la version Zehetmair /Eschenbach. L’orchestre est plus allant et, à mon avis, l’œuvre y gagne.
"Je m'attendais à un style plus arachnéen". Ça ne veut littéralement rien dire.
@@panurgeceline Ecoutez Zehetmair et vous comprendrez.
Maine danke
Leider ist der letzte Satz des Schumannkonzerts viel zu langsam gespielt!
Nein, es steht wirklich so langsam in den Noten
!
Wunderschön, mich würde interessieren weshalb Patricia keine Schuhe an hat? Hat das einen bestimmten Grund?
ja: kontakt mit mutter erde
Tja, andere Musikerinnen sind meistens obenherum nackt! Hat das einen bestimmten Grund?
@@silviabrodkorb3300 Das sollte kein sexistischer Kommentar sein, sondern nur die Frage nach dem Grund. Evtl. für die Musik? Ausserdem finde ich, dass die Meisten klassischen Musiker_innen sich nicht unbedingt freizügig kleiden, sondern meistens sehr elegant. Aber was erkläre ich hier, ich finde die Musik einfach wunderschön :)
@@silviabrodkorb3300 nicht Musikerinnen Frauen: obenrum gibt’s bei einigen einiges zu zeigen. Füße finde ich dagegen etwas weniger interessant. Dafür gibt’s sehr schöne Schuhe (für Frauen jedenfalls).
Show
Search for Szeryng's interpretation instead
Big fan of Patricia but this does not work. Sorry...
Falls die Gage nicht reicht: ich spendiere die Schuhe.
Если гонорара не хватит: обувь подарю.
Wär doch schade!!
@TFl So ist es!
Все музыку слушают! А ты всё о бабле да о ботинках)))
Наверное обувь на нервы бействуют,поэтому босиком😂
............
..
..........
Wie kann man als Geigerin den 2. Satz so äußerlich angehen? Aber ein Croßteil des Publikum liebt solche billigen Effekte.
Was meinen Sie mit äusserlich? Der eminente Schumann-Spezialist Eschenbach war mit dieser Interpretation sehr zufrieden.
Diesmal spielt wie grosser Artist. lst der Rest ist nur eine Show. ? Nicht einer exellenten Spielerin WÜRDIG:
'
isn't this violin out of tune at times?
She is
Gosh, she manages to produce some awful sounds on the violin.
And she's out of tune quite frequently. She doesn't even know where the pictures. She has to use the music and shows to me that she doesn't know the piece.
I absolutely hate her. The kids today don't know what yesterday was about.
@@BestAmateurViolinist Nope. Your generation just doesn't understand what tomorrow is about. Your comment reeks of ignorance. Patricia K. Is a phenomenal violinist. She just happens not to subscribe to the cliche of the strad
My god, can't you hear she is more and more out of tune ?
I'm afraid so. Eccentricity is all very well. But that's no excuse for the thin sound and bad intonation. This player gets worse and worse as she gets older. And the inexplicable passages of no vibrato just gets annoying. Maybe she is still trying to be "individual" and that's no bad thing, but at the very least its reasonable to expect a "virtuoso" player might be in tune.
It looks like she is playing a Pressenda violin.
I think her playing has too many gimmicks. Instead of making faces, She should be putting better emotions into the music. The third movement is the slowest I have ever heard. But she lacks the ability to know how to phrase the passages. It's as if she doesn't know where they are going and what content they contain.
It's also very out of tune and she makes some very rough sounds with the violin. She takes an elegant concerto and tries too much to make it her own by her bombastics.
I am not a fan by any means. Everything I have seen from her has always been some of the worst performances.
Zimmerman does an amazing recording of this, as does Menuhin, Lysy, and perhaps the best is a relative unknown of yesteryear, Peter Rybar. You can find all of them here on UA-cam.
And I think it's very strange that she comes out barefoot. I can only imagine what Jascha Heifetz would have had to say about her. I know it would not have been kind. I wouldn't blame him, either.
Memorizing then keeping the piece safe in memory is about 50% of the practicing value for a pro. This is like cheating, she plays everything with a score.
Bullshit
Until about 1850 memorizing the piece and playing without music was considered unusual and overbearing. The old Liszt even said that it can be detrimental to the work. When young Patricia Kopatchinskaja won her competitions by playing by heart, but now she prefers to have the music before her to scrutinise it for new aspects while playing.
I suspect she has a lot of annotations in the score and thats the reason why this is one of the best performances of the Schumann concerto.