Thank you!!! This is so much more valuable than the video title may have lead on. Up until now I had not considered using odd/ non-4 numbers with snap and time stretch, and by using the audio samples instead of MIDI notes, the stretch will actually affect the note length, tail, etc. instead of just retriggering. Brilliant!!!
I love it. It has that sloppy Shuffle feel with a standard straight beat. like when old old school hip hop would sample old blues songs and matched it to the straight grid
Thank you soo much i just literally been making a beat after watching this, all day and just fin chorus, thank you for sharing this video, never thought of making a beat in this style but after this video i thought id give it a go, much love from New Zealand 🇳🇿💯🙌🏾
I did something like this in a track where I wrote the instrumentation in 4/4, then set the song to 3/4 and mushed the sections to fit the bars. Everything sounds sort of off beat and syncopated in a disharmonious way.
Not picking the right sample at the beginning AND placing samples directly on the timeline makes for a very time consuming "replace the samples with better sounds" session down the line, and a swing audio clips feature could definitely help with this ;-)
@@carlcarlsson7078 I guess putting an envelope follower on each audio track that triggers another device when you want to swap out the sounds later would work. Or being able to drag and drop another audio file onto the track header and it would automatically replace the track clips with the new audio would be a slick feature.
@@MrMarcLaflamme Most likely I'll just end up spending days trying to make the wrong kick sample fit the tune with EQ and Compression and cry myself to sleep. Ah, the joys of music making.
or you could get the MPC Software and do the real way which is a 1000x faster .Plus you get the "Dilla and MPC swing that your are trying to create. Becasue the MPC pqn is the reason why it swings that way..
We need more Carl! Give us more Carl!!
This is called quintuplet swing. It also works with septuplets (seven notes in the duration of 4)
More from Carl!!
Cool to see how to make this in Reason!
I think my drum teacher taught me this as a septplet swing.
ugh i love that guy he's the best
Same tbh
Thank you!!! This is so much more valuable than the video title may have lead on. Up until now I had not considered using odd/ non-4 numbers with snap and time stretch, and by using the audio samples instead of MIDI notes, the stretch will actually affect the note length, tail, etc. instead of just retriggering. Brilliant!!!
That guy sure seems REASONable
I love it. It has that sloppy Shuffle feel with a standard straight beat. like when old old school hip hop would sample old blues songs and matched it to the straight grid
2:46 "very musician musikey" Iol
Yo this guy is hilarious 😂 Extremely helpful and quick! Nice Carl!
That shirt hella dope🤙🏾👍🏾👍🏾👍🏾
The name for this technique is a quintuplet swing :)
Yep! We've also seen it referred to as The Dilla Swing.
@@ReasonStudios yeah, that’s definitely a Dilla trick.
I'm totally down with Carl, he seems like a chill dude
Yes Carl yes !!!
Oh my!!!!! Love it!!!!!
Awesome vid. Thank you Carl
Thank you soo much i just literally been making a beat after watching this, all day and just fin chorus, thank you for sharing this video, never thought of making a beat in this style but after this video i thought id give it a go, much love from New Zealand 🇳🇿💯🙌🏾
Damn!!! That is pretty damn drunk ngl, gonna use this while making something
So simple! Yet i bet in music theory this has a complicated sounding name :-)
Swing?
@@lishkathedegenerate9066 It's a bit beyond swing though isn't it?
Septuplet swing
Or, in this case, quintuplet swing
I did something like this in a track where I wrote the instrumentation in 4/4, then set the song to 3/4 and mushed the sections to fit the bars. Everything sounds sort of off beat and syncopated in a disharmonious way.
Nice, can I hear it?
cheers!
0:10 Different shirt and hat spotted! Does this mean there is more of your awesome tutorials to come, Carl?? You're da bomb!!
Make sure you check back here on Monday's over the next few weeks 🤫👀
Or just do what hip hop producers like Dilla did and play it live without quantisation on pads then maybe add some MPC swing after if required.
Or that yes.
+1 view from Siberia ))
thanks for the theory
In dnb we used to call this Clown Step.
Great tutorial btw!
Now show us a cool track you produced using this sick trick. Duplication shortcut is Cmd+D btw
The proper name is quintuplet shuffle :)
Not picking the right sample at the beginning AND placing samples directly on the timeline makes for a very time consuming "replace the samples with better sounds" session down the line, and a swing audio clips feature could definitely help with this ;-)
It's just a quick video idea.
you are right. why do I torture myself like this?
@@carlcarlsson7078 I guess putting an envelope follower on each audio track that triggers another device when you want to swap out the sounds later would work. Or being able to drag and drop another audio file onto the track header and it would automatically replace the track clips with the new audio would be a slick feature.
@@MrMarcLaflamme Most likely I'll just end up spending days trying to make the wrong kick sample fit the tune with EQ and Compression and cry myself to sleep. Ah, the joys of music making.
@@carlcarlsson7078 ahh the ‘ole “Force it to fit” mix technique. That works too!
My live drummer is going to hate me. LOL
Or drink a lot of brännvin and then open Reason and make any beat Skål 🥃 🥴
No brännvin for me thank you. I'm on a strict Chartreuse diet.
used to be called 6/8. the 8ths are slightly swung as opposed to the 16ths being so
whrere did you buy your jersey with reason logo?
It looks like a vintage 08' shirt.
@@thegayversion5786 I think it's like 01 or something
First step . . . get drunk.
or you could get the MPC Software and do the real way which is a 1000x faster .Plus you get the "Dilla and MPC swing that your are trying to create. Becasue the MPC pqn is the reason why it swings that way..
! 😄
Put a loud layered clap with alot of reverb ones every 4 bars, in this project then you will have some dope.
ugh bro, you can't be makin "Dilla" beats by shifting a sloppy snare "on grid"
Why not?
Very musician musicy😂
HOOVER
LOL @ "hoover"
agree, next time I'll take it in Swedish. No subtitles.
When he said hoover
They are making me redo High School now. :/
You dont get the point. This has nothing to do with the Dilla Swing 🤣
I wish Reason allowed the top signature number in the transport to reach 20. A 20/16 time signature would allow this without workarounds.
Lol he needs the visual of the waveform to hear. Such an amatour
make your BEATS sound DRUNK…..
Bad sound. Thanks for showing how to not make any hits