Pink Floyd - Any Colour You Like (Live Wembley 1974)
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- Опубліковано 22 кві 2023
- Hi ! I’m currently working on the second half of The Dark Side Of The Moon Live at Wembley Video. I Already released the First half in December if you would like to check that out : • Pink Floyd - Dark Side...
The Whole B Side will be out in about a month or so. I will try to make the whole show in One video if UA-cam doesn’t take it down.
I just wanted to release this little teaser while I finish the project
Hope y’all enjoy and stay tuned !
This is the sound of our galaxy created by the life that arose within it.
Nice
@@MrAmsterdawg1:42 que merda galmtad
Correct, and a great way to describe it
So are my farts
Excellent though 👌
Literally one of the greatest pieces of creative media ever created by the human race
Best Pink Floyd moment of their career in my opinion. Simply legends.
Thank you for the upload.
the amount of hours ive listened to this track alone...
Never gets old bro
This is their best live version of this magnificent song.
one of the best insturmentals produced
Haven’t heard better
Nick Mason was criminally underrated. If you just listened to his drumming here, that would be amazing
He’s an alright drummer not the best
I couldn't agree more. I really focus in on the drums when I'm listening to live Floyd shows. The drums and the bass. There's a huge difference between the drums & bass work on the studio LPs and the drum & bass working during their live performances. More often than not, the live drums & bass are WAY better than what was on the record. Like, "Live at Pompeii"... Jesus Christ! What I said about Nick & Roger is true for David & Rick as well, but it all dependinds on the performance. Like, Echoes (Part I) from Pompeii is SO MUCH BETTER than what's on Meddle. The bassline during the "Funky Section" is SO different, so much better than what the bassline is on the album. Nick was right there with him killin' it, David's guitar work in that section, Rick holding everything else down like the badass he was. It's probably my favourite piece of music ever made. The Pompeii performance of A Saucerful of Secrets is probably the best performance of that song ever. Same goes for "Careful with That Axe, Eugene", & One of These Days... I mean, Pompeii is so fvcking incredible as a whole, as a music film, as a documentary, as a live performance, etc. They managed to catch lightning in a bottle with Pompeii. We got to hear & see Pink Floyd at the absolute top of their game, by then they had finally figured out what their sound was without Syd, and what their sound was going to be, and they were just so in sync with each other, they were working together better than they ever had at that point. It's just awe inspiring to experience it. Not to say that they weren't incredible from the start, but having lost Syd, continuing on with David in his place was very difficult for them. Waters had to become the primary songwriter, & start singing lead vocals. David had to step up as the only guitarist, as well as sing lead vocals, rick had to sing lead & backing vocals, etc. A LOT of things changed for them very quickly & they had to adapt. A Saucerful of Secrets, More, Atom Heart Mother, Everything released before "Meddle" was fvcking brilliant, but all that music was still just those four guys experimenting, trying shit out, trying to figure out where to go from the moment Syd became unreliable. They were figuring out what the music was that they were going to make. What it should be, what it should sound like, & ultimately what type of band they wanted to be. I think by the time they recorded Meddle, they knew exactly what they were doing, knew exactly what type of music they wanted to make, and exactly what type of band they wanted to be. They were working together PERFECTLY as a group. N somehow they were able to capture that on film with the Pompeii performances. You're watching a band that's newly confident, every member is firing on all cylinders, giving it everything they've got, all while making it look effortless. They seemed to be enjoying themselves quite a bit. They were having a fvcking blast. The Pink Floyd we all know and love had finally figured it all out, & cemented themselves as the greatest band on the planet. Meddle was their first "Masterpiece". Most people consider The Dark Side of the Moon as their first "Masterpiece", but na, Meddle is their first album that completely changed music forever. They improved as they continued on all the way to The Wall, & then after that it was never the same again. I like all those "Post-The Wall" albums, but none of it's actually Pink Floyd (to me anyway). "Wish You Were Here" was probably their best album, "Animals" is right up there too but as a whole, "Wish You Were Here" is just absolute perfection at the height of the band's talent. Issues between Roger & the other three members started to be a problem around Animals, & that's why Animals is so drastically different from any of their previous LPs. Roger was running the show, & then by The Wall it was just all Roger for the most part. N that was the last Pink Floyd album. "The Final Cut" is not a Pink Floyd album, it's just a "Roger Waters Solo Album" with David on guitar & Nick on drums. Once Roger left, Rick came back, & they started a different band, but kept the name "Pink Floyd". It's obvious why they kept the name, but I found it to be very... "misleading" at the very least. The Wall is Pink Floyd's last album. At least the band ended on a good note, The Wall is one of the greatest albums ever made. Not my favourite Floyd LP, but it's pretty high up on the list. Aight I definitely went overboard with this comment. That is all... -
@@shroomshady27 I REALLY enjoyed reading this. Thank you!
And what I loved so much about this performance was that is almost seemed organic. Like it was created right there on the spot. And IMO, Nick carried the entire performance. One of the greatest drumming performances ever. Shit, it was like he was playing the melody. With Richard laying that foundation. And David. What can you say? Silence is better. I have major issues now with Roger as a person, so I’ll just say that he night have been at his best right here. That’s not an insult at all. But his bass here was like gravity holding the earth in orbit.
@@davsaltego Ha, right on man. A person on youtube responding to a comment of mine with a genuinely nice response! It's almost always the exact opposite. That's so refreshing, I appreciate it. I agree with everything you said. Quite a bit of this performance was created eight there on the spot. Floyd never plays any song the same exact way twice. Any Colour You Like is one of the best Floyd songs to hear live. We've all heard Dark Side, we all know exactly how that song sounds, note for note. Ever since they first started playing it live in early '72, before it got its proper name, it was fvcking amazing every single time. I could watch them play this song for an hour and I'd love every minute of it. Very much a Rick Wright piece, but by the time they got all the Dark Side tracks in order & started playing the entire album live in its entirety in '72, Any Colour was epic from the very beginning. By '74 they had been playing Dark Side like it is on the LP, and continued to improve upon, and change things. This Wembley show is considered by most to be the greatest live performance of Dark Side EVER. I can't disagree, it is fvcking phenomenal. N since it's an instrumental, they can keep playing it for as long as they feel like, and change as many things as they wanna change. I've heard just about every live performance of this song from early '72 all the way to the last time they ever played it. N this is probably my favourite version. Especially now that it's been remastered and the audio is so crisp and clean now. I've had a copy of this entire concert for over a decade, & when I finally heard the 50th Anniversary remaster, I cried. It was just so fvcking beautiful. (I was also on magic mushrooms at the time but that's neither here nor there). So Nick Mason, exactly like you said in your comment, he is criminally underrated. I don't think people take into account how insanely talented you'd have to be to play drums for Pink Floyd. It's not an easy task, and this performance is a glorious example of how dope Nick was, and still is. They all continued to get better as time went on, so '74 Nick could drum circles around "Live at Pompeii Nick". That film and those performances of all those songs in particular just blew my fvcking mind the first time I watched it, and more importantly heard it for the first time. I'll always put Pompeii up on a pedestal, it's so nostalgic for me and I'm so familiar with every note played in that film. I loved Nick's tight purple shirt with the colourful butterfly on the front that he wore during Pompeii. His drumming on "One of These Days" from Pompeii really caught my attention, same with "Careful" & "Saucerful" like I mentioned in that last comment. I just remember thinking "How the fvck is this guy keeping up with all this insanity?!? That was the moment I realized how underrated he really is. N this performance of Any Colour, he's just killing it. He's keeping the beat, playing it like it's played on the album, and then playing all these different fills and adding all these little changes, he really does kinda steal everyone else's thunder once they really get into it. He's just in the zone and playing the shit outta that song. I feel you about Roger. He's never been the greatest bassist, not even close. His basslines are usually very simplistic, & I'm a bassist myself, so I've learned and pkayed along to most of Floyds studio albums. When he plays live he adds a lot of "funk" to many if the appropriate basslines. Like when I mentioned that "Funky Section" of "Echoes (Part One)" from Pompeii, I swear to god, Roger and Nick together completely transform that section of Echoes into one of the greatest pieces of music ever. N the studio version of Echoes, during that "Funky Section", the drums are still amazing, but the bassline on the album is basically two notes played over and over again, with a few little fills and seemingly random notes. That section in Pompeii is SO MUCH BETTER. I'll have to send you the link with a time code so you can hear exactly what I'm referring to. It's like a completely different bassline. N Nick is right there with him just absolutely killing it. The drums in that section are so much more powerful than what he played on the album, and what he's playing is very noticeably different, but it's like Nick and Roger are sharing the same brain, like they just complimented each other so well in "Funky Section" from Pompeii, and in live performances in general. In this, the same thing's happening, you just can't take your eyes off of Nick. He was putting on a fvcking show that night, and it couldn't be more obvious. I never understood why Nick was and IS so underrated, he's one of my favourite drummers of all-time. I think people tend to think that the "Best Drummers", or "Greatest Bassists", etc. are the ones that are insanely technical. I mean I love me some really complicated drumming and bass playing, but I've seen some of the most technically complicated drum work performed live right in front of my face, and the we're times where I was not impressed at all. Like, the technical abilities and the complexity of the drumming is always impressive, but a lot of times after some "Epic" crazy complicated drum solo or something, I've found myself unimpressed. Just because it didn't sound good. Just because a drummer can play insanely complicated shit doesn't mean anything unless it sounds good, and works with/within the song. Same goes for basslines. I grew up learning PRIMUS basslines when I barely knew how to play. Which is nuts because Les Claypool is a mad scientist and one of the most technically proficient bassists of all-time. His bass work (especially live) is unfathomably complicated. Took me years to learn how to play some of his easier basslines. He's a unicorn though, the second you hear him play one note, you know it's Claypool. That's why I love Roger's bass work so much. N since I started learning all these damn near impossible basslines, once I was finally a proficient bass player, I decided to learn some Floyd songs, & playing those basslines compared to literally any PRIMUS song felt so effortless. That's what made me want to try and take on entire Floyd LPs on bass, and I even figured out that "Funky Section of Echoes from Pompeii. It was much more complicated than what's on the album, but it was worth every second I spent learning it and figuring out what exactly Roger was doing with all these "new" fills and runs and all that. I can't speak the same way about drums, because I just never learned how to play them. I was taught how to hold the sticks, how to sit properly and how to keep a beat and stay in the pocket with the bassline, but I can't sit down at a kit and do anything impressive. A four-string bass however, that's a different story all together. I'll send you a link & a timecode for that funky bit of Echoes from Pompeii. I swear you'll be like "Oh, yeah this is WAY BETTER than the album!". It's shockingly better, and so much funkier. If you listen to it, and then go listen to that same section from the studio version, you'll be like "This is boring as shit compared to Pompeii". I'ma find it real quick... -
Yes him and Bill Ward.
Some of Roger's best bass playing.
Roger: I don’t listen to rock n roll
Also Roger: Absolutely grooving the fuck out to this song
The song is not rock and roll
It is avant-garde experimental music😊
Roger, David, Nick, & Richard were magicians!
One of these days I saw Roger's concert in Curitiba, Brazil... This song made me cry, I thought about how great these guys are to have made this masterpiece and countless other unbelievable songs 50 years ago, songs that still bring out all kinds of feelings on the crowd... fucking awesome!
qualquer dia desses!! te parto em pedacinhos
This is tight!!! And those sista"s humming in the background gives it a like a churchy call and response.
Am 52. Just listen to it,,1feel so high,,n remember my first college girl frnd with our natural smoke😊,,yeeeppp
This version is a little better than the studio version on dark side of the moon
Any Magic you like!
They’re so good, its almost magical ❤
How many acid trips had this soundtrack. They were comforting in that state. Never too scary, just spoke to and guided us along. Everything was o.k. til I saw the black squirrel in Amherst. Evil demon for sure. Ahhh memories of youth.
Pink Floyd were the greatest practitioners of avant-garde music of all time!
Way better than Phillip Glass, Terry Riley or anyone else!
God created the universe in six days. And on the seventh day, Pink Floyd played this.
I can’t believe an advertisement actually interrupted this song. That’s a great way to destroy your product. Absolutely never interrupt Pink Floyd.
Since I’m using Pink Floyd Content (owners rights) I have no control over the ads on my video. I wouldn’t put any if I could
Never use their product
Rick Wright in his prime
Time is freaking wildddd....
These guys are pretty good. Which one’s Pink?
Musica intramontabile sempre attuale ....❤
Thanks for posting. Sadly no proper film with audio exists for this period, which is a tragedy, at least there is plenty of decent live audio about. Perhaps one day some will emerge. Cheers to you all.😊
Unici nessuno nessuno mai riuscirà a imitarlo almeno, sara' impossibile GRANDI
❤ピンクフロイド❤最高❤
Divino!
amazing!
Brutal!
Bonsoir Émile, Est-ce que ce spectacle était une diffusion spécial de la BBC? Les effets visuelles me semble similaires à celles de la programmation de Tubular Bells par la télévision australienne dans les années 70'. Très bon travail de restauration en tous cas.
I'm seeing photo snapshots they must have taken from this show for the posters inside Wish You Were Here album the following year....
The footage at the start is at the corn exchange Brighton June 1972
Prefer that stripped back version, this one loses the melody.
Zalig !
Genial!
Se não for isso que toca no céu, prefiro nem morrer.
Formidable. 🔥🎸🪐
❤
❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤
The video doesn't match the audio.
Close your eyes
If this is Wembley 74 ,does this mean the whole gig, with the Animals tunes are going to be one day released?
ua-cam.com/video/wG7xzB0Jp4U/v-deo.html
I mean on film. I luv Animals but prefer the earlier lyrics if u know what i mean❤
@@alunlane9036 no this video is a compilation of footage to recreate the song because the real footage sadly doesn’t exist
is that a macbook pro ?
Kind of annoying when the video clip doesn't match the music. You can see they're playing a different song in the video
Don’t look at the fingers stay with the eyes
I prefer Brighton 1972, before all this extra fluff was added.
I love this song! The only song that comes close to this vibe is (Im Suicidal) by Roli’
Ce son des images de « carefull of That axe eugene.d’un concert à Brighton, aucun intérêt...
En effet. Le but de cette vidéo est de recréer le mieux possible une expérience concert de Dark Side Of The Moon car le spectacle n’a jamais été filmer par Pink Floyd. Un peu dans le même genre que cette vidéo:ua-cam.com/video/HIGuTCY--xc/v-deo.html
@@emilerioux9704 oui Émile tu as raison, encore merci pour cette vidéo c’est vrai l’ambiance est géniale,continue à nous envoyer des vidéos. Merci
@@christophetourniaire4713 Merci ! Je vais sortir l’album en entier dans 1 semaine si cela est quelque chose qui vous intéresserait
@@emilerioux9704 ah oui énormément intéressé
Goddamm ads ! Ruined it.
Pink Floyd ax euge is a cool rock band from those times remembering the passage of time to return to the group 😂😂😂😂😂😂😂😅😅😅😊😊😊😊
L'ingresso di Ghilmour ha cambiato la storia del gruppo...da tutti i punti di vista,tanto che Wathers ha dovuto cambiare aria...ormai stanchi della sua completa padronanza, del suo modo di credersi n1. ...non credo che avrebbero toccato questi livelli senza Ghilmour. ...
Gilmour es el alma de Pink Floyd
@@fervargas8018 No affatto !!!!! L'anima del gruppo indipendente dal fatto che si fosse allontanato è Wathers.!!!! Non lo dico io ma addirittura un certo Sid...Da "Animals 77' al films 🎥 "Te Wall"79' ha contribuito Wathers perché sono dal suono ai testi (immagina che lavoro in studio e avevano appena 21 anni) sono il suo genio). Dall' 85 in poi è tutto lavoro di Ghilmour
Mi immagino questo pezzo quando finirá il mondo come una specie di colonna sonora dei titoli di coda.
id like to think this whole gig is etting horded someware