I sit in drop G or drop G# most of the time. Fun little tuning trick: drop tune your 2nd string a 1/2 step above your 3rd string. You can do some very fun slide dissonant things!
After having mine for a few months I am now perpetually stuck in drop G with standard tuning. Still getting my Killswitch engage harmonies but with Chelsea grin drops. I don't think I can ever play a 6 string again. Not some elitist thing. I just love the 7 so much.
@@eddyray666 i use Neural DSP Petrucci. But right now I have thicker strings on my guitar so it’s in drop F# so I use pitch shifting much less often. I was gonna buy a Digitech Drop pedal though, they seem great too.
Back a long time ago, I was a 6-string player. Then I got into heavier music and found out they used 8 stringed guitars. So, naturally I tried one out and it was like a completely different instrument. Not only in tone, but the feeling as well. I figured it was simply too big and not right for me. So, then I tried a 7 string. Instantly fell in love. Super comfortable to play, and I found out if you drop the low B to an A, you get your dropped tuning as well while keeping standard tuning. This is the part that really stuck out because I constantly switched between dropped and standard. To me, it makes the most musical sense to drop your 7 string down and I haven't looked back. I will never buy a 6 string again. Perhaps I'll try out an 8 string again one day to find that it's much more comfortable now that I'm used to the 7 string. I'll do the same thing with it, too. Lowest string at E, the rest in standard unless I want to use drop A. Then it's just a matter of drop tuning the low B. Again, to me this makes the most musical sense.
Just got my first 7 (black version of the orange Jackson in the video) and struggling because I normally play in drop D/drop C. Been in drop A with the E, but I'm gonna try this! Thanks for the comment!
7 strings quickly became my favourite type of guitar after getting my first one. I once threw some hectic fat strings (like 0.74-0.14 or something) on my ibanez gio 7 and managed to hit drop F with a minor truss rod adjustment. Meshuggah time 😀
Drop F# on a Schecter Reaper 7 multiscale. No rhyme or reason other than 2 of my absolute favorite guitar players abuse that tuning lol. Jesse Cash and Mike Stringer. Just got my first 7 string and I’m probably gonna take some lessons. Entirely self taught to this point. Ready to actually get good.
OH SWEET! I just started with 7 strings. I won a Schecter C6 and my buddy traded me for his new Demon7. Your 7 strings are like being in 7th heaven! Great tuning tips. Thank you! I can really hear the difference in how it changes the feel completely!
I use drop f# most of time on my 7 string... and song I want to play is in drop d# Can I go that low without the string tension completely loosening? Or is there another trick I'm missing?
I don't own a 7-string yet and now I learned the 7 string has a low B I always thought it had a high A string dummy me. So needless to say I won't be rushing out to buy a 7-string anytime soon but my favorite alternate 6 string tuning is Dadgad F major 9 and C minor 9 and drop D of course
Awesome video!! I'm new to the 7 string world and was wondering if you could break it down for me on your 3 tunings, for me to make it easy would look like, Example- B E A D G B E, I'm familiar with this but gets confusing what a half step on all 7 strings looks like on a tuner!! Thanks if you can help me out on all three tuning options
i got my 7 string a little less than a year ago and i have ashamedly not used it as much as i should have. i keep it standard because when i do pick it up i've been trying to learn Whales by Scale the Summit, also its a 25.5in scale length ibanez so i've been warned against too much down tuning without changing the intonation, although i'm sure i can do a half step down.
Question, I'm looking at getting a Ibanez q527pb headless 7 string that is 25.5 scale length and i want to tune it to the band Volas tuning which is F#BEADF#B. Is that to short of a scale guitar to do that with?
This might be stupid to ask, but what's the name of the noise like in 1:58? everybody especially in heavier genre uses it but I have no idea what to search if I want to learn the technique
My 7 string is in a very odd tuning. BEAC#F#BE, aka Open B11(no3). (Note: BEADGBE is Open Bm7add11#5.) This allows me to do some pretty tasty, big chords using 6 or 7 strings, without altering things so dramatically that I can't play regular major or minor chords.
@@bennymountain1 , you don't know how to construct chords? You ought to know exactly what notes are in Bm7add11#5. Of course you do (because I listed them above). But c'mon. It's basic music theory, bro!
Coming from a largely Jazz background, my "standard" tuning is basically the same as your PRS tuning; only up a half step/tone. I find it easier to play bigger chord voicings that your other two examples don't allow. Of course this does make using all 7 strings in a lead context a bit more challenging, but there are trade-offs in every tuning. I have also experimented with Open G and a combined 4th/5th tuning. (Lowest 3 strings tuned in 5ths, highest 4 tuned in 4ths with the 4th and 5th strings a minor 3rd apart. Low to high: G,D,A,C,F,Bb,Eb.) These latter two aren't very conducive to lead playing, but give some awesome chord voicings.
I got a Schecter Reaper-7 MS, but I’m still kinda dogshit at guitar in general, so I’ve just kept it B standard since I got it. What is that riff from though? It sounds familia, but I can’t put my finger on it, and I need to learn it.
How do you like your Jackson misha ht7? Any downside on that guitar? I'm planning to get this exact model but was looking for an Ibanez rga742fm as well. Which one do you recommend? Thank you.
Interesting video. One question ❓ I was always curious about tuning a seven string electric guitar into this tuning. D E B E G# B E Try tuning up the seventh string into D, and the rest into open E tuning. 😊
Wish they made the Misha in left handed, unfortunately I feel like Jackson guitars gave up on providing left handed models.ya they got the custom shop but its like double the price lol. Great video man. Imma subscribe , cheers man
There's an issue about dropping low tuning: the string starts to buzz. We have to adjust the strings action and sometimes it gets too far from the fretboard.
What gauge strings are you using on the juggernaut for half step down? I have the juggernaut also and usually keep it in drop A with the factory string gauges but going any lower is a bit too floppy for me.
Interesting I got about two Jacksons from you and I just bought a 7 today and I'm make vide go live later Hey Ryan it's August I love a 6 and 7 ..........Dear Friend
Key (to me) is scale length and to some extent neck width and strings spacing, an item nobody seems to take serioua until arpeggioa tend to sound muted on 7,8 strings and beyond for it having less space between strings, this is a big issue id you have fat fingers like me, believe it. Also, a good 6 strings baritone guitar will roar much better than a regular 25,5" scale 7 strings in the same tuning, even more in tunings you talk here like drop G# and lower. Also, beginner players tend to go lower with 7 or 8 strings cause they always think in standard tuning, but there are plenty othwr tunings to try on a 6 string that makes it a wider range instrument like open C, open B, robert fripp's new standard, drop B (late slayer) custom A# (pentagram) apart from the more popular drop tunings like drop D or drop C of course.
My license plate says BEADGBE. Nobody gets it but I see them pondering with their passenger in my rearview mirror at lights. 1:48 That's the tuning that I use in my band. Drop A flat is also brutal.
Im personally in ❤ with drop A. Drop D on a 6 is too much fun. I like having the standard E tuning with the A. I get BOTH!? 🤘That's just metal AF in my eyes. 🎸 I get the whole 1 finger laziness of it. Just don't do that. 😅 Really like your shorts. No, not your actual clothing. Nevermind. 🎸🎶👍
We play in drop C on our sixes. These days, I use a double drop on my 7 string (and buy 8 string sets for it, using the bottom three and top four). It's tuned FCGCFAD. It's a monster.
Bass should play in the bass range and guitar should play in the guitar range. Drop B used to be my hard limit with Drop C being the soft, but these days I find that going up a half a step. Why not tune a 7-string in C standard, but the 6-string version with an added F on top and the third being moved up?
@@killahasbigrpk8711 Most people don't have systems that can appreciate the excessively low tunings, chords that should sound good start to sound dissonant and muddy the lower you tune, and guitar scale lengths in general just don't sound good with really low tunings and fat strings. Running a true baritone guitar with a 28-30 inch scale length in G, A, or B sounds much better than tuning a standard 25.5" scale length guitar even to drop B. If I were making very low-tuned music, the only way I'd do it is with a Baritone as the low guitar and a separate higher-tuned guitar that was tuned a major third to a perfect fifth higher with the same range/spread and number of strings (6, IMO) as the baritone. *TL:DR:* Low-tuned standard guitars are muddy, low tuning, in general, creates dissonance on normally good-sounding chords, and 99% or more of people don't have sound systems or headphones that can accurately recreate anything below a C1 with any sort of power, anyway, and even that's being generous. Oh, and most singers don't sing in the bass register, so anything below a C2 on guitar will be more than a perfect fifth below most singers' tessitura, aka the start of their natural range, and as such will be dissonant and out of tune with the vocalist.
@@Drunken_Hamster so all you’re saying is it takes more effort to create good tone on lower tuning? That muddiness can easily be counteracted by slight off tuning, good tone usage and some experience. If I could make drop b sound relatively good on a sanchez guitar (25.5 inch scale length) and amp, I’m pretty sure you can do very well to counteract the mudiness on a well crafted 7 string and a decent amp. So if you mean the system the guitarist uses on average won’t be good enough, I’d have to disagree. if you mean the system of the listener won’t be good enough to handle, how do you explain the poularity of bands such as slipknot and deftones? using two seperately tuned guitars isn’t practical at all, how would you do this live for example? it also complicates the music theory a bit, but that should be able to be worked around. the note about most singers not being able to sing in lower registers is a good point tbh, however the sort of music that lends itself to lower tunings is usually paired with screaming or instrumentals. And if that’s not your thing, get a good singer, jinjer was able to pull it off very well. so as much as you do bring up good concerns and it is valid points, it seems more that you just orefer higher tunings, which is perfectly fine but that doesn’t mean that it’s a metric that should apply to all guitarists. Some black/blackened death guitarists might even enjoy that extra muddy, dissonant sound.
Mine hit the ground and doesn’t seem to have much physical damage, but makes a grindy sound on all strings on the first fret only. I’ve replaced all strings and don’t know what’s up. Do I adjust the bridge?
I always enjoy whatever the heck this tuning is. GDADGBE I think that's right. I put the lower 6 strings into drop D and then double drop the B string on top of that so its drop tuned in relation to what is now the D. Easy big sounds. But I suck so it was actually probably terrible.
Roast me. I buy 7-string sets, toss the high B and slap 'em on a 6 string guitar. I *rarely* see someone on a 7 or 8 mess around with the high string on it anyway. Case and point.. this video :)
I sit in drop G or drop G# most of the time. Fun little tuning trick: drop tune your 2nd string a 1/2 step above your 3rd string. You can do some very fun slide dissonant things!
I've been REALLY digging Tesseract tuning as well: G#-F-A#-D#-F-A#-D#!
@@ryan-dxpooo I'll have to give that a try!
That tuning sounds like GUUU FAAAD FAAAD LOL@@ryan-dxp
After having mine for a few months I am now perpetually stuck in drop G with standard tuning. Still getting my Killswitch engage harmonies but with Chelsea grin drops.
I don't think I can ever play a 6 string again. Not some elitist thing. I just love the 7 so much.
Same here, the 7 just feels better to play as well with shorter string spacing and wider neck. I'm in drop A but use pitch shifting to go low.
@@WoWMinGMHey man, what pedal are you using to droptune?
@@eddyray666 i use Neural DSP Petrucci. But right now I have thicker strings on my guitar so it’s in drop F# so I use pitch shifting much less often.
I was gonna buy a Digitech Drop pedal though, they seem great too.
A# Standard: Morbid Angel, Trivium, Nevermore, Cannibal Corpse
Drop G#: Periphery
A Standard: KoRn, Fear Factory, Obscura
Also Cannibal Corpse: G# standard on some songs
Back a long time ago, I was a 6-string player. Then I got into heavier music and found out they used 8 stringed guitars. So, naturally I tried one out and it was like a completely different instrument. Not only in tone, but the feeling as well. I figured it was simply too big and not right for me. So, then I tried a 7 string. Instantly fell in love. Super comfortable to play, and I found out if you drop the low B to an A, you get your dropped tuning as well while keeping standard tuning. This is the part that really stuck out because I constantly switched between dropped and standard. To me, it makes the most musical sense to drop your 7 string down and I haven't looked back. I will never buy a 6 string again. Perhaps I'll try out an 8 string again one day to find that it's much more comfortable now that I'm used to the 7 string. I'll do the same thing with it, too. Lowest string at E, the rest in standard unless I want to use drop A. Then it's just a matter of drop tuning the low B. Again, to me this makes the most musical sense.
If you do get used to an 8, you should progress to a 9 and then a 10 for shits and giggles
Dudes got a Holcomb, Misha, and Rishardson signature series... oh yeah.. I'll listen to what he has to say 😂❤ #Goals
Thank you so much for making more 7 string content!
Would love to see a video of scales and chords with the 7 string. Please keep it up!
+1
I use mine tuned to A,D,A,D,G,B,E. My vocalist for the band sings best in drop d, so i utilize the low a for intros, breakdowns,etc.
Thinking of using this in a song I love the more metalcore drop D, but then I have access to big drop A chugs
Just got my first 7 (black version of the orange Jackson in the video) and struggling because I normally play in drop D/drop C. Been in drop A with the E, but I'm gonna try this! Thanks for the comment!
I've been wanting to try the same thing with drop B having the 7th string in F#
Full step down on my 7 string Schecter Hellraiser for those Korn jams 🤘
7 strings quickly became my favourite type of guitar after getting my first one. I once threw some hectic fat strings (like 0.74-0.14 or something) on my ibanez gio 7 and managed to hit drop F with a minor truss rod adjustment.
Meshuggah time 😀
I love the green fret wrap with the orange finish!
You're tellin' me!
I'm a recent 6-string convert. A standard is my tuning, and always will be. It just feels...right.
The Korn tuning.
Me too. Beyond creation inspired that for me
I just put my Jackson Dinky 7 string in A standard this morning.
My tuning has been ADGCFAD over 10 years when I bought my LTD SC-607B. I'm huge Fear Factory fan, that's the reason :D
what strings do you use for that tuning?
The breakdown of 7 string that we noobs need. Thank you! 🙏
Drop F# on a Schecter Reaper 7 multiscale. No rhyme or reason other than 2 of my absolute favorite guitar players abuse that tuning lol. Jesse Cash and Mike Stringer. Just got my first 7 string and I’m probably gonna take some lessons. Entirely self taught to this point. Ready to actually get good.
OH SWEET! I just started with 7 strings. I won a Schecter C6 and my buddy traded me for his new Demon7. Your 7 strings are like being in 7th heaven! Great tuning tips. Thank you! I can really hear the difference in how it changes the feel completely!
I have a Jackson King V 7 string which I love it goes hard even tried some crowbar songs that are written on a 6 but the riffs are sick on a 7
love the thumbnail haha
love the channel, great tips and just the right amount of sarcasm! might even subscribe.
Still getting used to mine, so standard b. Love the videos man!
I have an Ibanez RG series 7 string I bought recently tuned standard (used) I like it
My 7 string is in Drop A and then I use the transpose feature on the kemper to drop down into G,F, E etc
Hyuuuuge fan of A-D-A-D-G-B-E
That richardson signature is DOPE btw!
Great video dude - thanks for that!
Nice!
Thank you.. not so easy to find this type of explanation of a 7 string
Such a huge help thank you brotha!
What's that ring on top of the neck?
I use drop f# most of time on my 7 string... and song I want to play is in drop d# Can I go that low without the string tension completely loosening? Or is there another trick I'm missing?
Just put fluence fishman Stephen carpenter pickups in my Jackson and have been playing in drop g really fun and heavy!
🤘 Bad Motor Finger. I need too pick one of these up asap!
I don't own a 7-string yet and now I learned the 7 string has a low B I always thought it had a high A string dummy me. So needless to say I won't be rushing out to buy a 7-string anytime soon but my favorite alternate 6 string tuning is Dadgad F major 9 and C minor 9 and drop D of course
Great job man, extremely helpful vids. Subscribed, done!
Just picked up a 7 string I'm running drop d with the extra low G
Awesome video!! I'm new to the 7 string world and was wondering if you could break it down for me on your 3 tunings, for me to make it easy would look like, Example- B E A D G B E, I'm familiar with this but gets confusing what a half step on all 7 strings looks like on a tuner!! Thanks if you can help me out on all three tuning options
i got my 7 string a little less than a year ago and i have ashamedly not used it as much as i should have.
i keep it standard because when i do pick it up i've been trying to learn Whales by Scale the Summit, also its a 25.5in scale length ibanez so i've been warned against too much down tuning without changing the intonation, although i'm sure i can do a half step down.
Question, I'm looking at getting a Ibanez q527pb headless 7 string that is 25.5 scale length and i want to tune it to the band Volas tuning which is F#BEADF#B. Is that to short of a scale guitar to do that with?
This might be stupid to ask, but what's the name of the noise like in 1:58? everybody especially in heavier genre uses it but I have no idea what to search if I want to learn the technique
I think it's just a string scratch... You can slide your down the scale for the same effect
I play a multi scale Ibanez axon label I tune it basically half step down with a drop G #Flat, then I drop the E flat to C sharp
My 7 string is in a very odd tuning. BEAC#F#BE, aka Open B11(no3). (Note: BEADGBE is Open Bm7add11#5.) This allows me to do some pretty tasty, big chords using 6 or 7 strings, without altering things so dramatically that I can't play regular major or minor chords.
"Hey man, how do you tune your seven string?"
"Oh, this one? It's in Open Bm7add11#5."
@@bennymountain1 , you don't know how to construct chords? You ought to know exactly what notes are in Bm7add11#5.
Of course you do (because I listed them above). But c'mon. It's basic music theory, bro!
Coming from a largely Jazz background, my "standard" tuning is basically the same as your PRS tuning; only up a half step/tone. I find it easier to play bigger chord voicings that your other two examples don't allow. Of course this does make using all 7 strings in a lead context a bit more challenging, but there are trade-offs in every tuning. I have also experimented with Open G and a combined 4th/5th tuning. (Lowest 3 strings tuned in 5ths, highest 4 tuned in 4ths with the 4th and 5th strings a minor 3rd apart. Low to high: G,D,A,C,F,Bb,Eb.) These latter two aren't very conducive to lead playing, but give some awesome chord voicings.
Next video idea: teach me how to choose the kind of right string gauge for djent style of riifs?
What is the fabric thing around your locking nuts
For people who cant mute properly.
I got a Schecter Reaper-7 MS, but I’m still kinda dogshit at guitar in general, so I’ve just kept it B standard since I got it. What is that riff from though? It sounds familia, but I can’t put my finger on it, and I need to learn it.
How do you like your Jackson misha ht7? Any downside on that guitar?
I'm planning to get this exact model but was looking for an Ibanez rga742fm as well.
Which one do you recommend?
Thank you.
Interesting video. One question ❓ I was always curious about tuning a seven string electric guitar into this tuning. D E B E G# B E Try tuning up the seventh string into D, and the rest into open E tuning. 😊
my 7 string is usually in drop F# and that thing chunks so much i play it all the time and now i have a hard time going back to 6 string guitar
What is that riff it sounds awesome and familiar
I love to use drop f#
Wish they made the Misha in left handed, unfortunately I feel like Jackson guitars gave up on providing left handed models.ya they got the custom shop but its like double the price lol. Great video man. Imma subscribe , cheers man
There's an issue about dropping low tuning: the string starts to buzz. We have to adjust the strings action and sometimes it gets too far from the fretboard.
The extra tension from baritone doesn't help buzzing ?
@@rodneysnextchapter615 yeap... but I mean for non baritone guitars.
What gauge strings are you using on the juggernaut for half step down? I have the juggernaut also and usually keep it in drop A with the factory string gauges but going any lower is a bit too floppy for me.
I'm using 9s (as I like light gauge), but on the other guitars that drop below that tuning, I shift to the 10s for sure!
Awesome
As for my emerald green 7 strings is standard tunings
Standard tunings I have 2 both 7 strings I have 1 in standard tuning and my black ibanez gio 7 strings wich is drop tuning
Good video! In the last tuning (A standard) what string gauge you use? Or what gauge works in the 26.5 scale guitar? Thank you
To me a 59 in A at 27" feels amazing.
For 26.5" 60-62 is probably very similar.
My Jackson is 26.5. It's in standard A, and it has 60-10's.@@josuastangl7140
00:53 click here to start the video
Interesting I got about two Jacksons from you and I just bought a 7 today and I'm make vide go live later Hey Ryan it's August I love a 6 and 7 ..........Dear Friend
2:47 that is so after the burial
My fav Band ever.❤❤❤
@@GaryIstAltMan ME TOO MAN LOL!!! Thank you for posting good content dude keep it up 👍
for REAL it sounds like behold the crown
Key (to me) is scale length and to some extent neck width and strings spacing, an item nobody seems to take serioua until arpeggioa tend to sound muted on 7,8 strings and beyond for it having less space between strings, this is a big issue id you have fat fingers like me, believe it. Also, a good 6 strings baritone guitar will roar much better than a regular 25,5" scale 7 strings in the same tuning, even more in tunings you talk here like drop G# and lower. Also, beginner players tend to go lower with 7 or 8 strings cause they always think in standard tuning, but there are plenty othwr tunings to try on a 6 string that makes it a wider range instrument like open C, open B, robert fripp's new standard, drop B (late slayer) custom A# (pentagram) apart from the more popular drop tunings like drop D or drop C of course.
yeah ♥
I'm surprised not to see the DADGAD-tuning equivalent for a 7-string!
Have you ever tried it out?
Hey. That last tuning on the ernie ball guitar was ADC……. Then whats the rest?? 👀
A-DGCFAD 👍🏽
My license plate says BEADGBE. Nobody gets it but I see them pondering with their passenger in my rearview mirror at lights. 1:48 That's the tuning that I use in my band. Drop A flat is also brutal.
I clicked this on a whim; we have the same guitars dude 😂
Can you tune drop B on a 7 string?
Im personally in ❤ with drop A. Drop D on a 6 is too much fun. I like having the standard E tuning with the A. I get BOTH!? 🤘That's just metal AF in my eyes. 🎸 I get the whole 1 finger laziness of it. Just don't do that. 😅
Really like your shorts. No, not your actual clothing. Nevermind. 🎸🎶👍
What is that riff?
We play in drop C on our sixes. These days, I use a double drop on my 7 string (and buy 8 string sets for it, using the bottom three and top four).
It's tuned FCGCFAD. It's a monster.
Bass should play in the bass range and guitar should play in the guitar range. Drop B used to be my hard limit with Drop C being the soft, but these days I find that going up a half a step. Why not tune a 7-string in C standard, but the 6-string version with an added F on top and the third being moved up?
you could definitely do that, but why shouldn’t you tune lower? What’s so wrong abt it?
@@killahasbigrpk8711 Most people don't have systems that can appreciate the excessively low tunings, chords that should sound good start to sound dissonant and muddy the lower you tune, and guitar scale lengths in general just don't sound good with really low tunings and fat strings.
Running a true baritone guitar with a 28-30 inch scale length in G, A, or B sounds much better than tuning a standard 25.5" scale length guitar even to drop B. If I were making very low-tuned music, the only way I'd do it is with a Baritone as the low guitar and a separate higher-tuned guitar that was tuned a major third to a perfect fifth higher with the same range/spread and number of strings (6, IMO) as the baritone.
*TL:DR:* Low-tuned standard guitars are muddy, low tuning, in general, creates dissonance on normally good-sounding chords, and 99% or more of people don't have sound systems or headphones that can accurately recreate anything below a C1 with any sort of power, anyway, and even that's being generous.
Oh, and most singers don't sing in the bass register, so anything below a C2 on guitar will be more than a perfect fifth below most singers' tessitura, aka the start of their natural range, and as such will be dissonant and out of tune with the vocalist.
@@Drunken_Hamster so all you’re saying is it takes more effort to create good tone on lower tuning? That muddiness can easily be counteracted by slight off tuning, good tone usage and some experience. If I could make drop b sound relatively good on a sanchez guitar (25.5 inch scale length) and amp, I’m pretty sure you can do very well to counteract the mudiness on a well crafted 7 string and a decent amp. So if you mean the system the guitarist uses on average won’t be good enough, I’d have to disagree.
if you mean the system of the listener won’t be good enough to handle, how do you explain the poularity of bands such as slipknot and deftones?
using two seperately tuned guitars isn’t practical at all, how would you do this live for example? it also complicates the music theory a bit, but that should be able to be worked around.
the note about most singers not being able to sing in lower registers is a good point tbh, however the sort of music that lends itself to lower tunings is usually paired with screaming or instrumentals. And if that’s not your thing, get a good singer, jinjer was able to pull it off very well.
so as much as you do bring up good concerns and it is valid points, it seems more that you just orefer higher tunings, which is perfectly fine but that doesn’t mean that it’s a metric that should apply to all guitarists. Some black/blackened death guitarists might even enjoy that extra muddy, dissonant sound.
Hey!
Tune up to C if you a real playa
C F A# D# G# C F
Diary of Jane... Amma right?
The Korn's Tuning.
Mine hit the ground and doesn’t seem to have much physical damage, but makes a grindy sound on all strings on the first fret only. I’ve replaced all strings and don’t know what’s up. Do I adjust the bridge?
Serj, why did you gain a bit of weight and became a very happy person?
❤❤❤❤❤❤
Drop A, but I’m tuned in all fourths from there. So AEADGCF
I like drop E lol
Which is the easiest to play, so many seem awkward - too wide.
Im.in a standard
I always enjoy whatever the heck this tuning is.
GDADGBE
I think that's right. I put the lower 6 strings into drop D and then double drop the B string on top of that so its drop tuned in relation to what is now the D. Easy big sounds.
But I suck so it was actually probably terrible.
4:42 laughs in caveman metal
mark wholecum
GCGCFAD 😎
Drop f# for me
Drop A
Drop A# to me is the king
Roast me. I buy 7-string sets, toss the high B and slap 'em on a 6 string guitar.
I *rarely* see someone on a 7 or 8 mess around with the high string on it anyway. Case and point.. this video :)
People buy these guitars with too many strings on them and then tune them even lower. 🤣
Go back to your ukulele 🎉
@@FireCampSecurity I could play stuff on an ukulele that's heavier and more Metal than anything you've ever done.