Something I noticed that I haven’t heard anyone else talk about is Mariano’s nose still being broken after the failed engagement. The whole family is right there, including Julieta, why wouldn’t she just give him some food and heal his nose? My guess is that her gift wasn’t working at that point either, just like Luisa’s. Small detail, but fascinating!
Mariano and his mother ran out of the house and into the village after the failed dinner. Julieta and Augistin were trying to comfort Isabela and Luisa, who were a wreck after what happened. After that Alma goes to talk to them in the village, while everyone else is trying to find Mirabel. It is immediately after this that his nose is broken a second time (while he is still in the village) and then Casita collapses. Julieta was separated from him, because she was in Casita, and Mariano was in the village. After the hysterical children had been calmed, I'm sure she would have gone to give him something to heal him. There really just wasn't much time between the dinner and the drama, and they were not in the same place.
@@DogFlamingoXIIIThis. But I would also add, that after the "ruined" proposal the Madrigals weren't in full control of their gifts. Already at the end of the dinner you can see Camillo not able to control his shapeshifts anymore and changing randomly and partially, weak Luisa, Dolores holding hands by hear ears, apparently being hurt by the noise she could probably no longer "rule out", tia Pepa causing a massive storm and Isa hitting Mariano right in the nose with her flower (even though that was what she probably really wanted deep inside, still she had no control over it whatsoever). Taking it all into account one could safely assume that Julietta's power is also in jeopardy and trying to use it could break even more havoc so it was best not to even give it a try (what if she would poison Mariano instead). The only brief moment when things were back normal was when Mirabel was bonding with Isa but we all know how it ended...
What I'm always curious about is the bottle [and crate of bottles] Julieta goes to get after the house falls. We see a village bringing it up to her [we see a few of them immediately after the house falls but no attention is brought to them, and we know it's not Camillo because he can't shape shift] - they talk about her cooking being the healing thing but it seems like she went for a bottle of medicine or something to bring to her daughter [it's never clear what it is but it looks too small to be a drink] - so does that mean that there are other sources of medicine/healing for the village other than Julieta, or has she found a way to make medicines outside of her food powers to help when she's unavailable for one reason or another?
@@Crow_SmithJulietta is easily the most level headed person in the movie. She, along with her husband, are the only ones to treat Mirabel with the respect she deserves as a human being, being able to see her value outside of the magical abilities granted by the miracle. She knows that a person's value does not cone from magical abilities, so to me it would make sense that Julietta would also recognize that her powers are not what give her value. She seems like the type to be continuously be working on and improving herself, probably learning new skills and finding alternative ways to help people in case something happens to her powers. Julietta uses her powers to the benefit of those around her, but also realizes that in a world where these mystical powers exist, and are only wielded by a small select group of people, nothing is certain, and she prepared for this. This is also a value that she instilled into her children, as we see Luisa works out every day despite her insane magical strength, and after everyone's powers are gone, we see that Isabella seems to have some knowledge of how to grow plants outside of her magic. Finally Mirabel, despite having no powers, is clearly a very capable person, showing a variety of talents developed in an attempt to be useful in her own way. Sewing, crafting, decorating, among others. She is also quite physically capable, with feats such as reaching Bruno vision cave, surviving when said cave is flooded with sand, and the most impressive being holding a grown man with one arm while holding herself by a pipe with the other. She only dropped Bruno out of surprise from the rat in his sleeve, not weakness. We don't see any real feats like this from the other characters, as they primarily rely on their talents instead of personal growth and talent. Julietta taught her kids to be strong outside of their powers, and it served them well when those powers were gone.
I personally think the Bruno dancing in "We Don't Talk About Bruno" is actually Camillo getting ready for his part. The only time we actually see Bruno's eyes go green is when he uses his powers (if you watch the scene where Mirabel finds Bruno in the walls, his eyes never actually flash green, the light flashes past his eyes) which he mentioned he hasn't used since his last vision. Plus every time Camillo shifts into Bruno, his eyes turn green.
Another Small Detail: Each of the powers of the Madrigal triplets (Julieta, Pepa and Bruno) is tangental to the passage of time. Julieta's gift is that of healing, which reverts one to a past healthier state. Pepa's emotions effect the present weather conditions. Lastly, Bruno is able to see into the future. This also lines up with the order of their birth, Julieta being first born, Pepa the middle child and Bruno being the youngest. To a certain extent this even goes further into their personalities and characters. Julieta is the closest tied to the family's traditions and strives for her daughters to find their place in it. Pepa's intense emotions have a tendency to change from moment to moment, rarely lingering for too long. Bruno's always worrying about his own 'bad luck' and constantly tries to curb it with throwing salt and knocking on wood; worrying about what the future holds for him.
The same thing applies to Pepa's kids Dolores can hear everything: hear no evil Camilo can change his appearance: see no evil Antonio can speak to animals: speak no evil
Regarding the hug, I think we see young Alma because that's the version of Abuela Alma that Mirabel needs to embrace. She's always seen her as Abuela, the stern, in-control head of the family. But she needs to see the traumatized young woman who lost everything, and clung to what little she had - three children and a miracle. Part of Alma was still frozen in that moment, and couldn't move on until she finally faced her pain and had it acknowledged.
Another possible explanation for the doorpresentations: It was showing them their portraits from as far into the future as it could know - as they look on the day the Encanto dies.
This is also why I say Bruno’s vision for Delores is wrong. Bruno couldn’t see past the Encanto breaking, until Mirabel, the next Keeper of the Magic, helps him.
@@ryangentry2003 except bruno's vision for Dolores wasn't wrong lol. "He told me that the man of my dreams Would be just out of reach Betrothed to another" ^ That was correct as that's exactly how things played out. Mariano WAS "outside her reach" and :bethroded to another" cause he was being forced onto Isabella. It just turned out that even FURTHER into the future she ends up with him lol. So the vision wasn't wrong, just that things didn't stop there
Not just the day the Encanto dies - the day Casita, and the doors themselves!! are destroyed! They show the furthest in the future the owner of the room has that door. I do wonder if they got new doors in the new Casita and what do they show...
@@margaridabaptista3712 All we see is the front door, which does have a group photo with current images, iirc. I like to imagine that's how the new house operates.
Not sure if y'all have covered what the term "madrigal"means musically. Essentially it's a song with multiple verses that stand on their own melodically, but also combine together at the same time to make something bigger than it's combined pieces. "We don't talk about Bruno" is, musically speaking, a madrigal. It also points to the central theme of the movie, that the family as a whole is greater than the individual people that make it up. They are all unique and able to stand on their own, but they are also all bolstered and supported more by the addition of the other pieces of the puzzle.
Ha, that's perfect. I just call them "Miranda harmonies." I know he didnt invent the technique, but I know it most from his work. Looking at you "Non-Stop"
I think Dolores' eyes are open along with Bruno's because she knew Abuella and the others misunderstood the prophecies from Bruno. "It's a heavy lift, with a gift so humbling Always left Abuela and the family fumbling Grappling with prophecies they couldn't understand Do you understand?" She was letting Mirabel know not to trust what the family said/believed about Bruno's prophecy.
"... A seven foot frame, rats along his back, when he calls your name, it all fades to black. He's sees your dreams and feasts on screams" Sorry. I couldn't resist. XD
I also noticed that in "We Don't Talk About Bruno", Felix mentions what a joyous day thier wedding was while all Pepa seems to remember about it is that one negative experience. I mean, it did impact a lot of things, but you'd think uniting with the one you love would make it a little better for her.
I feel it's a bit of a cliche that Pepa focuses on the one negative thing given that women often know exactly how they want their perfect wedding to go. She also refers to the wedding day as "hers" compared to her husband who refers to it as "theirs" - again another cliche
10:58 - I think the reason that Dolores struggled so much to keep secrets all throughout the movie is because she was holding on to the HUGE secret of where Bruno is and that it is so hard to hold onto that secret so lesser ones slip out so that she doesn’t explode.
I dunno, I kinda think any secrets she lets out are absolutely deliberate because this girl from the age of five has heard every private moment of anyone in the town. She keeps all of the secrets, maybe bigger ones than Bruno. But I do wonder if she was the most vocal supporter of the ´we don’t talk about Bruno’ thing though. If someone started speaking ill of him in his hearing, she might very well have jumped on them about it.
What I think is really cool about mixing up Isabella with Abuela, is that it's the interaction with Mirabel and Isabella that leads to the confrontation between Mirabel and her grandmother which leads to their reconciliation at the river! It all connects and it's out of order at the in the vision, and it's so good! 😀
As someone else said, EVERYTHING in the vision happened in REVERSE. It's really cool and the way he stopped mid vision makes it seem like his gift just... Glitched out? Maybe the gift was aware and was glitching, maybe because of his reputation there fading? Idek if people actually accepted him before he left anyways, as they were all mad at him, especially Pepa, even though it happened like... 21 years beforehand
@@maiabxtchhh when he hid in the house he stopped using his gift and therefore forgot how to use it as well as he used to. And one should note that as soon as he stopped using his gift his door stopped glowing as in the door only glows during the candle/gift ceremony and while you are using the gift
My guess as to why Dolores and Bruno's eyes are open on their door is because of the nature of their gifts. Dolores has excellent hearing so she can't really use her hearing on a day to day basis. As for Bruno, his gift s foresight so why wouldn't his eyes be open?
Imo, i think it's because of how they're aware. Not to mention Dolores is heartbroken bc at the start she wasn't with Mariano and... It's an unofficial song but in Turn It Down by OR3O, the one who sings Dolores's parts is Adassa, the actress. She says "My power's hardly a blessing at all" meaning that yeah she prob has a curse than a gift
@@maiabxtchhh I think the directors (Dunno who, heard it from an Encanto breakdown first) said her hearing isn't as selective as she'd like. In other words, everything in the Encanto is pummeling her ears.
I agree, every time I watch Encanto, I always wondered why but I came with no conclusions. Until recently, I thought the reason why they both have their eyes open were because they both have one of the five senses. Dolores having hearing and Bruno with seeing the future, if you know what I’m saying.
Credans is the son of Albus Brother and the blodbond gets destroyed because grindelwad try’s to kill creadens at the end of the movie and dumbeldoor defends him the courses cross and the bloodpact gets destroyed creadens goes him with abliste brother I know this becaus in Germany the movie is already in theaters.
Your thoughts about the bruno vision is totally right! I remember watching the movie for the first time and when bruno said ”its all out of order” i IMMEDIATELY thought that everything in the vision was gonna happen in reverse, and then it did! I was suprised more people didnt notice it but i think it is a really cool detail in the movie, and its definitively also Alma that they saw in the vision!
At the end of the movie, when la Casa Madrigal is rebuilt and the doorknob inserted, a new carving appears on the front door. This carving features all of the members of the family, including spouses. Every character's eyes are closed. Due to this, I'm not sure that there is a magical correlation between a Dolores and Bruno's eyes being open and how aware they are of the family's trauma. If being aware of the family's trauma is the only qualification for having open eyes on a door, every character's eyes would be open on the family door. There might be a symbolic story-telling connection, but not an in-world, magical one. But as far as the magic is concerned, it's more likely related to the nature of their gifts, Dolores with heightened senses, Bruno with the ability to "see" into the future.
If you look at the vision about the embrace, it is actually not the same as the embrace with isabella. With isabella the candle is more in the middle in between them. However in the vision it is not. There it looks more like the person mirabel is embracing is holding the candle like abuela always does.
it's been confirmed that Abuela's door changed from her birth name to "Abuela" when she became a grandmother. so I'm pretty sure the images on the doors just age with the children, the pictureframes are probably just an inconsistency, since nobody wanted to make a seperate image for every door just at 5 years old. which you know, is perfectly fair. why work twice as much for a detail very few people will notice?
Another detail about the doors. All of the doors have the same markings surrounding the character BUT ANTONIO'S is completely different. It matches his gift.
@@fluffydementor I mostly got that impression from her song, but you are absolutely correct - shame we don't see her doing more useful things with it in-film! I keep thinking she could make a hedge to keep those donkeys from escaping... 😩
I was confused by Dolores's "...and the rats talking in the walls.". Because she can't understand them, Antonio can. Did they conspire already at that point? Was she speaking figuratively? Why didn't she say "sqeaking" or "shuffling"?
I’ve saw someone say a young Dolores might have mentioned hearing Bruno shuffling around in the walls, but the family dismisses it as “just the rats”. If you add that to this perhaps the so called “rats” she is talking about is Bruno himself, who is behind the walls trying to fix the cracks.
@@LonelyMarshtomp Yes, definitely. But I am confused by her word choice. Although maybe she said as a child she can hear 'talking' in the walls and then they told her it's the rats. But I expect she would have caught onto that as a grown-up.
@@DarkLordGanondorf190 yes she 100% knows it’s Bruno talking but this is a household, especially her own mother, who wants not even his name mentioned. And she knows Bruno doesn’t want the family to find him so she can’t straight up say “Bruno is also concerned about the magic”. I think the rats is her code word for Bruno and whether intentional or not on Delores’s part, is another hint that she knows Bruno is in the walls.
I think Isa being in the vision has more to do with Isa despised Mirabel and to fix the whole family, she needed her family to be on her side. She needed their support.
My sister watches this movie alot with her kids and she has a theory on why Mirabel doesn't get powers. She said all the other members of the family touches their respective doors after touching the candle. As for Mirabel she touches herself; putting the power of the house into herself. Which may explain why she was most connected with the house out of all the members in the house out side of abuela
I thought that too. She wipes her hands on her dress, smoothing the dress out and then touches the doorknob. Then I also thought that she was chosen to replace Abuela as she is getting older.
I believe Pepa knew Bruno was in the walls. Firstly if Dolores could hear him she would as a child almost certainly tell her mom (as she is shown to not keep secrets). Secondly, in the final song Pepa says "come into the light" which seems out of place unless you knew he was living somewhere where he wouldn't see daylight.
The reason Bruno's and Dolores's eyes are open has to do with how much they are aware of their surroundings For example,On the day of Pepa's wedding Bruno knew how nervous she was and Dolores is aware literally of what is happening in the entire town..even Mirabel is not aware of as many things as they are . And as proof when Mirabel finally gets her door at the end ,her eyes are closed .
Just a little something Inoticed: when they rebuilt casita, there's a moment that Doleres goes down From a higher floor using a rope. It looks alot like the way Isabela used to magicly go down on her vines. And it allows her this moment of being like Isabella but in a while different way - more mischievous and full of life, not so gathered and in controll and perfect.
I thought hugging Isabella in the vision is what triggers everything to happen, because it is after that hug that Mirabel and Abuela have their argument because Mirabel helped Isabella open herself up, the house falls apart and than Mirabel runs to the river where Abuela finds her, and than the two reconcile. So I believe the vision was showing the next step, and where it would lead to (hence the butterfly landing on the grass that we see in the vision and in the reconcile scene!) 😊
When considering Tonito's door, I always thought that perhaps his childlike appearance in the door was an indication that - though his gift COULD be MADE to conform to the utilitarian standards the rest of the family have- at its heart, this gift is inherently different. This gift is about WONDER. The wonder of new experiences, the wonder of a child. As he grows into a man, that aspect of his gift would never change. It would always be less the utilitarian gift that could ease Louisa's burden by merely telling the donkeys to go home - and more the Doctor Doolittle style of always having something new to learn. We grow up. We learn what we need to and we settle into a rhythm. It's the rare person with childlike wonder that seeks more. Also, I can't help but notice this parallels to the beginning where Abuela Alma says, "You are a wonder Mirabelle." Couple that with little Antonio literally stating to Mirabelle, "I NEED you" and I just can't put this bone down. I'll continue to gnaw at it until I've consumed the entirety of it. At first, watching this theory, I thought, "That's so sweet. Mirabelle seeing him as he is and accepting him as he is has manifested as something beautiful. I like this better..." But the more I thought about it and gnawed at that bone the more I realized that my theory and your own are not mutually exclusive of each other. They walk hand in hand just as Antonio (who previously had to be coaxed by the "wonder" Mirabelle to feel hope and wonder under a bed where he hid) and Mirabelle walked hand in hand together to relieve Antonio's gift. Mirabelle's full and unconditional acceptance of Antonio - including his fears which she didn't just sweep aside- helped him accept himself. And himself, and his gift, is wonderful. He's not a tool. The moments leading up to Mirabelle's ceremony were punctuated by her repeating, "Make my family proud" while Antonio had gotten the admonition he needed from a different source and already knew he had nothing to prove to at least one person. "I know you're an animal person. - and I made this..." she said. As you said, her eyes were open. She saw the boy. And his gift reflected not just her acceptance of him but his own acceptance of her assessment - and the freedom to just be HIMSELF. Beyond expectation, beyond duty, beyond utility. Okie, I've prattled on and on and honestly I could continue... but I think this is enough food for thought to post in the towel section. 🧁⚪
Both Dolores and Bruno having open eyes could be that they're the only ones with gifts that reveal the truth. Bruno can see into the future so he sees what will be true for someone. Dolores can hear everything so she always knows the truth about everyone around her.
What I also find interesting about Brunos vision that he had together with Mirabel, is that his vision is always completly green, no other colours, but with Mirabel the candle and the butterfly were yellow. I wonder, if this is due to her influence on the vision. 🤔
Fun Fact: In Disney Springs (Walt Disney World), there is an Encanto themed Christmas tree that has all the character doors, including Mirabelle’s. And her eyes on the door are also open.
I just finally got around to watching this movie and I absolutely fell in love with it so I am super excited to watch all of these videos with little details. I actually noticed pretty quickly in my first watch just how much Isabella looks like a young Alma, and in later watching I also noticed that Mariano looks an awful lot like Pedro. I think this is one of the reasons that Alma focuses so much on Isabella and is pushing so hard for the engagement. She sees in her the potential to have the life she wishes she and Pedro could have had together. There really is so much to unpack in this movie, the way the handle generational trauma and very real problems we all can relate to in the midst of this magical imagery is so beautiful... and the message that it wasn't magic, but love, acceptance, and supporting eachother is what the family really needed is a wonderful message.
She probably wanted to ruin Mariano's proposal to Isabella because she is in love with him, and just seen revealing Bruno's vision as an opportunity to do so.
Dolores starts talking about the prophecy Bruno gave her: "He told me that the man of my dreams//would be just out of reach//betrothed to another" and she goes on to sing "I can hear him now//I can hear him now". A lot of people seem to think in the latter part she is talking about Bruno and hearing him. She's not. She's talking about Mariano as he arrives at the house to propose to Isa, revealing that the man of Dolores's dreams whom Bruno predicted is Mariano
She repeats "I can hear him now" a phrase which could be referencing two people two times It's in the background so I don't think it has do with repeating it cause it's a song
A cool detail I noticed is how at the beginning of the movie, before Mirabel leaves her room and sings "The Family Madrigal" she removes a piece of pink string from her dress that was falling off and at the end when she runs away there's an identical pink string on a branch and that's how Abuela finds her. Mirabel customised the dress herself and the fact that Abuela is able to recognise that it's hers shows how she does care deeply about her and knows her well even if she doesn't show it often enough.
My idea about the doors imaging adult vs. young Antonio has to do with when the miracle faded. Since the future was unknown after a certain point, like how Bruno said it all depended on Mirabel, the house or miracle didn't know how things would end up. The doors show the characters at the age when the miracle broke, signifying a possible end. In contrast, the door at the end that shows the whole family could signify a new beginning.
Mirabelle's "I would" lines in waiting on a miracle all come true! "I would move the mountains" "make new trees and flowers bloom" "I would heal what's broken" "show this family something new"
Just a thought. Casita is a phoenix. It dies and is ''reborn''. The events of Encanto were always going to happen to some extent and the house, knowing it was going to die chose to use the time to heal rifts in the family. The cracks spreading everywhere wasn't a result of Abuela, but were the result of the house getting weaker. If so, this is going to happen over and over again untill there is no magic. The doors showed the ages of the people to whom they belonged because it could not see the future past its own death. Any doors in the new house look the same cause thats what they looked like in the old house. Just spitballin here. Sorry
This is cool! The only part I don't agree with is the idea that it gets weaker with every rebirth until the magic's gone. A Phoenix regains all its original strength and power after its rebirth, I don't think Casita's power has to lessen or diminish for it to be a Phoenix. But I absolutely love the idea and it may be my new favorite headcanon.
@@Miss_Myth maybe it still has magic but the closer it comes to dying, it loses its ability to use magic. That would explain everybody losing their powers. This might also imply somehow that they need to stay near the house or their powers won't work.idk. like I said,spitballin here.
@Yulz i had thought of that and agree it may be attatched to a lifecycle, but i think it would be attatched to Abuela's husband(i forgot his name) rather than Abuela.
Does anybody think that when abuela either passes away or “passes the torch” to mirabel she will finally get a door? Or did she get one when casita was rebuilt and they just didn’t show it? (I know her doorknob was to the whole house showing her “gift”) but c’mon a girl needs a room!!
Yeahhhh turning red didn't really have that much to talk about! :( I mean i loved both but i WANT an encanto 2, just the details and the way this was made cannot be expressed in words
The "open your eyes" thing is almost certainly intentional. Maybe it was the idea of the writers, but Lin loves stuff like this, so I could certainly see him coming up with that thread.
I got the distinct impression that Antonio is just not fond of strangers, or large crowds. He prefers the company of animals. I feel like all the gifts link to the person in some way. And how they are used prior to the miracle wavering, is just how Abuela decided it would most benefit the town. Their gifts are like cutiemarks. And sometimes, you can read cutiemarks in different ways. ^^
After listening "We don't talk about Bruno" a million times, Dolores' line: "It's like I hear him now, I can hear him now." I believe refers to "the man of her dreams" which was the one approaching, Mariano. Tho I get that it may also refer to Bruno. lol.
I like these theories. I've thought a few of these to be the case. It's definitely no coincidence that the miracle comes back after Mirabel hugs Abuela
Regarding the pictures of the characters on their doors: I think the theory of Abuela's expectations being depicted and Mirabel's appreciation of Antonio as he is in that moment are also shown in the way Antonio's ceremony starts: Abuela (always) stands at the door, expecting the child to COME TO HER, to "meet" her expectaions, Mirabel COMES TO Antonio FETCHES and ACCOMPANYS HIM. Abuela expects each family member to play by her "rules", she is the person to decide how and what to do, Mirabel meets them where they are and tries to make them feel better tl;dr Abuela and Mirabel show via their behaviour during Antonio's ceremony how they "treat" their family members in general
Did anyone else notice that Mariano is a bulked up version of "Abuelo"? So basically a younger version of Abuela (who looks really similar to Isabella) is supposed to get together with a younger version of Abuelo. Wow, Abuela really is trying to control the family even more than I thought.
The first time I saw Encanto, I had thought that the figure Mirabel was hugging in the vision was Abuela Alma (mostly because of the position of the candle, which looked to me to be around hip level - where Abuela usually carried it... also because the skirt the figure was wearing wasn't as flowing as Isabella's.) So when it resolved to be Isa, it was a definite "wait, what?" moment for me. Although in retrospect, it makes sense... like you said, per Bruno "Things are out of order." Strengthening her relationship with Isabella was a helpful "baby step" toward making amends with Abuela which in turn saved the miracle.
Wow, you just made me realise one more thing. I've noticed one connection - when Bruno has his vision, he takes Mirabel's hands to "see" better. He literally says "you may want to hang out". Now check this out. When Mirabel talks to Alma she does exactly the same gesture. When she leads abuela into the river, she says "I can finally see" and reaches out in the same inviting way Bruno did to her during the vision, ending up in Mirabel being the "seeing" one. It was clear to me for some time already (I mean, I've watched Encanto only some 2 weeks ago). But after watching your movie I thought - is that it or is there more into it. And guess what - this exact gesture of taking someone's hand happens every time, when someone reveals their secret pain to Mirabel! First after the part of "Surface Pressure" where Lisa comes back from the fact that she could have less pressure to the verse that the pressure keeps growing, they hold hands pretty much in the same manner (OK, in this case it's Luisa holding Mirabel, but the connection is clearly there, even though only "in song"). And then, when Luisa reveals how she's "sick of pretty" and Mirabel sings (surprise, surprise) "it's awesome to see how you rise", she offers the hands in the same manner and Isa accepts the gesture! Taking into account everything else I heavily doubt it is just a happy coincidence.
I think it's a lot simpler than all that. Bruno just sees random snippets. That does not give him special insight. He's just guessing based on what he sees. What he sees is 100% accurate but his interpretation of what he sees isn't any better than anyone else could do. He absolutely saw Mirabel and Isabela hugging, and he just assumed that's all that needed to happen. In reality, that was just one little event in the middle of the whole process.
Three fun facts. One, in Columbian Culture, the squeak Dolores makes means she heard something she shouldn't have, because during a war they developed a way to communicate without speaking. Second, in Columbian culture, saying 'it looks like rain' to someone on their wedding day means you think their going to get a divorce, which is why Peppa got so upset. Third, Mirabels VA was in labor when she sang 'Waiting On A Miracle'.
One really cool thing I just recently noticed in Encanto is how in the scene at the end where they build up their home again, the man from We Don't Talk About Bruno who complained that his hair had fallen out has taken off his wig, which I think makes a really neat parallel to everyone embracing themselves as they are :)
When I saw that his door was him as a kid after a few viewings I always was thinking it’s showing them how they will look when the miracle loses its power because the house can’t predict beyond that
Actually, i highly disagree. First, she didn't tell people about the cracks bc 1. They'd panic and 2. They'd all blame the cracks on mirabel. Secondly, she didn't tell em about Bruno because it could cause more harm than good to him. She said the vision thing in the table because compared to the secret she was keeping about Bruno, she had to let out ONE thing right? Not to mention, at the end, she's frowning because her gift is a curse to her. I respect the theory but i have to sadly say i strongly disagree.
@@maiabxtchhh Thanks for helping disprove Matthew. I would, but I’m so used to picking apart his videos to where I can’t enjoy them anymore. Haven’t been a consistent watcher in about 4 years
@@aionicthunder no problem i guess. Although yeah, i do support everything. Okay but he literally made a grub hub lore that they're all trapped. Mightve been a joke but dont ask me, im gullible :D
@@aionicthunder That stuff’s just for fun, as a lot of his theories are. I think it’s pretty easy to tell which ones he actually believes and which ones he’s just doing to have fun or look at the property from a different perspective.
I recently noticed in the song "We Don't Talk about Bruno" that if you listen really carefully during the ensemble part, you can hear Isabella in the background singing "He told me that my power would grow like the grapes that grow on the vine, I'm fine" followed by "he told me that the life of my dreams would be promised and someday be mine. And I'm fine, and I'm fine, and I'm fine fine fine" mirroring Delores's more frustrated singing of the same phrase. At least that's what I hear. It's pretty soft so maybe I'm not hearing correctly
Here is something I realized this week that I've never seen anyone say. Encanto has a magic that is kept alive by a light in an upper window. Disneyland has a light on in Walt's apartment over the firehouse for the same reason. "Coincidence? I THINK NOT!" Bernie Kropp
Yep it is a double meaning. At first you are expected to believe she means Mariano. However when they interchange it between the other lyrics it ends up coming after the mention of Bruno in reference that Dolores can also her Bruno now.
You are expected to believe she means Mariano? I didn’t know that. She was talking about the vision Bruno gave her, and then says it’s like I can hear him now, I can hear him now! I never thought it had anything to do with anyone but Bruno. But maybe that’s just the writer in me - if you don’t mention another person by name the pronoun will continue to refer to the same person.
If we go with the first theory/detail about the doros showcasing the expectation being what is on the door, Abuela's expectations are erased. Assumably, the doors will now have to showcase the new guardian's expectations or maybe even the person with the power's expectations of themselves
It feels like this shows Pedro is who created the miracle. The family had to go back to the place of the creation for Pedro to see that the family is still together.
My first thought for why Antonio’s door is a child was that it showed the age they would be when the magic changed over to Mirabel. I like your theory too!
well i guess its not exactly something you missed but the golden butterfly is actually yellow and is symbolic not just inside the movie put to colombian literature specifically to Novel prize winner Gabriel Garcia Marquez one of the main tenets of Magical Realism and he uses yellow butterflies to simbolice life, magic and beauty. also the encanto is located on "el eje cafetero" the region of colombia were coffee is made the funny thing is the movie just combined a lot of different aspects of colombian culture into an specific place. people in the eje cafetero dont eat ajiaco, were ruanas or dance to vallenato all of this things are from different areas of the country. its like joining all of our country into a city its amazingly beautiful but quite weird.
Amazinggggg im early woo Edit: about the first one, Antonio's door probably showed him as a child, the others' as teens, young adults (for isa and Dolores) and the old adults.i think casita was aware of when it would be destroyed, so it showed them as how they would look when the house died. Honestly, alma should've noticed that earlier
A friend and I have been discussing if there's a significance to the doors not yet having their carvings on them at the very end of the movie, like they're still "loading". In all other instances, they glow for a moment and reveal their carvings as soon as the character touches the doorknob, but in these scenes, they're glowing for a long time, and yet all the characters have their gifts back. I'm sure there's something to be said about the symbolism of the characters now getting to decide for themselves what they will be (hence the doors are waiting for them to come, touch the doorknob, and reveal something new), but it also leaves open the possibility that Mirabel will finally have her own room! Something the director sort of alluded to on Twitter, he mentioned in regards to this concern of fan's that there was something people hadn't noticed yet. Was what we hadn't noticed the blank doors? Just food for thought
okay before I finish watching this video let me say this this is something that I believe that the reason why Antonio's door shows him as a child is because he loses his gift when he's at that age I believe that the doors show how long they're going to have their gift before "the incident" happens and as you can clearly see at the end of the movie the doors are blank they are a blank canvas now I'm not sure if when they went to their doors and touched it I'm not sure if it's going to show them like before or if like Antonio and Camilo their doors showed them when they're older because there's not going to be another "incident" happening ever again.
@@maiabxtchhh yep to be honest I believe that this could be real it could happen it's believable I just need people to hear me I need people to spread the word I need people to actually read it and agree with me
This is a SUPER tiny detail and it quite honestly might be nothing at all, but to further drive home the theory for Mirabel becoming the keeper of the miracle after Abuela’s passing, both Abuela and Mirabel say the phrase “Let’s go, let’s go!” At separate times during the film. Mirabel says it during the song “The Family Madrigal” at the very beginning of the movie. Abuela says it during the family breakfast as everyone is gathering to the table. At first it probably seems like nothing to pay attention to (and it very well might not be), but both times the phrase is said it’s used in a similar way/ has a similar purpose: to gather/ corral/ direct the family for a moment. Abuelas moment is obvious, but while Mirabel is singing she says it during the part of the song when everyone is gathered together RIGHT before Abuela’s short singing bit of the song. I happened to notice it on my own and I’m probably grasping at straws, but it really struck me and as we all know, Disney rarely does things by accident, the details run deep and carry meaning 99.9% of the time so maybe it means something idk😬 Btw you guys are precious and one of my favorite channels, keep doing what you’re doing☺️
Correct me if I'm wrong but I'm pretty sure Camilo's door also shows him as a child but that raises the question of why are Antonio and Camilo's door the only one to show them as children
Wait... But it shows him as a teen, he looks shorter so that the two faint figures above him (representing his gift) are more visible you know. Still, the smile doesn't look like teen camilo...
did you know mirabel do exact same thing in song in antonio ceremony the end of movie?? "she realy move mountians,make trees and flowers grow and she heal what's broken and show his family something new"
During We don't talk about Bruno, when they perform the madrigal(the part where they sing on top of each other) You can hear Delores singing over and over that she is fine. Clearly trying to convince herself. Also if Pedro is Casita than I think the reason the house cracks is because the fighting is breaking his heart.
With Dolores knowing Bruno is there, i like to think the following: He just smashed the vision of Mirabel, and abandoned his room. He got settled inside the walls and remembered Dolores' Gift and gives a sad smile before saying "Dolores... i know you can hear me. Please.... don't tell your Abuela where i am. I love our family, but i can't help our family. If Abuela asks. Just say you heard me running into the forests of en Encanto."
My first thought on why Antonio's door shows him little after the showing of the other kids gift pictures was that Antonio will die little....less heartwarming than Ben's explanation lol
Definitely prefer the house to die. Makes you wonder if he will age on the new entrance door, or if any of them will age. When Abdul dies will she disappear from the new door? How will the next generation be shown on the door(s)? Are their images still on the individual doors?
Antonio's is NOT the only one whose door shows him at his current age. They ALL do. For proof of this, just look at Camillo's door. His doesn't show him as an adult, but in his current 15 year old state. His portrait door actually shows him as a child closer to 5 as well. So it seems more like a lazy mistake than a deliberate Easter egg. Unless you can think of a better explanation that is actually supported by the evidence you're showing.
I just watched Encanto. Yes, I know. What took me so long? Anyway, we in the 21st century see Bruno's visions as holograms. But they didn't have holograms during the time period the movie was set in. You see... way back in the mid 1980s, my friends and I tried making a hologram. The early ones were green or red because of the laser color. And we had a green laser of the right strength. We had the medium to etch the hologram on. An apple to be the object in the hologram. And here is where it gets interesting... We needed a large darkroom so we could space everything out, and... Sand. Lots and lots of sand to keep everything stable for an extended period of time. Did it work for us? No. It was like trying to build a homemade pinhole camera, but... Is it possible or even probable the animators took that early technique as inspiration for Bruno's vision sequence?
Mirabel means “Mira”: to look, and “bel” comes from the Latin root of beauty/beautiful. What she does really well is to SEE the goodness, the beauty, what’s to be celebrated in all people, highlighted by her green glasses (the color lime green being associated with vision in this movie). She literally lives her name everyday, and THAT is her gift.
Theory: Mirabels gift is breaking things. Luisas gift stopped working RIGHT AFTER Mirabel talked to her. She broke isabellas unhappy engagement, and actually WAS the one who broke the house, and the miracle. But it NEEDED to be broken so that the family could come back together. Also, immediately when she got her gift she broke her door as her power manifested.
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At 14:35 when it shows the vision you can see something hanging on the hip of the person she need to embrace. The only person who wears things hanging from their hips like that is the grandma!!!! Am I just seeing things or does it look like the watch, key thing that she has on?
I’m only 1:33 min but just had to stop and say that the first time I watched Encanto (after the movie finished) I said to my partner that Isabella and young Alma looked almost identical and that in the vision I thought Mirabel was embracing young Alma in a sense because the magic didn’t crumble until Mirabel was the one to reject Abuela and it was only healed again after they spoke in the place that Abuelo died, so my interpretation of the vision was that Mirabel was helping Abuela see that it was okay not to be in stuck in survival mode anymore therefore allowing that inner part of her younger self to grieve and work through the trauma of losing her husband and to hopefully allow her to appreciate and see her children/grandchildren for who they are and how far the town has come as a whole now that she is no longer the person to shoulder the entire burden of protecting it from her trauma.
But the most ridiculously cool part of this video is the fact that ben made it through recording this entire thing without noticing that his right sleeve was slightly folded
There is another thing that has bothered me for a while, and I was hoping someone could help: In Inside Out, is there any in universe reason that Riley's memories are in third person?
I remember hearing somewhere that Abuela's door changed at some point from "Alma" to "Abuela". I guess I just assumed that all the doors did that. and that maybe the magic made the doors in the photos change as well.
Also, Delores literally says in “we don’t talk about Bruno” that “I can hear him now”! SHE LITERALLY SAYS SHE CAN HERE BRUNO! It’s right after Isabella says “hey sis, I don’t want a sound out of you”
sorry, but that's not what she was talking about. To quote Delores' second part in the song: "He told me that the man of my dreams would be just out of reach, betrothed to another. It's like I hear him now. It's like I hear him now! I CAN HEAR HIM NOW!" She's singing about Mariano, as he's walking up to Casita with his mother.
@@mikeyhylton7160 assuming you're talking about what Abuela Alma said, no, he's here does not have a double meaning either. She was literally just letting everybody know that Mariano and his family had arrived.
I figured the pictures on the doors were when they understood their gift. Also I figured Maribel does have a power...she IS the candel...at least it's voice...she doesn't have a door so that her gift would overlooked.
Senora Pezmuerta was in the finale sequence of “We Don’t Talk About Bruno” for some reason. That has made me wonder if her role was originally bigger. Was she a former love interest of Bruno? No one else outside the immediate family is in the scene. It struck me as an odd inclusion.
Hmm well that seems possible, and if she did ever love Bruno... I think she had changed her mind after Bruno's vision about her and her goldfish. I do think she had more to do with everything then what was shown onscreen
0:54 "How come Antonio's door features him as a child whereas every other member of the family features them as their grown selves?" Because Mirabel held his hand and walked him to the door, not Abuella. Abuella views the children as their potential to help the town whereas Mirabel views them as they are. (wait.. didn't I get that theory from this channel? Now I am confused) 1:10 "Did Delores actually know that Bruno was there the whole time." I can't believe people are still questioning this. The answer to that question is in the song "We don't talk about Bruno. She says "I CAN always hear him muttering and stumbling." Not heard, not could hear. Can hear. Present tense. Also: I highly recommend watching Film Theory's video about the true villain of Encanto: Delores. IMO it makes perfect sense and all of the presented evidence does seem to support the theory. :)
Man, I took a break from this channel, I was just a little carlin-saturated, wasn't vibing, but this was a great one to click back into, this movie is all up in my brain, of course I've seen the channel trend but still insight here reminded me why I've followed for years
I don’t think there’s any “deeper meaning” to mirabel having to hug Isabella. It’s 100% Isabella not abuela. She had to hug her to find out that she was miserable due to her power which was BECAUSE of abuela. I think making that vision “abuela’s younger self” is doing too much. It’s really not that complicated.
Piggybacking on the idea that Dolores and Bruno's eyes being open represents that their gifts give them a deeper knowledge/understanding of the world around the everyone else: Dolores' lyrics in We Don't Talk About Bruno show that she, like everyone else, grew up initially fearing Bruno because of his reputation. However, as her gift force her to 'open her eyes', she too has to grapple with knowing more than she should about everyone around her and bearing that burden. As an adult, she understands what he was going through better than anyone else even though Bruno hasn't been able to explain himself to her: "It's a heavy lift, with a gift so humbling Always left Abuela and the family fumbling Grappling with prophecies they couldn't understand Do you understand? " Her "Do you understand?" appears to me to even have a subtle desperation: She's not just asking if Maribel understands what she is saying about Bruno, but asking if Maribel understands her own burden. It's a cool moment, since the cousins don't get their own song, that we get to see her having similar needs to Isabella and Luisa for someone to understand and empathize.
16:22 lemme add onto this, it’s also that way because water has memory😉and because they’re hugging at the pond where Abuela once was, it shows a younger version of herself because water has memory😉
my theories: 1. mirabel didn't get a gift initially because: when you watch the scene at mirabel's ceremony, she holds the candle, wipes her hands on her dress, then touches the doorknob, causing the door to dissapear. during antonio's, he holds the candle, then immediately touches his doorknob, giving him his gift. mirabel just wiped off the magic. 2. mirabel is able to see the cracks in casita and has a closer bond with the house because she doesnt have a gift. while the rest of her family goes out to help the village, she has to stay behind at casita, and she spends more time befriending the house. 3. colors. one of the most obvious things to see are the facts that the different sides of the family wear different colors. abuela wears a purple-pink color, pepa's side wears orange/yellow, and julieta's side wears a more teal-blue pallete. bruno wears green, and is the only one wearing that color. his different color ties in with mirabels glasses, which are also green. that color couls represent how they both feel left out by the family. also, after isabela discovers who she really is and her dress changes to a dark blue to match her side of the family's colors, she is breaking away from abuela's perfect purple-pink world. isa's dress was initially a lighter kind of shade of abuela's dress. 4. isabela does look a lot like young abuela, and even wore her hair in the 2 braids( that young abuela always wore) when she was little. mariano looks a lot like pedro, which explains abuelas pressure on isa to marry mariano. she sees herself in isabela, and wants her to have the perfect life that she never got to have with pedro.
Something that I've personally thought ever since watching the movie for the first time, is that, at the end of the movie, where they get Casita back and that picture on the front door, that that door is actually Mirabelle's door. It has her at the forefront, showing what her gift is, leading the family and protecting them and the miracle. Whether that gift is from the candle or just a natural gift she has, either way. I believe this mostly because there's no depiction on the front door until after they rebuild the house.
7:00 basically, the Mirabell’s door didn’t disappear, it just started transferring the houses ownership to mirabell… of course, the stress and turmoil felt by mira and her grandmothers strict and callous outlook on her family started ripping the home apart. Once granny farts a lot steps aside and pulls the stick out of her behind, things go back to normal with mira in charge now.
Magic doors, magic pictures! My evidence? Color photography wasn't exactly common when they escaped to that valley. The assumption is that there is NO contact with the outside. Do you imagine those refugees were hauling cutting-edge photographic equipment? I think not! The house provides the pictures and the MAGIC part of the pictures changes at the whim of Casita. But, you may say, we see them clearly taking pictures but that appears to be a classic black&white camera not uncommon at that time. Remember that they likely arrived at the turn of the century. So... the humans take black and white pictures and Casita magics them to have color AND an appropriate door.
Something I noticed that I haven’t heard anyone else talk about is Mariano’s nose still being broken after the failed engagement. The whole family is right there, including Julieta, why wouldn’t she just give him some food and heal his nose? My guess is that her gift wasn’t working at that point either, just like Luisa’s. Small detail, but fascinating!
Or they just walked away, was angy and didn't want help at that point.
Mariano and his mother ran out of the house and into the village after the failed dinner. Julieta and Augistin were trying to comfort Isabela and Luisa, who were a wreck after what happened. After that Alma goes to talk to them in the village, while everyone else is trying to find Mirabel. It is immediately after this that his nose is broken a second time (while he is still in the village) and then Casita collapses. Julieta was separated from him, because she was in Casita, and Mariano was in the village. After the hysterical children had been calmed, I'm sure she would have gone to give him something to heal him. There really just wasn't much time between the dinner and the drama, and they were not in the same place.
@@DogFlamingoXIIIThis. But I would also add, that after the "ruined" proposal the Madrigals weren't in full control of their gifts. Already at the end of the dinner you can see Camillo not able to control his shapeshifts anymore and changing randomly and partially, weak Luisa, Dolores holding hands by hear ears, apparently being hurt by the noise she could probably no longer "rule out", tia Pepa causing a massive storm and Isa hitting Mariano right in the nose with her flower (even though that was what she probably really wanted deep inside, still she had no control over it whatsoever). Taking it all into account one could safely assume that Julietta's power is also in jeopardy and trying to use it could break even more havoc so it was best not to even give it a try (what if she would poison Mariano instead). The only brief moment when things were back normal was when Mirabel was bonding with Isa but we all know how it ended...
What I'm always curious about is the bottle [and crate of bottles] Julieta goes to get after the house falls. We see a village bringing it up to her [we see a few of them immediately after the house falls but no attention is brought to them, and we know it's not Camillo because he can't shape shift] - they talk about her cooking being the healing thing but it seems like she went for a bottle of medicine or something to bring to her daughter [it's never clear what it is but it looks too small to be a drink] - so does that mean that there are other sources of medicine/healing for the village other than Julieta, or has she found a way to make medicines outside of her food powers to help when she's unavailable for one reason or another?
@@Crow_SmithJulietta is easily the most level headed person in the movie. She, along with her husband, are the only ones to treat Mirabel with the respect she deserves as a human being, being able to see her value outside of the magical abilities granted by the miracle. She knows that a person's value does not cone from magical abilities, so to me it would make sense that Julietta would also recognize that her powers are not what give her value. She seems like the type to be continuously be working on and improving herself, probably learning new skills and finding alternative ways to help people in case something happens to her powers. Julietta uses her powers to the benefit of those around her, but also realizes that in a world where these mystical powers exist, and are only wielded by a small select group of people, nothing is certain, and she prepared for this. This is also a value that she instilled into her children, as we see Luisa works out every day despite her insane magical strength, and after everyone's powers are gone, we see that Isabella seems to have some knowledge of how to grow plants outside of her magic. Finally Mirabel, despite having no powers, is clearly a very capable person, showing a variety of talents developed in an attempt to be useful in her own way. Sewing, crafting, decorating, among others. She is also quite physically capable, with feats such as reaching Bruno vision cave, surviving when said cave is flooded with sand, and the most impressive being holding a grown man with one arm while holding herself by a pipe with the other. She only dropped Bruno out of surprise from the rat in his sleeve, not weakness. We don't see any real feats like this from the other characters, as they primarily rely on their talents instead of personal growth and talent. Julietta taught her kids to be strong outside of their powers, and it served them well when those powers were gone.
I personally think the Bruno dancing in "We Don't Talk About Bruno" is actually Camillo getting ready for his part. The only time we actually see Bruno's eyes go green is when he uses his powers (if you watch the scene where Mirabel finds Bruno in the walls, his eyes never actually flash green, the light flashes past his eyes) which he mentioned he hasn't used since his last vision. Plus every time Camillo shifts into Bruno, his eyes turn green.
Excellent point!!!!
Oh wow! You’re so right! That is so cool! I never thought about that! Thanks for sharing! =D
thats a perfect theory
An extra theory, an extra theory, we’re finally gonna see it clearly.
Wow great theory
Another Small Detail:
Each of the powers of the Madrigal triplets (Julieta, Pepa and Bruno) is tangental to the passage of time. Julieta's gift is that of healing, which reverts one to a past healthier state. Pepa's emotions effect the present weather conditions. Lastly, Bruno is able to see into the future.
This also lines up with the order of their birth, Julieta being first born, Pepa the middle child and Bruno being the youngest.
To a certain extent this even goes further into their personalities and characters. Julieta is the closest tied to the family's traditions and strives for her daughters to find their place in it. Pepa's intense emotions have a tendency to change from moment to moment, rarely lingering for too long. Bruno's always worrying about his own 'bad luck' and constantly tries to curb it with throwing salt and knocking on wood; worrying about what the future holds for him.
The same thing applies to Pepa's kids
Dolores can hear everything: hear no evil
Camilo can change his appearance: see no evil
Antonio can speak to animals: speak no evil
@@dvqjacks7735 Then there's Julieta's girls
Isabela: Beauty
Luisa: Brawn
Mirabel: Brains
@@bendoucet8641 Then the Essential Madrigal members
Mirabel: Morning
Abuela: Noon
Bruno: Night
O
Regarding the hug, I think we see young Alma because that's the version of Abuela Alma that Mirabel needs to embrace. She's always seen her as Abuela, the stern, in-control head of the family. But she needs to see the traumatized young woman who lost everything, and clung to what little she had - three children and a miracle. Part of Alma was still frozen in that moment, and couldn't move on until she finally faced her pain and had it acknowledged.
Another possible explanation for the doorpresentations: It was showing them their portraits from as far into the future as it could know - as they look on the day the Encanto dies.
This is what I was thinking
This is also why I say Bruno’s vision for Delores is wrong. Bruno couldn’t see past the Encanto breaking, until Mirabel, the next Keeper of the Magic, helps him.
@@ryangentry2003 except bruno's vision for Dolores wasn't wrong lol.
"He told me that the man of my dreams
Would be just out of reach
Betrothed to another"
^ That was correct as that's exactly how things played out. Mariano WAS "outside her reach" and :bethroded to another" cause he was being forced onto Isabella. It just turned out that even FURTHER into the future she ends up with him lol. So the vision wasn't wrong, just that things didn't stop there
Not just the day the Encanto dies - the day Casita, and the doors themselves!! are destroyed! They show the furthest in the future the owner of the room has that door. I do wonder if they got new doors in the new Casita and what do they show...
@@margaridabaptista3712 All we see is the front door, which does have a group photo with current images, iirc. I like to imagine that's how the new house operates.
Not sure if y'all have covered what the term "madrigal"means musically. Essentially it's a song with multiple verses that stand on their own melodically, but also combine together at the same time to make something bigger than it's combined pieces. "We don't talk about Bruno" is, musically speaking, a madrigal.
It also points to the central theme of the movie, that the family as a whole is greater than the individual people that make it up. They are all unique and able to stand on their own, but they are also all bolstered and supported more by the addition of the other pieces of the puzzle.
Howard Ho did a really good video about this.
woah, that's so cool!
Ha, that's perfect. I just call them "Miranda harmonies." I know he didnt invent the technique, but I know it most from his work. Looking at you "Non-Stop"
I'm a musician and your comment made me so happy. 😊
I think Dolores' eyes are open along with Bruno's because she knew Abuella and the others misunderstood the prophecies from Bruno.
"It's a heavy lift, with a gift so humbling
Always left Abuela and the family fumbling
Grappling with prophecies they couldn't understand
Do you understand?"
She was letting Mirabel know not to trust what the family said/believed about Bruno's prophecy.
"... A seven foot frame, rats along his back,
when he calls your name, it all fades to black.
He's sees your dreams and feasts on screams"
Sorry. I couldn't resist. XD
Bro that gave me the chills somehow
mhm...
I also noticed that in "We Don't Talk About Bruno", Felix mentions what a joyous day thier wedding was while all Pepa seems to remember about it is that one negative experience. I mean, it did impact a lot of things, but you'd think uniting with the one you love would make it a little better for her.
I feel it's a bit of a cliche that Pepa focuses on the one negative thing given that women often know exactly how they want their perfect wedding to go. She also refers to the wedding day as "hers" compared to her husband who refers to it as "theirs" - again another cliche
I just figured he was being sarcastic when he said joyous
10:58 - I think the reason that Dolores struggled so much to keep secrets all throughout the movie is because she was holding on to the HUGE secret of where Bruno is and that it is so hard to hold onto that secret so lesser ones slip out so that she doesn’t explode.
I dunno, I kinda think any secrets she lets out are absolutely deliberate because this girl from the age of five has heard every private moment of anyone in the town. She keeps all of the secrets, maybe bigger ones than Bruno. But I do wonder if she was the most vocal supporter of the ´we don’t talk about Bruno’ thing though. If someone started speaking ill of him in his hearing, she might very well have jumped on them about it.
What I think is really cool about mixing up Isabella with Abuela, is that it's the interaction with Mirabel and Isabella that leads to the confrontation between Mirabel and her grandmother which leads to their reconciliation at the river! It all connects and it's out of order at the in the vision, and it's so good! 😀
As someone else said, EVERYTHING in the vision happened in REVERSE. It's really cool and the way he stopped mid vision makes it seem like his gift just... Glitched out? Maybe the gift was aware and was glitching, maybe because of his reputation there fading? Idek if people actually accepted him before he left anyways, as they were all mad at him, especially Pepa, even though it happened like... 21 years beforehand
@@maiabxtchhh when he hid in the house he stopped using his gift and therefore forgot how to use it as well as he used to. And one should note that as soon as he stopped using his gift his door stopped glowing as in the door only glows during the candle/gift ceremony and while you are using the gift
My guess as to why Dolores and Bruno's eyes are open on their door is because of the nature of their gifts. Dolores has excellent hearing so she can't really use her hearing on a day to day basis. As for Bruno, his gift s foresight so why wouldn't his eyes be open?
Imo, i think it's because of how they're aware. Not to mention Dolores is heartbroken bc at the start she wasn't with Mariano and... It's an unofficial song but in Turn It Down by OR3O, the one who sings Dolores's parts is Adassa, the actress. She says "My power's hardly a blessing at all" meaning that yeah she prob has a curse than a gift
@@maiabxtchhh I think the directors (Dunno who, heard it from an Encanto breakdown first) said her hearing isn't as selective as she'd like.
In other words, everything in the Encanto is pummeling her ears.
I agree, every time I watch Encanto, I always wondered why but I came with no conclusions.
Until recently, I thought the reason why they both have their eyes open were because they both have one of the five senses. Dolores having hearing and Bruno with seeing the future, if you know what I’m saying.
Luisa's eyes are also open
Credans is the son of Albus Brother and the blodbond gets destroyed because grindelwad try’s to kill creadens at the end of the movie and dumbeldoor defends him the courses cross and the bloodpact gets destroyed creadens goes him with abliste brother I know this becaus in Germany the movie is already in theaters.
Your thoughts about the bruno vision is totally right!
I remember watching the movie for the first time and when bruno said ”its all out of order” i IMMEDIATELY thought that everything in the vision was gonna happen in reverse, and then it did! I was suprised more people didnt notice it but i think it is a really cool detail in the movie, and its definitively also Alma that they saw in the vision!
At the end of the movie, when la Casa Madrigal is rebuilt and the doorknob inserted, a new carving appears on the front door. This carving features all of the members of the family, including spouses. Every character's eyes are closed. Due to this, I'm not sure that there is a magical correlation between a Dolores and Bruno's eyes being open and how aware they are of the family's trauma. If being aware of the family's trauma is the only qualification for having open eyes on a door, every character's eyes would be open on the family door. There might be a symbolic story-telling connection, but not an in-world, magical one. But as far as the magic is concerned, it's more likely related to the nature of their gifts, Dolores with heightened senses, Bruno with the ability to "see" into the future.
Also I’m the final carving everyone looks happy and smiling except Dolores, who is frowning…why? No idea.
I thought everyone's eyes were opened save Dolores?
@@galviust6243 She doesn't want her gift.
It hurts her.
Dolores is also sad looking in the final door
@Yulz jus imagine casita pulled a screw you moment and didnt add mirabel to the front door. id be floored
If you look at the vision about the embrace, it is actually not the same as the embrace with isabella. With isabella the candle is more in the middle in between them. However in the vision it is not. There it looks more like the person mirabel is embracing is holding the candle like abuela always does.
Also, just before it cuts away, as the face is forming, the nose is different. More like Abuella's.
It’s young Alma. You can see her hair, dress and the shape of her face.
After my first watch, I thought it was abuela in the vision
it's been confirmed that Abuela's door changed from her birth name to "Abuela" when she became a grandmother. so I'm pretty sure the images on the doors just age with the children,
the pictureframes are probably just an inconsistency, since nobody wanted to make a seperate image for every door just at 5 years old. which you know, is perfectly fair. why work twice as much for a detail very few people will notice?
Another detail about the doors. All of the doors have the same markings surrounding the character BUT ANTONIO'S is completely different. It matches his gift.
Also his gift doesn't really seem "useful" at least not to Abuela's standard that is.
@@listinglazily TBH, Isabella's flower power isn't necessarily useful either...
He could take care of the donkeys that escape every day instead of Luisa.
@@purpleicicles I think she could grow food. She is making flowers because is a special occasion I believe.
@@fluffydementor I mostly got that impression from her song, but you are absolutely correct - shame we don't see her doing more useful things with it in-film! I keep thinking she could make a hedge to keep those donkeys from escaping... 😩
I was confused by Dolores's "...and the rats talking in the walls.". Because she can't understand them, Antonio can. Did they conspire already at that point? Was she speaking figuratively? Why didn't she say "sqeaking" or "shuffling"?
I’ve saw someone say a young Dolores might have mentioned hearing Bruno shuffling around in the walls, but the family dismisses it as “just the rats”. If you add that to this perhaps the so called “rats” she is talking about is Bruno himself, who is behind the walls trying to fix the cracks.
@@LonelyMarshtomp Yes, definitely. But I am confused by her word choice. Although maybe she said as a child she can hear 'talking' in the walls and then they told her it's the rats. But I expect she would have caught onto that as a grown-up.
@@DarkLordGanondorf190 yes she 100% knows it’s Bruno talking but this is a household, especially her own mother, who wants not even his name mentioned. And she knows Bruno doesn’t want the family to find him so she can’t straight up say “Bruno is also concerned about the magic”. I think the rats is her code word for Bruno and whether intentional or not on Delores’s part, is another hint that she knows Bruno is in the walls.
I think Isa being in the vision has more to do with Isa despised Mirabel and to fix the whole family, she needed her family to be on her side. She needed their support.
My sister watches this movie alot with her kids and she has a theory on why Mirabel doesn't get powers. She said all the other members of the family touches their respective doors after touching the candle. As for Mirabel she touches herself; putting the power of the house into herself. Which may explain why she was most connected with the house out of all the members in the house out side of abuela
I thought that too. She wipes her hands on her dress, smoothing the dress out and then touches the doorknob. Then I also thought that she was chosen to replace Abuela as she is getting older.
I believe Pepa knew Bruno was in the walls. Firstly if Dolores could hear him she would as a child almost certainly tell her mom (as she is shown to not keep secrets). Secondly, in the final song Pepa says "come into the light" which seems out of place unless you knew he was living somewhere where he wouldn't see daylight.
The reason Bruno's and Dolores's eyes are open has to do with how much they are aware of their surroundings
For example,On the day of Pepa's wedding Bruno knew how nervous she was and Dolores is aware literally of what is happening in the entire town..even Mirabel is not aware of as many things as they are .
And as proof when Mirabel finally gets her door at the end ,her eyes are closed .
Everyone’s eyes are closed tho
With the door theory a nice touch is that on the door in the finale everyone’s eyes are open, since they now all know
Just a little something Inoticed: when they rebuilt casita, there's a moment that Doleres goes down From a higher floor using a rope. It looks alot like the way Isabela used to magicly go down on her vines. And it allows her this moment of being like Isabella but in a while different way - more mischievous and full of life, not so gathered and in controll and perfect.
I thought hugging Isabella in the vision is what triggers everything to happen, because it is after that hug that Mirabel and Abuela have their argument because Mirabel helped Isabella open herself up, the house falls apart and than Mirabel runs to the river where Abuela finds her, and than the two reconcile. So I believe the vision was showing the next step, and where it would lead to (hence the butterfly landing on the grass that we see in the vision and in the reconcile scene!) 😊
When considering Tonito's door, I always thought that perhaps his childlike appearance in the door was an indication that - though his gift COULD be MADE to conform to the utilitarian standards the rest of the family have- at its heart, this gift is inherently different. This gift is about WONDER. The wonder of new experiences, the wonder of a child. As he grows into a man, that aspect of his gift would never change. It would always be less the utilitarian gift that could ease Louisa's burden by merely telling the donkeys to go home - and more the Doctor Doolittle style of always having something new to learn. We grow up. We learn what we need to and we settle into a rhythm. It's the rare person with childlike wonder that seeks more. Also, I can't help but notice this parallels to the beginning where Abuela Alma says, "You are a wonder Mirabelle." Couple that with little Antonio literally stating to Mirabelle, "I NEED you" and I just can't put this bone down. I'll continue to gnaw at it until I've consumed the entirety of it. At first, watching this theory, I thought, "That's so sweet. Mirabelle seeing him as he is and accepting him as he is has manifested as something beautiful. I like this better..." But the more I thought about it and gnawed at that bone the more I realized that my theory and your own are not mutually exclusive of each other. They walk hand in hand just as Antonio (who previously had to be coaxed by the "wonder" Mirabelle to feel hope and wonder under a bed where he hid) and Mirabelle walked hand in hand together to relieve Antonio's gift. Mirabelle's full and unconditional acceptance of Antonio - including his fears which she didn't just sweep aside- helped him accept himself. And himself, and his gift, is wonderful. He's not a tool. The moments leading up to Mirabelle's ceremony were punctuated by her repeating, "Make my family proud" while Antonio had gotten the admonition he needed from a different source and already knew he had nothing to prove to at least one person. "I know you're an animal person. - and I made this..." she said. As you said, her eyes were open. She saw the boy. And his gift reflected not just her acceptance of him but his own acceptance of her assessment - and the freedom to just be HIMSELF. Beyond expectation, beyond duty, beyond utility. Okie, I've prattled on and on and honestly I could continue... but I think this is enough food for thought to post in the towel section. 🧁⚪
Both Dolores and Bruno having open eyes could be that they're the only ones with gifts that reveal the truth. Bruno can see into the future so he sees what will be true for someone. Dolores can hear everything so she always knows the truth about everyone around her.
I noticed on my first viewing that the cactus Isabela touches turns into a Hidden Mickey. It was *pretty obvious* if you ask me.
#prettyovbious
Ohh that was good
Why didnt i notice that 😭😭😭😭
Actually, I would say it is more of a hidden Minnie because of the flower on the "head".
What I also find interesting about Brunos vision that he had together with Mirabel, is that his vision is always completly green, no other colours, but with Mirabel the candle and the butterfly were yellow. I wonder, if this is due to her influence on the vision. 🤔
Fun Fact: In Disney Springs (Walt Disney World), there is an Encanto themed Christmas tree that has all the character doors, including Mirabelle’s. And her eyes on the door are also open.
I just finally got around to watching this movie and I absolutely fell in love with it so I am super excited to watch all of these videos with little details. I actually noticed pretty quickly in my first watch just how much Isabella looks like a young Alma, and in later watching I also noticed that Mariano looks an awful lot like Pedro. I think this is one of the reasons that Alma focuses so much on Isabella and is pushing so hard for the engagement. She sees in her the potential to have the life she wishes she and Pedro could have had together. There really is so much to unpack in this movie, the way the handle generational trauma and very real problems we all can relate to in the midst of this magical imagery is so beautiful... and the message that it wasn't magic, but love, acceptance, and supporting eachother is what the family really needed is a wonderful message.
Dolores: keeps the secret that Bruno is living in the walls for 10 years
Also Dolores: can’t wait until after dinner to reveal the vision
She probably wanted to ruin Mariano's proposal to Isabella because she is in love with him, and just seen revealing Bruno's vision as an opportunity to do so.
I'm gonna guess she tried to tell people but they shut her down, telling her to not mention that name or speak of him so eventually she gave up.
9
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Dolores starts talking about the prophecy Bruno gave her: "He told me that the man of my dreams//would be just out of reach//betrothed to another" and she goes on to sing "I can hear him now//I can hear him now". A lot of people seem to think in the latter part she is talking about Bruno and hearing him. She's not. She's talking about Mariano as he arrives at the house to propose to Isa, revealing that the man of Dolores's dreams whom Bruno predicted is Mariano
She repeats "I can hear him now" a phrase which could be referencing two people two times
It's in the background so I don't think it has do with repeating it cause it's a song
I actually thought everyone thought this.. didn't even think about Bruno at that point x)
@@cecilialh I was surprised too when I read that some people thought she was meaning Bruno when to me it was obvious she meant Mariano
A cool detail I noticed is how at the beginning of the movie, before Mirabel leaves her room and sings "The Family Madrigal" she removes a piece of pink string from her dress that was falling off and at the end when she runs away there's an identical pink string on a branch and that's how Abuela finds her. Mirabel customised the dress herself and the fact that Abuela is able to recognise that it's hers shows how she does care deeply about her and knows her well even if she doesn't show it often enough.
That's a really lovely observation - thank you for helping me to like Abuela a little bit more!
My idea about the doors imaging adult vs. young Antonio has to do with when the miracle faded. Since the future was unknown after a certain point, like how Bruno said it all depended on Mirabel, the house or miracle didn't know how things would end up. The doors show the characters at the age when the miracle broke, signifying a possible end. In contrast, the door at the end that shows the whole family could signify a new beginning.
Mirabelle's "I would" lines in waiting on a miracle all come true!
"I would move the mountains"
"make new trees and flowers bloom"
"I would heal what's broken"
"show this family something new"
Just a thought. Casita is a phoenix. It dies and is ''reborn''. The events of Encanto were always going to happen to some extent and the house, knowing it was going to die chose to use the time to heal rifts in the family. The cracks spreading everywhere wasn't a result of Abuela, but were the result of the house getting weaker. If so, this is going to happen over and over again untill there is no magic. The doors showed the ages of the people to whom they belonged because it could not see the future past its own death. Any doors in the new house look the same cause thats what they looked like in the old house. Just spitballin here. Sorry
BRUH
That’s a neat idea!😃
This is cool! The only part I don't agree with is the idea that it gets weaker with every rebirth until the magic's gone. A Phoenix regains all its original strength and power after its rebirth, I don't think Casita's power has to lessen or diminish for it to be a Phoenix. But I absolutely love the idea and it may be my new favorite headcanon.
@@Miss_Myth maybe it still has magic but the closer it comes to dying, it loses its ability to use magic. That would explain everybody losing their powers. This might also imply somehow that they need to stay near the house or their powers won't work.idk. like I said,spitballin here.
@Yulz i had thought of that and agree it may be attatched to a lifecycle, but i think it would be attatched to Abuela's husband(i forgot his name) rather than Abuela.
Does anybody think that when abuela either passes away or “passes the torch” to mirabel she will finally get a door? Or did she get one when casita was rebuilt and they just didn’t show it? (I know her doorknob was to the whole house showing her “gift”) but c’mon a girl needs a room!!
I love the fact that we are still talking about this movie. It is literally the most impactful movie I have seen in years.
Yeahhhh turning red didn't really have that much to talk about! :( I mean i loved both but i WANT an encanto 2, just the details and the way this was made cannot be expressed in words
The "open your eyes" thing is almost certainly intentional. Maybe it was the idea of the writers, but Lin loves stuff like this, so I could certainly see him coming up with that thread.
I got the distinct impression that Antonio is just not fond of strangers, or large crowds. He prefers the company of animals. I feel like all the gifts link to the person in some way. And how they are used prior to the miracle wavering, is just how Abuela decided it would most benefit the town.
Their gifts are like cutiemarks. And sometimes, you can read cutiemarks in different ways. ^^
After listening "We don't talk about Bruno" a million times, Dolores' line: "It's like I hear him now, I can hear him now." I believe refers to "the man of her dreams" which was the one approaching, Mariano. Tho I get that it may also refer to Bruno. lol.
I like these theories. I've thought a few of these to be the case. It's definitely no coincidence that the miracle comes back after Mirabel hugs Abuela
Regarding the pictures of the characters on their doors: I think the theory of Abuela's expectations being depicted and Mirabel's appreciation of Antonio as he is in that moment are also shown in the way Antonio's ceremony starts: Abuela (always) stands at the door, expecting the child to COME TO HER, to "meet" her expectaions, Mirabel COMES TO Antonio FETCHES and ACCOMPANYS HIM. Abuela expects each family member to play by her "rules", she is the person to decide how and what to do, Mirabel meets them where they are and tries to make them feel better
tl;dr Abuela and Mirabel show via their behaviour during Antonio's ceremony how they "treat" their family members in general
Did anyone else notice that Mariano is a bulked up version of "Abuelo"? So basically a younger version of Abuela (who looks really similar to Isabella) is supposed to get together with a younger version of Abuelo. Wow, Abuela really is trying to control the family even more than I thought.
The first time I saw Encanto, I had thought that the figure Mirabel was hugging in the vision was Abuela Alma (mostly because of the position of the candle, which looked to me to be around hip level - where Abuela usually carried it... also because the skirt the figure was wearing wasn't as flowing as Isabella's.) So when it resolved to be Isa, it was a definite "wait, what?" moment for me. Although in retrospect, it makes sense... like you said, per Bruno "Things are out of order." Strengthening her relationship with Isabella was a helpful "baby step" toward making amends with Abuela which in turn saved the miracle.
Wow, you just made me realise one more thing. I've noticed one connection - when Bruno has his vision, he takes Mirabel's hands to "see" better. He literally says "you may want to hang out". Now check this out. When Mirabel talks to Alma she does exactly the same gesture. When she leads abuela into the river, she says "I can finally see" and reaches out in the same inviting way Bruno did to her during the vision, ending up in Mirabel being the "seeing" one. It was clear to me for some time already (I mean, I've watched Encanto only some 2 weeks ago). But after watching your movie I thought - is that it or is there more into it. And guess what - this exact gesture of taking someone's hand happens every time, when someone reveals their secret pain to Mirabel! First after the part of "Surface Pressure" where Lisa comes back from the fact that she could have less pressure to the verse that the pressure keeps growing, they hold hands pretty much in the same manner (OK, in this case it's Luisa holding Mirabel, but the connection is clearly there, even though only "in song"). And then, when Luisa reveals how she's "sick of pretty" and Mirabel sings (surprise, surprise) "it's awesome to see how you rise", she offers the hands in the same manner and Isa accepts the gesture!
Taking into account everything else I heavily doubt it is just a happy coincidence.
I think it's a lot simpler than all that. Bruno just sees random snippets. That does not give him special insight. He's just guessing based on what he sees. What he sees is 100% accurate but his interpretation of what he sees isn't any better than anyone else could do. He absolutely saw Mirabel and Isabela hugging, and he just assumed that's all that needed to happen. In reality, that was just one little event in the middle of the whole process.
Three fun facts. One, in Columbian Culture, the squeak Dolores makes means she heard something she shouldn't have, because during a war they developed a way to communicate without speaking. Second, in Columbian culture, saying 'it looks like rain' to someone on their wedding day means you think their going to get a divorce, which is why Peppa got so upset. Third, Mirabels VA was in labor when she sang 'Waiting On A Miracle'.
I just noticed in the close up of the family with their doors, Abuela stands in the same position for everyone BUT Isabella!
Yeah true lol that was sad
One really cool thing I just recently noticed in Encanto is how in the scene at the end where they build up their home again, the man from We Don't Talk About Bruno who complained that his hair had fallen out has taken off his wig, which I think makes a really neat parallel to everyone embracing themselves as they are :)
Y'all's videos are mindblowing. Every time i watch a disney theory video from y'all, I'm astonished.
When I saw that his door was him as a kid after a few viewings I always was thinking it’s showing them how they will look when the miracle loses its power because the house can’t predict beyond that
The Film Theorists has a great video on why Dolores is actually trying to break the miracle, strongly recommended
Actually, i highly disagree. First, she didn't tell people about the cracks bc 1. They'd panic and 2. They'd all blame the cracks on mirabel. Secondly, she didn't tell em about Bruno because it could cause more harm than good to him. She said the vision thing in the table because compared to the secret she was keeping about Bruno, she had to let out ONE thing right? Not to mention, at the end, she's frowning because her gift is a curse to her. I respect the theory but i have to sadly say i strongly disagree.
@@maiabxtchhh Thanks for helping disprove Matthew. I would, but I’m so used to picking apart his videos to where I can’t enjoy them anymore. Haven’t been a consistent watcher in about 4 years
@@aionicthunder no problem i guess. Although yeah, i do support everything. Okay but he literally made a grub hub lore that they're all trapped. Mightve been a joke but dont ask me, im gullible :D
loved it
@@aionicthunder That stuff’s just for fun, as a lot of his theories are. I think it’s pretty easy to tell which ones he actually believes and which ones he’s just doing to have fun or look at the property from a different perspective.
I recently noticed in the song "We Don't Talk about Bruno" that if you listen really carefully during the ensemble part, you can hear Isabella in the background singing "He told me that my power would grow like the grapes that grow on the vine, I'm fine" followed by "he told me that the life of my dreams would be promised and someday be mine. And I'm fine, and I'm fine, and I'm fine fine fine" mirroring Delores's more frustrated singing of the same phrase.
At least that's what I hear. It's pretty soft so maybe I'm not hearing correctly
Here is something I realized this week that I've never seen anyone say. Encanto has a magic that is kept alive by a light in an upper window. Disneyland has a light on in Walt's apartment over the firehouse for the same reason. "Coincidence? I THINK NOT!" Bernie Kropp
Thank you, Bernie.
Recognized the quote but not the name and had to look it up. As my daughter said "Everyone just remembers him as 'Bernie'.
About Dolores knowing Bruno was still in casita, she explicitly says “I can hear him now” in the song.
I always hear him sort of muttering and mumbling
@@peterrabbitn787 That too, but it was covered in the video
@@Addcad oh.. still watching it and after reading the comment I felt like singing We don't talk about Bruno while watching the video 🙈😅
Yep it is a double meaning.
At first you are expected to believe she means Mariano. However when they interchange it between the other lyrics it ends up coming after the mention of Bruno in reference that Dolores can also her Bruno now.
You are expected to believe she means Mariano? I didn’t know that. She was talking about the vision Bruno gave her, and then says it’s like I can hear him now, I can hear him now! I never thought it had anything to do with anyone but Bruno. But maybe that’s just the writer in me - if you don’t mention another person by name the pronoun will continue to refer to the same person.
him: we have pictures of the doors when they were getting there gifts
me: yeah but who's to say that the pictures don't magically change to?
🤔
Another thing Dolores sings in WDTAB:
It’s like I hear him now.
I hear him now!
I CAN HEAR HIM NOW!
I generally just love you guy's videos and when you post ot makes my day
Have they commented on the fact that when the house rebuilds all the doors are blank again? I want to hear their theory on that.
If we go with the first theory/detail about the doros showcasing the expectation being what is on the door, Abuela's expectations are erased.
Assumably, the doors will now have to showcase the new guardian's expectations or maybe even the person with the power's expectations of themselves
They're all on the front door now.
It feels like this shows Pedro is who created the miracle. The family had to go back to the place of the creation for Pedro to see that the family is still together.
My first thought for why Antonio’s door is a child was that it showed the age they would be when the magic changed over to Mirabel. I like your theory too!
well i guess its not exactly something you missed but the golden butterfly is actually yellow and is symbolic not just inside the movie put to colombian literature specifically to Novel prize winner Gabriel Garcia Marquez one of the main tenets of Magical Realism and he uses yellow butterflies to simbolice life, magic and beauty. also the encanto is located on "el eje cafetero" the region of colombia were coffee is made the funny thing is the movie just combined a lot of different aspects of colombian culture into an specific place. people in the eje cafetero dont eat ajiaco, were ruanas or dance to vallenato all of this things are from different areas of the country. its like joining all of our country into a city its amazingly beautiful but quite weird.
Amazinggggg im early woo
Edit: about the first one, Antonio's door probably showed him as a child, the others' as teens, young adults (for isa and Dolores) and the old adults.i think casita was aware of when it would be destroyed, so it showed them as how they would look when the house died. Honestly, alma should've noticed that earlier
A friend and I have been discussing if there's a significance to the doors not yet having their carvings on them at the very end of the movie, like they're still "loading". In all other instances, they glow for a moment and reveal their carvings as soon as the character touches the doorknob, but in these scenes, they're glowing for a long time, and yet all the characters have their gifts back. I'm sure there's something to be said about the symbolism of the characters now getting to decide for themselves what they will be (hence the doors are waiting for them to come, touch the doorknob, and reveal something new), but it also leaves open the possibility that Mirabel will finally have her own room! Something the director sort of alluded to on Twitter, he mentioned in regards to this concern of fan's that there was something people hadn't noticed yet. Was what we hadn't noticed the blank doors? Just food for thought
okay before I finish watching this video let me say this this is something that I believe that the reason why Antonio's door shows him as a child is because he loses his gift when he's at that age I believe that the doors show how long they're going to have their gift before "the incident" happens and as you can clearly see at the end of the movie the doors are blank they are a blank canvas now I'm not sure if when they went to their doors and touched it I'm not sure if it's going to show them like before or if like Antonio and Camilo their doors showed them when they're older because there's not going to be another "incident" happening ever again.
Same, i didn't fully watch it yet and imma sleep now but imma continue tmrw, i think we both just wanted to get this fact out lol
@@maiabxtchhh yep
to be honest I believe that this could be real it could happen it's believable I just need people to hear me I need people to spread the word I need people to actually read it and agree with me
Yo I came to say this lol. Another thing that, in my opinion, backs this up is that it's not like they're all the same age either.
@@thetunebella6675 yeah
@@supersaturn0008 yeah
This is a SUPER tiny detail and it quite honestly might be nothing at all, but to further drive home the theory for Mirabel becoming the keeper of the miracle after Abuela’s passing, both Abuela and Mirabel say the phrase “Let’s go, let’s go!” At separate times during the film. Mirabel says it during the song “The Family Madrigal” at the very beginning of the movie. Abuela says it during the family breakfast as everyone is gathering to the table.
At first it probably seems like nothing to pay attention to (and it very well might not be), but both times the phrase is said it’s used in a similar way/ has a similar purpose: to gather/ corral/ direct the family for a moment. Abuelas moment is obvious, but while Mirabel is singing she says it during the part of the song when everyone is gathered together RIGHT before Abuela’s short singing bit of the song.
I happened to notice it on my own and I’m probably grasping at straws, but it really struck me and as we all know, Disney rarely does things by accident, the details run deep and carry meaning 99.9% of the time so maybe it means something idk😬
Btw you guys are precious and one of my favorite channels, keep doing what you’re doing☺️
Correct me if I'm wrong but I'm pretty sure Camilo's door also shows him as a child but that raises the question of why are Antonio and Camilo's door the only one to show them as children
Wait... But it shows him as a teen, he looks shorter so that the two faint figures above him (representing his gift) are more visible you know. Still, the smile doesn't look like teen camilo...
Maybe it's because of him being a Shapeshifter
It was confirmed that the people on his door weren’t all him, they were him shapeshifting
did you know mirabel do exact same thing in song in antonio ceremony the end of movie??
"she realy move mountians,make trees and flowers grow and she heal what's broken and show his family something new"
Mirabelle doesnt get a door, she gets an entire freakin house
During We don't talk about Bruno, when they perform the madrigal(the part where they sing on top of each other) You can hear Delores singing over and over that she is fine. Clearly trying to convince herself. Also if Pedro is Casita than I think the reason the house cracks is because the fighting is breaking his heart.
With Dolores knowing Bruno is there, i like to think the following: He just smashed the vision of Mirabel, and abandoned his room. He got settled inside the walls and remembered Dolores' Gift and gives a sad smile before saying "Dolores... i know you can hear me. Please.... don't tell your Abuela where i am. I love our family, but i can't help our family. If Abuela asks. Just say you heard me running into the forests of en Encanto."
My first thought on why Antonio's door shows him little after the showing of the other kids gift pictures was that Antonio will die little....less heartwarming than Ben's explanation lol
Definitely prefer the house to die. Makes you wonder if he will age on the new entrance door, or if any of them will age.
When Abdul dies will she disappear from the new door? How will the next generation be shown on the door(s)?
Are their images still on the individual doors?
I just assumed Antonio's door shows his current self because maybe he will always be in touch with his inner child for his whole life. Is that dumb?
Antonio's is NOT the only one whose door shows him at his current age. They ALL do. For proof of this, just look at Camillo's door. His doesn't show him as an adult, but in his current 15 year old state. His portrait door actually shows him as a child closer to 5 as well. So it seems more like a lazy mistake than a deliberate Easter egg. Unless you can think of a better explanation that is actually supported by the evidence you're showing.
I just watched Encanto. Yes, I know. What took me so long?
Anyway, we in the 21st century see Bruno's visions as holograms. But they didn't have holograms during the time period the movie was set in.
You see... way back in the mid 1980s, my friends and I tried making a hologram.
The early ones were green or red because of the laser color.
And we had a green laser of the right strength.
We had the medium to etch the hologram on.
An apple to be the object in the hologram.
And here is where it gets interesting...
We needed a large darkroom so we could space everything out, and...
Sand.
Lots and lots of sand to keep everything stable for an extended period of time.
Did it work for us? No. It was like trying to build a homemade pinhole camera, but...
Is it possible or even probable the animators took that early technique as inspiration for Bruno's vision sequence?
Mirabel means “Mira”: to look, and “bel” comes from the Latin root of beauty/beautiful. What she does really well is to SEE the goodness, the beauty, what’s to be celebrated in all people, highlighted by her green glasses (the color lime green being associated with vision in this movie). She literally lives her name everyday, and THAT is her gift.
about Deloris knowing about Bruno, during the table setting she knocks on the wall, suggesting she is letting him know it is almost dinner time
I'm going to watch the movie again rn
Theory: Mirabels gift is breaking things. Luisas
gift stopped working RIGHT AFTER Mirabel
talked to her. She broke isabellas unhappy
engagement, and actually WAS the one who
broke the house, and the miracle. But it
NEEDED to be broken so that the family could
come back together. Also, immediately when she got her gift she broke her door as her power manifested.
Mirabel: “I’m gonna wreck it”
If that's the case, it's a good thing Alma didn't realize that, because she would've blamed Agustín.
You guys are so genuine I always trust what you let sponsor you. I bought a Bespoke post box for my dad and he loves it and much like other UA-cam sponsors IT WASNT A SCAM. Could you guys do a lightsaber review?
At 14:35 when it shows the vision you can see something hanging on the hip of the person she need to embrace. The only person who wears things hanging from their hips like that is the grandma!!!! Am I just seeing things or does it look like the watch, key thing that she has on?
I’m only 1:33 min but just had to stop and say that the first time I watched Encanto (after the movie finished) I said to my partner that Isabella and young Alma looked almost identical and that in the vision I thought Mirabel was embracing young Alma in a sense because the magic didn’t crumble until Mirabel was the one to reject Abuela and it was only healed again after they spoke in the place that Abuelo died, so my interpretation of the vision was that Mirabel was helping Abuela see that it was okay not to be in stuck in survival mode anymore therefore allowing that inner part of her younger self to grieve and work through the trauma of losing her husband and to hopefully allow her to appreciate and see her children/grandchildren for who they are and how far the town has come as a whole now that she is no longer the person to shoulder the entire burden of protecting it from her trauma.
Ben, you’re blowing my mind with these cool details, and how much sense they make in the context of the story.
But the most ridiculously cool part of this video is the fact that ben made it through recording this entire thing without noticing that his right sleeve was slightly folded
There is another thing that has bothered me for a while, and I was hoping someone could help:
In Inside Out, is there any in universe reason that Riley's memories are in third person?
I remember hearing somewhere that Abuela's door changed at some point from "Alma" to "Abuela". I guess I just assumed that all the doors did that. and that maybe the magic made the doors in the photos change as well.
Also, Delores literally says in “we don’t talk about Bruno” that “I can hear him now”! SHE LITERALLY SAYS SHE CAN HERE BRUNO! It’s right after Isabella says “hey sis, I don’t want a sound out of you”
sorry, but that's not what she was talking about. To quote Delores' second part in the song: "He told me that the man of my dreams would be just out of reach, betrothed to another. It's like I hear him now. It's like I hear him now! I CAN HEAR HIM NOW!" She's singing about Mariano, as he's walking up to Casita with his mother.
@@taylorvanhorn5594 I always assumed she was talking about both of them
@@taylorvanhorn5594 If "He's Here!" can have a double meaning, then why not this?
@@mikeyhylton7160 assuming you're talking about what Abuela Alma said, no, he's here does not have a double meaning either. She was literally just letting everybody know that Mariano and his family had arrived.
@@mikeyhylton7160 stop being a stereotypical literature teacher! Not everything has to have a hidden meaning.
My little theory is that the age shown on the door is the age they would be when the house falls
I figured the pictures on the doors were when they understood their gift. Also I figured Maribel does have a power...she IS the candel...at least it's voice...she doesn't have a door so that her gift would overlooked.
Senora Pezmuerta was in the finale sequence of “We Don’t Talk About Bruno” for some reason. That has made me wonder if her role was originally bigger. Was she a former love interest of Bruno? No one else outside the immediate family is in the scene. It struck me as an odd inclusion.
And she’s replaced with Dolores at some point
Hmm well that seems possible, and if she did ever love Bruno... I think she had changed her mind after Bruno's vision about her and her goldfish. I do think she had more to do with everything then what was shown onscreen
I think it's been confirmed that the people in that sequence are the people who Mirabel's thinking about as she puts the vision back together.
0:54 "How come Antonio's door features him as a child whereas every other member of the family features them as their grown selves?" Because Mirabel held his hand and walked him to the door, not Abuella. Abuella views the children as their potential to help the town whereas Mirabel views them as they are. (wait.. didn't I get that theory from this channel? Now I am confused)
1:10 "Did Delores actually know that Bruno was there the whole time." I can't believe people are still questioning this. The answer to that question is in the song "We don't talk about Bruno. She says "I CAN always hear him muttering and stumbling." Not heard, not could hear. Can hear. Present tense.
Also: I highly recommend watching Film Theory's video about the true villain of Encanto: Delores. IMO it makes perfect sense and all of the presented evidence does seem to support the theory. :)
Man, I took a break from this channel, I was just a little carlin-saturated, wasn't vibing, but this was a great one to click back into, this movie is all up in my brain, of course I've seen the channel trend but still insight here reminded me why I've followed for years
I believe the delores does know that Bruno is there and she's the 1 feeding him
I don’t think there’s any “deeper meaning” to mirabel having to hug Isabella. It’s 100% Isabella not abuela. She had to hug her to find out that she was miserable due to her power which was BECAUSE of abuela. I think making that vision “abuela’s younger self” is doing too much. It’s really not that complicated.
Piggybacking on the idea that Dolores and Bruno's eyes being open represents that their gifts give them a deeper knowledge/understanding of the world around the everyone else:
Dolores' lyrics in We Don't Talk About Bruno show that she, like everyone else, grew up initially fearing Bruno because of his reputation. However, as her gift force her to 'open her eyes', she too has to grapple with knowing more than she should about everyone around her and bearing that burden. As an adult, she understands what he was going through better than anyone else even though Bruno hasn't been able to explain himself to her:
"It's a heavy lift, with a gift so humbling
Always left Abuela and the family fumbling
Grappling with prophecies they couldn't understand
Do you understand?
"
Her "Do you understand?" appears to me to even have a subtle desperation: She's not just asking if Maribel understands what she is saying about Bruno, but asking if Maribel understands her own burden. It's a cool moment, since the cousins don't get their own song, that we get to see her having similar needs to Isabella and Luisa for someone to understand and empathize.
16:22 lemme add onto this, it’s also that way because water has memory😉and because they’re hugging at the pond where Abuela once was, it shows a younger version of herself because water has memory😉
my theories:
1. mirabel didn't get a gift initially because: when you watch the scene at mirabel's ceremony, she holds the candle, wipes her hands on her dress, then touches the doorknob, causing the door to dissapear. during antonio's, he holds the candle, then immediately touches his doorknob, giving him his gift. mirabel just wiped off the magic.
2. mirabel is able to see the cracks in casita and has a closer bond with the house because she doesnt have a gift. while the rest of her family goes out to help the village, she has to stay behind at casita, and she spends more time befriending the house.
3. colors. one of the most obvious things to see are the facts that the different sides of the family wear different colors. abuela wears a purple-pink color, pepa's side wears orange/yellow, and julieta's side wears a more teal-blue pallete. bruno wears green, and is the only one wearing that color. his different color ties in with mirabels glasses, which are also green. that color couls represent how they both feel left out by the family. also, after isabela discovers who she really is and her dress changes to a dark blue to match her side of the family's colors, she is breaking away from abuela's perfect purple-pink world. isa's dress was initially a lighter kind of shade of abuela's dress.
4. isabela does look a lot like young abuela, and even wore her hair in the 2 braids( that young abuela always wore) when she was little. mariano looks a lot like pedro, which explains abuelas pressure on isa to marry mariano. she sees herself in isabela, and wants her to have the perfect life that she never got to have with pedro.
Something that I've personally thought ever since watching the movie for the first time, is that, at the end of the movie, where they get Casita back and that picture on the front door, that that door is actually Mirabelle's door. It has her at the forefront, showing what her gift is, leading the family and protecting them and the miracle. Whether that gift is from the candle or just a natural gift she has, either way. I believe this mostly because there's no depiction on the front door until after they rebuild the house.
7:00 basically, the Mirabell’s door didn’t disappear, it just started transferring the houses ownership to mirabell… of course, the stress and turmoil felt by mira and her grandmothers strict and callous outlook on her family started ripping the home apart.
Once granny farts a lot steps aside and pulls the stick out of her behind, things go back to normal with mira in charge now.
Magic doors, magic pictures! My evidence? Color photography wasn't exactly common when they escaped to that valley. The assumption is that there is NO contact with the outside. Do you imagine those refugees were hauling cutting-edge photographic equipment? I think not! The house provides the pictures and the MAGIC part of the pictures changes at the whim of Casita. But, you may say, we see them clearly taking pictures but that appears to be a classic black&white camera not uncommon at that time. Remember that they likely arrived at the turn of the century.
So... the humans take black and white pictures and Casita magics them to have color AND an appropriate door.