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Amazing video❤

Such a great trick to add to the DaVinci toolbox, thank you for sharing!

The Thumbnail for this clip, "How To Use The Project Manager In Adobe Premiere" needs a spelling adjustment.

Nice keyboard :)

Unable to download… can you please help?

Is there a difference to using the radial blur?

i need more tutorial rgb mixer

wow amazing

Really enjoyed the video, especially the part where you compare the Christmas morning scene. It's hard for someone to separate the lighting and camera and what the colonist is doing in post, but that section shows how colorists are making significant contributions to the narrative. bravo!

Very interesting. I learned so much from this video. Thank you. If I can ask a beginner question, you note that a look can have different impacts in different lighting conditions. Why not perform the look at a group level in that case, instead of at a timeline level? No doubt there’s a good reason not to, but I don’t understand that yet. Thank you.

BINGO!

wooooah

Feel like this is the first video on color that has really explained 'building a look' to me.

Think there is too much talking here in this video, would be much better if it was straight up the point step-by-step how to do this

Is it public or does anyone know wich exact this filter is or where do they decided to cut out the Visible Light, like 550, 600 or even 800nm? You mentioned that they had to manually desaturate the image, this could mean that they let a bit of Visible light thru, so maybe 530-600nm.

Hey Barrett, this is solid. Could you please explain in a future video how you setup your default Node Trees for both Clips and Timelines, and why? Also, what is the science/magic behind JP2499, and why do I not need to use a CST CAM>DWI and DWI>709 upstream with it? Thanks!

Thank you, this is exactly what I need for my current project. I'm shooting on anamorphic lenses and have a few VFX shots. Is it possible to combine the oval power window with the depth matte so get both blurring falling off into the corners and a depth of field blur as well? How would you lay out this node tree? I might combine it with the swirly bokeh to match the lens as close as possible

Love it!

While watching your video once I noticed you building the look in timeline space in Color page, how does that affect any of the Graphics or titles of the film and how do you deal with it, just need an information on it

Why the f shouldn't Lens Blur work as indented! just like all the other applications that have come in the last 25 years. That's wired.

good

Hello Barrett, I'm not getting any mail. Can you check please...!

Great video ! Can you tell me what monitor you are using as a reference monitor ? Or what do you recommend to buy now ?

thanks for the mail 🫶

love this niche knowledge, thanks, this is incredibly useful!

Beautiful insights Barrett, thank you

thanks that is great

Dear senpai, if you may, can you make a video on the grey + grey fix at 3:45? Would love to see how you tackle those mid greys and how you'd fix it. Keep the videos comin!

I use DaVinci Resolve Studio, when I select remote monitoring I get an OpenCL error. Maybe because I use a Sapphire NITRO+ Radeon RX 7900 XTX Vapor-X AMD 24 GB GDDR6 GPU? Do you know of any other features that don't work without Nvidia GPU?

Amazing explanation and tutorial. Could you please speak just a little bit slower? Just a touch slower 😊

i copy everthing but it's not working, i already subscribe to get the powergrade but it's now reaching my email

Great video, please remember that the chips DCTL is Rec 709, so to illustrate your point, you needed to put a CST node after the chips DCTL taking it from REC 709 to DWG then the JP_2499 node or DWG-REC 709 CST Node. That's why the vectorscope was all over the place.I hope I am making sense? Your point still made perfect sense.

Best example of achieving Anamorphic in DaVinci Resolve. Thank you

This is great man. Exactly what I've been looking for.

Dune was shot on spherical (Dune part 2 was on anamorphic)

this is years old , but proper to test this is to run a demanding game which utilizes gpu to 100% and plug it off. Anywho, this is a good ups.

Wonder if/when APC will release a Back-UPS Pro for Gaming, 2200VA/1320W variant for the US market/region... the US only has the 1500VA/900W variant, will we see an upgrade/revision just as the other regions have?

quick and to the point, great video thank you.

It seems like a great feature, but it does not work on my numpad (MX Keys S for Mac). Is there a setting I need to tick in DaVinci?

Could you please share your vectorscopes qnd RGB Chips settings so we can have a similar representation of the chips? I'm not getting lines coming from the center like you are. Thanks

Great 😮❤🔥

I love printer lights and also use an external num pad, but I changed the shortcuts for quarter printer lights. I never noticed the possibility to simply change the steps in the presets, that's clever! Thanks for this tip!

Hey such a good video, I been looking for this solution for a while! One question, cause I want his effect to work so bad. Copying your method with the 2nd input and a soft outside window, the effect looks great, but as soon as I press play resolve applies the tilt shit effect to the entire screen equally. Then I pause and the effect looks perfect again. Any idea what this is? It's almost like when it renders it actually falls apart and then unrendered cashe it looks perfect.

thank nobody has talked about before and you helped me

I shot a feature in anamorphic but had to later get some pickups for a couple establishing shots. And it wasn't feasible to spend $ on renting the anamorphic lenses again for these shots -- which were basically exteriors of a house and school. No one noticed in the edit that these 2 shots weren't anamorphic. But to me, it always stood out. So I've been looking for a solution to try and dial in an "anamorphic look" in post. I will definitely give this a try. Many thanks!!

that create a new project trick was really good. thank you!

Hey, I loved you video. It'd be great if you let us know how to mimic the look on our own using built-in tools of resolve, because I feel then it'd be great way of learning the entire curve of it and understanding it would give more flexibility to play with it

Brilliant lesson! My understanding of color correction has made a qualitative leap. I have not come across such a simple and clear explanation on the Internet. Huge thanks, like and subscribe!

This is an amazing tool. Thank you!

great work, really dig the simple explanation. could you provide us with the chart you used in this video thanks.