Barrett Kaufman
Barrett Kaufman
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Easy Shot Matching in Davinci Resolve with the Numpad (Keyboard Shortcut Tips and Tricks)
There are SO many Davinci Resolve users that don't know about this super simple trick for making shot-matching a quicker process. Getting a wireless numpad or even utilizing a full sized keyboard can significantly speed up the process of shot matching and give you more predictable results. I walk through the necessary settings as well as the customizations I use within Davinci Resolve. Printer lights and Offset is one of the simplest and most effective tools for getting better results in your project. While I love the Davinci Resolve Mini and Micro panels, this little $15 addition is an excellent accessory in the toolkit.
Check out my Free Resource Page
resources.revolutioncontent.com/resourcepage
Here are the keyboards mentioned in the video:
Mofii Numpad - www.amazon.com/gp/product/B09W2RB8XK/
Keychron Q12 Alice - www.keychron.com/products/keychron-q14-pro-alice-layout-qmk-via-wireless-custom-mechanical-keyboard?variant=40536317362265
GMMK Numpad - www.gloriousgaming.com/products/gmmk-numpad-keyboard
0:00 Intro
0:18 Showing the Solution
1:30 Numpad Walkthrough
3:29 Tips and Tricks
5:12 Numpad Options
Barrett Kaufman - Film Colorist
Instagram: barrett_kaufman
For business inquires reach out here revolutioncontent.com/#contact_us
Split-toning and how to use it as a building block in look development ua-cam.com/video/kATabRhkdFE/v-deo.html
Color Managment in 8 minutes ua-cam.com/video/bV2BQ5M-DUw/v-deo.html
Subtractive Color (Pt 1) ua-cam.com/video/IzVZEqmFaK0/v-deo.html
#davinciresolve #colorgrading #filmcolorist
Переглядів: 1 072

Відео

5 Questions with a Pro Colorist | Color Management, DRTs, Gear, and Creative LUTs in Davinci Resolve
Переглядів 68514 днів тому
Today we take your questions and get them answered! Also, make sure to check out my resource page for the free downloads mentioned in the video Free Resource Page resources.revolutioncontent.com/resourcepage 0:00 Intro 1. 0:28 (Building high quality creative LUTs) ...could you possibly create a tutorial on how to properly make a creative LUT? 2. 3:30 (Why node based color management is helpful)...
FINALLY an Anamorphic Style Edge Blur that WORKS in Davinci Resolve
Переглядів 9 тис.Місяць тому
Davinci Resolve has yet to implement solid progressive edge blur and lens blur to add character to the ends of frames but there is a sneaky solution that I want to share with you. You can find this type of blurring commonly on vintage lenses as well as anamorphics. This is also sometimes referred to as Petzval field curvature which is commonly seen as a problematic element in lenses, but occasi...
FURIOSA'S Brilliant Day-for-Night work | A behind the scenes look at Furiosa: A Mad Max Saga (2024)
Переглядів 5 тис.Місяць тому
Take a quick behind the scenes look at the stunning use of day for night color grading in Furiosa: A Mad Max Saga! So often in filmmaking we try to avoid day for night work because of the potential downsides, but George Miller, Simon Duggan, and the creative team managed to beautifully use the tools at their disposal to create excellent results. I got a chance to see this film in IMAX and I hop...
"Tonal Contrast" and Shot Matching, where do they go in the node graph pipeline? Davinci Resolve
Переглядів 1,4 тис.Місяць тому
I'm starting a new series of videos focused on getting your questions answered! In this video we discuss tonal contrast, sometimes called creative contrast and where it belongs in your color grading pipeline. We also discuss shot matching and how tonal contrast integrates with linear contrast when look at shots on a clip by clip basis. That said, when setting a high level look I do really like ...
3 Levels of Bleach Bypass: How to get the Look in Davinci Resolve from easy to complex
Переглядів 10 тис.2 місяці тому
3 Levels of Bleach Bypass: How to get the Look in Davinci Resolve from easy to complex
Emulate Film Characteristics with Split Toning for Look Development | Davinci Resolve
Переглядів 29 тис.2 місяці тому
Emulate Film Characteristics with Split Toning for Look Development | Davinci Resolve
How to use the RGB Mixer: Advanced Look-Building as a colorist in Davinci Resolve 19
Переглядів 13 тис.3 місяці тому
How to use the RGB Mixer: Advanced Look-Building as a colorist in Davinci Resolve 19
HOW TO COLOR A FEATURE FILM: Pro tips and tricks from a case study in Davinci Resolve
Переглядів 4,2 тис.3 місяці тому
HOW TO COLOR A FEATURE FILM: Pro tips and tricks from a case study in Davinci Resolve
the INSANE Infrared Cameras of Dune: Part Two (2024)
Переглядів 5 тис.3 місяці тому
the INSANE Infrared Cameras of Dune: Part Two (2024)
Oppenheimer Decoded: 5 secrets filmmakers need to know
Переглядів 8924 місяці тому
Oppenheimer Decoded: 5 secrets filmmakers need to know
How to setup an iPad Pro as Colorist for Remote Review with basic calibration
Переглядів 2 тис.6 місяців тому
How to setup an iPad Pro as Colorist for Remote Review with basic calibration
Remote color made SIMPLE with Davinci Resolve's Remote Monitor
Переглядів 3,5 тис.7 місяців тому
Remote color made SIMPLE with Davinci Resolve's Remote Monitor
IN-DEPTH Dehancer Review and Walk-through (Film Emulation Plugin for Davinci Resolve)
Переглядів 1,8 тис.10 місяців тому
IN-DEPTH Dehancer Review and Walk-through (Film Emulation Plugin for Davinci Resolve)
Free plugin DCTL for Davinci Resolve as a Clipping Checker: ClipSafe DCTL
Переглядів 10 тис.11 місяців тому
Free plugin DCTL for Davinci Resolve as a Clipping Checker: ClipSafe DCTL
PRO Colorist reviews Barbie vs Oppenheimer
Переглядів 583Рік тому
PRO Colorist reviews Barbie vs Oppenheimer
Everything Everywhere All At Once: Color Review (How to create other worlds in an INSTANT)
Переглядів 516Рік тому
Everything Everywhere All At Once: Color Review (How to create other worlds in an INSTANT)
It's not what you think....TOP GUN: MAVERICK Color Review
Переглядів 1,1 тис.Рік тому
It's not what you think....TOP GUN: MAVERICK Color Review
Free AI that TRANSFORMED my creative work as an artist
Переглядів 513Рік тому
Free AI that TRANSFORMED my creative work as an artist
Demystifying LUTs: What They Can and Cannot Do for Films
Переглядів 1,2 тис.Рік тому
Demystifying LUTs: What They Can and Cannot Do for Films
Color Management in under 8 minutes (Davinci Resolve)
Переглядів 1,3 тис.Рік тому
Color Management in under 8 minutes (Davinci Resolve)
The brutal cinematography of All Quiet On The Western Front: Color Review
Переглядів 3,4 тис.Рік тому
The brutal cinematography of All Quiet On The Western Front: Color Review
Subtractive Color Grading in Davinci Resolve (Part 3) including FREE Film Density plugin tutorial
Переглядів 8 тис.Рік тому
Subtractive Color Grading in Davinci Resolve (Part 3) including FREE Film Density plugin tutorial
Additive vs Subtractive Color Theory (Part 2)
Переглядів 4 тис.Рік тому
Additive vs Subtractive Color Theory (Part 2)
What is SUBTRACTIVE COLOR saturation? (Part 1)
Переглядів 2,5 тис.Рік тому
What is SUBTRACTIVE COLOR saturation? (Part 1)
4 Ways to Fix DEATH ON THE NILE
Переглядів 547Рік тому
4 Ways to Fix DEATH ON THE NILE
Secrets of The Batman
Переглядів 1,1 тис.Рік тому
Secrets of The Batman
Reduce RAW file sizes - Media Management tool in Davinci Resolve
Переглядів 8762 роки тому
Reduce RAW file sizes - Media Management tool in Davinci Resolve
Using Color Science To Save Time
Переглядів 9322 роки тому
Using Color Science To Save Time
Arrival won't leave me alone
Переглядів 5332 роки тому
Arrival won't leave me alone

КОМЕНТАРІ

  • @unclejezza
    @unclejezza 20 годин тому

    This is awesone - I didnt know this either!

  • @ConnorHu-l9h
    @ConnorHu-l9h День тому

    the infrared filter was a custom project done by the filter god Ron at Birns & Sawyer. same man who made the Nope infrared filter

    • @BarrettKaufman
      @BarrettKaufman День тому

      @@ConnorHu-l9h Very cool, thanks for the info!

  • @ElliotMillson
    @ElliotMillson День тому

    Love this technique! I only wish there was a way to map it to the gain wheel for linear gain adjustments, which I prefer for balancing.

    • @BarrettKaufman
      @BarrettKaufman День тому

      SAME bro...I may have to double check the custom shortcut settings... there might be a way to map gain

  • @Jeff_Lathrop
    @Jeff_Lathrop День тому

    Printer lights are awesome. For even more fine tuning, you can also use your mouse like a slider in the numerical RGB values of the primaries to make the same adjustments to RBG. Printer lights are really nice for cyan/magenta & yellow. Dang, that footage is great BTW and held up either way! Finally, adding blue vs subtracting yellow can yield wildly different results as well! Great video!

  • @richpence
    @richpence День тому

    Awesome tip!

    • @BarrettKaufman
      @BarrettKaufman День тому

      Thanks!

    • @richpence
      @richpence День тому

      @@BarrettKaufman this may be an obvious question, I’m new to color grading in DR. But is there a way, like with color warper, to pick a color from one clip, and have it auto correct another color on another clip to match? Specifically what I’m trying to do is make a LUT for applying the internal picture profiles of my camera to raw footage from the camera. I have a raw shot from my Sigma FP, with a color checker classic clear in frame, and then with the same settings and framing I have shot a sample of all the internal profiles, so I hope the color info needed is all there, but I am having a hard time trying to dial it all in to match by hand.

  • @badboujee
    @badboujee День тому

    so simple yet effective! great tip, thank you!

  • @TheVDAP
    @TheVDAP День тому

    I use StreamDeck for everything and I love it

  • @lennyforster
    @lennyforster День тому

    awesome!! did not know about this. will get one!

  • @martinphox
    @martinphox День тому

    Awesome!! I love it, when you go technical - wouldn’t mind a little more of this… One specific question: As a DP I‘ve been creating my own looks for a while. How would I go about creating Show LUTs for on-set monitoring with different cameras? I‘m mostly using Blackmagic cameras, but sometimes we also have to work with Sony or REDs. Additionally I‘m using a pre-made pulldown-LUT that I would have to combine with the creative show LUT.

    • @BarrettKaufman
      @BarrettKaufman 16 годин тому

      Yep! For an on set lut you would need to combine the creative choices and a technical transformation to display space Just make sure that you're happy with that transform, because you should probably also use it in the grade for consistency

  • @guyjinpop
    @guyjinpop 2 дні тому

    so to do both in your project settings do you keep the contrast curve to linear then apply the roll off via curves in high/Low soft? OR do S-Curve option and do the linear adjust with Lift and Gain to control both? The above aspect specifically talking about your Project settings in the cog wheel area

    • @BarrettKaufman
      @BarrettKaufman 16 годин тому

      Often I develop s curve contrast using the curves tool or a 3rd party plugin

    • @guyjinpop
      @guyjinpop 14 годин тому

      @@BarrettKaufmanthird party being DCTLs or dehancer I'm guessing?

    • @BarrettKaufman
      @BarrettKaufman 11 годин тому

      @@guyjinpop DCTLs seem the easiest solution at the moment

  • @putraadyatma7423
    @putraadyatma7423 6 днів тому

    what the difference between from alpha in and from second input? I tried the alpha in and dragged the mask alpha out to blur alpha in and it worked.

    • @BarrettKaufman
      @BarrettKaufman 3 години тому

      It's the difference between the blur fading with transparency or the blur increasing progressively Using the alpha inl is basically the same thing as the first example I show

  • @Sirhexoludio
    @Sirhexoludio 7 днів тому

    I know the video is 2 years old, any update on how it is now? was thinking of buying one can you recommend?

  • @2006akk
    @2006akk 7 днів тому

    subscribed

  • @pwanipost
    @pwanipost 8 днів тому

    Have struggled with split toning for a while and this just nailed it for me. Thank you so much for not complicating the process.

    • @BarrettKaufman
      @BarrettKaufman 8 днів тому

      @@pwanipost Thanks for letting me know!

  • @NINETY-97-SEVEN
    @NINETY-97-SEVEN 8 днів тому

    damn. earned a sub bro this is by far the best Blur tutorial out there. it looks so real!!

  • @JJKaliski
    @JJKaliski 10 днів тому

    Very informative video!

  • @deepmusic2456
    @deepmusic2456 10 днів тому

    If I am grading in 709 color space then I have to do trim pass for cinema projector in dci p3 how to do sir

  • @deepmusic2456
    @deepmusic2456 10 днів тому

    This movie grade in dci p3 or 709 if grade in 709 then how to trim pass for cinema projector dci p3

  • @n3wzzz_play
    @n3wzzz_play 12 днів тому

    How do u get the node with multiple inputs?

  • @raizanong
    @raizanong 12 днів тому

    Saw technique this from Cullen Kelly

  • @zachkaufman5254
    @zachkaufman5254 13 днів тому

    I’m really liking the Q&A like format as you respond to stuff - keep it up! 👍

  • @sander1068
    @sander1068 14 днів тому

    Like Josh said: what is a good place for finding high quality creative LUTS? Most of the 'high quality' ones I have actually require Arri Log-C or Red log as an input and output straight to rec709. Also Curious about the right workflow in using Davinci wide gamut intermediate

    • @BarrettKaufman
      @BarrettKaufman 14 днів тому

      If you are referring to the official Arri looks, they should also be available without the 709 transformation on Arri's website. There should be a version that stays within arri logc Just be aware that many of them will have exposure shifts

  • @outdoorsinontario3037
    @outdoorsinontario3037 15 днів тому

    Fun fun, well done!

  • @joshforth
    @joshforth 15 днів тому

    Hey great video! Do you have any recommendations on where to find quality LUTs?

    • @BarrettKaufman
      @BarrettKaufman 14 днів тому

      @@joshforth It's a struggle lol. I wish there was one great place to point to It's been a slow-process for me over time with testing and adjusting. Much of the time I'm just building my own In the future I hope to demo how I do LUT testing 👍🏻

  • @lennyforster
    @lennyforster 15 днів тому

    awesome!

  • @cinematic_monkey
    @cinematic_monkey 17 днів тому

    Try radial blur ;)

  • @cinematic_monkey
    @cinematic_monkey 17 днів тому

    I used to get bleach bypass by overlaying a black and white copy on top - in overlay mode. Wondering if it could give nice results in resolve. Love your channel. I'm working in post production for many years, but mostly in the VFX, less in grading so I would very much apreciate a basic tutorial on a modern colorist workflow within davinci wide gamut - I'm stuck in arrilog to rec709 workflow...

  • @synthcrazymtl414
    @synthcrazymtl414 17 днів тому

    I would like to thank you a lot for simply explaining this process and makes us actually want to use it. Also thanks for giving us for free those 2 power grades. You just won a new subscriber!

  • @markrobinson8254
    @markrobinson8254 19 днів тому

    ARE YOU KIDDING! ! the best

  • @JimRobinson-colors
    @JimRobinson-colors 20 днів тому

    I'm not understanding the first method why you have such a small amount of softness- it works like any graduation where the larger it is the more gradual it will go from origin to the outside of the oval. So you aren't limited to the shape or size, that power window can over reach - just zoom back - increase the softness, and increase the blur ( way past what you need ) and then resize the shape so you get the graduality that you require. Before we had OFX like tilt-shift etc. this procedure was done all the time. Not that it will look better than what you came up with, but a lot better than the first attempt, without the OFX. In most cases, we would also lower the gain slightly to help the eye trace

    • @BarrettKaufman
      @BarrettKaufman 18 днів тому

      Totally agree! The limited softness of the first example was to help demo the problem of using a blur and power window (not necessarily to show a solution)

  • @coin777
    @coin777 22 дні тому

    Damn. Thank You for this man! Looks great!

  • @itszeras
    @itszeras 24 дні тому

    Great video, i gotta save it for later

  • @timothyclark5900
    @timothyclark5900 24 дні тому

    Oppenheimer was my first time seeing true 70mm IMAX projection. I saw it at Universal Citywalk AMC in LA, the same theater where Nolan does his test screenings. The screen fills your entire vision. When the opening shot of that raindrop hit the screen in 70mm IMAX it was the most stunning and beautiful raindrop I had ever seen. My mind was blown. The format has such clarity, resolution, and color richness. And when the 'Can You Hear the Music' montage played I practically wanted to cry. I'm glad they did a truly photochemical process because the results clearly spoke for themselves. I wish more people made movies like this

  • @BarrettKaufman
    @BarrettKaufman 24 дні тому

    If you want a more in-depth explanation, click the related video in the title

  • @roberthayes
    @roberthayes 25 днів тому

    This set of tips are great. Thank you for sharing!

    • @BarrettKaufman
      @BarrettKaufman 25 днів тому

      Totally! Glad you found it helpful 🙌🏻

    • @roberthayes
      @roberthayes 25 днів тому

      @@BarrettKaufman Cool to see clips from Searching For the Elephant

  • @user-ty3ju4fn6q
    @user-ty3ju4fn6q 26 днів тому

    Is there a way to do it in Premiere? Thanks!

    • @BarrettKaufman
      @BarrettKaufman 26 днів тому

      I don't believe there is a native tool in Premiere that does this

  • @hersh_yt
    @hersh_yt 26 днів тому

    I developed my own anamorphic blur thing with lens distortion and lens blur, but your tilt shift technique made a huge improvement, we are suckers for anamorphic😋

  • @visionary_vega
    @visionary_vega 28 днів тому

    Might use this on part of my current project for a flashback scene 🔥

  • @me-jd7mu
    @me-jd7mu 28 днів тому

    mask did not work for me at first, it seemed to blur the white parts too but then i changed the key output offset to 0.5 and now it works.

    • @me-jd7mu
      @me-jd7mu 28 днів тому

      thank you btw this is a great solution

    • @shikaman
      @shikaman 11 днів тому

      Thanks for this comment ! Had the same issue and that 0.5 in the key output offset made it work !

  • @tommymejiaen
    @tommymejiaen 29 днів тому

    Ufff, awesome

  • @MassimilianoPrelli
    @MassimilianoPrelli 29 днів тому

    100th like, you deserve it

  • @JeiShian
    @JeiShian 29 днів тому

    This will save me sooo much time thanks

  • @JeiShian
    @JeiShian 29 днів тому

    You are One of the best teachers thanks

  • @JeiShian
    @JeiShian 29 днів тому

    Excellent explanation and useful lesson.. thanks

  • @sabecarles
    @sabecarles 29 днів тому

    The result of this technique is really incredible, thanks for the advice!!

  • @BarrettKaufman
    @BarrettKaufman Місяць тому

    If you're not getting the same results it's probably a settings issue in the Tilt Shift effect. Download the powergrade in the description which has everything setup (including the map input linked) or watch this short for additional info on the settings ua-cam.com/users/shorts2vxZ7mX1Eqg

  • @AustinAlimbuyuguen
    @AustinAlimbuyuguen Місяць тому

    I’ve been wondering about this recently! 🙏

  • @user-sw4hd9sy6r
    @user-sw4hd9sy6r Місяць тому

    Amazing! Thanks, man

  • @TrapPhoneLoveMelodiesss
    @TrapPhoneLoveMelodiesss Місяць тому

    I appreciate the energy and passion here but it was hard to follow. I think there were some steps skipped when it comes to setting up the node tree.

    • @BarrettKaufman
      @BarrettKaufman Місяць тому

      @@TrapPhoneLoveMelodiesss Thanks for the feedback 👍🏻 The powergrade is free to help ensure all your setup matches what I'm doing. Maybe give that a download and see if it helps

    • @BarrettKaufman
      @BarrettKaufman Місяць тому

      In case it's helpful, just uploaded this short with more info about the settings ua-cam.com/users/shorts2vxZ7mX1Eqg

  • @sebastianhilgetag
    @sebastianhilgetag Місяць тому

    I usually use "zoom blur" for this effect, but your method gives a bit more control over the characteristics! thank you for sharing this with everyone <3