I love printer lights and also use an external num pad, but I changed the shortcuts for quarter printer lights. I never noticed the possibility to simply change the steps in the presets, that's clever! Thanks for this tip!
Printer lights are awesome. For even more fine tuning, you can also use your mouse like a slider in the numerical RGB values of the primaries to make the same adjustments to RBG. Printer lights are really nice for cyan/magenta & yellow. Dang, that footage is great BTW and held up either way! Finally, adding blue vs subtracting yellow can yield wildly different results as well! Great video!
@@BarrettKaufman this may be an obvious question, I’m new to color grading in DR. But is there a way, like with color warper, to pick a color from one clip, and have it auto correct another color on another clip to match? Specifically what I’m trying to do is make a LUT for applying the internal picture profiles of my camera to raw footage from the camera. I have a raw shot from my Sigma FP, with a color checker classic clear in frame, and then with the same settings and framing I have shot a sample of all the internal profiles, so I hope the color info needed is all there, but I am having a hard time trying to dial it all in to match by hand.
I love printer lights and also use an external num pad, but I changed the shortcuts for quarter printer lights. I never noticed the possibility to simply change the steps in the presets, that's clever! Thanks for this tip!
Thanks man... Needed this video.
I like using my Stream Deck and Luke Ross’ presets.
I was using it, but switched to macbook pro. Need to buy a num pad! Great explainer video!
Printer lights are awesome. For even more fine tuning, you can also use your mouse like a slider in the numerical RGB values of the primaries to make the same adjustments to RBG. Printer lights are really nice for cyan/magenta & yellow. Dang, that footage is great BTW and held up either way! Finally, adding blue vs subtracting yellow can yield wildly different results as well! Great video!
Love it!
yeah i have been using this num pads for a while now
I use it all the time. I have the Mini Panel but still using print lights is much easier.
This is awesone - I didnt know this either!
👍🏻👍🏻
Love this technique! I only wish there was a way to map it to the gain wheel for linear gain adjustments, which I prefer for balancing.
SAME bro...I may have to double check the custom shortcut settings... there might be a way to map gain
so simple yet effective! great tip, thank you!
Glad it was helpful!
Awesome tip!
Thanks!
@@BarrettKaufman this may be an obvious question, I’m new to color grading in DR. But is there a way, like with color warper, to pick a color from one clip, and have it auto correct another color on another clip to match?
Specifically what I’m trying to do is make a LUT for applying the internal picture profiles of my camera to raw footage from the camera. I have a raw shot from my Sigma FP, with a color checker classic clear in frame, and then with the same settings and framing I have shot a sample of all the internal profiles, so I hope the color info needed is all there, but I am having a hard time trying to dial it all in to match by hand.
awesome!! did not know about this. will get one!
Great!
Can also use a proper professional keyboard that comes with numpad. Ideally backlit.
Razer Naga V2 Pro mouse : you have 12 buttons under your thumbs and assign them to any shortcut you want. Including num pad keys.
It seems like a great feature, but it does not work on my numpad (MX Keys S for Mac). Is there a setting I need to tick in DaVinci?
Shhht, don't tell him there are keyboards with an integrated Numpad!
When I see the color of the wall, I know it's a pro colorist.
Thanks!